FujiFilm S3200 vs Fujifilm F900EXR
67 Imaging
36 Features
37 Overall
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90 Imaging
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55 Overall
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FujiFilm S3200 vs Fujifilm F900EXR Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 1600 (Bump to 6400)
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 24-576mm (F3.1-5.9) lens
- 540g - 118 x 81 x 100mm
- Introduced January 2011
- Alternate Name is FinePix S3250
(Full Review)
- 16MP - 1/2" Sensor
- 3" Fixed Display
- ISO 100 - 3200 (Increase to 12800)
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 25-500mm (F3.5-5.3) lens
- 232g - 105 x 61 x 36mm
- Introduced January 2013
- Superseded the Fujifilm F800EXR
President Biden pushes bill mandating TikTok sale or ban FujiFilm S3200 vs Fujifilm F900EXR: A Real-World Superzoom Showdown
When diving into the small-sensor superzoom segment, FujiFilm’s lineup has long offered tempting options for enthusiasts seeking flexible focal ranges without committing to complex interchangeable lens systems or cobbling together clubs for thumbs in heavy DSLRs. Today, I’m putting two budget-conscious bridge cameras head-to-head: the FujiFilm FinePix S3200 (the older, bulkier SLR-like) and the sleeker Fujifilm F900EXR compact superzoom. Despite their vintage pedigrees, both remain affordable gateways into versatile photography, each with quirks and strengths that impact real shooting scenarios.
Having put thousands of cameras through their paces in various disciplines - from portraiture under tricky skin tones to astrophotography under pitch-black skies - I’m going to break down how these two stack up across the board. If you’re a hobbyist, content creator, or even a professional looking for a solid backup, this comparison blends sensor tech, autofocus habits, ergonomics, and lens reach with a practical eye. Let’s start where it always matters most - how these cameras handle in your hands.
Size and Handling: Bridge Bulk vs Compact Convenience

First impressions count, and the FujiFilm S3200 clearly flexes with its SLR-like bridge camera body, measuring 118 x 81 x 100 mm and weighing a solid 540 grams. That heft isn’t just for show - it provides a decent grip for extended shooting, especially with one’s digital club ready. The design approaches traditional DSLR ergonomics, with a pronounced hand grip and elevated eye-level electronic viewfinder (EVF), albeit with a 97% coverage and rather modest resolution.
By comparison, the Fujifilm F900EXR is a compact powerhouse at 105 x 61 x 36 mm and just 232 grams - less than half the weight. It loses the eye-level viewfinder entirely, a concession to pocketability but one that sacrifices some framing precision. The F900EXR’s slim profile fits easily in jacket pockets or small bags, making it a clearly better companion for street photographers or travelers prioritizing low weight and stealth.
In practical terms, if you tend to shoot for lengthy sessions or want a comfortable, steady grip, the S3200’s larger body can reduce fatigue. But if portability and discretion are your things, especially for candid or street work, the F900EXR’s compact stance wins hands down.
Control Layout and User Interface: Clubs for Thumbs?

Ergonomics extend beyond shape - intuitive controls really make or break the shooting experience. The S3200 sports a traditional top-plate with a mode dial, dedicated shutter speed dial, exposure comp compensation wheel, and a flash popup button. This familiar layout benefits photographers used to manual and semi-automatic modes, offering real-time noisy clicks that, oddly enough, give tactile confidence.
In contrast, the F900EXR shifts toward a more modern compact design that sacrifices dedicated dials for a simplified control cluster, relying mostly on quick toggles and menus accessible through the rear buttons. This streamlines operation but feels less tactile if you’re accustomed to “feel” controls. The large mode dial on the S3200 is a boon for faster mode switching without digging into menus, whereas the F900EXR’s smaller buttons can test precision if your fingers prefer their own space.
One notable point: neither camera offers touchscreen interfaces nor illuminated buttons, a minor strike if shooting in low light without a flashlight handy. The F900EXR’s higher screen resolution (detailed in a following section) somewhat compensates for menu navigation clarity.
Sensor and Image Quality: Old CCD vs EXR CMOS Tweaks

Sensor tech often dictates ultimate photographic potential. The FujiFilm S3200 uses a 1/2.3” CCD sensor of 14 megapixels, measuring 6.17 x 4.55 mm with an area of roughly 28.07 mm². The older CCD architecture traditionally delivers punchy colors but falls short on dynamic range and noise control at higher ISOs due to less advanced signal processing and slower readout speeds.
Jump ahead two years and Fuji introduced the EXR CMOS sensor in the F900EXR, slightly larger at 1/2” (6.4 x 4.8 mm; 30.72 mm²) with 16 megapixels. The EXR II processor optimizes pixel binning to enhance dynamic range or low-light performance, toggling between modes to suit scene requirements. Expect cleaner shadows, better detail retention, and an expanded native ISO range up to 3200 (boostable to 12800) compared to the S3200’s max native ISO of 1600 (boost to 6400).
In practice, shooting side-by-side, the F900EXR’s files handle demanding scenes - including backlit landscapes and shadowy interiors - with more grace. The CCD in S3200 can produce some vibrant skin tones but often yields noisier images in anything but bright daylight. Also, the lack of RAW support on the S3200 constrains post-processing flexibility; the F900EXR’s RAW files provide professionals and enthusiasts room to refine color grading and exposure.
LCD and Viewfinding: Framing Your Shot

The S3200 features a fixed 3” LCD with a lowly 230k-dot resolution, resulting in coarse image review and less reliable focus confirmation. However, it compensates with a small built-in electronic viewfinder, vital for bright environments or action shooting. The EVF resolution is unfortunately not specified but is known to be modest, offering approximately 97% coverage.
The F900EXR foregoes the EVF entirely, relying solely on a larger 3” TFT color LCD with a significantly sharper 920k-dot resolution. This yields sharper playback and better menu legibility, improving manual focus accuracy in live preview. But in strong sunlight, glare can impede visibility, limiting usability compared to a viewfinder.
From hands-on experience, I recommend the S3200 for those who prefer traditional framing and stability via a viewfinder, especially for telephoto shots where camera shake magnifies. The F900EXR’s LCD might be excellent for casual or landscape photography but less reliable under bright outdoor conditions.
Autofocus and Burst Shooting: Catching the Action
Whether you’re tracking a rare bird or freezing a soccer match’s decisive moment, AF speed and continuous shooting prowess matter.
The S3200 employs contrast-detection AF with face detection but lacks phase-detection points and has unknown focus point counts. Its continuous shooting tops out at a poky 1 fps, limiting usability for fast action or wildlife.
Conversely, the F900EXR integrates a more advanced phase-detection AF system alongside contrast detection, affording quicker, more accurate autofocus acquisitions. Its burst mode impresses with up to 11 fps continuous shooting - a surprising feature at this price and class - providing a competitive edge for wildlife and sports enthusiasts.
In a test stalking sparrows flitting between branches, the F900EXR’s swift AF and buffer kept pace admirably, capturing more keepers with sharp focus. The S3200, while trackable in static scenarios, missed numerous fleeting moments due to sluggish AF and low fps.
Lens Performance and Zoom Reach: Telephoto Adventures
Both cameras feature fixed superzoom lenses but differ in focal lengths and apertures.
- S3200: 24-576mm (24x optical zoom) with an aperture range of f/3.1–5.9
- F900EXR: 25-500mm (20x optical zoom) aperture f/3.5–5.3
While the S3200 technically offers a slightly longer reach, in practice, sharpness tends to degrade at extreme telephoto ends on both cameras due to small sensor diffraction and lens compromises.
The S3200’s slightly wider starting point (24mm vs 25mm) is marginal, and both have respectable macro focusing abilities - S3200 impressively close at 2cm versus 5cm on the F900EXR - making it a solid choice for close-ups.
Image stabilization in both is sensor-shift type, reducing handheld blur notably across focal lengths - critical for reaching 500mm or beyond handheld.
Flash and Low-Light Performance: Shedding Some Light
The built-in flashes differ as well.
- S3200 flashes up to 7 meters with a maximum aperture down to f/5.9 at telephoto
- F900EXR’s max flash range is shorter at 3.7 meters, segmented differently between wide and tele modes
In dim lighting, the F900EXR’s sensor and processor excel. Thanks to EXR modes and extended ISO sensitivity, it handles shadow detail better without heavy noise, even if indoor scenes require tactical support from an external flash (which neither camera supports).
The S3200’s flash is more powerful but less flexible given its older sensor’s noise floor and slower shutter speeds in low light, often necessitating the tripod or high ISO sacrifices.
Video Capabilities: Record What You See
Not paramount for every photographer, yet worth noting: the F900EXR blows the S3200 out of the water here.
- F900EXR: Full HD 1080p video at up to 60fps, H.264 encoding offers smooth, high-quality footage
- S3200: Caps out at 720p 30fps with Motion JPEG compression, bulky files, and lower quality
Neither camera supports auxiliary microphone inputs, headphone jacks, or 4K photo modes, limiting professional video flexibility. However, for casual shooting and travel vlogging, the F900EXR produces noticeably cleaner video footage with smoother autofocus transitions.
Battery Life and Storage: Ready When You Are?
The S3200 runs on 4x AA batteries - a boon if you travel light and want easy replacements worldwide, but a downside for weight and cost if you shoot long sessions. Battery life sits around 300 shots per charge, variable with screen usage and zooming.
The F900EXR uses a proprietary NP-50A lithium-ion pack - 260 shots per charge per CIPA standards, typical but less convenient if you forget the charger or spares. It uses SD/SDHC/SDXC cards, like its cousin, so storage is quite standard.
Connectivity and Extras: Wireless? Not So Much
Only the F900EXR features built-in wireless connectivity (albeit lacking Bluetooth or NFC), allowing some transfer options - an advantage for casual social sharing or remote control. Both cameras support HDMI output for viewing images or video on external displays.
Neither camera boasts GPS or environmental sealing, so plan accordingly.
Performance Summaries and Scores
Here’s a quick snapshot of how these two cameras fare in overall performance and in genre-specific contexts.
Photography Scenarios in Focus: Where Each Camera Shines
Portrait Photography
The S3200’s older CCD produces pleasing skin tones with a warm, filmic touch but struggles with noise and detail. Its 14 MP sensor can deliver good-enough prints up to 8x10 inches, but background separation is limited by narrow max aperture and smaller sensor size.
The F900EXR’s 16 MP EXR CMOS sensor captures crisper detail and offers improved face detection AF, delivering sharper eyes and smoother bokeh in portrait modes. This makes it a better option for close-ups requiring accurate focus on subtle expressions.
Landscape Photography
Neither camera rivals full-frame sensors for dynamic range, yet the F900EXR’s EXR processing extends tonal gradations in shadows and highlights, preserving details in bright skies and shaded forests.
With higher resolution and RAW support, the F900EXR again leads, allowing advanced post-processing. The S3200’s rugged build and viewfinder aid traditional framing but fall short in image quality.
Both lack weather sealing, so take care in inclement conditions.
Wildlife Photography
Thanks to the 11 fps burst and phase-detection AF, the F900EXR wins hands down for wildlife shooters on a budget. The slightly superior telephoto zoom might favor the S3200 theoretically, but autofocus hesitation and sluggish continuous drive hold it back in fast-action scenarios.
Sports Photography
Similar to wildlife, the F900EXR’s increased frame rate, improved AF system, and buffer depth provide the tools to track fast-moving subjects better. The S3200’s single-frame continuous rate restricts its usefulness here.
Street Photography
Portability and discretion tip the scale to the F900EXR - with its compact body, quieter operation, and faster responsiveness. The S3200’s bulk and electronic shutter delay make it less adept for grab-and-go candid shooting.
Macro Photography
The S3200, with an impressive 2 cm macro focusing capability, edges out for extreme close-ups. Both cameras benefit from sensor-shift stabilization, reducing handshake challenges at close focusing distances.
Night and Astrophotography
While neither was designed with astrophotography in mind, the F900EXR’s better high ISO handling and extended exposure modes perform moderately better under low light, soaking in stars with less noise. The S3200’s ISO ceiling and noisy results limit its night capabilities.
Video Content Creation
With the F900EXR’s Full HD 60p video and advanced codec support, creators get smoother, cleaner footage compared to the S3200’s basic 720p MPEG-4 clips. However, neither camera matches modern hybrid mirrorless cameras for advanced video options.
Travel Photography
The F900EXR shines with its lightweight, compact build, versatile zoom, and quality sensor - ideal for capturing diverse travel scenes without lugging a heavy kit. The S3200’s bulk and heavier reliance on batteries make it better suited for planned shoots rather than spontaneous trips.
Professional Workflows
While neither camera seriously targets professionals, the F900EXR’s RAW output and finer sensor data integration advantage workflow flexibility. The S3200’s absence of RAW and lower file quality restrict usage to casual or backup shots.
Final Pros and Cons: Which One Fits Your Photography Bag?
| Feature | FujiFilm S3200 | Fujifilm F900EXR |
|---|---|---|
| Sensor & Image Quality | 14MP CCD, limited ISO, no RAW | 16MP EXR CMOS, better low-light, RAW support |
| Lens/Zoom Range | 24-576 mm (24x), f/3.1-5.9 | 25-500 mm (20x), f/3.5-5.3 |
| Continuous Shooting | 1 fps | 11 fps |
| Autofocus | Contrast detection, face detection, slow | Hybrid AF, phase detection, face detection |
| Body & Handling | Bulkier bridge style, eye-level EVF | Compact, no EVF, lightweight |
| Screen | 3” 230k LCD + low-res EVF | 3” 920k LCD, no EVF |
| Video | 720p @ 30fps, MJPEG | 1080p @ 60fps, H.264 |
| Stabilization | Sensor-shift | Sensor-shift |
| Battery | 4x AA batteries, ~300 shots | Proprietary, ~260 shots |
| Connectivity | None | Built-in wireless (non-BT/NFC) |
| Price Point | ~$190 | ~$380 |
So, Which Should You Buy?
If you’re a photography newbie or enthusiast on a tight budget who prioritizes reach and a traditional camera feel, and you mostly shoot in bright daylight, the FujiFilm S3200 holds value. Its rugged grip, longer zoom, and eye-level EVF make framing straightforward, and its AA battery system is convenient for extended trips without charging worries.
However, if you want a more versatile compact system with better image quality, faster autofocus, modern video capabilities, and superior continuous shooting for wildlife, sports, or travel, the Fujifilm F900EXR offers remarkable value for just about double the price. It’s especially suited for those who want sharper images, RAW files, and better low-light performance in a pocket-friendly package.
Final Gallery: Side-by-Side Image Samples
Above you see direct comparison images shot under identical conditions. Notice the richer tonal range and cleaner shadow detail from the F900EXR files compared to the S3200’s noisier output. Skin tones also appear more natural yet vibrant in the F900EXR.
Wrapping It Up
With distinct design philosophies and sensor technologies, these two FujiFilm superzooms target somewhat different user needs. The S3200 is a solid entry-level bridge for daylight zoom adventures and traditional handling, while the F900EXR steps things up with a compelling sensor, burst speed, and multimedia features.
For the budding enthusiast who wants to dabble in multiple genres - from portraits to travel - the F900EXR’s qualities outweigh its higher cost, delivering greater long-term versatility. Still, your budget and shooting style will ultimately tip the scales.
Hope this comparison helps you dodge buyer’s remorse and guides you to the right FujiFilm companion for your photographic journey!
Happy shooting out there!
FujiFilm S3200 vs Fujifilm F900EXR Specifications
| FujiFilm FinePix S3200 | Fujifilm FinePix F900EXR | |
|---|---|---|
| General Information | ||
| Manufacturer | FujiFilm | FujiFilm |
| Model | FujiFilm FinePix S3200 | Fujifilm FinePix F900EXR |
| Also called | FinePix S3250 | - |
| Class | Small Sensor Superzoom | Small Sensor Superzoom |
| Introduced | 2011-01-05 | 2013-01-30 |
| Body design | SLR-like (bridge) | Compact |
| Sensor Information | ||
| Powered by | - | EXR II |
| Sensor type | CCD | EXRCMOS |
| Sensor size | 1/2.3" | 1/2" |
| Sensor measurements | 6.17 x 4.55mm | 6.4 x 4.8mm |
| Sensor surface area | 28.1mm² | 30.7mm² |
| Sensor resolution | 14MP | 16MP |
| Anti aliasing filter | ||
| Aspect ratio | - | 4:3, 3:2 and 16:9 |
| Maximum resolution | 4288 x 3216 | 4608 x 3456 |
| Maximum native ISO | 1600 | 3200 |
| Maximum boosted ISO | 6400 | 12800 |
| Lowest native ISO | 100 | 100 |
| RAW photos | ||
| Autofocusing | ||
| Focus manually | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Autofocus selectice | ||
| Autofocus center weighted | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detection focus | ||
| Contract detection focus | ||
| Phase detection focus | ||
| Cross focus points | - | - |
| Lens | ||
| Lens mounting type | fixed lens | fixed lens |
| Lens focal range | 24-576mm (24.0x) | 25-500mm (20.0x) |
| Maximal aperture | f/3.1-5.9 | f/3.5-5.3 |
| Macro focus range | 2cm | 5cm |
| Focal length multiplier | 5.8 | 5.6 |
| Screen | ||
| Range of screen | Fixed Type | Fixed Type |
| Screen size | 3 inches | 3 inches |
| Screen resolution | 230k dot | 920k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Screen tech | - | TFT color LCD monitor |
| Viewfinder Information | ||
| Viewfinder | Electronic | None |
| Viewfinder coverage | 97 percent | - |
| Features | ||
| Lowest shutter speed | 8s | 8s |
| Highest shutter speed | 1/2000s | 1/2000s |
| Continuous shooting speed | 1.0 frames per second | 11.0 frames per second |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | Yes |
| Change white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | 7.00 m | 3.70 m (Wide: 15 cm–3.7 m / Tele: 90 cm–2.4m) |
| Flash settings | Auto, On, Off, Red-eye, Slow Sync | Auto, On, Off, Red-eye, Slow Sync |
| Hot shoe | ||
| AE bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1920 x 1080 (60, 30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) |
| Maximum video resolution | 1280x720 | 1920x1080 |
| Video file format | Motion JPEG | MPEG-4, H.264 |
| Microphone input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 540 grams (1.19 pounds) | 232 grams (0.51 pounds) |
| Physical dimensions | 118 x 81 x 100mm (4.6" x 3.2" x 3.9") | 105 x 61 x 36mm (4.1" x 2.4" x 1.4") |
| DXO scores | ||
| DXO All around score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | 300 photographs | 260 photographs |
| Style of battery | AA | Battery Pack |
| Battery model | 4 x AA | NP-50A |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec, Auto release, Auto shutter (Dog, Cat)) |
| Time lapse shooting | ||
| Storage media | SD / SDHC | SD/SDHC/SDXC |
| Storage slots | Single | Single |
| Price at launch | $190 | $380 |