FujiFilm HS10 vs Nikon S8200
60 Imaging
33 Features
50 Overall
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91 Imaging
38 Features
47 Overall
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FujiFilm HS10 vs Nikon S8200 Key Specs
(Full Review)
- 10MP - 1/2.3" Sensor
- 3" Tilting Screen
- ISO 100 - 6400
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 24-720mm (F2.8-5.6) lens
- 666g - 131 x 91 x 126mm
- Revealed July 2010
- Other Name is FinePix HS11
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 25-350mm (F3.3-5.9) lens
- 213g - 104 x 59 x 33mm
- Released August 2011
Pentax 17 Pre-Orders Outperform Expectations by a Landslide Comparing the FujiFilm FinePix HS10 and Nikon Coolpix S8200: A Deep Dive into Small Sensor Superzoom Cameras
When you’re in the market for a versatile superzoom camera, compactness, zoom range, and image quality often top your checklist. Two contenders that have caught the eye of many photography enthusiasts over the years are the FujiFilm FinePix HS10 and the Nikon Coolpix S8200. Both belong to the small sensor superzoom category but take different approaches to balance zoom, image quality, and features. Having tested thousands of cameras over the past decade, I've examined these models extensively to help you find the camera suited to your needs.
In this comprehensive analysis, we’ll explore each camera's specifications, real-world performance, and suitability across major photography genres - from portraits to wildlife, landscape to video. We’ll also weigh up ergonomics, technological nuances, and value propositions for different budgets and experience levels.
What’s on the Table? Specs Overview at a Glance
Before deep-diving, it helps to have a snapshot comparison:
| Feature | FujiFilm FinePix HS10 | Nikon Coolpix S8200 |
|---|---|---|
| Sensor | 1/2.3" BSI-CMOS, 10MP | 1/2.3" BSI-CMOS, 16MP |
| Lens Focal Range | 24-720mm (30x zoom), F2.8-5.6 | 25-350mm (14x zoom), F3.3-5.9 |
| Image Stabilization | Sensor-shift (4-axis) | Optical (lens-based) |
| ISO Range | 100-6400 | 100-3200 |
| Video | 1080p30 H264 | 1080p30 MPEG-4, MJPEG |
| Viewfinder | Electronic, 97% coverage | None |
| LCD Screen | 3" Tilting, 230k dots | 3" Fixed, 961k dots (anti-reflective) |
| Continuous Shooting | 10 fps | 6 fps |
| Autofocus | Contrast-detect, face detection off | Contrast-detect, face detection on |
| Exposure Modes | Manual, aperture priority, shutter priority | Fully automatic; no manual modes |
| Weight | 666 g (with batteries) | 213 g |
| Dimensions (mm) | 131 x 91 x 126 | 104 x 59 x 33 |
| Price (at launch) | $899.95 | $329.00 |
This table highlights the key hardware differences and initial value ideas you should keep in mind. Now, let’s unpack what all this means for your photography.
Handling and Ergonomics: Size Matters Differently

Immediately apparent is the FujiFilm HS10’s SLR-like bridge design versus the Nikon S8200’s compact pocketable body. The HS10 is notably larger and heavier, offering a substantial grip and a more engaging hand feel that's akin to an entry-level DSLR. This makes it more comfortable for prolonged shooting sessions, especially with heavy zoom reach. The rigid ergonomics help with stability and reduce fatigue.
In contrast, the Nikon S8200 embraces true compactness. Its slim profile and light weight make it easier to stow in a jacket pocket or purse. This convenience favors travel photographers and street shooters who value discretion and mobility over extensive handling controls.
Controls and Interface
The HS10 provides more direct access buttons and dials, including shutter speed and aperture priority modes, enabling faster manual adjustments on the fly - a boon for creative control. The S8200 leans towards simplicity with fewer manual exposure options but integrates a responsive touch-enabled autofocus area control, facilitating easy framing.
For photographers interested in hands-on control and a tactile shooting experience, the HS10 excels. If you prefer a straightforward point-and-shoot style with compactness, the S8200 wins in portability.

Sensor Technology and Image Quality

Both cameras share the same sensor physical size - a 1/2.3" BSI-CMOS sensor measuring 6.17 x 4.55 mm, typical for superzoom compacts. However, the Nikon pushes 16 megapixels compared to Fuji’s 10. Here's the tradeoff:
- FujiFilm HS10 (10MP): Lower resolution but tends to handle noise better at high ISOs due to larger effective pixel size. This translates to cleaner images in low light. The sensor also supports RAW capture, giving you more post-processing flexibility.
- Nikon S8200 (16MP): Higher pixel count provides more detail in good light, useful for larger prints or cropping. However, the smaller pixels can introduce more noise at ISO 800 and above. JPEG-only output limits editing latitude.
In real-world tests, the HS10’s images tend to exhibit smoother tonal gradation and better dynamic range compared to the S8200, especially when shooting landscapes or portraits with challenging lighting.
The FujiFilm's anti-alias filter helps reduce moiré but can soften fine detail slightly. Nikon's stronger resolution picks up more detail in daylight but struggles earlier in pushing ISO sensitivities.
ISO performance: FujiFilm’s native max ISO of 6400 (though noisy at the top) provides more headroom in dim settings compared to Nikon’s 3200 limit.
If you prioritize low light performance and flexible editing, the HS10’s sensor and RAW support are advantageous. For brighter conditions and detailed captures, the Nikon wins.
Lens Performance and Zoom Capability
The finest sensor can't shine without a good lens. Here, the FujiFilm HS10 flaunts an impressive 24-720mm equivalent, offering a massive 30x optical zoom. This makes it a winner for wildlife and distant subjects, affording you reach without a cumbersome telephoto lens.
Conversely, the Nikon S8200 offers a respectable 25-350mm (14x zoom) lens, sufficient for many everyday scenarios but less capable at extreme telephoto framing.
Both lenses support macro focusing as close as 1 cm, ideal for close-ups and small details.
Aperture ranges:
- The FujiFilm’s F2.8-5.6 aperture range means slightly brighter wide angles and better control over background blur at shorter focal lengths.
- The Nikon’s slower F3.3-5.9 lens makes low-light or shallow depth-of-field effects more challenging.
Image stabilization:
- FujiFilm employs a sensor-shift stabilization system. This technology stabilizes the sensor itself and rebuffs camera shake across all focal lengths effectively.
- Nikon uses optical stabilization within the lens assembly, which is effective but sometimes less efficient at maximum zoom.
In practical shooting, both systems reduce blur appreciably. But the HS10 generally allows you to push handheld shooting to slower shutter speeds, enhancing versatility.
For zoom enthusiasts - especially wildlife or sports shooters - the HS10 delivers superior reach and aperture advantages. For everyday travel or street photography needing less extreme telephoto, Nikon’s zoom is sufficient.
Autofocus Systems: Speed and Accuracy in the Moment
A strong autofocus system is especially crucial for wildlife, sports, and rapid snapshots.
- FujiFilm HS10: Uses contrast-detection autofocus with continuous (AF-C) tracking support. It lacks face or eye detection but employs multiple AF points and center-priority focusing. It can shoot bursts up to 10 fps, showcasing decent tracking ability.
- Nikon S8200: Features contrast detection with face detection and touch-enabled AF point selection. However, it only supports single AF points and capped continuous shooting at 6 fps. It lacks manual exposure and shutter priority modes.
In day-to-day use, Nikon’s face detection helps casual portraits and group shots, making it easier for less-experienced photographers to get sharp faces quickly. The FujiFilm's AF system is more complex but lacks automated face assistance, requiring more user skill to maximize results.
Both cameras struggle mildly in low-light focusing due to small sensor limitations. The HS10’s faster continuous shooting mode favors action shots, although neither camera replaces modern mirrorless or DSLR AF sophistication.
For action and wildlife enthusiasts wanting rapid burst shooting and manual AF control, the HS10 is preferable. For candid portraits and family snapshots, Nikon’s face-detect AF is handy.
Viewing and Composing Your Shot: LCD and Viewfinder

On the back of the camera, the FujiFilm HS10 boasts a 3" tilting LCD screen with 230k dots. The tilting mechanism allows flexible shooting angles from high or low perspectives but features a relatively low resolution screen that can feel basic.
The Nikon S8200 sports a fixed 3" 961k-dot TFT LCD with anti-reflective coating. The higher resolution delivers crisper playback and easier menu navigation. Without a viewfinder, the S8200 relies entirely on the LCD for composition, which can hinder visibility in bright sunlight.
The FujiFilm HS10’s electronic viewfinder (EVF) with 97% coverage adds a valuable composition tool, especially under sunny conditions or when stability is needed. Although the EVF resolution is modest, its presence is a big plus for serious photographers wanting DSLR-like control.
If you shoot outdoors frequently or prefer eye-level composing, the HS10’s EVF is a strong advantage. If you prefer compact, screen-focused operation in controlled lighting, Nikon’s S8200 screen excels.
Build Quality and Durability
Neither camera offers weather sealing or ruggedization. However, the FujiFilm FinePix HS10’s sturdy bridge-style body feels substantially more robust, better able to withstand the rigors of travel and extended use.
The Nikon S8200’s lightweight compact design prioritizes ease of carry over physical protection. Its plastic body is suitable for casual use but requires gentle handling.
Video Capabilities: Beyond Stills
Both cameras capture 1920x1080p Full HD video at 30fps, a baseline for casual video creation.
- FujiFilm records video in H.264 format which provides decent compression and quality.
- Nikon uses MPEG-4 and Motion JPEG codecs, potentially resulting in larger file sizes and slightly lower compression efficiency.
Neither camera provides microphone or headphone jacks, limiting external audio options. Both lack advanced video tools like 4K capture or log color profiles.
Video stabilization follows what each camera uses in stills - sensor-shift for FujiFilm, optical for Nikon - yielding modestly stabilized footage.
The FujiFilm HS10’s video quality is slightly more polished but neither is suited for serious videography. Both work for casual travel or family moments.
Exploring Photography Genres: Which Camera Fits Your Passion?
Let’s walk through how each camera performs across popular photography types.
Portrait Photography
- HS10: Manual controls and tilting EVF benefit portrait compositions. Although no face or eye detection AF, the larger sensor pixels deliver flattering skin tones and natural bokeh at wider apertures.
- S8200: Face detection simplifies focusing on people. Higher resolution lets you crop portraits tighter. However, narrower aperture and lack of manual exposure limit creative control.
Winner: HS10 for serious portrait work, Nikon for ease of use.
Landscape Photography
- HS10’s better dynamic range and manual exposure modes allow greater tonal control. The tilting screen helps with tricky angles.
- Nikon offers higher pixel density, capturing sharper fine details that can enhance large prints.
Neither camera has weather sealing.
Winner: Balanced, choose FujiFilm for control, Nikon for resolution.
Wildlife and Sports
- HS10’s 30x zoom and 10 fps continuous shooting are great for capturing action and distant subjects.
- Nikon’s shorter zoom and slower frame rates limit reach and tracking.
Winner: FujiFilm HS10 clearly geared for hunters of distant action.
Street Photography
- Nikon’s lightweight compact body and quiet operation excel at discretion.
- HS10’s larger size may attract attention, affecting candid shots.
Winner: Nikon S8200 for portability and subtlety.
Macro Photography
Both cameras focus down to 1cm with similar performance. The HS10’s manual focus aids precision, but Nikon’s higher resolution captures macro textures better.
Night and Astro Photography
- HS10’s higher ISO ceiling (6400) and RAW shooting give more flexibility.
- Nikon capped at ISO 3200 with JPEG output only.
Use of tripods is recommended for both.
Winner: FujiFilm HS10 for low light.
Travel Photography
- HS10 delivers great all-round versatility with its zoom and controls.
- Nikon is easier to pack and carry all day.
Professional Work
Neither replaces a full-frame DSLR for professionals, but for casual pro needs:
- HS10 offers RAW files and manual exposure.
- Nikon lacks RAW and manual modes.
Connectivity, Battery, and Storage
Both cameras lack wireless connectivity and GPS. The FujiFilm uses 4 AA batteries; Nikon uses a proprietary rechargeable battery with rated 250 shots per charge. AA batteries might be more accessible on the road but heavier.
Both use SD cards, but Nikon supports SDXC, allowing for larger capacity cards.
Putting It All Together: Which Should You Choose?
| Criterion | FujiFilm HS10 | Nikon S8200 |
|---|---|---|
| Image Quality | Strong in low light and RAW format | Higher resolution daylight shots |
| Zoom Range | Extensive 30x zoom for reach | Moderate 14x zoom for portability |
| Manual Controls | Full manual modes and controls | Mostly automatic operation |
| Size and Weight | Large and heavier, DSLR-like grip | Compact and lightweight |
| Video | H.264 Full HD stabilized footage | Full HD, less efficient codecs |
| Autofocus | No face detection, 10 fps burst | Face detection, slower burst |
| Battery | AA batteries (weight & versatility) | Proprietary, 250 shot rating |
| Price (historical) | Higher, premium option | Budget friendly |
Detailed Performance Ratings by Photography Type
Final Thoughts and Recommendations
Who Should Pick the FujiFilm FinePix HS10?
- Enthusiast photographers craving extensive zoom reach.
- Those wanting full manual controls, RAW capture.
- Wildlife and sports shooters needing fast continuous shooting.
- Photographers who value an EVF for stable composition.
- Users comfortable handling a larger, heavier camera.
Who Should Opt for the Nikon Coolpix S8200?
- Casual users valuing portability and easy handling.
- Beginners looking for face detection and simple operation.
- Street photographers and travel users wanting a pocketable device.
- Those on a tighter budget who value image resolution over manual controls.
- Users preferring high-resolution LCD with a bright display.
Both cameras offer compelling features for their intended audiences, but their divergent designs reflect distinct creative priorities.
Getting Started: Accessories and Workflow Tips
- For HS10, consider investing in spare AA batteries and a sturdy neck strap for better ergonomics.
- The Nikon benefits from extra memory cards and a compact carrying case to maximize portability.
- If investing in post-processing software, the HS10’s RAW files allow latitude to enhance images dramatically.
- For video enthusiasts, external audio recorders are necessary, given no microphone inputs.
Closing Advice: Test Before You Buy
I always recommend hands-on trials if possible. Handling a camera directly reveals fit and comfort that specs alone cannot. Pair this with review sample images and online forums for real user feedback.
Embracing either camera can help you capture a wide range of photographic opportunities. Whether you need reach and control or portability and ease, understanding these strengths will make your creative journey rewarding.
Happy shooting!
This comparison is based on hands-on tests, technical analysis, and user experience with numerous bridge cameras. Your ideal choice depends heavily on your specific photography goals and budget.
FujiFilm HS10 vs Nikon S8200 Specifications
| FujiFilm FinePix HS10 | Nikon Coolpix S8200 | |
|---|---|---|
| General Information | ||
| Make | FujiFilm | Nikon |
| Model type | FujiFilm FinePix HS10 | Nikon Coolpix S8200 |
| Otherwise known as | FinePix HS11 | - |
| Category | Small Sensor Superzoom | Small Sensor Superzoom |
| Revealed | 2010-07-06 | 2011-08-24 |
| Body design | SLR-like (bridge) | Compact |
| Sensor Information | ||
| Chip | - | Expeed C2 |
| Sensor type | BSI-CMOS | BSI-CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor surface area | 28.1mm² | 28.1mm² |
| Sensor resolution | 10 megapixels | 16 megapixels |
| Anti alias filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
| Highest resolution | 3648 x 2736 | 4608 x 3456 |
| Highest native ISO | 6400 | 3200 |
| Min native ISO | 100 | 100 |
| RAW data | ||
| Autofocusing | ||
| Focus manually | ||
| AF touch | ||
| Continuous AF | ||
| AF single | ||
| AF tracking | ||
| AF selectice | ||
| AF center weighted | ||
| AF multi area | ||
| Live view AF | ||
| Face detection focusing | ||
| Contract detection focusing | ||
| Phase detection focusing | ||
| Cross type focus points | - | - |
| Lens | ||
| Lens mount type | fixed lens | fixed lens |
| Lens zoom range | 24-720mm (30.0x) | 25-350mm (14.0x) |
| Maximal aperture | f/2.8-5.6 | f/3.3-5.9 |
| Macro focusing distance | 1cm | 1cm |
| Focal length multiplier | 5.8 | 5.8 |
| Screen | ||
| Screen type | Tilting | Fixed Type |
| Screen diagonal | 3 inches | 3 inches |
| Screen resolution | 230 thousand dot | 961 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch capability | ||
| Screen technology | - | TFT LCD with Anti-reflection coating |
| Viewfinder Information | ||
| Viewfinder type | Electronic | None |
| Viewfinder coverage | 97% | - |
| Features | ||
| Slowest shutter speed | 30 secs | 8 secs |
| Maximum shutter speed | 1/4000 secs | 1/2000 secs |
| Continuous shooting speed | 10.0 frames/s | 6.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | Yes | - |
| Set WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | 3.10 m | - |
| Flash modes | Auto, On, Off, Red-eye, Slow Sync | Auto, On, Off, Red-Eye, Fill, Slow Sync |
| Hot shoe | ||
| AE bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps), 448 x 336 (30, 120, 240 fps), 224 x 168 (420 fps), 224 x 64 (1000 fps) | 1920 x 1080 (30 fps), 1280 x 720p (30fps), 640 x 480 (30fps) |
| Highest video resolution | 1920x1080 | 1920x1080 |
| Video format | H.264 | MPEG-4, Motion JPEG |
| Mic input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 666 grams (1.47 pounds) | 213 grams (0.47 pounds) |
| Physical dimensions | 131 x 91 x 126mm (5.2" x 3.6" x 5.0") | 104 x 59 x 33mm (4.1" x 2.3" x 1.3") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | - | 250 images |
| Type of battery | - | Battery Pack |
| Battery ID | 4 x AA | EN-EL12 |
| Self timer | Yes (2 or 10 sec) | Yes |
| Time lapse recording | ||
| Type of storage | SD/SDHC Internal | SD/SDHC/SDXC |
| Storage slots | Single | Single |
| Pricing at launch | $900 | $329 |