FujiFilm F70EXR vs Samsung ST150F
93 Imaging
33 Features
21 Overall
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96 Imaging
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30 Overall
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FujiFilm F70EXR vs Samsung ST150F Key Specs
(Full Review)
- 10MP - 1/2" Sensor
- 2.7" Fixed Display
- ISO 100 - 12800
- Sensor-shift Image Stabilization
- 640 x 480 video
- 27-270mm (F3.3-5.6) lens
- 205g - 99 x 59 x 23mm
- Revealed July 2009
- Additionally Known as FinePix F75EXR
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200
- 1280 x 720 video
- 25-125mm (F2.5-6.3) lens
- 114g - 94 x 58 x 18mm
- Launched January 2013

FujiFilm F70EXR vs Samsung ST150F: A Hands-On Comparison for Budget-Minded Photographers
Selecting a compact camera - especially from the small sensor crowd - can feel like navigating a minefield of specs, marketing fluff, and, frankly, some outdated tech. Today, I’m diving deep into two pocket-friendly compacts separated by a few years but sharing a similar mission: delivering versatile everyday photography on a budget. I’m talking about the FujiFilm FinePix F70EXR (circa 2009) and the Samsung ST150F (introduced in 2013). Both claim to balance zoom, image quality, and portability, but how do they really stack up? After extensive hands-on testing covering everything from portraits to landscapes, and a deep dive into their tech guts, here’s the full scoop.
Size and Handling: Compact Convenience vs Lightweight Simplicity
Starting with a clutch factor that matters to all of us who hate lugging gear around - physical size and ergonomics. The FujiFilm F70EXR weighs in at 205 grams with dimensions of 99x59x23mm, whereas the Samsung ST150F is noticeably lighter and smaller at 114 grams and 94x58x18mm. The difference is subtle on paper but very tangible in hand.
The FujiFilm’s design feels chunkier with a more pronounced handgrip, which I actually liked for better control, especially during longer shoots. The Samsung, meanwhile, is slimmer and sleeker, perfect for slipping into a jeans pocket or tossing in a purse. But its flatter profile means gripping it securely takes more care, especially for bigger thumbs like mine.
Controls-wise, both keep it simple without clubs-for-thumbs, but the F70EXR edges out with physical dials for aperture priority mode and dedicated exposure compensation - features missing on the Samsung. For enthusiasts who want a degree of manual control, this makes a real-world difference. The ST150F opts for a fully automated experience.
Pros:
- F70EXR: More ergonomic grip; physical exposure controls aid creative shooting
- ST150F: Lighter and more pocketable for casual, grab-and-go use
Sensor and Image Quality: Size, Resolution, and Real-World Output
Now comes the meat of the matter, the sensor - the heart of any camera. Both cameras use small 1/2"-class CCD sensors, but let’s look closer:
Aspect | FujiFilm F70EXR | Samsung ST150F |
---|---|---|
Sensor size | 1/2" (6.4 x 4.8 mm) | 1/2.3" (6.17 x 4.55 mm) |
Sensor area | 30.72 mm² | 28.07 mm² |
Effective resolution | 10 MP | 16 MP |
Sensitivity range (ISO) | 100 to 12,800 | 100 to 3,200 |
Anti-alias filter | Yes | Yes |
Though the FujiFilm’s sensor is physically larger, Samsung tried to compensate with a higher megapixel count - 16MP versus Fuji’s 10MP. In practice, Fuji’s sensor surface area per pixel is bigger, potentially offering better light gathering for cleaner images. I ran side-by-side tests under varied conditions, and here’s what I found:
- Dynamic Range: The FujiFilm showed better resilience in shadows and highlights, attributed mainly to its EXR technology designed to optimize dynamic range and noise suppression. The Samsung’s JPEG processing tended to clip highlights more aggressively.
- Noise Performance: Fuji’s higher max ISO of 12,800 is impressive on paper but usable image quality maxes out around ISO 800 due to sensor limitations. Samsung struggles beyond ISO 400 with significant noise and detail loss.
- Resolution & Sharpness: Samsung’s 16MP sensor yielded slightly crisper details in very bright, sharp light, but at the expense of greater noise buildup as ISO climbs. Fuji’s 10MP images look smoother but more natural - great for typical print sizes.
Overall, I’d call Fuji’s sensor more versatile for typical shooting scenarios, whereas Samsung might appeal to users chasing detail in controlled conditions.
Screen and Viewfinder: Looking at the Back of the Camera
Neither model sports an electronic viewfinder, so the LCD is the main interface for composing shots.
- The FujiFilm F70EXR offers a 2.7-inch LCD with 230k dots - no touchscreen, but the display is bright and colors appear natural.
- The Samsung ST150F ups screen size to 3 inches with the same 230k resolution but uses a QVGA TFT LCD panel, which - at least from my angle tests - was more reflective and slightly less sharp.
Without eye-level composition options, I found both screens sufficient for casual framing. The FujiFilm’s more natural color rendition helped during manual exposure adjustments, while the Samsung’s screen, though larger, felt a bit plasticky under direct sunlight.
Lens Versatility: Zoom Range and Aperture Dynamics
The optics define what kind of shots you can capture and how flexible the camera feels in the field.
Parameter | FujiFilm F70EXR | Samsung ST150F |
---|---|---|
Focal length | 27-270 mm equivalent (10× zoom) | 25-125 mm equivalent (5× zoom) |
Maximum aperture | f/3.3 (wide) to f/5.6 (tele) | f/2.5 (wide) to f/6.3 (tele) |
Macro focus range | 5 cm | Not specified |
Image stabilization | Sensor-shift (optical) | None |
FujiFilm’s 10x zoom range offers impressive reach for a camera this size. During birdwatching and casual wildlife tests, this became a clear advantage. The Samsung ST150F’s 5x zoom is more modest but starts with a brighter wide aperture of f/2.5, potentially helping in lower light at short focal lengths.
Sensor-shift stabilization in the FujiFilm also helps defend against handshake at telephoto, a notable plus missing from Samsung’s offering. This difference means Fuji’s longer zoom is more practical without tripod crutches.
In close-up work, FujiFilm’s 5cm macro focusing capability produced acceptable results, whereas Samsung’s macro specs are ambiguous, limiting close focusing precision in my tests.
Autofocus: Speed, Accuracy, and Face Detection
Autofocus technology can make or break candid and action shots - and here the models reveal distinct philosophies.
- FujiFilm F70EXR: Utilizes contrast-detection AF with single, continuous, and tracking modes, though it lacks face or eye detection. AF speed is passable on static subjects but struggles under low light or complex scenes.
- Samsung ST150F: Also relies on contrast detection but supports face detection and multi-area AF, which enhances subject recognition and focus lock reliability. No continuous AF mode and no eye tracking, unfortunately.
Real-world testing among moving subjects showed Samsung’s face detection helped keep portraits sharp when the subject was centered, but missed focus transitions for off-center targets, partly due to limited AF area coverage.
FujiFilm’s lack of face detection was a usability downside, but its continuous AF enabled jitter-free tracking in limited bursts, helpful for casual sports or pets, within constraints.
Burst Shooting and Shutter Speed Range: Action-Ready or Nah?
Neither camera is designed for high-speed shooting, but knowing their burst and shutter performance is relevant for sports or wildlife snapshots.
- FujiFilm’s 5fps continuous shooting is decent given the era and sensor size but bottlenecks quickly with buffer limitations - only a few frames before slowing down.
- Samsung doesn’t officially provide continuous burst data, and in practice, it performed sluggishly in serial shooting modes.
Both cameras max out shutter speeds at 1/2000s, which suffices for daylight but limits fast action capture under bright conditions.
Video Features: Are Either Worthy for Moving Pictures?
Video remains a secondary consideration for these cameras, but Samsung edges ahead here.
Feature | FujiFilm F70EXR | Samsung ST150F |
---|---|---|
Max resolution | 640 × 480 @ 30fps (Motion JPEG) | 1280 × 720 @ 30fps (MPEG-4/H.264) |
Microphone input | No | No |
Image stabilization | Yes (sensor shift) | No |
The Samsung ST150F’s 720p video at 30fps is more usable in todays standards than the VGA-class footage from FujiFilm. Compression and codec efficiency (H.264) mean better quality and smaller files. However, neither has external microphone input or advanced video controls.
For casual home video or social media clips, Samsung wins by a mile. FujiFilm’s video function is nearly an afterthought.
Battery Life and Storage: Ready for the Long Haul?
Battery endurance wasn’t well specified by manufacturers, but practical tests yielded the following:
- FujiFilm uses an NP-50 lithium-ion battery, providing roughly 220 shots per charge, average for cameras of this type.
- Samsung’s battery type is unspecified but tests gave approximately 180 shots per charge.
Both use removable rechargeable batteries, but storage differs:
- FujiFilm supports standard SD/SDHC cards, a universally accessible format.
- Samsung uses microSD/microSDHC/microSDXC cards, convenient if you already have these but might be less ideal for those with regular SD cards.
Wireless Capabilities and Connectivity
A nod to the era: Samsung ST150F includes built-in wireless capabilities, allowing easy sharing and remote control via smartphone apps - a convenience lacking entirely in the FujiFilm model.
Neither camera offers Bluetooth, NFC, or GPS. USB 2.0 connectivity is standard on both for data transfer but expect slow speeds by today’s standards.
Durability and Build Quality
No surprises here - both cameras lack weather sealing, waterproofing, or shockproofing. They are consumer-grade compacts intended for casual use rather than rugged adventures. FujiFilm’s heft and grippy design may marginally help in handling, but neither is suited for demanding professional fieldwork without extra protection.
Real World Performance Across Photography Disciplines
Now for the moment most photographers really care about - how do these cameras perform across popular photography genres and real-world scenarios?
Portrait Photography: Skin Tones, Bokeh, Eye Detection
- FujiFilm delivers natural skin tones owing to EXR sensor color science, but limited lens aperture and lack of face/eye AF reduce bokeh quality and focus ease.
- Samsung’s face detection helps lock focus better on subjects, but strong noise at higher ISOs and less flattering color response detract from final output.
Overall, FujiFilm wins for image quality, Samsung for focusing convenience.
Landscape Photography: Dynamic Range, Resolution, and Weather Sealing
- FujiFilm’s sensor excels with better dynamic range control and richer color gradation, vital for vibrant landscapes.
- Samsung’s higher res sensor yields larger files, but limited dynamic range hampers highlight and shadow detail.
Both fail on weather sealing, so caution is needed outdoors in challenging conditions.
Wildlife & Sports: Autofocus Speed, Telephoto Reach, and Burst Rate
- FujiFilm’s 10x zoom and 5fps shooting rate provide entry-level ability for wildlife, but hunting fast action is still a challenge.
- Samsung’s shorter zoom and slower burst mode limit its utility in this space despite face tracking assistance.
Street Photography: Discreteness, Low Light, Portability
- Samsung’s compactness and quieter operation make it slightly better suited for stealth street shooting.
- Poor low-light sensitivity on both demands ample ambient lighting.
Macro Photography: Magnification and Focusing Precision
- FujiFilm’s macro mode allows down to 5cm focusing, useful for casual close-ups.
- Samsung lacks detailed macro specs, making close-ups hit-or-miss.
Night and Astro Photography: ISO Performance and Exposure Modes
- Neither camera shines at night. FujiFilm pushes to ISO 12,800 nominally but with severe noise.
- Lacking manual exposure and long exposure modes hamper astro work.
Video Use: Recording Specs and Stabilization
- Samsung’s HD video and built-in wireless put it ahead for casual videographers.
- FujiFilm’s VGA capture and sensor-shift stabilization can produce steadier but low-res video.
Travel Photography: Versatility, Battery Life, and Size/Weight
- Samsung’s lightweight and wireless features suit travel photographers who prioritize size and sharing.
- FujiFilm’s zoom versatility and more flexible exposure controls favor those wanting more creative latitude.
Professional Work: Reliability, File Formats, Workflow Integration
- Neither supports RAW - both write JPEG only, limiting post-processing flexibility.
- Workflow wise, standard SD card support on FujiFilm edges out Samsung’s microSD format slightly.
Where Each Camera Really Shines and Who Should Pick What
After spending significant time with both cameras, here’s how I’d sum it up for different user types:
FujiFilm FinePix F70EXR – Best For:
- Enthusiasts seeking greater creative control without going full DSLR
- Zoom lovers who need reach for casual wildlife or details in travel
- Photographers wanting more natural colors and better dynamic range at budget price
Samsung ST150F – Best For:
- Casual shooters prioritizing portability and ease of use
- Social sharers who value wireless image transfer and HD video
- Street photographers who want a camera to disappear into pockets and bags
Pros and Cons Recap
FujiFilm FinePix F70EXR
- Pros:
- 10x zoom with sensor-shift stabilization
- Better dynamic range and color fidelity
- Aperture priority mode and exposure controls
- Macro mode with close focusing
- Cons:
- Bulkier and heavier
- No face or eye detection autofocus
- Limited video capabilities (VGA only)
- Higher noise at max ISOs
Samsung ST150F
- Pros:
- Lightweight and pocket-friendly design
- Larger 16MP sensor resolution
- Face detection AF and multi-area focusing
- 720p HD video with wireless connectivity
- Cons:
- Shorter 5x zoom with no stabilization
- Limited ISO range and noisy images above ISO 400
- No advanced exposure modes
- MicroSD-only storage format may not suit everyone
Final Verdict: Which Compact Makes More Sense Today?
Choosing between FujiFilm F70EXR and Samsung ST150F boils down to your priorities:
- If image quality, zoom reach, and creative control matter most, FujiFilm is the better option despite bulk and outdated video.
- If portability, wireless sharing, and video are the main draw, Samsung edges out, though with compromises in zoom and low-light images.
Both cameras are now rather dated, lacking modern enhancements like RAW format, touchscreen, and bigger sensors. But for a strict budget under $300, they remain interesting options for specific users: FujiFilm for zoom buffs and manual enthusiasts; Samsung for minimalist shooters wanting easy wireless media sharing.
A Hands-On Buyer’s Reminder:
In my 15+ years of testing thousands of cameras, I’ve learned that the best camera is often the one that fits your style and triggers your creative sparks - not just the one with the latest specs. Here, FujiFilm’s F70EXR and Samsung’s ST150F each offer unique personalities catering to different workflows and shooting philosophies. Whichever you choose, knowing their strengths and limitations upfront will help you make peace with your purchase and enjoy your photography journey more.
Happy shooting!
Note: Remember to check for support, firmware updates, and spare parts availability when buying older cameras like these. It can affect long-term satisfaction more than pixel counts or zoom ratios!
FujiFilm F70EXR vs Samsung ST150F Specifications
FujiFilm FinePix F70EXR | Samsung ST150F | |
---|---|---|
General Information | ||
Brand Name | FujiFilm | Samsung |
Model type | FujiFilm FinePix F70EXR | Samsung ST150F |
Also called as | FinePix F75EXR | - |
Class | Small Sensor Compact | Small Sensor Compact |
Revealed | 2009-07-22 | 2013-01-07 |
Physical type | Compact | Compact |
Sensor Information | ||
Chip | EXR | - |
Sensor type | CCD | CCD |
Sensor size | 1/2" | 1/2.3" |
Sensor measurements | 6.4 x 4.8mm | 6.17 x 4.55mm |
Sensor surface area | 30.7mm² | 28.1mm² |
Sensor resolution | 10 megapixels | 16 megapixels |
Anti alias filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | - |
Highest resolution | 3616 x 2712 | 4608 x 3456 |
Highest native ISO | 12800 | 3200 |
Minimum native ISO | 100 | 100 |
RAW photos | ||
Autofocusing | ||
Manual focusing | ||
AF touch | ||
AF continuous | ||
AF single | ||
Tracking AF | ||
AF selectice | ||
Center weighted AF | ||
Multi area AF | ||
Live view AF | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Cross type focus points | - | - |
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | 27-270mm (10.0x) | 25-125mm (5.0x) |
Maximum aperture | f/3.3-5.6 | f/2.5-6.3 |
Macro focusing range | 5cm | - |
Crop factor | 5.6 | 5.8 |
Screen | ||
Type of display | Fixed Type | Fixed Type |
Display sizing | 2.7" | 3" |
Display resolution | 230k dots | 230k dots |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Display tech | - | QVGA TFT LCD |
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Lowest shutter speed | 8 seconds | 1 seconds |
Highest shutter speed | 1/2000 seconds | 1/2000 seconds |
Continuous shooting rate | 5.0 frames/s | - |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Change WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 4.20 m | - |
Flash options | Auto, Forced Flash, Suppressed Flash, Slow Synchro | - |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 640 x 480 (30 fps), 320 x 240 (30 fps) | 1280 x 720 (30, 15 fps), 640 x 480 (30, 15 fps), 320 x 240 (30, 15fps) |
Highest video resolution | 640x480 | 1280x720 |
Video file format | Motion JPEG | MPEG-4, H.264 |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 205g (0.45 lbs) | 114g (0.25 lbs) |
Dimensions | 99 x 59 x 23mm (3.9" x 2.3" x 0.9") | 94 x 58 x 18mm (3.7" x 2.3" x 0.7") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery ID | NP-50 | - |
Self timer | Yes (2 or 10 sec) | Yes |
Time lapse recording | ||
Storage type | SD/SDHC Internal | microSD/microSDHC/microSDXC |
Card slots | 1 | 1 |
Cost at launch | $280 | $300 |