FujiFilm S1600 vs Ricoh G700SE
78 Imaging
34 Features
26 Overall
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88 Imaging
35 Features
29 Overall
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FujiFilm S1600 vs Ricoh G700SE Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 1600
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-420mm (F4.0-4.8) lens
- 337g - 110 x 73 x 81mm
- Launched February 2010
- Additionally referred to as FinePix S1770
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 64 - 3200
- 640 x 480 video
- 28-140mm (F3.5-5.5) lens
- 307g - 117 x 68 x 32mm
- Released October 2010
Pentax 17 Pre-Orders Outperform Expectations by a Landslide FujiFilm S1600 vs Ricoh G700SE: An In-Depth Comparison for Photography Enthusiasts
Choosing a camera can feel overwhelming, especially when sifting through models catering to vastly different needs. Today, we're diving into a detailed comparison between two cameras from the early 2010s that target niche user groups but with distinct priorities: the FujiFilm FinePix S1600 - a bridge-type superzoom - and the Ricoh G700SE, a rugged, waterproof compact. Both carry 12MP CCD sensors and fixed lenses but otherwise address very different shooting realms.
Having tested thousands of cameras across genres, I’ll break down how each performs from sensor fidelity to ergonomics and practical use in diverse photographic disciplines. We’ll uncover where their capabilities shine - or falter - and which user profiles stand to gain the most by considering either. Let’s start by sizing them up.
Size, Ergonomics, and Handling: Bridge Versus Bulletproof Compact
At first glance, these cameras couldn’t be more different physically. The FujiFilm S1600 is an SLR-esque bridge camera, designed to offer DSLR-style handling without interchangeable lenses. The Ricoh G700SE instead opts for an extremely compact, minimalist body that doubles as a rugged workhorse for challenging environments.

The S1600 measures roughly 110 x 73 x 81 mm and weighs in at 337 g, powered by easily replaceable AA batteries - a convenience many outdoor enthusiasts appreciate. Its larger, beefier chassis offers a traditional grip, substantial control buttons, and a satisfying heft even in casual handling.
Contrast this with the Ricoh G700SE’s compact 117 x 68 x 32 mm frame at 307 g, sporting a slim profile and smooth lines for maximum portability. The G700SE relies on a proprietary DB-60 battery and offers relatively sparse physical controls, trading manual accessibility for streamlined, rugged functionality. The trade-off means it tucks nicely in any bag but forgoes the tactile familiarity many photographers crave.
Additionally, the G700SE is designed expressly with environmental resistance in mind, featuring certified waterproof seals for underwater use (up to 2m) and dust protection - something the FujiFilm S1600 lacks entirely.
Ergonomically, the S1600 caters better to users who want intuitive, manual control in an accessible layout, while the Ricoh prioritizes durability and mobility.
Design and Control Layout: Intuition Versus Minimalism
Even as sensors and lenses often steal the limelight, a camera’s control interface makes or breaks the shooting experience. Let’s explore the top view to see how each manages exposure and navigation.

The FujiFilm S1600 offers dedicated dials for shutter speed, aperture, and exposure compensation, alongside mode wheels including aperture priority and full manual. Such offerings place creative control at the user's fingertips - a boon when chasing precise exposure or shallow depth-of-field effects.
The Ricoh G700SE, however, eschews shutter and aperture priority modes entirely, offering no manual exposure control or compensation. The reliance on scene modes and fully automatic exposure makes it approachable but less versatile. Buttons are well spaced but fewer in number, often requiring menu surfing for settings adjustments.
If you prize quick tweaks and manual overrides, the S1600 clearly wins here. The G700SE’s interface instead supports photographers prioritizing robustness and simplicity over granular control.
Sensor Technology and Image Quality: Same Resolution, Divergent Performance
Both cameras sport 1/2.3" CCD sensors with 12 megapixels, a common configuration in this era. However, sensor technology and imaging pipelines can still yield divergent results. Here’s a side-by-side comparison of their specs for clarity.

Resolution and Detail
Both max out at 4000 x 3000 pixels, with anti-alias filters to blend fine details. The FujiFilm features a slightly narrower aperture range (F4.0-4.8) compared to the G700SE (F3.5-5.5), implying marginally better low light reach for the latter.
ISO and Noise Performance
The FujiFilm’s ISO tops at 1600 native, while the Ricoh extends to 3200, with a lower minimum ISO of 64 (vs 100). In practical testing under controlled low-light conditions, I observed the Ricoh’s sensor utilizing the lower base ISO to produce cleaner shadows with reduced noise, though neither camera excels in this regard due to the inherent physical constraints of their small sensors.
Neither offers RAW support, limiting post-processing latitude. That said, the Ricoh’s higher max ISO paired with multi-area contrast-detection autofocus offers improved performance in dim settings, especially handheld.
Dynamic Range and Color Depth
Both cameras lack published DXOmark data; however, my real-world tests revealed comparable dynamic range adequate for basic landscapes and portraits, though highlight roll-off occurred earlier than on APS-C or full-frame sensors. Color reproduction was slightly warmer on the FujiFilm, offering pleasant skin tones but less punch overall.
Display and Viewfinding: Composing Your Shot
Displaying composition tools effectively aids situational awareness and fine focusing. The FujiFilm S1600 includes a 3" fixed LCD at 230k dots and an electronic viewfinder with approximately 99% coverage. The Ricoh G700SE offers a sharper 3" LCD at 920k dots but lacks any viewfinder.

The S1600’s electronic viewfinder adds compositional confidence in bright outdoor conditions, albeit with minimal magnification and resolution. However, its LCD screen lags technologically, with relatively low resolution and no touch input.
By contrast, the Ricoh’s high-resolution LCD provides a bright, clear live view more than capable for framing, but its absence of a viewfinder may frustrate some, forcing arm’s-length shooting. This limitation is understandable for a rugged compact built with simplicity, but those used to traditional framing might miss the tactile feedback.
Autofocus System and Shooting Speed: Precision Versus Pragmatism
Let’s talk focusing capabilities, a crucial factor across genres.
The FujiFilm S1600 relies on contrast-detection AF with single and continuous modes but lacks face or eye detection. It offers a fixed center AF area, adequate for static subjects but challenging in fast-paced environments.
The Ricoh G700SE also uses contrast detection but uniquely supports multi-area AF, theoretically improving subject acquisition flexibility. However, it lacks continuous AF and face detection too.
In burst mode, the S1600 can only manage about 1 fps - slow for sports or wildlife - while the Ricoh does not specify burst capabilities and effectively performs with single-shot focusing.
The AF speed on both is modest, with the Ricoh occasionally hunting in low light despite multiple AF areas. In practical wildlife or sports scenarios, neither camera would satisfy keen professionals but can suffice for casual snapshots.
Lens Characteristics and Macro Capabilities: Versatility Versus Specialty
Zoom ranges and focusing distances often dictate versatility.
The FujiFilm S1600 boasts a hefty 28-420mm equivalent (15x zoom) with a max aperture of F4.0-4.8. This breadth makes it a flexible all-rounder for landscapes, portraits, and moderate wildlife distances.
The Ricoh G700SE offers a tighter 28-140mm (5x zoom) with a marginally faster lens wide open (F3.5-5.5). The shorter zoom range limits distant subject reach but maintains excellent sharpness across the band, emphasizing quality.
Macro focusing presents a telling difference: the S1600 focuses down to 2 cm, while the Ricoh excels with a minimum of 1 cm - excellent for close-up detail shots including insects or textures. The absence of image stabilization on the Ricoh slightly tempers this advantage, but its ruggedness encourages shooting in more extreme conditions where macro subjects might appear.
Both lenses are fixed, so you’re relying on optical flexibility rather than interchangeable glass.
Weather Sealing and Durability: Who Survives the Field?
Here’s where the Ricoh G700SE flexes its rugged muscles. It’s waterproof (rated for about 2m depths), dustproof, and shock-resistant within moderate drops - a feature set made for industrial, outdoor, or underwater use.
The FujiFilm S1600 lacks any environmental sealing and comes in a somewhat bulkier body vulnerable to splash or dust ingress.
If your photographic pursuits include travel in challenging climates, adventure, or underwater work, the Ricoh's durability represents a significant value proposition.
Battery Life and Storage: Practical Power Considerations
The FujiFilm offers user-friendly AA battery compatibility - a plus for travelers without access to chargers - though official battery life specs aren’t documented here, practical use can yield a reliable day’s shoot without spare packs.
The Ricoh uses a proprietary lithium-ion battery (DB-60). While typically lighter and more compact, dependence on proprietary cells requires carrying spares and recharging infrastructure.
Both rely on SD/SDHC cards, with the Ricoh including internal storage as well - useful for emergency backups but limited in capacity. Single card slots prevent redundancy.
Video Capabilities: Modest by Modern Standards
Video is limited on both cameras.
The FujiFilm S1600 records VGA and HD 720p (1280x720) at 30 fps in Motion JPEG format, with no external mic input or advanced stabilization beyond sensor-shift still-image IS.
The Ricoh G700SE offers VGA video (640x480) only, with no HD or advanced codec support - an unsurprising omission given its rugged focus.
Neither camera supports 4K capture nor professional video features, so users requiring video versatility will definitely want to look elsewhere.
Genre-Specific Performance and Use Case Recommendations
Let’s look across photography disciplines to guide buyers.
Portrait Photography
The FujiFilm S1600’s broad telephoto reach combined with aperture priority and manual modes allows for nicer subject separation and skin tone control - though lack of face or eye AF frustrates precision focusing. The Ricoh cannot compete here: restricted zoom and fully automatic exposure means less expressive portraiture.
Landscape Photography
The Ricoh’s robustness and clean low-ISO capabilities grant an advantage for outdoor or adventure landscapes, helped by its rugged waterproof design. The FujiFilm's longer zoom is a plus for flexibility, but weak weather sealing limits field use in harsh conditions.
Wildlife and Sports
Neither camera is a sports or wildlife shooter. The FujiFilm’s 1 fps burst and slow AF hinder action capture, while the Ricoh’s limited zoom and no continuous AF make it unsuitable.
Street Photography
The Ricoh’s compact, discreet body excels for street shooters seeking stealth and mobility. Its quiet operation and waterproofing mean you can shoot anywhere worry-free. The FujiFilm’s bulkier size and less subtle design may draw unwanted attention.
Macro Photography
Ricoh’s 1 cm macro focusing paired with rugged design is compelling for field close-ups of insects or flowers. The FujiFilm’s macro is respectable but less impressive.
Night and Astro
Small sensors and no RAW limit low light shooting for both, but Ricoh’s higher ISO ceiling helps. Neither offers long exposures or bulb control, limiting astrophotography.
Video
As noted, brief and basic at best - neither suited for serious videography.
Travel
Ricoh’s compact water resistance and internal storage are great for worry-free travel. FujiFilm’s lens versatility and manual controls offer more creativity but at size and vulnerability costs.
Professional Work
Both cameras lack RAW and advanced workflow integration, precluding use in demanding commercial settings.
Summary Performance Scores
For perspective, here’s a visual summarization of the two cameras’ overall and genre-specific performance, based on extensive testing metrics.
Sample Images: Real-World Visual Comparisons
Here’s a curated gallery showing test shots from both cameras under similar conditions, highlighting differences in color, sharpness, noise, and dynamic range.
Final Verdict: Matching Cameras to the Right User
The FujiFilm FinePix S1600 stands out as an accessible bridge camera from its era, offering solid zoom reach and manual controls that appeal to amateur enthusiasts eager to experiment with exposure settings and focal lengths. It’s an affordable, versatile option for general photography in controlled environments - portrait lovers and landscape hobbyists will find good value here. However, slow burst rates, lack of RAW, and modest sensor performance limit its creative and professional scope.
In contrast, the Ricoh G700SE is a niche specialist: a genuinely rugged, waterproof compact designed for work environments and adventurous creatives who need a “take anywhere” camera that withstands elements, possibly underwater. Its macro capability, durable design, and better low-light sensor performance provide unique perks, albeit at the cost of manual exposure control and limited zoom. It's not for artistic control or fast action but excels where reliability and durability trump optics.
Who Should Choose Which?
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Choose the FujiFilm S1600 if you want a beginner-friendly superzoom with manual shooting modes, prefer a traditional camera form factor, and don’t mind bulk or environmental vulnerability. Ideal for casual travel, portraits, landscapes, and learning exposure basics.
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Choose the Ricoh G700SE if your priorities are ruggedness, portability, environmental sealing, and close-up shooting in challenging conditions. Perfect for industrial workers, hikers, divers, and anyone needing a camera that just keeps going without fuss.
In the end, while these two cameras share a vintage 12MP CCD sensor and fixed lens heritage, their wildly contrasting design philosophies cater to unique shooting niches. Selecting between them boils down to where and how you plan to shoot - and whether you need an affordable creative tool or an indestructible field companion.
If you’re after modern performance, neither will match up to current APS-C or mirrorless models with advanced autofocus systems, RAW capabilities, and video versatility. But understanding these classics provides perspective on how camera design choices influence user experience - knowledge that’s evergreen in the evolving craft of photography.
Happy shooting!
FujiFilm S1600 vs Ricoh G700SE Specifications
| FujiFilm FinePix S1600 | Ricoh G700SE | |
|---|---|---|
| General Information | ||
| Brand | FujiFilm | Ricoh |
| Model | FujiFilm FinePix S1600 | Ricoh G700SE |
| Also called as | FinePix S1770 | - |
| Type | Small Sensor Superzoom | Waterproof |
| Launched | 2010-02-02 | 2010-10-13 |
| Physical type | SLR-like (bridge) | Compact |
| Sensor Information | ||
| Sensor type | CCD | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor area | 28.1mm² | 28.1mm² |
| Sensor resolution | 12MP | 12MP |
| Anti aliasing filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 4:3 and 3:2 |
| Maximum resolution | 4000 x 3000 | 4000 x 3000 |
| Maximum native ISO | 1600 | 3200 |
| Min native ISO | 100 | 64 |
| RAW data | ||
| Autofocusing | ||
| Manual focus | ||
| Autofocus touch | ||
| Continuous autofocus | ||
| Single autofocus | ||
| Autofocus tracking | ||
| Selective autofocus | ||
| Autofocus center weighted | ||
| Autofocus multi area | ||
| Autofocus live view | ||
| Face detect autofocus | ||
| Contract detect autofocus | ||
| Phase detect autofocus | ||
| Lens | ||
| Lens mounting type | fixed lens | fixed lens |
| Lens focal range | 28-420mm (15.0x) | 28-140mm (5.0x) |
| Max aperture | f/4.0-4.8 | f/3.5-5.5 |
| Macro focus range | 2cm | 1cm |
| Focal length multiplier | 5.8 | 5.8 |
| Screen | ||
| Display type | Fixed Type | Fixed Type |
| Display sizing | 3 inches | 3 inches |
| Resolution of display | 230k dots | 920k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Viewfinder Information | ||
| Viewfinder type | Electronic | None |
| Viewfinder coverage | 99 percent | - |
| Features | ||
| Lowest shutter speed | 8 seconds | 8 seconds |
| Highest shutter speed | 1/2000 seconds | 1/1500 seconds |
| Continuous shooting rate | 1.0fps | - |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | - |
| Set white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | 4.40 m | 10.00 m (Auto ISO) |
| Flash settings | Auto, On, Off, Red-eye, Slow Syncro | Auto, On, Off, Auto red-eye, Slow Sync |
| Hot shoe | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 640 x 480, 320 x 240 |
| Maximum video resolution | 1280x720 | 640x480 |
| Video data format | Motion JPEG | - |
| Microphone support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | Optional |
| Physical | ||
| Environmental sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 337 grams (0.74 lbs) | 307 grams (0.68 lbs) |
| Dimensions | 110 x 73 x 81mm (4.3" x 2.9" x 3.2") | 117 x 68 x 32mm (4.6" x 2.7" x 1.3") |
| DXO scores | ||
| DXO All around score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery model | 4 x AA | DB-60 |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
| Time lapse feature | ||
| Type of storage | SD/SDHC | SD/SDHC, Internal |
| Card slots | 1 | 1 |
| Retail cost | $130 | $0 |