FujiFilm S2800HD vs Olympus SZ-15
75 Imaging
36 Features
34 Overall
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88 Imaging
39 Features
50 Overall
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FujiFilm S2800HD vs Olympus SZ-15 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 64 - 1600 (Push to 6400)
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-504mm (F3.1-5.6) lens
- 437g - 110 x 74 x 82mm
- Revealed February 2010
- Alternate Name is FinePix S2900HD
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 23-483mm (F2.8-5.9) lens
- 250g - 108 x 70 x 40mm
- Introduced June 2013
Samsung Releases Faster Versions of EVO MicroSD Cards FujiFilm S2800HD vs Olympus SZ-15: In-Depth Comparison of Two Small Sensor Superzoom Cameras
Selecting the right superzoom camera in the value-driven market of small sensor digital cameras can be a challenge, especially when options like the FujiFilm S2800HD and the Olympus SZ-15 vie for attention. Both cameras promise extensive zoom ranges, easy operation, and portability, but how do they truly stack up? Having personally tested hundreds of cameras over the past 15 years, including extensive hands-on review sessions with bridge and compact superzooms, this comparison will delve beneath spec sheets to offer you real-world insights, strengths and weaknesses, and informed recommendations tailored to various photography pursuits.
Let’s start by framing these cameras in their proper contexts and then explore how each performs across key photography disciplines and technical parameters.
Getting to Know the Contenders: FujiFilm S2800HD and Olympus SZ-15
Before diving into technical details, here’s a snapshot to familiarize you:
| Feature | FujiFilm S2800HD | Olympus SZ-15 |
|---|---|---|
| Announced | February 2010 | June 2013 |
| Body Type | Bridge (SLR-like) | Compact |
| Zoom Range (35mm equiv.) | 28-504mm (18x) | 23-483mm (21x) |
| Max Aperture | F3.1-5.6 | F2.8-5.9 |
| Sensor | 1/2.3" CCD, 14 MP | 1/2.3" CCD, 16 MP |
| ISO Range (Native) | 64–1600 | 100–3200 |
| Image Stabilization | Sensor-shift | Optical |
| Continuous Shooting | 1 fps | 10 fps |
| Video Resolution | 720p HD (24fps) | 1080p Full HD (30fps) |
| Screen Size & Resolution | 3" fixed, 230k dots | 3" fixed, 460k dots |
| Weight | 437g | 250g |
| Price (at launch) | $260 | $200 |
Visual and Handling Differences: Size and Ergonomics
The FujiFilm S2800HD presents as a traditional bridge camera, with a pronounced SLR-style body offering an ergonomic grip and a faux viewfinder hump. In contrast, the Olympus SZ-15 is decidedly more compact, with slimmer dimensions and a lighter build, facilitating quick grab-and-go shooting.

From my extended handling sessions, the FujiFilm’s larger body gives it a more substantial feel and allows for comfortable hand placement during long shooting sessions. However, the compactness of the Olympus makes it ideal for street or travel photographers prioritizing discretion and minimal weight. If you have smaller hands or prefer light carry, the SZ-15’s compact form is advantageous.
Design and Control Layout: How Do They Feel to Use?
Let’s peek at the top controls and design philosophies to understand their user interactions.

The FujiFilm offers dedicated dials for aperture and shutter priority modes, showing its intention for enthusiasts who want manual control. The S2800HD lacks touchscreen and illuminated buttons but includes physical controls clearly marked for familiar DSLR enthusiasts.
Olympus SZ-15 opts for a minimalistic control scheme - no viewfinder and no dedicated dials - making it friendlier for beginners but possibly limiting for more advanced photographers who want quick dial access. The inclusion of a built-in GPS adds a helpful geotagging feature, especially for travel.
Sensor and Image Quality: The Heart of the Camera
Both models house a 1/2.3-inch CCD sensor with similar physical dimensions (around 28mm² area), but with differing resolutions: 14MP on the FujiFilm vs. 16MP on the Olympus.

The difference in megapixels may not fully translate to noticeable image quality gains; more importantly, the sensor technology, ISO range, and processing pipeline shape real-world results.
FujiFilm S2800HD Sensor Notes:
- ISO 64 to 1600 native range, with a boost to 6400 (though with likely unusable noise).
- Uses CCD sensor technology typical of compact cameras of its era.
- No RAW shooting support, limiting post-processing flexibility.
- Basic anti-aliasing filter to avoid moiré.
Olympus SZ-15 Sensor Notes:
- Slightly higher resolution at 16MP.
- ISO 100–3200 native, which is broader and allows better low-light flexibility.
- Similarly a CCD sensor with no RAW capability.
- Anti-alias filter present.
Image Quality Verdict:
In my practical testing, the SZ-15's higher max ISO and resolution helped slightly in lower light and for larger prints. However, images from both cameras display the typical small-sensor limitations: noticeable noise creeping in above ISO 800, modest dynamic range, and limited shadow recovery during post-processing. If great image quality is your priority, especially beyond 5x7 prints, a larger sensor system is recommended. That said, the SZ-15 offers a gentler ramp to higher ISO settings, beneficial for poorer lighting situations.
The Viewfinder and LCD: Composing Your Shots
Handling and composition depend on good monitoring tools. Here’s how the two compare:

-
FujiFilm S2800HD: Has a 3” fixed LCD with a modest 230k dot resolution and features an electronic viewfinder covering 99% of the frame, which is valuable for bright daylight composure and stability. However, the EVF resolution isn’t specified and is basic in quality.
-
Olympus SZ-15: Features a sharper 3” 460k dot resolution LCD, enhancing clarity and playback confidence. It lacks a viewfinder, requiring reliance on the screen.
From experience, an EVF can be handy in bright conditions and for more stable shooting positions, something the FujiFilm provides. The Olympus compensates with a better screen but suffers when sunlight floods the display, which can hamper framing outdoors.
Autofocus and Performance: Speed and Accuracy
A camera’s autofocus system is critical, especially for fast-moving subjects.
FujiFilm S2800HD:
- Contrast-detection autofocus only.
- Single AF and continuous AF supported, but continuous AF is slow at about 1 fps.
- No face or eye detection AF.
- Limited autofocus point selection (no multi-area AF).
- No tracking AF.
Olympus SZ-15:
- Contrast-detection autofocus with face detection.
- AF Center, multi-area, and selective focus supported.
- AFC (continuous AF) doesn’t exist, but offers limited AF tracking.
- Faster continuous shooting at 10 fps, making it better for capturing moments of action.
- Reports of slower live-view AF, possibly due to older contrast AF algorithms.
In the Field:
While testing wildlife and sports scenarios, the SZ-15’s higher burst rate and face-detection AF provided more consistent keepers in scenes with human subjects. However, both cameras struggle with tracking fast-moving wildlife or sports action due to slow AF, limited AF point coverage, and lack of advanced tracking technologies found even in more affordable mirrorless cameras today.
Zoom and Lens Capabilities
Superzoom enthusiasts demand flexibility. Both cameras offer substantial zoom coverage:
- FujiFilm S2800HD: 28-504mm equivalent with an 18x zoom.
- Olympus SZ-15: A slightly wider starting 23mm and similar 483mm telephoto, yielding a 21x zoom.
The FujiFilm’s aperture ranges from F3.1 at the wide end to F5.6 at full telephoto, while the Olympus SZ-15 starts faster at F2.8 but closes slightly harder to F5.9 when zoomed in.
Macro Performance:
- FujiFilm boasts a close focus distance of 2cm, allowing impressively tight macro shots.
- Olympus macro focusing starts at 5cm, sufficient for casual close-ups but less intimate.
Image Stabilization:
- FujiFilm applies sensor-shift (CCD shift) stabilization.
- Olympus uses optical lens shift stabilization.
In hands-on testing, both systems help reduce handshake blur, but lens-based optical stabilization in the SZ-15 felt a bit steadier, especially at full zoom telephoto ranges.
Battery and Storage
FujiFilm S2800HD:
- Runs on 4 x AA batteries - a plus for travel where replacements are easily found.
- No official battery life rating available.
- Storage via SD/SDHC cards with one slot.
Olympus SZ-15:
- Uses proprietary SLB-10A lithium-ion battery.
- Storage supports SD/SDHC/SDXC cards.
- Inclusion of GPS functionality likely adds to power consumption.
For extended shooting sessions, AA batteries provide versatility (especially secondary options, rechargeable NiMH), but proprietary lithium batteries are lighter and recharge faster but can leave you stranded without a charger or spare.
Connectivity and Extras
The SZ-15 clearly leads here:
- Olympus SZ-15 comes with built-in GPS for geotagging, a significant feature for travel photographers who want location data embedded.
- It supports wireless connectivity (likely Olympus’s older wireless system) for image transfer, though no Bluetooth or NFC.
- Both cameras feature USB 2.0 and HDMI ports.
The FujiFilm, by contrast, offers no wireless or GPS, reflecting its earlier release date.
Video Capabilities: Moving Images Matter
Video is an increasing priority, even for casual shooters.
- FujiFilm S2800HD: Captures HD video at 1280x720p at 24fps with Motion JPEG format; limited by low frame rates and outdated codec.
- Olympus SZ-15: Supports Full HD 1080p video recording at 30fps and an array of slow-motion options (240fps and 480fps in limited resolutions), also supporting AVI MPEG-4 and Motion JPEG.
For casual social or family videos, the SZ-15 offers markedly better video specs. Note, neither camera has a microphone or headphone jack, so audio capture is limited to the built-in mic.
Real-World Performance: Samples and Outcome
To understand output quality, I reviewed sample shooting sessions including daylight portraits, close-up macros, landscapes, and some indoor shots.
Portrait and Skin Tone:
- FujiFilm’s color rendering tended toward neutral tones, but lacked any advanced face or eye detection to sharpen focused areas.
- Olympus’s face detection allowed better focus on people’s faces, producing sharper eyes in portrait shots.
Landscape:
Both cameras deliver standard small-sensor detail and dynamic range, with limited shadow recovery.
Wildlife and Sports:
Neither camera excels here. The slow AF and limited burst rate on FujiFilm makes it less suitable. Olympus’s faster burst gives it an edge but not enough for serious action work.
Low Light / Night:
Image noise and limited ISO sensitivity constrain both models. Olympus’s higher maximum ISO and optical image stabilization assist, but ultimately neither camera is ideal for low-light or astrophotography purposes.
How They Score Overall and by Genre
Here’s a consolidated view of their ratings based on performance criteria I tested across disciplines:
- FujiFilm S2800HD shines in ergonomics and handling for enthusiasts and macro work.
- Olympus SZ-15 excels in video, portability, and general usability for street/travel photography.
Summing Up: Pros and Cons
FujiFilm S2800HD
Strengths:
- Ergonomic bridge-style body with electronic viewfinder
- Longer zoom range (504mm)
- Close macro focusing at 2cm
- Runs on easy-to-find AA batteries
- Manual exposure modes and shutter/aperture priority controls
Weaknesses:
- Lower resolution screen with modest brightness
- Slow continuous shooting (1 fps)
- No raw support or advanced autofocus features
- No wireless connectivity or GPS
- 720p video only, slow frame rates
Olympus SZ-15
Strengths:
- Compact, lightweight design ideal for travel and street use
- Higher resolution 16MP sensor
- Faster continuous shooting (10 fps)
- 1080p Full HD video with slow motion capture
- Built-in GPS and wireless connectivity
- Higher max ISO 3200 for better low light
- Optical image stabilization
Weaknesses:
- No electronic viewfinder; reliant on LCD screen in bright light
- No RAW support
- Slower AF in live view
- Macro focusing less close compared to FujiFilm
- Shorter zoom telephoto length (483mm vs. 504mm)
Who Should Choose Which Camera?
Choose the FujiFilm S2800HD if:
- You prefer a traditional bridge-style camera with an EVF.
- You want longer zoom reach and very close macro focusing.
- You shoot mostly outdoors, landscapes, or detailed close-ups.
- You value manual control modes and standard batteries.
- You don’t prioritize video quality or wireless features.
Choose the Olympus SZ-15 if:
- Compactness and light weight matter for travel or street photography.
- You want better video specs for social or casual shooting.
- You appreciate GPS tagging and some wireless features.
- You need faster burst shooting and face-detection autofocus.
- Your shooting includes low-light scenarios needing higher ISO performance.
Final Thoughts
Neither camera competes with today’s mirrorless or DSLR systems in image quality or performance, but both bring accessible superzoom capabilities in their price segments and eras. The FujiFilm S2800HD targets enthusiasts who enjoy manual settings and closer macros, while the Olympus SZ-15 caters to on-the-go shooters prioritizing portability, video, and convenience features.
If your budget is tight, the SZ-15 offers slightly better value thanks to its modernized video and connected features. But if you want a more classic bridge camera experience with better ergonomics and zoom reach, the S2800HD remains a useful tool.
Always consider your specific photography needs, and if possible, test handling in person. In this comparison, both cameras serve distinct niches for entry-level superzoom users - choose the one that best aligns with your shooting style and priorities.
This concludes my detailed comparison based on extensive hands-on testing, real-world image evaluation, and technical analysis to guide your next small sensor superzoom camera purchase. Be sure you're buying the best fit for your photography journey. Happy shooting!
FujiFilm S2800HD vs Olympus SZ-15 Specifications
| FujiFilm FinePix S2800HD | Olympus SZ-15 | |
|---|---|---|
| General Information | ||
| Company | FujiFilm | Olympus |
| Model | FujiFilm FinePix S2800HD | Olympus SZ-15 |
| Alternative name | FinePix S2900HD | - |
| Category | Small Sensor Superzoom | Small Sensor Superzoom |
| Revealed | 2010-02-02 | 2013-06-21 |
| Physical type | SLR-like (bridge) | Compact |
| Sensor Information | ||
| Sensor type | CCD | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor area | 28.1mm² | 28.1mm² |
| Sensor resolution | 14 megapixel | 16 megapixel |
| Anti aliasing filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Full resolution | 4288 x 3216 | 4608 x 3456 |
| Max native ISO | 1600 | 3200 |
| Max boosted ISO | 6400 | - |
| Min native ISO | 64 | 100 |
| RAW format | ||
| Autofocusing | ||
| Manual focus | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Single autofocus | ||
| Autofocus tracking | ||
| Autofocus selectice | ||
| Autofocus center weighted | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detection autofocus | ||
| Contract detection autofocus | ||
| Phase detection autofocus | ||
| Cross focus points | - | - |
| Lens | ||
| Lens mounting type | fixed lens | fixed lens |
| Lens focal range | 28-504mm (18.0x) | 23-483mm (21.0x) |
| Highest aperture | f/3.1-5.6 | f/2.8-5.9 |
| Macro focus distance | 2cm | 5cm |
| Focal length multiplier | 5.8 | 5.8 |
| Screen | ||
| Type of screen | Fixed Type | Fixed Type |
| Screen diagonal | 3" | 3" |
| Screen resolution | 230 thousand dots | 460 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Screen technology | - | LCD |
| Viewfinder Information | ||
| Viewfinder | Electronic | None |
| Viewfinder coverage | 99% | - |
| Features | ||
| Lowest shutter speed | 8 seconds | 8 seconds |
| Highest shutter speed | 1/2000 seconds | 1/2000 seconds |
| Continuous shooting rate | 1.0 frames per second | 10.0 frames per second |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | Yes |
| Set white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash range | 4.40 m | 3.50 m |
| Flash options | Auto, On, Off, Red-eye, Slow Syncro | Auto, On, Off, Red-Eye, Fill-in, Slow Sync |
| Hot shoe | ||
| AEB | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Video resolutions | 1280 x 720 (24 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (30fps), 1280 x 720 (30 fps), 640 x 480 (30 fps), 480fps (176 x 128), 240fps (384 x 288) |
| Max video resolution | 1280x720 | 1920x1080 |
| Video file format | Motion JPEG | AVI MPEG4, Motion JPEG |
| Mic support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | BuiltIn |
| Physical | ||
| Environmental sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 437 gr (0.96 pounds) | 250 gr (0.55 pounds) |
| Physical dimensions | 110 x 74 x 82mm (4.3" x 2.9" x 3.2") | 108 x 70 x 40mm (4.3" x 2.8" x 1.6") |
| DXO scores | ||
| DXO All around score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery model | 4 x AA | SLB-10A |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec, Double) |
| Time lapse recording | ||
| Type of storage | SD/SDHC, Internal | SD/SDHC/SDXC |
| Card slots | 1 | 1 |
| Cost at launch | $260 | $200 |