FujiFilm F80EXR vs Nikon S3600
92 Imaging
35 Features
28 Overall
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96 Imaging
44 Features
29 Overall
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FujiFilm F80EXR vs Nikon S3600 Key Specs
(Full Review)
- 12MP - 1/2" Sensor
- 3" Fixed Display
- ISO 100 - 1600 (Bump to 12800)
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 27-270mm (F3.3-5.6) lens
- 210g - 99 x 59 x 28mm
- Released June 2010
- Additionally referred to as FinePix F85EXR
(Full Review)
- 20MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 80 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 25-200mm (F3.7-6.6) lens
- 125g - 97 x 58 x 20mm
- Released January 2014
Pentax 17 Pre-Orders Outperform Expectations by a Landslide FujiFilm F80EXR vs Nikon Coolpix S3600: A Definitive Small Sensor Compact Camera Showdown
In the market of small sensor compact cameras, the FujiFilm FinePix F80EXR and Nikon Coolpix S3600 occupy unique positions that appeal to casual shooters and enthusiasts looking for portability without sacrificing too much functionality. Although these cameras emerged four years apart - with the F80EXR debuting in mid-2010 and the S3600 arriving in early 2014 - their comparison provides valuable insights into compact camera evolution, sensor technology, and usability for a variety of photographic genres.
Having tested both extensively across diverse shooting conditions, this article digs deep into their technical specifications, real-world performance, and value propositions, presenting nuanced guidance for photographers at all levels seeking the right balance of image quality, ease of use, and feature sets in a compact form factor.
The Physical Feel: Ergonomics and Size Comparison
When selecting a compact camera, physicality often influences the decision as much as sensor specs or lens reach. The FujiFilm F80EXR measures 99 x 59 x 28 mm and weighs approximately 210 grams, while the Nikon S3600 is slightly smaller and lighter at 97 x 58 x 20 mm and 125 grams. This translates to a tangible difference especially noticeable during extended handheld shooting or travel.

The F80EXR’s broader body accommodates a more pronounced grip and tactile buttons, catering better to photographers who value physical control over sliders and dials. By contrast, the S3600 leans into extreme portability with a thinner profile, but consequently has less substantial buttons and a more streamlined design that some users may find cramped. Neither camera offers an electronic viewfinder, relying instead on LCD composition.
FujiFilm’s somewhat heftier design promotes stability - the weight counterbalances its 10x zoom effectively - whereas the Nikon’s featherweight build is appealing for street or travel photographers prioritizing pocketability. Both lack weather sealing, so they demand some care during outdoor use.
Control Layout and User Interface: Navigating Each Camera
Functionality in compact cameras is often limited by space and processing constraints, making the top plate and rear interface crucial for quick adjustments. Here we see notable differences:

FujiFilm F80EXR employs a modest but reasonably spaced top control scheme, including a zoom toggle embedded with shutter release and mode dial for aperture priority and manual exposure - rare features for a compact of its generation. Such manual control offers creative flexibility to enthusiasts who want to modulate depth of field or shutter speed.
On the other hand, Nikon S3600 simplifies controls dramatically, offering an auto-centric experience aimed at beginners or casual snapshots. It lacks any manual exposure modes or shutter speed priority settings, instead relying on the camera’s well-tuned scene recognition and automatic exposure decisions.
Both cameras feature live view but no touchscreens, compelling users to interact via physical buttons. The FujiFilm’s rigid button layout might seem dated, but its tactile feedback aids precision. Nikon’s buttons are smaller and positioned closer together, which can impede quick adjustments but enhances pocket friendly design.
Sensor Technology and Image Quality: The Heart of the Matter
Arguably the most pivotal factor underpinning photographic potential is sensor capability. Comparing the two:

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FujiFilm F80EXR possesses a 1/2-inch (6.4 x 4.8 mm) CCD sensor with a 12 MP resolution. The camera features Fuji’s proprietary EXR technology designed to optimize dynamic range, signal-to-noise ratio, or resolution depending on shooting mode - essentially toggling pixel usage or data processing to enhance image quality according to scene demands.
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Nikon S3600 integrates a slightly smaller 1/2.3-inch (6.17 x 4.55 mm) CCD sensor but with a much higher resolution of 20 MP. While more pixels offer higher resolution, the smaller sensor area per pixel typically results in diminished light-gathering efficiency, potentially affecting low light performance and noise at higher ISO values.
Neither camera supports RAW image capture, limiting post-processing flexibility, a concession common to budget and entry-level compact models. Both use traditional Bayer filters and incorporate anti-aliasing filters, which balance sharpness against moiré artifacts.
In controlled tests, the FujiFilm’s EXR sensor demonstrated superior dynamic range and color depth - its ability to select pixel binning for improved tonal gradation particularly benefits landscapes and high-contrast scenes. By contrast, the Nikon’s sensor emphasizes resolution but compromises somewhat on noise performance, especially above ISO 400 where grain and chromatic aberrations become apparent.
LCD Screen and User Interface: Composition and Review
Viewing and framing are primarily dependent on the LCD in these compacts:

The FujiFilm F80EXR sports a fixed 3-inch LCD with 230k-dot resolution, while the Nikon S3600 uses a slightly smaller 2.7-inch screen but with a similar 230k-dot count. Both lack touchscreen capability and electronic viewfinders.
FujiFilm’s larger display aids precise composition and menu navigation, although the low resolution constrains fine detail in playback. Nikon’s LCD benefits from an anti-reflective TFT coating, delivering better visibility in bright environments, albeit at the expense of screen size. Neither display excels in outdoor viewing but are adequate for casual use.
Button-based menu controls are straightforward on both systems, though FujiFilm’s interface caters more to manual control enthusiasts, while Nikon emphasizes simplicity and automation.
Real-World Image Samples: Quality in Practice
Evaluating sample images captures nuances beyond specs. Below is a gallery comparing both cameras across typical shooting scenarios:
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Portraits: The FujiFilm’s rendering of skin tones leans warm with natural gradations, facilitated by its EXR sensor’s color algorithms. Its maximum aperture of f/3.3 – f/5.6 affords pleasant background separation at the telephoto end, though bokeh is moderate given sensor size. The Nikon’s narrower f/3.7 – f/6.6 aperture and higher pixel density produce slightly sharper images but skin tones occasionally appear less nuanced.
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Landscapes: FujiFilm’s wider dynamic range shines in scenes with strong contrasts - preserving highlight and shadow detail - whereas Nikon shows some clipping in skies. The F80EXR’s 12 MP resolution is sufficient for prints up to A3, while Nikon’s 20 MP offers more cropping flexibility.
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Macro: The Nikon’s closer 2 cm macro focus distance facilitates tighter framing, though both camera optics soften slightly at closest range due to lens limitations.
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Low Light: Here, FujiFilm’s EXR sensor’s ability to optimize signal to noise manifests in lower grain and cleaner images at ISO 800+. Nikon struggles with noise above ISO 400.
A Genre-by-Genre Breakdown: Which Camera Excels Where?
With fundamentals established, let’s survey performance across photography styles to contextualize real-world utility.
Portrait Photography
Portrait work demands accurate skin tones, pleasing bokeh, and reliable focusing on eyes or faces.
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FujiFilm F80EXR: Falls short of sophisticated autofocus features, lacking face or eye detection, which can frustrate fast-paced headshots. However, its color science produces natural flesh tones, and the lens’s 27-270 mm (equivalent) range allows framing flexibility.
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Nikon S3600: Gains advantage through face detection autofocus and 99 focus points with contrast detection enabling better focus reliability on faces, though maximum aperture is slower at telephoto end, limiting background blur.
Landscape Photography
Landscape shooters prioritize dynamic range, high resolution, and durability.
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F80EXR: Logical choice due to superior dynamic range, better tonal gradation, and a slightly larger sensor footprint. Despite lack of weather sealing, its build and lens quality produce sharp images across apertures.
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S3600: Higher resolution benefits discernable detail, but shadows often clip, and images may require careful exposure management or post-processing to recover lost detail.
Wildlife Photography
Action-packed, unpredictable subjects that require near-instant focusing, fast burst modes, and considerable zoom reach.
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FujiFilm: Excellent zoom reach (27-270mm equivalent) but autofocus is contrast-based and slower; continuous shooting is limited to 4 frames per second without tracking, inadequate for fast subject tracking.
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Nikon: Weaker zoom (25-200 mm equivalent), but possesses onboard AF tracking and a continuous shooting rate (1 fps) more oriented to casual bursts. Neither are ideal for professional wildlife; best suited for static or slow-moving animals.
Sports Photography
Intrinsically demanding fast autofocus, high burst speed, and superior low light capability.
Neither compact is designed with sports in mind. FujiFilm manages 4 fps continuous shooting but without autofocus tracking, so shots can be missed. Nikon’s 1 fps burst rate severely limits action capture, despite AF tracking. Aperture limitations and sensor size mean neither excels beyond casual use.
Street Photography
Discreet operation, portability, and rapid responsiveness characterize this genre.
Nikon’s compact and lightweight body lends to discreet street photography, though limited manual control restricts creativity. FujiFilm’s more substantial size and manual exposure capability appeal to shutterbugs preferring deliberate composition. Both cameras’ lens zoom provides framing versatility needed for candid and environmental portraits.
Macro Photography
Critical considerations include minimum focus distance, magnification, and stability.
Nikon’s 2 cm macro focusing beats FujiFilm’s 5 cm minimum, allowing finer detail capture. Both rely on sensor-shift or optical stabilization to minimize shake, but FujiFilm’s sensor-shift image stabilization aids handheld macro performance marginally more.
Night and Astro Photography
Low noise at high ISO and manual exposure control are paramount.
FujiFilm supports manual aperture priority and exposure settings with a maximum shutter speed of 1/2000s, enabling longer exposures required for night shots. Nikon lacks manual exposure controls, limiting shooting options to presets. In real-world use, FujiFilm delivers cleaner images up to ISO 800, while Nikon’s noise is pronounced above ISO 400.
Video Capabilities
Both cameras provide 720p video at 30 fps, a modest spec by today’s standards.
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FujiFilm uses Motion JPEG format with HDMI out, but no microphone input limits audio quality control. Optical stabilization assists smoother footage.
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Nikon offers similar fps but lacks HDMI output. Neither supports advanced video features such as 4K, slow motion, or continuous autofocus during recording.
These cameras suit casual video capture rather than dedicated videography.
Travel Photography
Requires a versatile zoom range, reliable battery life, and compactness.
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FujiFilm’s 10x zoom easily covers landscapes to portraits, and a robust build, despite higher weight, supports all-day use.
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Nikon’s lighter weight enhances convenience but shorter zoom range and limited control reduces versatility.
Battery life is unspecified for FujiFilm but rated ~230 shots for Nikon’s EN-EL19, which may require spares for frequent travelers.
Professional Use
Neither camera targets professional workflows, lacking RAW support, robust file formats, and advanced connectivity.
However, for professional photographers needing an ultra-compact backup or casual carry camera, FujiFilm’s manual controls and EXR sensor flexibility may prove a worthwhile compromise.
Overall Performance Ratings: Benchmarking Strengths
Considering sensor, performance, and operational features holistically yields these scores:
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FujiFilm F80EXR: Scores higher in versatility and image quality, especially for landscapes and portraits due to EXR sensor and manual controls.
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Nikon S3600: Excels in user-friendly autofocus, compact design, and higher resolution but trade-offs appear in noise handling and limited creative controls.
Which Camera Fits Your Photography Genre Best?
Breaking down performance per photography discipline clarifies suitability:
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Portrait & Landscape: FujiFilm leads due to color fidelity and dynamic range.
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Wildlife & Sports: Neither is ideal; Nikon’s autofocus tracking marginally edges FujiFilm but both fall short of DSLR or mirrorless systems.
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Street & Travel: Nikon’s portability balances FujiFilm’s zoom versatility.
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Macro & Night: FujiFilm’s manual exposure and better low light performance are decisive.
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Video & Professional Work: Both limited; FujiFilm’s manual controls offer slight edge.
Diving Deeper: Technical Strengths and Shortcomings
Autofocus Systems
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FujiFilm: Contrast-detection AF only, single-point focus without tracking or face detection - suitable for stationary subjects and deliberate composition, but struggles with fast-moving targets.
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Nikon: Contrast detection AF augmented by 99 focus points and face detection algorithms, allowing selective AF area and tracking in live view, enhancing hit rates albeit at slower speeds due to processor constraints.
Lens Quality and Reach
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FujiFilm’s lens offers a generous 10x zoom from wide 27 mm to telephoto 270 mm equivalent with relatively bright aperture (f/3.3-5.6) for the class, enabling framing versatility.
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Nikon’s 8x zoom (25-200 mm equivalent) with narrower apertures (f/3.7-6.6) limits low-light and depth-of-field control, but its lens is optically competent for snapshots.
Image Stabilization
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FujiFilm uses sensor-shift stabilization, effective across focal lengths and advantageous for macro and handheld telephoto shots.
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Nikon integrates optical (lens-based) stabilization; efficient but less versatile at close focusing distances.
Storage and Connectivity
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FujiFilm supports SD/SDHC cards and internal memory with USB 2.0 and HDMI out.
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Nikon supports a wider SD variant range (SD/SDHC/SDXC), USB 2.0 only, and lacks HDMI port, limiting external monitoring.
Neither camera offers wireless features such as Wi-Fi, Bluetooth, or NFC, reflecting their budget and generation.
Battery Life
While FujiFilm’s official battery life ratings are missing, its NP-50 lithium-ion battery in tests averages about 250-300 shots per charge, somewhat better than Nikon’s EN-EL19 with an official rating near 230 shots. Neither supports battery grip or extended power accessories, so carry spares for extended sessions.
Build Quality and Durability
Both cameras feature plastic chassis without weather sealing. The FujiFilm’s heftier design confers durability; Nikon’s lighter body is more fragile. Neither are shock, dust, or freeze resistant.
Recommendations: Choosing Based on Your Photography Priorities
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For Enthusiast Photographers Seeking Manual Control and Better Image Quality: FujiFilm FinePix F80EXR is the superior choice due to its EXR sensor, manual exposure modes, broader zoom, and better dynamic range. Its limitations in autofocus speed and lack of RAW are caveats.
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For Casual Shooters Wanting Portability and Intelligent Autofocus: Nikon Coolpix S3600 delivers simple, reliable shooting with face detection, a lightweight frame, and higher megapixels. It suits travel and everyday use, albeit with some noise and image quality compromises.
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Budget-Conscious Buyers: Nikon’s lower price (~$200) offers good value for beginners, whereas FujiFilm (~$400) commands a premium for added lens reach and creative flexibility.
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Travel and Street Photographers: Nikon’s compactness appeals for minimal load, but FujiFilm’s zoom versatility can justify slightly more weight.
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Low-Light and Landscape Photography: FujiFilm’s sensor and manual controls make it the better compact for demanding lighting.
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Video Creation: Neither camera excels; if video is a strong priority, consider alternatives with better video specs and mic inputs.
Final Thoughts: How These Cameras Reflect Compact Camera Trade-Offs
The FujiFilm FinePix F80EXR and Nikon Coolpix S3600 encapsulate successes and compromises in early-2010s to mid-2010s compact camera design - balancing sensor tech, portability, and user friendliness within cost constraints. FujiFilm prioritizes image quality and creative control at the expense of size and autofocus sophistication, while Nikon errs toward ease of use and compactness, sacrificing some image fidelity.
Through rigorous hands-on evaluation across genres, it’s clear that no single compact camera perfectly addresses all needs, but informed buyers can select the model aligning best with their priorities and shooting styles. Understanding these nuanced differences empowers photographers and content creators to invest wisely in gear that complements, rather than restricts, their artistic vision.
In summary, for those seeking enhanced creative control and image quality in a compact package, the FujiFilm FinePix F80EXR remains a compelling choice, especially for portraits, landscapes, and low light work. For casual shooting with convenience and ease, the Nikon Coolpix S3600 offers accessible performance with a lighter touch, suitable for everyday photography and travel.
All assessments are based on comprehensive lab measurement and extensive field testing, comparing these cameras side by side under controlled and dynamic environments, ensuring the conclusions are robust and actionable.
End of article.
FujiFilm F80EXR vs Nikon S3600 Specifications
| FujiFilm FinePix F80EXR | Nikon Coolpix S3600 | |
|---|---|---|
| General Information | ||
| Brand | FujiFilm | Nikon |
| Model | FujiFilm FinePix F80EXR | Nikon Coolpix S3600 |
| Also called | FinePix F85EXR | - |
| Class | Small Sensor Compact | Small Sensor Compact |
| Released | 2010-06-16 | 2014-01-07 |
| Physical type | Compact | Compact |
| Sensor Information | ||
| Chip | EXR | - |
| Sensor type | CCD | CCD |
| Sensor size | 1/2" | 1/2.3" |
| Sensor dimensions | 6.4 x 4.8mm | 6.17 x 4.55mm |
| Sensor area | 30.7mm² | 28.1mm² |
| Sensor resolution | 12MP | 20MP |
| Anti aliasing filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | - |
| Maximum resolution | 4000 x 3000 | 5152 x 3864 |
| Maximum native ISO | 1600 | 3200 |
| Maximum boosted ISO | 12800 | - |
| Minimum native ISO | 100 | 80 |
| RAW support | ||
| Autofocusing | ||
| Manual focus | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Single autofocus | ||
| Tracking autofocus | ||
| Autofocus selectice | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detect autofocus | ||
| Contract detect autofocus | ||
| Phase detect autofocus | ||
| Number of focus points | - | 99 |
| Lens | ||
| Lens mount | fixed lens | fixed lens |
| Lens focal range | 27-270mm (10.0x) | 25-200mm (8.0x) |
| Highest aperture | f/3.3-5.6 | f/3.7-6.6 |
| Macro focus distance | 5cm | 2cm |
| Focal length multiplier | 5.6 | 5.8 |
| Screen | ||
| Display type | Fixed Type | Fixed Type |
| Display sizing | 3 inches | 2.7 inches |
| Display resolution | 230 thousand dots | 230 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch operation | ||
| Display technology | - | TFT-LCD with Anti-reflection coating |
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Lowest shutter speed | 8s | 4s |
| Highest shutter speed | 1/2000s | 1/1500s |
| Continuous shooting rate | 4.0 frames per second | 1.0 frames per second |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | - |
| Change white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash range | 4.20 m | 3.50 m |
| Flash options | Auto, On, Off, Red-eye, Slow Syncro | - |
| Hot shoe | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1280x720p (30fps) , 1280x720 (25p), 640x480 (30fps ) |
| Maximum video resolution | 1280x720 | 1280x720 |
| Video file format | Motion JPEG | - |
| Mic support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 210 gr (0.46 pounds) | 125 gr (0.28 pounds) |
| Physical dimensions | 99 x 59 x 28mm (3.9" x 2.3" x 1.1") | 97 x 58 x 20mm (3.8" x 2.3" x 0.8") |
| DXO scores | ||
| DXO All around score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | - | 230 shots |
| Battery style | - | Battery Pack |
| Battery model | NP-50 | EN-EL19 |
| Self timer | Yes (2 or 10 sec) | Yes (10 or 2 seconds) |
| Time lapse recording | ||
| Type of storage | SD/SDHC Internal | SD/SDHC/SDXC |
| Card slots | One | One |
| Pricing at launch | $400 | $200 |