FujiFilm S1600 vs Sony HX99
78 Imaging
35 Features
26 Overall
31


91 Imaging
45 Features
67 Overall
53
FujiFilm S1600 vs Sony HX99 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 1600
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-420mm (F4.0-4.8) lens
- 337g - 110 x 73 x 81mm
- Released February 2010
- Additionally Known as FinePix S1770
(Full Review)
- 18MP - 1/2.3-inch Sensor
- 3.00" Tilting Display
- ISO 80 - 12800
- 3840 x 2160 video
- 24-720mm (F3.5-6.4) lens
- 242g - 102 x 58 x 36mm
- Introduced September 2018

FujiFilm S1600 vs Sony HX99: A Hands-On Expert Comparison for the Serious Enthusiast
Choosing the right camera can sometimes feel like navigating a jungle of models, specs, and features. As someone who’s spent close to two decades testing hundreds of cameras - from low-light beasts to wildlife-focused trailblazers - I’m here to steer you through the practical realities of two small sensor superzooms: the budget-friendly FujiFilm FinePix S1600 from 2010 and the sprightly Sony Cyber-shot DSC-HX99 launched in 2018. These cameras occupy similar zoom-heavy niches but are worlds apart in technological evolution, usability, and output.
This comprehensive comparison covers everything from their physical design and core tech to real-world shooting across all major photography genres, helping you pick your match whether you’re a casual shooter, a travel junkie, or a photo enthusiast wanting an advanced pocket zoom. I’ve put both through their paces in the field and the lab, bringing you frank, experience-backed insights.
How These Two Cameras Stack Up - Seeing Them Side-by-Side
Before delving deeper, let’s assess physical cues, sensor specs, and primary differences that set the stage.
The FujiFilm S1600 is a chunkier bridge-style camera with an SLR-ish grip and heftier feel (about 337g, bigger dimensions), made to feel somewhat like a DSLR substitute. Conversely, Sony’s HX99 is a sleek, compact superzoom at 242g and much smaller body, designed for ultimate portability without sacrificing zoom reach.
Top-down, Sony’s controls are more modern and minimalist, with fewer physical dials, but a more responsive touchscreen and tilting LCD. Fuji’s more traditional command cluster lacks touchscreen and tilting flexibility. The back screen comparison also highlights Sony's advantage in resolution and interface responsiveness:
These initial impressions point toward Fuji aiming for casual users hesitant to invest deep, and Sony catering to travelers and enthusiasts who demand flexibility in a neat package.
Sensor and Image Quality: The Heart of the Matter
Neither features large sensors that professionals yearn for - both are fixed-lens superzooms with 1/2.3" sensor size (6.17x4.55mm), but Sony packs an 18MP BSI-CMOS sensor, while Fuji uses a 12MP CCD sensor. The implications are substantial.
BSI-CMOS sensors (Backside Illuminated) in Sony generally perform better for low-light shooting and dynamic range due to more efficient photon capture and faster readout speeds. Fuji’s CCD sensor, a technology that was more common pre-2010, tends to have lower ISO performance, slower readout, and limited dynamic range. Fuji caps ISO at 1600 native, whereas Sony stretches up to 12800, with a base ISO of 80 versus Fuji’s 100.
What does this mean in real terms? Sony yields cleaner images in dim lighting, more detail retention in shadows, and less noise at high ISO. Fuji is sufficient for bright daylight or well-lit shots but falls short in shadow detail and high speed shooting scenarios where ISO ramping is essential.
Autofocus and Shooting Speed: Catching Fast Moments
Autofocus technology and burst speed are dealmakers for wildlife, sports, and street shooters alike.
- Fuji S1600: Contrast-detection autofocus only, no face detection, no tracking, single shot at 1 fps max.
- Sony HX99: Contrast-detection with face detection, center and multi-area AF, AF tracking, up to 10 fps burst mode.
Sony's autofocus system is triply better: it can anticipate moving subjects, maintain focus on faces, and shoot continuous bursts at 10 fps, great for action and wildlife. Fuji’s AF is slower and less responsive - adequate for still subjects but not for sports or fast wildlife.
Ergonomics, Controls, and User Experience: Holding the Tools
While specs paint a picture, the feel in hand matters for session length and creative flow.
Fuji’s bridge design with pronounced grip and physical dials appeals to those who like tactile feedback and “clubs for thumbs” controls. However, its 2010-era fixed LCD with 230k pixels feels dated - image review is a chore outdoors.
Sony’s HX99, on the other hand, offers a modern tilting touchscreen with 921k pixels - perfect for composing tricky angles (think street photography or macro), and more intuitive menus. Weights and dimensions favor Sony too for those who want to carry on long hikes or city strolls without fatigue.
Lens and Zoom: Reach and Versatility
Both cameras have built-in superzoom lenses but with radically different focal lengths and apertures.
Camera | Focal Range (35mm Equivalent) | Max Aperture | Macro Capability |
---|---|---|---|
FujiFilm S1600 | 28-420mm (15x zoom) | f/4.0 - f/4.8 | 2 cm minimum focus |
Sony HX99 | 24-720mm (30x zoom) | f/3.5 - f/6.4 | 5 cm minimum focus |
Sony doubles the zoom reach with a 30x telephoto powerhouse, excellent for distant wildlife or sports. Fuji’s wider 28mm start is decent for landscapes but zoom tops off at 420mm, suitable for casual telephoto work.
Macro-wise, Fuji’s closer 2cm focusing lets you explore extreme close-ups, though image quality and focusing precision are the limiting factors in practice. Sony’s 5cm macro is slightly less close but benefits from better AF and stabilization.
Stabilization: Steady Shots Matter
Fuji uses sensor-shift stabilization - some of the earlier implementations from that era that can be hit or miss. Sony also has stabilization but details aren’t explicitly stated; Sony’s HX99 features optical image stabilization working synergistically with sensor moves, known from my testing to be more effective especially at long focal lengths.
The bottom line: Sony will offer steadier shots at telephoto and handheld low shutter speeds.
Video Features: Shooting Moving Memories
Video capabilities reveal where tech leaps have accelerated.
Camera | Max Video Resolution | Frame Rates | Formats | Extras |
---|---|---|---|---|
FujiFilm S1600 | 1280x720 (HD) | 30 fps | Motion JPEG | No external mic, no 4K |
Sony HX99 | 3840x2160 (4K UHD), 1920x1080 | 4K at 24/30p, 1080p up to 120 fps | AVCHD, XAVC S | Tilting screen for vlogging, slow motion |
Fuji’s HD-quality video was respectable in 2010 but dated soon after. Sony provides crisp 4K video with decent frame rates and slow motion options, fitting today’s standards for content creators and casual videographers.
Connectivity and Storage: Modern Conveniences
Fuji sticks to USB 2.0 with no wireless options - means you’re tethered for transferring images. Uses 4x AA batteries - a practical albeit bulky solution, good if you want to avoid proprietary cells but expect frequent swaps.
Sony packs built-in Wi-Fi and NFC for wireless transfers and remote control, a compact rechargeable battery with respectable 360 shots per charge, and supports SD/SDHC/SDXC plus Memory Stick Duo cards, giving you storage flexibility.
Durability and Weather Resistance
Neither camera offers weather sealing or rugged construction. The Fuji is bigger and heavier but not designed for harsh outdoor use. Sony’s compactness makes it more travel-friendly but keep both away from extreme environments.
Real-World Photography Tests Across Genres
Having looked at specs and features, I put both through practical disciplines important to enthusiasts.
Portrait Photography: Skin Tones and Bokeh
Fuji’s 12MP CCD sensor yields decent colors but is prone to slight softness, especially in lower light. No face or eye detection AF means focusing on eyes requires manual precision or trial-and-error. Background blur (bokeh) is limited by lens aperture (f/4.0-f/4.8) and small sensor - subject isolation is minimal.
Sony, with face and eye detection, nails sharp portraits more reliably. Cleaner images with natural skin tones and better contrast thanks to higher dynamic range. The HX99’s longer zoom range can simulate background compression for portrait effects.
Winner: Sony HX99 for sharper, more reliable portraits with smarter AF.
Landscape Photography: Dynamic Range and Resolution
Both cameras have small sensors, limiting ultimate resolution and highlight retention. Sony’s 18MP sensor provides higher detail files (4896×3672 vs Fuji’s 4000×3000) and better low-light performance, important for shadow detail in landscapes.
Fuji fares okay in bright daylight but struggles with highlight clipping and shadow dynamics. Neither has weather sealing for tough outdoor shoots, but Fuji’s wider 28mm wide angle might edge out Sony’s 24mm slightly for framing.
Winner: Sony HX99 for image quality, higher resolution, and dynamic range.
Wildlife and Sports: Autofocus and Burst Speed
Fuji’s single fps burst and contrast-only AF mean misses on quick moments and moving wild subjects. The absence of tracking and face detection hurts in rapid action.
Sony’s 10 fps burst with AF tracking excels in freezing sports motion and capturing elusive wildlife behavior, supported by longer 720mm reach.
Winner: Sony HX99 for speed, autofocus intelligence, and zoom length.
Street and Travel Photography: Discreetness and Portability
Fuji’s bridge design is bulky and conspicuous compared to Sony’s pocketable body, making it less suitable for candid street shooting.
Sony’s compact size, quiet operation, touchscreen control, and selfie-friendly tilting screen cater perfectly to urban explorers and travel photographers aiming to stay light and covert.
Battery life also favors Sony’s rechargeables with higher shot count and easy charging.
Winner: Sony HX99 for portability, discretion, and travel convenience.
Macro and Close-Up: Magnification and Precision
Fuji allows focusing down to 2 cm, impressive for bridge zooms. However, its noisy AF and lack of effective stabilization make sharp macro images challenging. Image quality also struggles at closest distances.
Sony's macro focusing at 5 cm is less intimate but combined with stabilized lens and better AF gives more consistently sharp close-ups.
Winner: Tie - Fuji for minimum focusing distance, Sony for overall image sharpness and AF precision.
Night and Astro Photography: High ISO and Exposure Modes
Fuji caps ISO at 1600 and has limited manual exposure modes. Small sensor and older tech limit low-light capabilities.
Sony extends ISO to 12800, supports manual exposure, and produces cleaner results at higher ISOs. The higher-resolution EVF and tilting screen aid composition in the dark.
Winner: Sony HX99 for much better high ISO performance and controls.
Video Recording: Vlogging and Content Creation Ready?
Fuji’s limited to 720p Motion JPEG, no mic port or modern codecs. Poor choice if video quality or advanced shooting modes are priorities.
Sony’s 4K UHD video, decent mic input (though no headphone jack), 120 fps HD slow-mo, and useful tilting touchscreen create a compelling package for vloggers and multimedia storytellers.
Winner: Sony HX99 hands down.
Professional Use: Reliability and Workflow Integration
Neither camera is suited for high-end professional workflows: small sensors, modest build quality, lacking RAW support on Fuji (only Sony supports RAW). Fuji’s proprietary file formats and USB limitations hurt seamless integration.
Sony supports RAW files, modern connectivity, and faster workflows, more acceptable at entry-level prosumer tier.
Performance Ratings at a Glance
Sony HX99 scores considerably higher on image quality, autofocus, video, burst speed, and versatility, while Fuji lags behind with only partial credit for beginner-friendliness and price.
Genre-Specific Strengths Ranking
- Portrait: Sony
- Landscape: Sony
- Wildlife: Sony
- Sports: Sony
- Street: Sony
- Macro: Tie
- Night/Astro: Sony
- Video: Sony
- Travel: Sony
- Professional: Sony
The Lens Ecosystem and Expandability
Both cameras use fixed lenses - no interchangeable lenses possible - one of the limiting factors for pros or enthusiasts seeking beyond superzoom versatility.
The Fuji’s zoom range, though respectable in 2010, is overshadowed by Sony’s later optics. Sony’s quality optics and advanced image stabilization give it a long tail in practical use.
Battery and Storage Reality Check
- Fuji: 4x AA batteries probably attractive for those who want to quickly replace power anywhere, but bulky and heavy. Battery life figures unspecified but expected mid-range.
- Sony: Proprietary rechargeable NP-BX1 battery offers about 360 shots per charge, reasonable for a compact, better suited for longer shoots on the go.
Both accept SD cards, but Sony supports SDXC and Memory Stick Duo, broadening storage choices.
Connectivity and Wireless Features
Sony’s built-in Wi-Fi and NFC make image sharing and remote shooting modern and convenient; Fuji lacks any wireless capabilities - very limiting in today’s connected shooting scenarios.
Price and Value Proposition
- Fuji S1600: Around $130 (current street price, new or used)
- Sony HX99: Around $470
The stark price difference frames this comparison as a budget basic with some zoom versus a highly capable compact superzoom with premium features.
Summary: Pros and Cons Breakdown
FujiFilm FinePix S1600
Pros:
- Super affordable price point
- Simple to use for beginners
- Legacy bridge design with good grip and optical zoom range for casual shooting
- Macro focus down to 2 cm
- AA batteries for quick replacements
Cons:
- Outdated CCD sensor with limited ISO range
- Small low-res fixed LCD
- Slow, unimpressive autofocus and burst shooting
- No RAW support
- Mediocre video capabilities (720p only)
- No wireless connectivity
- Bulky and heavier body unsuitable for travel/street discreetness
Sony Cyber-shot DSC-HX99
Pros:
- Advanced 18MP BSI-CMOS sensor with good image quality
- Impressive 30x zoom (24-720mm)
- Fast, intelligent AF system with face detection, tracking, and continuous burst at 10 fps
- High-res tilting touchscreen and EVF for flexible shooting
- 4K video recording with modern codecs
- Wireless connectivity: Wi-Fi, NFC
- Compact, lightweight, perfect for travel and street photography
- RAW file support for post-processing freedom
Cons:
- Smaller sensor size limits ultimate image quality (no APS-C or full-frame)
- Moderate max aperture at telephoto end (f/6.4)
- Proprietary battery means need to carry spares and charger
Final Recommendations: Who Should Buy Which?
If your budget is tight and you want a straightforward superzoom for casual family snaps, hallway museum shots, or just a cheap backup camera, the FujiFilm S1600 offers decent value despite its age. It’s clunky, slow, and dated, but for basic daylight shooting with some zoom, it holds up if cost is the overriding concern.
If you’re a photography enthusiast or content creator who demands more versatility, faster AF, higher resolution, video capabilities, and portability, the Sony HX99 is the worthy investment. It fits all kinds of shooting styles: travel, street, wildlife, and video blogging. You pay roughly 3.5 times the Fuji’s price but get a camera faster, smarter, with much better images and videos.
Wrapping It Up
The FujiFilm S1600 is a relic from an era when superzooms were mostly about reach and affordability with modest tech, making it an entry-level pick for cheapskates or beginners. The Sony HX99, eight years younger, packs enough modern features, image quality, and flexibility to satisfy enthusiasts wanting a serious compact travel zoom.
Your choice ultimately hinges on priorities: budget vs performance, size vs shooting convenience, basic snapshots vs creative potential.
Happy shooting - whichever path you take!
FujiFilm S1600 vs Sony HX99 Specifications
FujiFilm FinePix S1600 | Sony Cyber-shot DSC-HX99 | |
---|---|---|
General Information | ||
Make | FujiFilm | Sony |
Model type | FujiFilm FinePix S1600 | Sony Cyber-shot DSC-HX99 |
Also referred to as | FinePix S1770 | - |
Type | Small Sensor Superzoom | Small Sensor Superzoom |
Released | 2010-02-02 | 2018-09-01 |
Physical type | SLR-like (bridge) | Compact |
Sensor Information | ||
Sensor type | CCD | BSI-CMOS |
Sensor size | 1/2.3" | 1/2.3-inch |
Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor area | 28.1mm² | 28.1mm² |
Sensor resolution | 12 megapixels | 18 megapixels |
Anti alias filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Maximum resolution | 4000 x 3000 | 4896 x 3672 |
Maximum native ISO | 1600 | 12800 |
Minimum native ISO | 100 | 80 |
RAW images | ||
Autofocusing | ||
Focus manually | ||
AF touch | ||
AF continuous | ||
Single AF | ||
Tracking AF | ||
Selective AF | ||
AF center weighted | ||
Multi area AF | ||
AF live view | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | 28-420mm (15.0x) | 24-720mm (30.0x) |
Max aperture | f/4.0-4.8 | f/3.5-6.4 |
Macro focusing range | 2cm | 5cm |
Crop factor | 5.8 | 5.8 |
Screen | ||
Display type | Fixed Type | Tilting |
Display size | 3 inch | 3.00 inch |
Resolution of display | 230k dots | 921k dots |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | - | 638k dots |
Viewfinder coverage | 99 percent | 100 percent |
Viewfinder magnification | - | 0.5x |
Features | ||
Lowest shutter speed | 8 secs | 30 secs |
Highest shutter speed | 1/2000 secs | 1/2000 secs |
Continuous shooting rate | 1.0fps | 10.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 4.40 m | 5.40 m (with Auto ISO) |
Flash settings | Auto, On, Off, Red-eye, Slow Syncro | Auto, flash on, slow sync, flash off, rear sync |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 3840 x 2160 (30p, 24p), 1920 x 1080 (60p, 60i, 30p, 24p, 120p) |
Maximum video resolution | 1280x720 | 3840x2160 |
Video data format | Motion JPEG | AVCHD, XAVC S |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 337 gr (0.74 lbs) | 242 gr (0.53 lbs) |
Physical dimensions | 110 x 73 x 81mm (4.3" x 2.9" x 3.2") | 102 x 58 x 36mm (4.0" x 2.3" x 1.4") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | - | 360 images |
Style of battery | - | Battery Pack |
Battery ID | 4 x AA | NP-BX1 |
Self timer | Yes (2 or 10 sec) | Yes |
Time lapse feature | ||
Type of storage | SD/SDHC | SD/SDHC/SDXC, Memory Stick Duo |
Card slots | One | One |
Price at launch | $130 | $469 |