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FujiFilm JV100 vs Olympus VR-330

Portability
96
Imaging
34
Features
14
Overall
26
FujiFilm FinePix JV100 front
 
Olympus VR-330 front
Portability
94
Imaging
37
Features
38
Overall
37

FujiFilm JV100 vs Olympus VR-330 Key Specs

FujiFilm JV100
(Full Review)
  • 12MP - 1/2.3" Sensor
  • 2.7" Fixed Display
  • ISO 100 - 1600 (Increase to 3200)
  • 1280 x 720 video
  • 37-111mm (F3.2-4.3) lens
  • 126g - 93 x 55 x 21mm
  • Launched February 2010
  • Also Known as FinePix JV105
Olympus VR-330
(Full Review)
  • 14MP - 1/2.3" Sensor
  • 3" Fixed Display
  • ISO 80 - 1600
  • Sensor-shift Image Stabilization
  • 1280 x 720 video
  • 24-300mm (F3.0-5.9) lens
  • 158g - 101 x 58 x 29mm
  • Released February 2011
  • Superseded the Olympus VR-320
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FujiFilm JV100 vs Olympus VR-330: A Hands-On Comparison of Small Sensor Compacts

In the rapidly evolving world of compact cameras, two models that recently surfaced from the early 2010s era offer a fascinating glimpse into varying design philosophies and feature sets within the same general category: FujiFilm’s FinePix JV100 and Olympus’s VR-330. Both are small sensor compacts, yet their specifications suggest divergent priorities ranging from optical zoom reach to user interface polish. Over several weeks of testing outdoors and indoors alike, I put these two heads-to-head across multiple shooting genres and technical parameters to draw out their strengths, weaknesses, and practical value for today’s enthusiast.

If you’re pondering a small sensor option either for casual use, travel, or as a budget-friendly backup, join me as we unpack these cameras through the lens of real-world performance, technological nuance, and ergonomic considerations. The insights here come courtesy of exhaustive hands-on trials, benchmark comparisons, and a bit of photographer intuition - far beyond the spec sheets.

First Impressions: Size, Feel, and Handling

Small sensor compacts are all about portability and ease, so our starting point is naturally physical design and user interface. The FujiFilm JV100 is a noticeably slim and lightweight companion, measuring a trim 93x55x21 mm and weighing just 126 g (without battery and cards). Olympus VR-330, in contrast, is chunkier at 101x58x29 mm and heavier with 158 g. Though neither contender fits the pocket ideally for street candid shooting, the Fuji has a definite edge in discreetness and weight economy.

FujiFilm JV100 vs Olympus VR-330 size comparison

The JV100’s body feels less contoured - almost toy-like in its simplicity. Olympus brings a more robust impression, with a slightly rubberized grip on the right-hand side adding assurance. Control layout on both is minimalistic by modern standards: no dedicated aperture dials or custom buttons, since aperture and shutter speed can’t even be manually set. The Fuji’s shrunken 2.7" screen feels on the small side compared to Olympus’s larger 3" LCD, which also boasts higher resolution and a TFT color display. More on that shortly.

FujiFilm JV100 vs Olympus VR-330 top view buttons comparison

In brief, if you prize compactness and simplicity, FujiFilm JV100 leans more ultra-portable; if moderate bulk and potentially better ergonomics matter, Olympus VR-330 seems the more comfortable in hand over longer sessions.

Sensor and Image Quality: Dissecting the Heart of the Cameras

Both cameras deploy a 1/2.3" CCD sensor measuring 6.17x4.55 mm, resulting in an active area of roughly 28 square millimeters. FujiFilm’s sensor packs 12 MP while Olympus ups that slightly to 14 MP. While the numbers are close, the slight difference in megapixels and the processing engine should theoretically translate to nuances in image detail and noise performance.

FujiFilm JV100 vs Olympus VR-330 sensor size comparison

CCD technology was prevalent in small compacts of this era, known for vivid color rendition and reasonable dynamic range at base ISOs but with limitations in noise at higher sensitivities. Neither camera supports RAW image capture, restricting advanced editing possibilities. This significantly handicaps professional workflows and should be a deal-breaker for those who rely on post-processing latitude.

In direct side-by-side tests in daylight landscape and portrait scenarios, Olympus’s 14 MP sensor delivers marginally higher resolving power, evident under pixel peeping conditions, especially when paired with its longer focal length reaching 300 mm. Fuji’s images, meanwhile, suffer slightly in sharpness but maintain pleasing color fidelity distinct to Fuji’s processing philosophy - warmer tones that flatter skin quite well.

For low-light nocturnes or indoor captures, both cameras peg out at ISO 1600 natively, with Fuji able to boost to 3200 but without notable image quality advantage. Noise is perceptibly grainier with Fuji at upper limits, whereas Olympus’s sensor and TruePic III processor handle noise a bit more gracefully, preserving a tad more fine detail.

Display and Live View: Composing Your Shot

The rear LCD is the primary composing tool here since neither provide an electronic viewfinder (EVF). FujiFilm’s fixed 2.7-inch TFT screen offers 230k dots, adequate but on the lower end by today’s standards; viewing angles suffer a bit from head-tilt, and its smaller size limits compositional precision.

Olympus’s VR-330 pulls ahead again with a 3-inch, 460k dot TFT LCD panel providing a brighter, clearer live view experience. This matters more than you might guess for exact framing or street candid work in mixed lighting.

FujiFilm JV100 vs Olympus VR-330 Screen and Viewfinder comparison

Neither camera sports touchscreen controls, so menu navigation and AF point selection require button mashing - an understandable compromise on entry-level compacts. Olympus’s inclusion of face detection AF gives it a slight pragmatic edge here, making it easier to nail portraits without fuss.

Lens and Zoom Dynamics: Versatility Under Glass

The optical zoom range exemplifies each camera’s distinct priorities. FujiFilm’s modest 3x zoom spans 37-111 mm (equivalent), focusing on standard walk-around focal lengths - good for portraits and casual snapshots but not much beyond.

Olympus’s VR-330 is a more ambitious superzoom with a 12.5x range from 24-300 mm equivalent, covering wide-angle landscapes to distant wildlife or architecture. This versatility opens far more creative possibilities, whether you’re framing expansive vistas or zeroing in on details from afar.

Macro capabilities again illustrate differing design goals. Fuji’s closest focusing distance is 10 cm, enough for casual close-ups but limiting for macro work. Olympus doubles down with an extreme close-focus of 1 cm, enabling surprisingly detailed flower or insect shots for a compact camera.

Although Fuji’s aperture is moderately faster at the wide end (F3.2 vs F3.0) through the short zoom, Olympus’s smaller minimum apertures at longer focal lengths (F5.9 vs F4.3) mean less light capture in telephoto, affecting handheld sharpness in dim conditions. However, Olympus’s in-body sensor-shift stabilization compensates here, a feature Fuji completely lacks.

Autofocus and Shooting Speeds: Catching the Moment

Neither camera targets high-speed action with burst shooting or advanced AF tracking. FujiFilm JV100 offers only contrast-detection AF with a fixed single point and no continuous AF or tracking. Olympus adds some sophistication - multi-area AF and face detection, which work reasonably well for casual subjects, and even limited AF tracking.

I found in street and casual portraits that Olympus manages focus acquisition faster and locks more reliably in low contrast scenarios, thanks to these extras. Fuji often hunts longer, which could frustrate impatient or fast-moving subjects.

Neither supports manual focus, shutter or aperture priority, or exposure compensation. This severely limits creative control, pointing these cameras towards absolute beginners or users seeking simple automation rather than expressive photography.

Image Stabilization: The Difference Between Sharp and Blurry Shots

This is where Olympus VR-330 gains a significant advantage. Its sensor-shift image stabilization keeps handheld shots sharper, especially at long focal lengths and slower shutter speeds. Fuji, by contrast, offers no stabilization, demanding very steady hands or ideal light conditions for similar sharpness.

In wildlife or sports snapshots taken at full zoom, Olympus’s stabilization noticeably reduces blur from handshake, making it a more practical choice for unpredictable shooting environments where monopods or tripods may not be feasible.

Flash Performance: Illuminating the Scene

Both cameras feature built-in pop-up flashes with roughly comparable range: Fuji’s max flash reach is 3.5 meters vs Olympus’s 4.7 meters. Olympus supports a “Fill-in” flash mode for more natural lighting, whereas Fuji adds slower sync for longer exposures.

Neither accepts external flash accessories, limiting their utility in studio environments or advanced lighting setups.

Video Capabilities: Modest Motion Picture Support

Both models cap out at HD 720p resolution at 30 fps, recorded in Motion JPEG format - a basic codec that results in larger file sizes and less efficient compression compared to contemporary standards like H.264. Olympus quietly offers frame rate flexibility with 15 fps options for slower motion.

Neither camera has microphone or headphone jacks nor advanced video features like 4K support, image stabilization (only for photos), or professional codecs, so video is clearly a secondary function.

Battery and Storage: Practical Shooting Considerations

The Fuji JV100 uses an NP-45A lithium-ion battery, Olympus VR-330 a LI-42B; both are standard compact batteries with moderate capacity. Olympus’s heavier weight likely reflects a bigger battery, contributing to slightly longer shooting sessions between charges, based on my direct testing.

Both store images on standard SD/SDHC cards with a single slot, the industry norm.

Durability and Weather Sealing: Built for Which Conditions?

Neither camera claims any form of weather sealing or ruggedness. Both are vulnerable to moisture, dust, and rough handling. Users considering travel or outdoor photography in less-than-ideal environments should either exercise caution or invest in additional protective gear.

Software, Connectivity, and Extras

No Wi-Fi, NFC, or Bluetooth connectivity is built into either model, restricting instant sharing workflows widely popular now. Fuji lacks even HDMI output; Olympus includes an HDMI port, enabling easier playback of captured content on modern screens - a modest but welcome perk.

Putting It All Together: Sample Images and Genre-Specific Performance

Let’s review the cameras in various photography disciplines informed by our hands-on testing, with sample comparisons for reference:

Portraits

Olympus’s face detection and higher resolution help edges appear sharper, making portraits crisper. Fuji’s warmer tonality favors flattering skin rendition, though slightly softer. Lack of manual exposure control hampers bokeh creativity in both.

Landscapes

Olympus’s wider zoom and better screen aid framing epic vistas. Slight resolution advantage translates to more detailed skies and foliage. Both cameras struggle with dynamic range in shadows and highlights, typical of small CCD sensors.

Wildlife

Olympus’s 300mm reach and stabilization make it the clear winner. Autofocus tracking works tolerably well for casual bird or squirrel shots. Fuji’s 111mm max and no stabilization limit distant subject capture.

Sports

Neither camera can aggressively track fast action; slow AF and fire rates diminish their sports prowess. Olympus’s faster focus and stabilization help slightly but don’t substitute for enthusiast-level EVFs or phase detection AF systems.

Street Photography

Fuji’s compactness and lightness make it the more discreet pick. Lack of noise control at night and smaller screen are notable drawbacks. Olympus’s bulk and longer lens increase presence and perhaps intimidation factor.

Macro

Olympus’s 1cm minimum focusing distance enables more creative close-up work. Fuji’s 10cm limit puts it into only casual close-ups territory.

Night / Astro

Limited ISO range and noise control from small CCD sensors render both modest performers. Sharpness suffer in very dim conditions, but Olympus is marginally better due to stabilization minimizing blur in longer exposures.

Video

Basic 720p capture with Motion JPEG on both means video is a casual afterthought, fine for quick clips but not for any professional output.

Travel

Fuji’s slim size enhances packing and portability, but Olympus’s zoom versatility better adapts to varied shooting scenarios on the road. Battery life feels better on Olympus, aligning with longer sessions.

Professional Work

Neither supports RAW capture, manual exposure, nor advanced connectivity. Both are unsuitable for pro workflows requiring flexibility, tethering, or fast file transfer.

Overall Performance Scores: Crunching the Numbers

Olympus VR-330 edges ahead clearly in virtually every category except pure size/weight and simplicity, where Fuji JV100’s design remains appealing.

Who Should Choose Which?

Choose FujiFilm JV100 if:

  • You want the smallest, lightest pocket-friendly camera for casual snapshots
  • You prioritize good color rendition and warm skin tones for portraits
  • Budget is limited - the JV100 is substantially cheaper (around $99 currently)
  • You dislike fiddly menus and want a straightforward point-and-shoot experience
  • Travel with minimal gear is crucial, prioritizing portability over versatility

Choose Olympus VR-330 if:

  • You crave flexible zoom reach for landscapes, wildlife, or everyday versatility
  • Image stabilization and better autofocus results matter for handholding and moving subjects
  • You want a higher resolution sensor and better rear LCD for clearer composing
  • Occasional macro shooting or modest low-light capability improve your photo opportunities
  • Price premium (~$220) fits your budget for a more capable all-rounder

Final Thoughts: Old Dogs, Different Tricks

While both the Fuji JV100 and Olympus VR-330 hail from the small sensor compact world of early 2010s digital photography, their approaches couldn’t be more different. Fuji bets on ultracompact form with simple operation and a modest zoom, effectively appealing to casual shooters and beginners with tight budgets who want a no-nonsense camera.

Olympus’s VR-330 is a classic superzoom compact, with an emphasis on all-round shooting versatility, better handling, and more advanced features like image stabilization and face-detect autofocus. It’s better suited to enthusiasts seeking more creative freedom and optical reach in a still reasonably portable package, albeit at a higher price and bulk.

Neither camera competes with modern smartphones or mirrorless cameras in image quality, manual control, or workflow flexibility. However, understanding their respective niches helps clarify who would benefit most - from the minimalist snapshotper with Fuji to the zoom-hungry enthusiast with Olympus.

Ultimately, you’re choosing between size and simplicity vs versatility and performance. If that choice resonates with your needs, either camera can still deliver satisfying imagery for casual or travel use with the right expectations.

Disclaimer: All testing and image comparisons were conducted under controlled conditions over extended field use. My findings combine hands-on exposure, industry standard testing methodologies, and practical usability assessments to empower your decision making.

Thank you for reading this detailed comparison - happy shooting!

FujiFilm JV100 vs Olympus VR-330 Specifications

Detailed spec comparison table for FujiFilm JV100 and Olympus VR-330
 FujiFilm FinePix JV100Olympus VR-330
General Information
Manufacturer FujiFilm Olympus
Model type FujiFilm FinePix JV100 Olympus VR-330
Also referred to as FinePix JV105 -
Class Small Sensor Compact Small Sensor Superzoom
Launched 2010-02-02 2011-02-08
Body design Compact Compact
Sensor Information
Processor Chip - TruePic III
Sensor type CCD CCD
Sensor size 1/2.3" 1/2.3"
Sensor dimensions 6.17 x 4.55mm 6.17 x 4.55mm
Sensor area 28.1mm² 28.1mm²
Sensor resolution 12 megapixel 14 megapixel
Anti alias filter
Aspect ratio 4:3, 3:2 and 16:9 4:3 and 16:9
Full resolution 4000 x 3000 4288 x 3216
Max native ISO 1600 1600
Max boosted ISO 3200 -
Min native ISO 100 80
RAW files
Autofocusing
Manual focusing
AF touch
AF continuous
Single AF
Tracking AF
Selective AF
Center weighted AF
Multi area AF
AF live view
Face detect AF
Contract detect AF
Phase detect AF
Lens
Lens support fixed lens fixed lens
Lens zoom range 37-111mm (3.0x) 24-300mm (12.5x)
Highest aperture f/3.2-4.3 f/3.0-5.9
Macro focusing range 10cm 1cm
Crop factor 5.8 5.8
Screen
Range of display Fixed Type Fixed Type
Display sizing 2.7" 3"
Display resolution 230 thousand dot 460 thousand dot
Selfie friendly
Liveview
Touch capability
Display technology - TFT Color LCD
Viewfinder Information
Viewfinder type None None
Features
Lowest shutter speed 8s 4s
Highest shutter speed 1/2000s 1/2000s
Shutter priority
Aperture priority
Expose Manually
Custom WB
Image stabilization
Built-in flash
Flash distance 3.50 m 4.70 m
Flash options Auto, On, Off, Red-eye, Slow Sync Auto, On, Off, Red-Eye, Fill-in
Hot shoe
AEB
WB bracketing
Exposure
Multisegment metering
Average metering
Spot metering
Partial metering
AF area metering
Center weighted metering
Video features
Supported video resolutions 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) 1280 x 720 (30, 15fps), 640 x 480 (30, 15 fps), 320 x 240 (30, 15fps)
Max video resolution 1280x720 1280x720
Video data format Motion JPEG Motion JPEG
Mic input
Headphone input
Connectivity
Wireless None None
Bluetooth
NFC
HDMI
USB USB 2.0 (480 Mbit/sec) USB 2.0 (480 Mbit/sec)
GPS None None
Physical
Environment seal
Water proofing
Dust proofing
Shock proofing
Crush proofing
Freeze proofing
Weight 126 gr (0.28 pounds) 158 gr (0.35 pounds)
Physical dimensions 93 x 55 x 21mm (3.7" x 2.2" x 0.8") 101 x 58 x 29mm (4.0" x 2.3" x 1.1")
DXO scores
DXO All around rating not tested not tested
DXO Color Depth rating not tested not tested
DXO Dynamic range rating not tested not tested
DXO Low light rating not tested not tested
Other
Battery ID NP-45A LI-42B
Self timer Yes (2 or 10 sec) Yes (2 or 12 sec)
Time lapse feature
Storage media SD/SDHC card, Internal SD/SDHC
Storage slots 1 1
Retail price $99 $220