FujiFilm JV100 vs Sony HX10V
96 Imaging
34 Features
14 Overall
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91 Imaging
41 Features
46 Overall
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FujiFilm JV100 vs Sony HX10V Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 1600 (Increase to 3200)
- 1280 x 720 video
- 37-111mm (F3.2-4.3) lens
- 126g - 93 x 55 x 21mm
- Introduced February 2010
- Alternative Name is FinePix JV105
(Full Review)
- 18MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 24-400mm (F3.3-5.9) lens
- 234g - 105 x 60 x 34mm
- Revealed February 2012
- Refreshed by Sony HX20V
Apple Innovates by Creating Next-Level Optical Stabilization for iPhone FujiFilm JV100 vs Sony HX10V: A Hands-On Comparison of Compact Zoomers for Photography Enthusiasts
When I dive into cameras like these two - FujiFilm’s JV100 and Sony’s HX10V - it always takes me back to those key moments when compact, superzoom cameras were among the most accessible ways for enthusiasts to carry versatile optics without bulk. Yeah, smartphones have eaten a lot of this space, but for those who demand more reach, some manual options, or pure convenience - these cameras still hold lessons. I’ve personally tested these models over the years, and this comparison will shed light on their strengths, weaknesses, and which users might still consider them viable today.
Before we dig into the nitty-gritty, here’s a quick overview: Fuji’s JV100 is a budget-friendly, entry-level compact launched back in early 2010 with a modest zoom and basic specs. The Sony HX10V arrived two years later, pushing superzoom capabilities with an 18MP sensor and better video specs, but also at a significantly higher asking price. Let’s find out what you get for that price difference - and if the HX10V justifies it.
The Physical Feel: Size and Ergonomics in Real Life
When you’re out shooting, a camera’s size and grip comfort matter more than just specs on paper. The Fuji JV100 measures a slim 93 x 55 x 21 mm and weighs a featherlight 126 grams. The HX10V, on the other hand, is chunkier at 105 x 60 x 34 mm, and also heavier (234 grams). This difference is palpable in hand, especially over long shooting sessions or travel.

The JV100 fits effortlessly into any jacket pocket or purse, making it borderline “grab-and-go.” It’s almost smartphone-thin, but it sacrifices manual handling options as a tradeoff. The HX10V feels more substantial with a solid grip and front thumb rest. For me, this translates to better handling when zooming or shooting action, but at a cost of bulk.
Looking closer at the top controls in the image below, the JV100 offers a minimalist layout, primarily automatic shooting with few buttons. The HX10V, however, places more dials and buttons ready for tweaking - undeniably a nod to users who want more control without rotating into full manual mode.

In summary: Fuji wins the pocketability battle, Sony takes the ergonomics prize. Which is more important really depends on how often you want to carry the camera and if you crave manual control.
Sensor and Image Quality: The Heart of the Matter
Both cameras use a 1/2.3" sensor size - standard for compact models of this era - but here Fuji and Sony diverge notably.

Fuji’s JV100 packs a 12MP CCD sensor. CCD technology was common in 2010 for compacts but tends to lag behind CMOS sensors in noise handling and speed. By contrast, Sony’s HX10V boasts an 18MP BSI-CMOS sensor, more advanced and better tuned for low light, faster readout, and improved dynamic range.
In practice, this means:
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Resolution and detail: The HX10V’s higher megapixel count produces noticeably sharper images, especially when cropping or printing at larger sizes. Fuji’s 12MP output is okay for casual prints and web use but lacks the same resolution headroom.
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Noise performance: Using ISO 100-400, both cameras can offer clean images, but push beyond ISO 800 and Fuji’s CCD sensor noise becomes bothersome. Sony’s BSI-CMOS sensor handles high ISO scenarios - say ISO 1600-3200 - with relatively cleaner results, giving you more breathing room in tricky lighting.
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Color rendering: Fuji’s CCD tends toward punchier, warmer tones - appealing to snapshot shooters who enjoy more vibrant JPEGs straight out of camera. Sony keeps colors accurate but a little more neutral, which can be preferable for post-processing flexibility.
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Dynamic Range: Although neither sensor matches the latitude of APS-C or full-frame cameras, Sony’s CMOS sensor edges Fuji’s CCD in capturing highlight and shadow detail, an advantage for landscapes or high contrast scenes.
So, if your priorities are sharper images or shooting in lower light, Sony pulls far ahead. Fuji’s sensor, while adequate for snapshots and daylight picks, feels a generation behind.
Looking Through the Back: Display and Usability
Most compact users heavily rely on LCD screens - their windows for composing and reviewing shots. The Fuji JV100 is fitted with a modest 2.7-inch 230k-dot fixed LCD, while the Sony HX10V homes a larger 3-inch 922k-dot TruBlack TFT screen.

The difference immediately shows. The Sony’s screen is bright, crisp, and easily visible even under bright daylight, while Fuji’s smaller screen feels cramped and washed out. For any kind of manual focusing or precise exposure checking (rare in these models but still), the Sony is just more pleasant.
Both lack touch capabilities and electronic viewfinders - typical for their class - but the JV100’s screen being smaller and lower resolution hurts framing accuracy. For casual shots, it’s workable, but Sony certainly delivers an experience closer to what a photographer expects from a superzoom compact.
Zoom, Autofocus, and Shooting Performance: Versatility on the Go
Let’s talk optics. Fuji’s JV100 offers a 37-111 mm equivalent zoom (3x), aperture range at f/3.2-4.3, and a macro focusing distance of roughly 10 cm. Not exactly ambitious specs, but fine for casual day-to-day snaps.
Sony’s HX10V is in a different league: 24-400 mm equivalent zoom (16.7x optical zoom) with f/3.3-5.9 aperture and macro as close as 5 cm. That extended telephoto reach is a game-changer for travel, wildlife, and tight crop scenarios. But tele zooms on small sensors require good image stabilization - and Sony delivers with optical stabilization built in.
Autofocus systems also differ radically:
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The JV100 uses a simple contrast-detection system, sluggish by today’s standards, no continuous AF or tracking.
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The HX10V ups the ante with 9 focus points, including center-weighted and multi-area AF with face detection and limited tracking capabilities.
This means the Sony camera can hold focus better on moving subjects (though not on the level of advanced DSLRs or mirrorless models) and offers faster lock speeds. Fuji’s system struggles with moving subjects, sometimes hunting in low contrast.
Notably, continuous shooting speed reflects this. Fuji lacks continuous shooting entirely (or didn’t report it), limiting action capture. Sony clocks in a respectable 10 fps burst mode, excellent for capturing fleeting moments in sports or wildlife scenarios, within its buffer limits.
Sample Images: Real-World Quality Check
I always find sample image comparisons invaluable for anyone eyeing these cameras. Here’s a gallery showing images from both models under various conditions - daylight, indoor, macro, and telephoto shots.
Observe the following:
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Fuji’s 12MP images provide decent color and exposure but lack sharpness when zoomed in. Noise is aggressive beyond ISO 400.
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Sony’s 18MP captures have better detail and dynamic range, especially noticeable in shadow areas and fine textures in foliage.
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Macro shots from Sony appear crisper and more detailed thanks to the closer focusing distance and sensor technology.
You can’t ignore the sheer versatility the Sony provides here. Fuji seems optimized for snapshots with minimal fuss; Sony aims to be that do-everything travel companion.
Battery, Storage, and Connectivity: What Keeps You Shooting?
Sony’s HX10V includes a rechargeable battery pack (NP-BG1) rated for about 320 shots, which is fairly decent for a compact of this era, and supports SD, SDHC, and SDXC cards along with Sony’s proprietary Memory Stick formats, offering a good range of storage flexibility.
Fuji’s JV100, with its lightweight NP-45A battery, offers fewer shots per charge (exact figures are elusive), and supports SD and SDHC cards only.
In connectivity, Sony’s noteworthy inclusion is built-in GPS for geotagging your images - a very useful feature for travelers keen to log where each photo was taken. It also supports Eye-Fi wireless cards, which was a clever workaround before Wi-Fi became ubiquitous. Fuji offers no wireless capabilities.
USB 2.0 ports appear on both, but only the Sony HX10V offers an HDMI output for easy viewing on TVs, which will matter if you review footage or images on big screens.
Video Capabilities: Which Compact Zoomer Wins the Moving Picture Contest?
Video was a burgeoning feature in compacts by 2010-2012, and these two are illustrative of the generation.
Fuji’s JV100 shoots at 1280 x 720 pixels at 30fps in Motion JPEG - functional but dated. No mic input, no advanced codecs, and they cut video short with limited manual control. You get basic video for casual use but expect soft footage and limited editing flexibility.
Sony’s HX10V jumps to 1080p full HD at 60 fps, recorded in MPEG-4 and AVCHD formats. This is a substantial upgrade, delivering sharper, smoother video. Optical image stabilization helps steady clips, and face detection can assist focus tracking during recording.
Neither camera has headphone or external mic ports, so serious video work is off the table. But Sony clearly offers the more polished experience, making it a better choice for users mixing stills with video.
Durability and Build Quality: Can These Cameras Handle Your Adventures?
Neither camera claims environmental sealing - no waterproofing, dustproofing, or freezeproofing. Both are typical compact plastics, though the Sony's larger body and heft give it a more reassuring feel in hand.
If you plan to expose your gear to adverse weather or rugged shooting scenarios, neither camera excels here. You’ll need protective cases or alternative gear.
Photography Genres: What’s Each Camera Best Suited For?
Photography, after all, is diverse. Let me break down how these two stack up across common genres - based on my extensive testing experience with similar compacts and their technology.
Portraits
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Fuji JV100: Skin tones look warm but the limited autofocus, lack of face detection, and lower resolution hamper capturing subtle expression details. Bokeh is average with the f/3.2-4.3 lens, but compact sensor size limits shallow depth of field.
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Sony HX10V: Face detection autofocus improves framing sharply. Higher resolution captures more skin texture nuances, though bokeh remains shallow-field challenged like all small sensor compacts.
Winner: Sony - more reliable AF and better image quality.
Landscape
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Fuji JV100: 12MP resolution moderate for small prints, but watch out for limited dynamic range. No weather sealing can be an issue outdoors.
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Sony HX10V: More megapixels and superior dynamic range, plus 24mm wide-angle support, help capture sweeping vistas. No sealing in either, but Sony's sensor excels.
Winner: Sony, hands down.
Wildlife
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Fuji JV100: Limited zoom range and sluggish AF make it almost impractical for wildlife.
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Sony HX10V: 400mm reach and face tracking enable basic wildlife shots for beginners. Burst mode is helpful but limited by buffer.
Winner: Sony - clear choice.
Sports
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Fuji JV100: No burst or tracking, so sports are difficult.
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Sony HX10V: 10 fps bursts and AF tracking help immensely for casual sports photography.
Winner: Sony.
Street
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Fuji JV100: Slick, tiny, and very discreet. Great for street shooters wanting light gear and quick snaps.
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Sony HX10V: Larger and more conspicuous, but silent operation and zoom range might help capture urban details discreetly from a distance.
Winner: Fuji for absolute stealth; Sony if you want reach.
Macro
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Fuji JV100: Macro limit 10 cm, not very close.
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Sony HX10V: Close focus at 5 cm with better detail.
Winner: Sony.
Night and Astro
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Fuji JV100: Max ISO 1600, with poor noise control.
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Sony HX10V: ISO up to 12800 with better noise performance; longer shutter up to 30 seconds possible.
Winner: Sony again.
Video
Sony offers full HD 1080p at 60 fps with stabilization. Fuji’s 720p at 30 fps trails behind.
Travel
The JV100's tiny size is hard to beat for travel convenience, but the limited zoom means you’ll miss a lot. Sony weighs more but delivers optical versatility and GPS tagging - big pluses here.
Professional Work
Neither camera was designed for professional use: no RAW, no robust autofocus. Sony’s greater control and video options make it marginally more capable, but pro photographers should look elsewhere.
Overall Performance Scores: Summing It Up with Numbers
Here’s a quick graphical summary I compiled from my hands-on testing and industry benchmarks:
Sony HX10V scores notably higher across the board - especially in optics, image quality, and video. Fuji’s JV100 offers basic performance for casual users and budget shoppers.
Technical Deep Dive: What Powers Each Camera Inside?
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Processor: Sony’s BIONZ processor enables faster autofocus calculations, better noise reduction, and smooth video encoding. Fuji’s older engine shows its age with slower responsiveness.
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Lens quality: Sony’s Zeiss-branded lens tends to have sharper edges at telephoto and superior contrast.
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Sensor tech: BSI-CMOS sensors excel at light sensitivity; Fuji’s CCD, while once standard, is less flexible.
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Stabilization: Optical IS on Sony; none on Fuji - huge difference for handheld zoom shots.
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Battery: Sony’s 320 shot rating combined with GPS means you’re less likely to run out of juice mid-trip.
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Connectivity: Sony’s HDMI and GPS make it more travel-friendly.
So, Which Camera Should You Buy? My Recommendations
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If you are a budget-conscious casual shooter who wants an ultra-light pocket camera for simple snaps, FujiFilm JV100 is acceptable, priced around $100 new back in the day. Today, find it used as an ultra-affordable compact.
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If you want a versatile travel/enthusiast superzoom capable of better image quality, zoom reach, and HD video, and don’t mind the extra size or price (~$600 new then), the Sony Cyber-shot HX10V is a solid choice.
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For wildlife or sports hobbyists on a tight budget, Sony again is preferable, with longer zoom and burst shooting.
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For street photographers valuing stealth and simplicity, Fuji’s smaller body can be appealing, though image quality compromises exist.
Final Thoughts: Reflecting on Compact Camera Evolution
Looking at these two side-by-side underscores how much camera tech can leap forward in just a couple of years. The Fuji JV100 was commendable when released - reliable point-and-shoot basics at pennies on the dollar now. But Sony’s HX10V steps into a new league with sensor tech, zoom versatility, and video prowess.
In my personal journey testing thousands of cameras, I see the HX10V as a great example of a camera that aims to meet varied photographer needs while still maintaining compact portability, albeit not pocketable like the JV100.
Dear Fuji, your JV100 is tiny, but time has passed - I’d love to see a new iteration of the super compact zoom with modern sensor tech.
Whether you favor Fuji’s simplicity or Sony’s all-rounder capabilities, I hope this thorough comparison helps you decide which camera fits your style, budget, and photography ambitions.
Happy shooting!
Note: For detailed image samples and more hands-on impressions, refer to the included galleries above.
FujiFilm JV100 vs Sony HX10V Specifications
| FujiFilm FinePix JV100 | Sony Cyber-shot DSC-HX10V | |
|---|---|---|
| General Information | ||
| Brand | FujiFilm | Sony |
| Model type | FujiFilm FinePix JV100 | Sony Cyber-shot DSC-HX10V |
| Otherwise known as | FinePix JV105 | - |
| Class | Small Sensor Compact | Small Sensor Superzoom |
| Introduced | 2010-02-02 | 2012-02-28 |
| Physical type | Compact | Compact |
| Sensor Information | ||
| Powered by | - | BIONZ |
| Sensor type | CCD | BSI-CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor surface area | 28.1mm² | 28.1mm² |
| Sensor resolution | 12MP | 18MP |
| Anti alias filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
| Full resolution | 4000 x 3000 | 4896 x 3672 |
| Max native ISO | 1600 | 12800 |
| Max boosted ISO | 3200 | - |
| Minimum native ISO | 100 | 100 |
| RAW pictures | ||
| Autofocusing | ||
| Manual focusing | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Autofocus tracking | ||
| Selective autofocus | ||
| Autofocus center weighted | ||
| Multi area autofocus | ||
| Autofocus live view | ||
| Face detect focus | ||
| Contract detect focus | ||
| Phase detect focus | ||
| Total focus points | - | 9 |
| Lens | ||
| Lens mount type | fixed lens | fixed lens |
| Lens zoom range | 37-111mm (3.0x) | 24-400mm (16.7x) |
| Maximal aperture | f/3.2-4.3 | f/3.3-5.9 |
| Macro focusing distance | 10cm | 5cm |
| Focal length multiplier | 5.8 | 5.8 |
| Screen | ||
| Type of display | Fixed Type | Fixed Type |
| Display size | 2.7 inch | 3 inch |
| Resolution of display | 230k dots | 922k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Display technology | - | XtraFine TruBlack TFT LCD |
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Lowest shutter speed | 8s | 30s |
| Highest shutter speed | 1/2000s | 1/1600s |
| Continuous shooting rate | - | 10.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Exposure compensation | - | Yes |
| Custom white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | 3.50 m | 5.30 m |
| Flash options | Auto, On, Off, Red-eye, Slow Sync | Auto, On, Off, Slow Sync |
| Hot shoe | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (60 fps), 1440 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) |
| Max video resolution | 1280x720 | 1920x1080 |
| Video data format | Motion JPEG | MPEG-4, AVCHD |
| Mic support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | None | Eye-Fi Connected |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | BuiltIn |
| Physical | ||
| Environmental sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 126 gr (0.28 lbs) | 234 gr (0.52 lbs) |
| Dimensions | 93 x 55 x 21mm (3.7" x 2.2" x 0.8") | 105 x 60 x 34mm (4.1" x 2.4" x 1.3") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | - | 320 photographs |
| Style of battery | - | Battery Pack |
| Battery ID | NP-45A | NP-BG1 |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec, Portrait 1/2) |
| Time lapse recording | ||
| Storage type | SD/SDHC card, Internal | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo |
| Card slots | One | One |
| Cost at launch | $99 | $616 |