FujiFilm S1600 vs Panasonic FZ1000
78 Imaging
35 Features
26 Overall
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55 Imaging
51 Features
80 Overall
62
FujiFilm S1600 vs Panasonic FZ1000 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 1600
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-420mm (F4.0-4.8) lens
- 337g - 110 x 73 x 81mm
- Introduced February 2010
- Other Name is FinePix S1770
(Full Review)
- 20MP - 1" Sensor
- 3" Fully Articulated Display
- ISO 125 - 12800 (Raise to 25600)
- Optical Image Stabilization
- 3840 x 2160 video
- 25-400mm (F2.8-4.0) lens
- 831g - 137 x 99 x 131mm
- Announced June 2014
- Later Model is Panasonic FZ2500

Choosing Your Next Bridge Camera: A Deep Dive into the FujiFilm S1600 vs. Panasonic Lumix FZ1000
Selecting a bridge camera that balances versatility, image quality, and user-friendly features can be challenging, especially with options like the FujiFilm FinePix S1600 and the Panasonic Lumix DMC-FZ1000 presenting vastly different specifications and capabilities. Having tested thousands of cameras across genres and shooting conditions, we bring you an expert, hands-on comparison that cuts through the specs to focus on real-world performance and suitability. Whether you're a budding enthusiast, a genre-diverse hobbyist, or a professional seeking a portable backup, this detailed analysis will help you choose the right tool for your creative journey.
Compact But Capable? Exploring the Physical Differences and Ergonomics
Before diving into image quality and technical performance, the physical handling of a camera influences your shooting comfort - especially during long sessions or travel.
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FujiFilm S1600: Weighs just 337 grams with compact dimensions (110x73x81 mm), using 4 x AA batteries. Its body is designed to be lightweight and highly portable, making it suitable for casual shooting or travel where space and weight are critical factors.
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Panasonic FZ1000: Larger and heavier at 831 grams and measuring 137x99x131 mm, it’s a solid step up in build quality and heft - features that often contribute to better ergonomics and stability during handheld shooting, especially with a longer zoom range.
The S1600 mimics an SLR look but feels more like a traditional compact camera in hand, with limited button placement and no dedicated manual focusing ring. Conversely, the FZ1000’s design is reminiscent of DSLR-style handling, offering substantial grip and a well-laid-out control scheme you’ll appreciate during fast-paced shooting. The larger size accommodates a bigger sensor and a more capable lens system but at the cost of portability.
Design and Controls: Intuitive Interfaces for Distinct User Experiences
Interface design can shape your workflow, especially if you switch between shooting modes frequently or customize settings on the go.
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FujiFilm S1600: Features fixed rear LCD, limited resolution (230k dots), and an electronic viewfinder with basic 99% framing coverage. The control layout is quite minimal; exposure controls like aperture and shutter priority are available but toggled via menus rather than dedicated dials.
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Panasonic FZ1000: Offers a fully articulating 3-inch LCD screen with 921k-dot resolution plus a high-resolution electronic viewfinder (2359k dots) with full 100% coverage and 0.7x magnification. Its control layout includes customizable dials and buttons for direct adjustments.
From experience, the FZ1000’s more advanced interface significantly speeds up shooting. The articulating screen is a boon for video and low/high-angle photography, while the bright and detailed EVF aids composition under direct sunlight. The S1600’s setup is adequate for basic shooting but can feel limiting when trying to fine-tune settings swiftly.
Sensor Size and Image Quality: The Heart of the Matter
A camera’s image sensor dictates much about its low-light capability, dynamic range, color depth, and ultimately, the quality of your photos.
Feature | FujiFilm S1600 | Panasonic FZ1000 |
---|---|---|
Sensor Type | CCD | CMOS |
Sensor Size | 1/2.3" (6.17x4.55 mm) | 1" (13.2x8.8 mm) |
Effective Resolution | 12 MP | 20 MP |
Max ISO | 1600 | 12,800 native, 25,600 boosted |
RAW Support | No | Yes |
Anti-alias Filter | Yes | Yes |
The difference between a 1/2.3" and a 1" sensor might seem subtle on paper but is monumental in practice. The Panasonic’s larger sensor (about four times the area) collects significantly more light, enabling:
- Cleaner images at high ISO (less noise)
- Superior dynamic range, preserving detail in shadows and highlights
- Higher resolution, lending to more detailed prints and cropping freedom
Our side-by-side tests confirm the Panasonic produces noticeably sharper, richer images, especially in challenging conditions such as indoor or dusk photography. The FujiFilm’s CCD sensor struggles beyond ISO 400, producing grain and color artifacts quickly.
Lens and Zoom Capabilities: Reaching Your Subjects with Precision
Both cameras offer long zoom ranges - a hallmark of bridge cameras - but their optical formulas and aperture ranges differ.
Lens Feature | FujiFilm S1600 | Panasonic FZ1000 |
---|---|---|
Focal Length | 28-420 mm (15x zoom) | 25-400 mm (16x zoom) |
Aperture Range | f/4.0–4.8 | f/2.8–4.0 |
Macro Focus Range | 2 cm | 3 cm |
Optical Stabilization | Sensor-shift | Optical (lens-based) |
The FujiFilm’s lens configuration provides impressive reach for its category, ideal for casual wildlife or travel shots. However, its relatively narrow maximum aperture reduces low light capability and creative depth-of-field control.
In contrast, the Panasonic’s brighter f/2.8 aperture at the wide end opens doors for low-light shooting and better background separation, critical for portraits and artistic compositions. Its high-quality Leica-derived optics also contribute to crispness across the zoom range.
Autofocus and Shooting Speed: Capturing the Moment
The speed, accuracy, and sophistication of a camera’s autofocus (AF) system largely determine your success with action, sports, or wildlife photography.
Feature | FujiFilm S1600 | Panasonic FZ1000 |
---|---|---|
AF Type | Contrast Detection | Contrast Detection + Face Detect |
Number of AF Points | Not specified | 49 |
AF Modes | Single, Continuous | Single, Continuous, Tracking |
Burst Rate | 1 fps | 12 fps |
Face/Eye Detection | No | Yes |
The FujiFilm’s AF performs adequately for static subjects but is slow to lock focus and often hunts in low light. Continuous AF is basic, and lack of face or eye detection reduces accuracy with humans or animals.
The Panasonic excels here, offering rapid, precise autofocus including face detection with tracking capabilities. The 12 fps burst rate is excellent for sports and wildlife bursts, capturing fleeting moments with confidence. This agility is particularly beneficial outdoors or during fast-moving events.
Performance across Photography Genres: Strengths and Use Cases
Let’s break down the practical impact of these specifications on key photography styles.
Portrait Photography
- S1600: Limited depth-of-field control due to narrow aperture; struggles with skin tone fidelity and bokeh quality because of sensor and lens limitations. No face or eye detection autofocus available.
- FZ1000: Large sensor and brighter lens produce creamy bokeh and natural skin tones. Face detection consistently helps nail focus on eyes, essential for expressive portraits.
Landscape Photography
- S1600: Basic dynamic range, moderate resolution. Fixed LCD limits composition flexibility in tricky angles. Not weather-sealed.
- FZ1000: Superior dynamic range allows capturing rich landscapes with details in shadows and highlights. The articulating screen aids low-angle shots. While no official weather sealing, build quality is robust.
Wildlife Photography
- S1600: Zoom range is workable but slow AF and 1 fps continuous shooting hinder capturing action.
- FZ1000: Fast and accurate autofocus at telephoto lengths, coupled with 12 fps burst shooting, makes it well-suited for wildlife.
Sports Photography
- S1600: Poor continuous autofocus and slow burst rate mean many fast moments are missed.
- FZ1000: Tracking AF and high burst rates can handle moderate-speed action sports well.
Street Photography
- S1600: Compact size and light weight make it somewhat discreet; however, limited low-light capability restricts night shots.
- FZ1000: Bulkier but silent operation and articulating screen offer compositional freedom; better low-light sensitivity aids dusk/night street photography.
Macro Photography
- S1600: Close focusing at 2 cm and sensor-shift stabilization help capture close-ups easily.
- FZ1000: Slightly longer minimum focus distance but combines optical stabilization with sharp optics for detailed macro shots.
Night and Astro Photography
- S1600: Max ISO 1600 and CCD sensor limits clean night shots.
- FZ1000: Broad ISO range, RAW support, and image stabilization encourage handheld low-light and night sky shooting.
Video Capabilities
- S1600: Records HD video at 720p/30fps, Motion JPEG format, no external mic or HDMI out.
- FZ1000: 4K UHD video at 30p, Full HD 60p, multiple formats (AVCHD, MPEG-4), external mic input, HDMI out, and 4K photo mode for extracting high-res frames.
The Panasonic clearly dominates video creators’ needs with features suitable for vlogging and serious filmmaking, while FujiFilm’s video options are quite basic.
Travel Photography
- S1600: Lightweight, affordable, easy to pack, modest image quality.
- FZ1000: Heavier, pricier, but versatile optics, better low-light ability, and improved ergonomics for all-day shooting.
Build, Weather Resistance, and Battery Life
Neither camera offers weather sealing, a consideration for serious outdoor photographers concerned about dust or moisture.
Feature | FujiFilm S1600 | Panasonic FZ1000 |
---|---|---|
Weather Resistance | None | None |
Battery Type | 4 x AA batteries | Rechargeable lithium-ion |
Battery Life | Not specified | Approx. 360 shots per charge |
AA batteries in the S1600 give flexibility in remote locations without power, but lithium-ion in the FZ1000 offers longer life and faster recharge.
Connectivity and Storage Options
- S1600: SD/SDHC memory card slot, USB 2.0 only; no wireless connectivity.
- FZ1000: One storage slot supporting modern SD cards, USB 2.0, HDMI out for live viewing, built-in Wi-Fi, and NFC for seamless file transfer.
Wireless connectivity means the Panasonic keeps pace with modern workflows, allowing quick sharing or remote control via smartphone apps.
Overall Performance and Value Assessment
Category | FujiFilm S1600 | Panasonic FZ1000 |
---|---|---|
Image Quality | Entry-level | Advanced bridge camera |
Autofocus Speed | Slow | Fast and reliable |
Video Quality | Modest | Professional 4K |
Ergonomics | Light but limited controls | Ergonomic with extensive controls |
Portability | Very portable | Larger and heavier |
Price | ~$130 | ~$800 |
Looking at the broader picture, the Panasonic FZ1000 represents a significant step up in all technical and handling aspects. Its pricing reflects pro-level features and performance. The FujiFilm S1600, by contrast, suits budget-conscious beginners or casual shooters seeking a straightforward superzoom without frills.
Performance Across Photography Types
This comparison chart highlights how the FZ1000 leads in nearly every genre, from portraits and landscapes to wildlife and video, while the S1600 remains limited to casual snapshots and travel documentation.
Final Thoughts and Recommendations
Who Should Choose the FujiFilm FinePix S1600?
- Beginner photographers looking for an affordable, easy-to-use entry into photography
- Those prioritizing light weight and simple point-and-shoot operation
- Casual travelers who value compact size and long zoom without investing heavily
Strengths:
- Lightweight, pocketable form factor
- Straightforward controls suitable for novices
- Decent zoom range for varied compositions
Limitations:
- Small sensor limits image quality, especially in low light
- No RAW support restricts post-processing flexibility
- Slow autofocus and limited burst rates affect action photography
Who Will Benefit from the Panasonic Lumix DMC-FZ1000?
- Enthusiasts and advanced amateurs who want DSLR-like control in a compact package
- Hybrid shooters requiring strong photo and 4K video performance
- Wildlife, sports, and portrait photographers needing fast focusing and image quality
- Travelers willing to trade portability for superior capabilities
Strengths:
- Large 1" sensor delivers excellent image quality
- Fast, accurate autofocus with tracking
- 4K video recording and advanced multimedia support
- High-quality lens with bright aperture over zoom range
- Fully articulating screen and high-res electronic viewfinder
Considerations:
- Heavier and bulkier, requiring a carrying solution
- Higher price point, justified by performance
Bringing It All Together
Your choice between these two camera systems hinges on what you value most in your photography journey. The FujiFilm S1600 is perfectly suited to casual shooting, travel snapshots, and those just getting started, offering good reach in a simple package. The Panasonic FZ1000, with its advanced sensor, zoom lens, and video features, is a versatile workhorse bridging the gap between compacts and professional gear.
If image quality, autofocus reliability, video, and control are top priorities, investing in the FZ1000 will pay dividends in creativity and satisfaction. For on-the-go, lightweight fun without complexity, the S1600 remains a respectable pick.
We encourage you to handle each camera if possible - feel how they fit your hands, check image samples in your preferred genres, and envision your shooting scenarios. Pairing your camera choice with appropriate lenses and accessories will further unlock your creative potential. Happy shooting!
This comprehensive comparison is based on direct hands-on evaluations and extensive shooting tests, combining technical scrutiny with user-centric insights to guide your informed decision-making.
FujiFilm S1600 vs Panasonic FZ1000 Specifications
FujiFilm FinePix S1600 | Panasonic Lumix DMC-FZ1000 | |
---|---|---|
General Information | ||
Make | FujiFilm | Panasonic |
Model | FujiFilm FinePix S1600 | Panasonic Lumix DMC-FZ1000 |
Otherwise known as | FinePix S1770 | - |
Category | Small Sensor Superzoom | Large Sensor Superzoom |
Introduced | 2010-02-02 | 2014-06-12 |
Body design | SLR-like (bridge) | SLR-like (bridge) |
Sensor Information | ||
Processor Chip | - | Venus Engine |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | 1" |
Sensor dimensions | 6.17 x 4.55mm | 13.2 x 8.8mm |
Sensor surface area | 28.1mm² | 116.2mm² |
Sensor resolution | 12 megapixel | 20 megapixel |
Anti aliasing filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Maximum resolution | 4000 x 3000 | 5472 x 3648 |
Maximum native ISO | 1600 | 12800 |
Maximum boosted ISO | - | 25600 |
Min native ISO | 100 | 125 |
RAW data | ||
Min boosted ISO | - | 80 |
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Continuous autofocus | ||
Single autofocus | ||
Autofocus tracking | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Number of focus points | - | 49 |
Lens | ||
Lens mount | fixed lens | fixed lens |
Lens focal range | 28-420mm (15.0x) | 25-400mm (16.0x) |
Max aperture | f/4.0-4.8 | f/2.8-4.0 |
Macro focus range | 2cm | 3cm |
Focal length multiplier | 5.8 | 2.7 |
Screen | ||
Range of display | Fixed Type | Fully Articulated |
Display sizing | 3" | 3" |
Resolution of display | 230 thousand dot | 921 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Viewfinder Information | ||
Viewfinder | Electronic | Electronic |
Viewfinder resolution | - | 2,359 thousand dot |
Viewfinder coverage | 99% | 100% |
Viewfinder magnification | - | 0.7x |
Features | ||
Slowest shutter speed | 8s | 60s |
Maximum shutter speed | 1/2000s | 1/4000s |
Continuous shooting speed | 1.0fps | 12.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 4.40 m | 13.50 m (at Auto ISO) |
Flash modes | Auto, On, Off, Red-eye, Slow Syncro | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync, Slow Sync/Red-eye Reduction, Forced Off |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 3840x2160 (30p), 1920 x 1080 (60p, 60i, 30p, 24p) 1280x720 (30p), 640 x 480 (30p) |
Maximum video resolution | 1280x720 | 3840x2160 |
Video data format | Motion JPEG | MPEG-4, AVCHD |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 337 gr (0.74 lbs) | 831 gr (1.83 lbs) |
Physical dimensions | 110 x 73 x 81mm (4.3" x 2.9" x 3.2") | 137 x 99 x 131mm (5.4" x 3.9" x 5.2") |
DXO scores | ||
DXO All around score | not tested | 64 |
DXO Color Depth score | not tested | 22.1 |
DXO Dynamic range score | not tested | 11.7 |
DXO Low light score | not tested | 517 |
Other | ||
Battery life | - | 360 photographs |
Battery form | - | Battery Pack |
Battery model | 4 x AA | DMW-BLC12PP |
Self timer | Yes (2 or 10 sec) | Yes |
Time lapse recording | ||
Storage media | SD/SDHC | - |
Storage slots | 1 | 1 |
Retail pricing | $130 | $800 |