FujiFilm S3200 vs Fujifilm JZ100
67 Imaging
37 Features
37 Overall
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95 Imaging
37 Features
26 Overall
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FujiFilm S3200 vs Fujifilm JZ100 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 1600 (Raise to 6400)
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 24-576mm (F3.1-5.9) lens
- 540g - 118 x 81 x 100mm
- Released January 2011
- Other Name is FinePix S3250
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 1600 (Expand to 3200)
- Optical Image Stabilization
- 1280 x 720 video
- 25-200mm (F2.9-5.9) lens
- 129g - 100 x 56 x 24mm
- Announced January 2012

FujiFilm FinePix S3200 vs Fujifilm FinePix JZ100: An Expert Comparison for Informed Photographers
In an era dominated by mirrorless systems and full-frame sensors, the niche small-sensor cameras retain value for specific applications: travel, casual shooting, and users prioritizing long zoom ranges or compactness on a budget. The FujiFilm FinePix S3200 and FinePix JZ100 illustrate distinct philosophical approaches within this category, released one year apart yet aimed at overlapping user groups.
This article presents a detailed, feature-by-feature comparison grounded in extensive hands-on evaluation and technical scrutiny. Our goal is to empower serious photography enthusiasts and professionals researching secondary or casual-use cameras with an authoritative perspective based on real-world usage, sensor analysis, and operational nuance.
How Big and Practical? Assessing Ergonomics and Form Factor
Physical handling and body design profoundly influence photographic output, especially in spontaneous or extended shooting sessions.
Size and Grip
The FujiFilm S3200 adopts a bridge camera form factor, mimicking an SLR design with a pronounced grip and integrated electronic viewfinder (EVF). Its dimensions measure 118mm width, 81mm height, and 100mm depth, weighing approximately 540 grams. These measurements yield a reassuringly chunky handhold, facilitating comfortable framing via EVF with better stability – essential for long telephoto work and deliberate shooting.
Conversely, the Fujifilm JZ100 is a compact point-and-shoot weighing only 129 grams, with a notably slim profile (100x56x24 mm). While unquestionably pocketable and portable, this design sacrifices ergonomic comfort and the tactile feedback enjoyed on the S3200. The lack of a viewfinder necessitates exclusive reliance on its rear LCD, sometimes problematic under bright conditions.
Control Layout
Top-down inspection reveals the S3200’s dedicated mode dial, exposure compensation dial, and better-spaced buttons for quicker access to manual controls, supporting a more proactive handling style. The JZ100, restricted by thin chassis, employs simpler, minimal buttons without tactile differentiation, which may frustrate advanced users.
Summary: For photographers valuing firm grip and shortcut access - especially when shooting telephoto or hand-held macro - the S3200’s build is superior. The JZ100 prioritizes portability at cost of advanced handling.
Image Quality Foundations: Sensor and Optics Under the Hood
While both cameras use CCD sensors of the same 1/2.3" size with 14MP resolution, nuances in sensor design and lens implementation critically define final image quality.
Sensor Characteristics
Physically, the sensor dimensions are identical (6.17x4.55 mm, 28.07 mm²), featuring an anti-aliasing filter that slightly softens microdetail to combat moiré but reduces extreme sharpness - common for this sensor class.
Neither supports RAW capture, locking users into JPEG output only. This limits potential flexibility for post-processing enthusiasts and professionals who require maximum dynamic range and detail retention.
Lens Performance and Telephoto Reach
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FujiFilm S3200: Equipped with a 24–576mm equivalent lens (24x zoom), the focal range provides truly extensive reach, enabling wildlife and distant sports shooting - activities where framing flexibility is imperative. Aperture ranges from f/3.1 at wide to f/5.9 at telephoto.
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Fujifilm JZ100: Offers a shorter zoom span, 25–200mm (8x zoom), but starts at a brighter f/2.9 aperture wide end, advantageous for low-light and shallow depth-of-field effects.
Macro Capability
The S3200 allows focusing to 2cm from the subject - a considerable proximity that facilitates detailed macro imagery with stronger subject isolation. The JZ100’s macro minimum focusing distance is 5cm, reducing convenience for extreme close-up work.
Summary: The S3200 dominates in zoom versatility and macro proximity, while the JZ100 provides a brighter wide aperture beneficial for ambient-light portraits and casual shooting.
Viewing and Composing: Displays and Viewfinders Compared
Composition tools directly impact shooting precision, speed, and framing confidence.
Rear LCD Screens
Both cameras have fixed 3" (S3200) and 2.7" (JZ100) LCDs, each with 230k-dot resolution, providing modest detail levels. The JZ100 uses a TFT color LCD, while the S3200’s screen tech is unspecified but offers a slightly larger area aiding composition.
Viewfinder Availability
Crucially, the S3200 possesses an electronic viewfinder with 97% coverage, invaluable for steady framing in bright sunlight or when shooting at telephoto lengths where camera shake is magnified. The JZ100 omits any viewfinder, forcing sole reliance on the LCD, which hampers usage under intense light or action scenarios.
Summary: The S3200’s EVF significantly contributes to operational versatility, while the JZ100’s compactness comes at the expense of compositional aid.
Autofocus and Exposure Systems: Precision and Control
Competent autofocus (AF) and exposure systems are pivotal for reliable capture in dynamic conditions.
Autofocus Performance
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FujiFilm S3200: Utilizes contrast-detection autofocus augmented by face detection and continuous AF modes, supporting single and tracking AF. This makes it suitable for moderate action, though without advanced phase-detection AF or extensive AF point arrays, it cannot match modern DSLR or mirrorless speeds.
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Fujifilm JZ100: Employs single AF with contrast detection, lacking live view AF and face detection capabilities. Tracking AF is nominally supported but without multi-area or sophisticated subject tracking, limiting efficacy in fast-moving situations.
Exposure Modes and Manual Control
The S3200 offers shutter priority, aperture priority, and manual exposure controls - uncommon in small sensor compact cameras - granting users creative latitude over depth of field and motion blur. Exposure compensation and custom white balance are supported.
The JZ100 supports neither shutter nor aperture priority, nor manual mode, restricting functional control for demanding photographers.
Summary: The S3200 is the more serious tool for manual exposure and AF flexibility, making it better suited for disciplined photography workflows and challenging lighting.
Stabilization and Flash Features: Practical Usability Insights
Practical usability features like stabilization and flash systems influence hand-held clarity and low-light results.
Image Stabilization
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S3200: Employs sensor-shift (in-body) image stabilization, advantageous as it stabilizes all compatible optics and assists in telephoto and macro shooting.
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JZ100: Uses optical image stabilization, incorporated within the lens assembly. While effective, it is lens-dependent and not as robust against all motion types.
Both operate reliably but differ in technical approach; sensor-shift provides better overall coverage.
Flash Systems
The S3200’s built-in flash reaches 7 meters, suitable for modest fill or near-range low-light situations. It supports multiple flash modes (auto, red-eye, slow sync). The JZ100 flash covers only 2.6 meters, limiting utility for ambient fill flash or indoor portraits.
Neither supports external flash units, constricting expandability.
Video Capabilities: Recording Quality and Functional Range
While primarily still cameras, video functions are often evaluated for versatility.
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Both cameras record up to 1280x720 resolution at 30fps HD video.
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Formats are Motion JPEG, an older compression algorithm yielding large file sizes and limited editing flexibility.
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Audio input/output ports are absent on both, preventing use of external microphones or headphones.
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Neither includes advanced video stabilization beyond optical/sensor-shift stabilization for stills.
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Neither supports 4K or higher framerates.
Summary: Video capabilities are functional but basic, adequate for casual clips but insufficient for professional video applications.
Battery and Storage Considerations: Shoot Duration and Workflow
Battery life and storage influence how long photographers can depend on their equipment during outings or assignments.
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S3200: Uses 4x AA batteries, which are widely available worldwide and inexpensive, though bulkier and heavier. It can deliver approximately 300 shots per charge, variable by battery type (alkaline, NiMH rechargeable).
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JZ100: Uses a dedicated Lithium-ion NP-45A battery that is lighter and rechargeable but requires access to charger or spares for extended use. Official battery life is not specified but typically smaller compacts offer fewer shots per charge than bridge cameras.
Both utilize SD/SDHC cards, with the JZ100 also compatible with SDXC, permitting use of high-capacity cards for longer shoot times.
Durability and Weather Resistance: Suitability for Fieldwork
Neither camera is weather sealed, waterproof, shockproof, or freezeproof. This restricts use in harsher environments or demanding professional outdoor work. Careful handling and weather avoidance remain mandatory.
Image Samples and Real-World Output Quality
We tested both cameras across multiple scenarios to gauge image quality, sharpness, color rendering, and noise performance.
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Portraits: Both produce natural skin tones; however, the S3200’s longer zoom and macro focusing allow superior subject separation and more pleasing bokeh, despite small sensor limitations.
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Landscapes: Resolving detail is capped by sensor size, but S3200 delivers marginally better dynamic range due to advanced exposure control. The JZ100 lens renderings show mild edge softness at telephoto.
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Wildlife/Sports: The S3200’s extended zoom and face detection AF aid framing, but continuous shooting speed of 1fps hampers action capture. JZ100’s limited AF capabilities and shorter zoom reduce suitability.
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Street Photography: The JZ100 shines due to its compactness and discretion; low-light performance is roughly equal for both but limited by sensor technology.
Performance Ratings Overview
Quantitative scoring based on hands-on use, image quality, and feature completeness:
Aspect | S3200 Score | JZ100 Score |
---|---|---|
Image Quality | 6.5 / 10 | 6.0 / 10 |
Handling & Ergonomics | 8.0 / 10 | 5.0 / 10 |
Autofocus & Speed | 5.5 / 10 | 4.5 / 10 |
Video | 5.0 / 10 | 4.5 / 10 |
Portability | 4.5 / 10 | 8.5 / 10 |
Battery Life | 7.0 / 10 | 6.5 / 10 |
Price-to-Performance | 7.0 / 10 | 7.0 / 10 |
Strengths and Weaknesses by Photography Genre
A granular analysis relevant to varied photographic disciplines:
- Portraits: S3200’s manual controls and macro abilities make it better for controlled close-ups; JZ100 less flexible.
- Landscape: Overall both limited by sensor size; S3200 preferred due to exposure options.
- Wildlife/Sports: Neither ideal; S3200 wins for zoom range but limited AF speed is problematic.
- Street: JZ100 excels for portability and discretion.
- Macro: S3200 for minimum focus distance and stabilization.
- Night/Astro: Both struggle with noise beyond ISO 800; neither designed for astrophotography.
- Video: Basic video only; S3200 marginally better due to stabilization.
- Travel: JZ100 preferred for lightweight carry.
- Professional: Neither viable primary camera; S3200’s manual modes offer limited secondary use.
Lens Ecosystem and Upgrade Path
Both cameras feature fixed lenses, negating aftermarket lens options or system upgrades. This factor confines long-term versatility and limits professional investment confidence.
Connectivity and Workflow Integration
Neither offers wireless connectivity such as Wi-Fi or Bluetooth. USB 2.0 interfaces suffice for file transfer but lack speed or advanced tethering features.
The S3200’s inclusion of HDMI out enables external monitoring for reviewing shots, not present on JZ100.
Price and Value Considerations
At sub-$200 retail price points, both cameras appeal to budget-conscious users. Evaluating value must consider use case priorities:
- The S3200 provides better manual control and zoom versatility at the cost of size.
- The JZ100 emphasizes compactness and ease-of-use but lacks exposure control and telephoto reach.
Final Recommendations Based on User Profiles
Choose the FujiFilm FinePix S3200 if you:
- Need a bridge camera style with long zoom for wildlife or travel where reach is essential
- Desire manual exposure modes to develop photographic technique
- Value an electronic viewfinder for framing in bright light or at telephoto
- Will benefit from in-body stabilization and macro capabilities
- Can accommodate a larger, heavier camera system
Choose the Fujifilm FinePix JZ100 if you:
- Prioritize lightweight, pocketable form for street and casual travel photography
- Want a simple point-and-shoot without manual mode complication
- Are content with short zoom and modest video capabilities
- Desire a camera mainly for snapshots and social sharing with minimal fuss
Closing Thoughts: Practical Usability Meets Technical Reality
In extensive use, both cameras reveal their design philosophies clearly: the S3200 aims to bridge casual and enthusiast needs with manual flexibility and zoom prowess, while the JZ100 targets those valuing sheer compactness and simplified operation.
Neither can compete with modern mirrorless or DSLR cameras in autofocus sophistication, sensor performance, or video capabilities. Yet each claims a niche where cost constraints, size preferences, or a desire for extended zoom predominate.
A photographer choosing between these models should carefully weigh the need for operational control against mobility and understand that small sensor limitations impose ceiling constraints on image quality and low-light performance.
With this comprehensive comparison grounded in thorough testing and precise technical evaluation, prospective buyers can make well-informed camera decisions aligned with their photographic ambitions and situational demands.
FujiFilm S3200 vs Fujifilm JZ100 Specifications
FujiFilm FinePix S3200 | Fujifilm FinePix JZ100 | |
---|---|---|
General Information | ||
Brand Name | FujiFilm | FujiFilm |
Model | FujiFilm FinePix S3200 | Fujifilm FinePix JZ100 |
Also called | FinePix S3250 | - |
Class | Small Sensor Superzoom | Small Sensor Compact |
Released | 2011-01-05 | 2012-01-05 |
Body design | SLR-like (bridge) | Compact |
Sensor Information | ||
Sensor type | CCD | CCD |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor area | 28.1mm² | 28.1mm² |
Sensor resolution | 14MP | 14MP |
Anti aliasing filter | ||
Aspect ratio | - | 4:3, 3:2 and 16:9 |
Full resolution | 4288 x 3216 | 4288 x 3216 |
Max native ISO | 1600 | 1600 |
Max boosted ISO | 6400 | 3200 |
Min native ISO | 100 | 100 |
RAW support | ||
Autofocusing | ||
Manual focus | ||
Touch focus | ||
Continuous AF | ||
AF single | ||
Tracking AF | ||
Selective AF | ||
Center weighted AF | ||
AF multi area | ||
AF live view | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Cross focus points | - | - |
Lens | ||
Lens mounting type | fixed lens | fixed lens |
Lens focal range | 24-576mm (24.0x) | 25-200mm (8.0x) |
Max aperture | f/3.1-5.9 | f/2.9-5.9 |
Macro focus range | 2cm | 5cm |
Crop factor | 5.8 | 5.8 |
Screen | ||
Range of screen | Fixed Type | Fixed Type |
Screen diagonal | 3 inch | 2.7 inch |
Resolution of screen | 230 thousand dot | 230 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Screen tech | - | TFT color LCD monitor |
Viewfinder Information | ||
Viewfinder | Electronic | None |
Viewfinder coverage | 97% | - |
Features | ||
Lowest shutter speed | 8s | 8s |
Highest shutter speed | 1/2000s | 1/2000s |
Continuous shooting speed | 1.0 frames/s | 1.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | - |
Set WB | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 7.00 m | 2.60 m |
Flash settings | Auto, On, Off, Red-eye, Slow Sync | Auto, On, Off, Slow sync, Red-eye reduction |
External flash | ||
AEB | ||
White balance bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Max video resolution | 1280x720 | 1280x720 |
Video data format | Motion JPEG | Motion JPEG |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 540g (1.19 lb) | 129g (0.28 lb) |
Dimensions | 118 x 81 x 100mm (4.6" x 3.2" x 3.9") | 100 x 56 x 24mm (3.9" x 2.2" x 0.9") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 300 photos | - |
Form of battery | AA | - |
Battery model | 4 x AA | NP-45A |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
Time lapse feature | ||
Storage media | SD / SDHC | SD/SDHC/SDXC |
Storage slots | 1 | 1 |
Price at launch | $190 | $190 |