FujiFilm S3200 vs Panasonic FZ70
67 Imaging
37 Features
37 Overall
37


63 Imaging
39 Features
53 Overall
44
FujiFilm S3200 vs Panasonic FZ70 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 1600 (Expand to 6400)
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 24-576mm (F3.1-5.9) lens
- 540g - 118 x 81 x 100mm
- Launched January 2011
- Also Known as FinePix S3250
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 3200 (Boost to 6400)
- Optical Image Stabilization
- 1920 x 1080 video
- 20-1200mm (F2.8-5.9) lens
- 606g - 130 x 97 x 118mm
- Revealed July 2013

FujiFilm S3200 vs Panasonic FZ70: The Ultimate Small Sensor Superzoom Showdown
When it comes to cameras with an outsized zoom and compact sensor size, bridge cameras remain a compelling choice for many photography enthusiasts. They offer a flexible all-in-one package that can handle everything from sweeping landscapes to distant wildlife shots - without the bulk of a full interchangeable lens system. Today, we're diving deep into two popular bridge cameras that have attracted a loyal following: the FujiFilm FinePix S3200 and the Panasonic Lumix DMC-FZ70.
These cameras hail from different points in time - the FujiFilm from early 2011 and Panasonic’s offering from mid-2013 - but both fit squarely in the "small sensor superzoom" category, providing long-reaching lenses and DSLR-like ergonomics. This in-depth comparison will cover every significant aspect from sensor tech to autofocus, and from ergonomics to video capabilities. By the end, you’ll have a clear understanding of which camera fits your creative ambitions, workflow, and budget.
First Impressions: Handling, Size, and Design
The first thing you notice when holding these cameras is how much they embrace the "bridge" design ethos: DSLR-like shape with a fixed lens and ample manual controls. Let’s start by comparing their physical presence.
Feature | FujiFilm S3200 | Panasonic FZ70 |
---|---|---|
Dimensions (W×H×D, mm) | 118 × 81 × 100 | 130 × 97 × 118 |
Weight | 540 g (with batteries) | 606 g (with battery pack) |
Grip and Buttons | Modest grip, fewer buttons | Larger grip, more controls |
Battery Type | 4 × AA batteries | Proprietary rechargeable pack |
Viewfinder Coverage | 97% (electronic) | 100% (electronic) |
The S3200 feels slightly smaller and lighter in hand, which may appeal if you value portability in your superzoom. On the other hand, the FZ70 feels solid and substantial, with a deeper grip that enhances handling during extended shoots. The FZ70's dedicated grip area and more ergonomic button placement make manual adjustments quicker and more natural.
The Fuji uses four AA batteries, which makes it easier to swap and find replacements on long trips or in remote locations. However, it adds weight over time compared to the FZ70’s rechargeable pack, which offers more shots per charge but requires you to plan for recharging.
Control Layout and User Interface: Quick Access Meets Usability
Efficiency and quick operation in the field are paramount, especially with versatile zooms.
Both models offer traditional SLR-like control layouts: mode dial, shutter button, zoom lever around the shutter, and a mix of function buttons.
-
FujiFilm S3200: Simpler button layout with fewer customizable buttons; exposure compensation and aperture/shutter priority modes accessible via mode dial. However, lack of touchscreen or rear joystick limits quick AF point adjustments.
-
Panasonic FZ70: Features a more complex control scheme including a rear thumb dial and a quick menu system; also supports manual focus via a focus ring on the lens. The absence of touchscreen limits very quick focus point selection, but overall controls feel more professional.
The Panasonic provides more refined tactile feedback and quicker workflows when shooting action or wildlife - crucial if you want to rapidly switch autofocus modes or compensation without diving into menus.
Sensor and Image Quality: The Core of Your Photos
At the heart of every camera is the sensor. Both the Fuji S3200 and Panasonic FZ70 use the same sensor size: a 1/2.3" sensor measuring 6.17 x 4.55 mm and an area of roughly 28 mm². However, the sensors in these two differ technically and in performance.
Feature | FujiFilm S3200 | Panasonic FZ70 |
---|---|---|
Sensor Type | CCD | CMOS |
Resolution | 14 MP | 16 MP |
Max Native ISO | 1600 | 3200 |
Antialias Filter | Yes | Yes |
Raw Support | No | Yes |
Max Boosted ISO | 6400 | 6400 |
Image Processor | Not specified | Venus Engine |
Technical Takeaway:
-
The CCD sensor on the FujiFilm S3200 was typical for its release time but generally suffers from higher power consumption and slower readout speeds. While capable of producing pleasant images in daylight and controlled lighting, CCDs typically generate more noise at higher ISOs.
-
The CMOS sensor in the Panasonic FZ70 benefits from improvements in sensor technology by 2013, such as faster readout and power efficiency. Combined with the Venus Engine processor, this results in better high-ISO performance and dynamic range.
The difference shows up noticeably when shooting in low light or at higher ISOs. The FZ70’s maximum native ISO doubles Fuji’s, and Panasonic’s raw support lets you extract finer detail and manage post-processing flexibility.
Autofocus System: Speed, Accuracy, and Versatility
For thrill-seekers shooting sports or wildlife, autofocus performance is critical.
Feature | FujiFilm S3200 | Panasonic FZ70 |
---|---|---|
AF System Type | Contrast Detection | Contrast Detection |
AF Points | Unknown, no cross points | 23 points |
AF Modes | Single, Continuous, Tracking | Single, Continuous, Tracking |
Face Detection | Yes | Yes |
Focus Assist Modes | Yes (live view contrast) | Yes |
Manual Focus | No | Yes |
The FujiFilm S3200 uses contrast-detection autofocus with face detection, but with fewer focus points and no true manual focus ring, limiting precision in some challenging scenarios.
In contrast, the Panasonic FZ70 offers a 23-point system spread across the frame, providing more flexibility in focusing off-center subjects or tracking moving ones. The manual focus ring on the lens makes action and macro focus adjustments easier.
These specs translate into real-world timing and accuracy advantages for the FZ70 during fast action or wildlife hunts. In our testing under good light, the FZ70 focused faster and more reliably, especially in continuous modes, whereas the S3200 occasionally hunted in low-contrast scenes.
Zoom Range and Lens Performance: Reach and Aperture
Superzooms are all about versatility. How far you can zoom and the aperture you retain defines creative possibilities.
Feature | FujiFilm S3200 | Panasonic FZ70 |
---|---|---|
Zoom Range (35mm equiv.) | 24–576 mm (24× zoom) | 20–1200 mm (60× zoom) |
Max Aperture Wide/Tele | F3.1 – F5.9 | F2.8 – F5.9 |
Macro Focusing Distance | 2 cm | 1 cm |
Image Stabilization | Sensor-shift | Optical |
The Panasonic FZ70’s impressive 60× zoom makes it a true bird and wildlife chaser, reaching the equivalent of 1200mm in full-frame terms. Fuji’s shorter 24× zoom is still very capable and starts wider (24mm vs. 20mm), which benefits landscapes and interiors.
Additionally, the Panasonic’s aperture is brighter at the wide end (F2.8 vs F3.1), improving low-light handholding and depth of field control. Both have narrow apertures at the telephoto end, typical for superzooms, so light drops off at long reach.
Optical image stabilization in the Panasonic helps significantly when shooting handheld at full zoom, whereas the Fuji uses sensor-shift stabilization, which is often less effective at longer focal lengths.
LCD Screen and Viewfinder: Composing and Reviewing Your Shots
Composing your images and reviewing them comfortably is critical for any photographer.
Feature | FujiFilm S3200 | Panasonic FZ70 |
---|---|---|
Screen Size | 3.0” | 3.0” |
Screen Resolution | 230k dots | 460k dots |
Screen Type | Fixed, non-touch | Fixed, TFT LCD non-touch |
Viewfinder Type | Electronic (EVF) | Electronic (EVF) |
Viewfinder Resolution | N/A (low) | 202k dots |
Viewfinder Coverage | 97% | 100% |
The Panasonic FZ70 wins in screen resolution and EVF coverage, offering sharper previews and more accurate framing. The Fuji’s EVF is functional but lower resolution, which can slow quick focusing and composition adjustments, especially in dim conditions.
Neither camera features a touchscreen, which is common for their class and era, so menu navigation relies on physical buttons. For shooting in bright sun or tight spots, the Panasonic’s brighter and higher resolution screen will aid your workflow.
Battery Life and Storage Flexibility
Both cameras offer practical but different solutions for power and image storage.
Feature | FujiFilm S3200 | Panasonic FZ70 |
---|---|---|
Battery Life (CIPA) | Approx. 300 shots (4× AA) | Approx. 400 shots (proprietary pack) |
Storage Options | SD / SDHC cards | SD / SDHC / SDXC + internal memory |
Memory Slot Count | 1 | 1 |
AA batteries are a double-edged sword: easily replaceable in the field but heavier and can be expensive over time. Conversely, the Panasonic’s rechargeable battery pack weighs less but requires you to carry a charger and possibly spares.
A notable positive for the Panasonic is support for SDXC cards and internal storage, allowing more flexibility and space, useful for extended sessions. Both cameras have a single card slot.
Video Capabilities: Recording Options and Quality
Video shooting, though often a secondary feature in bridge cameras, has become essential for many creators.
Feature | FujiFilm S3200 | Panasonic FZ70 |
---|---|---|
Max Video Resolution | 1280×720 (720p at 30fps) | 1920×1080 (Full HD at 50i/60i, 25p/30p) |
Video File Format | Motion JPEG | MPEG-4, AVCHD |
Microphone Input | No | No |
Electronic Stabilization | No (sensor shift IS only) | Yes (optical IS) |
The FZ70 is the clear winner for video, offering full HD recording up to 60fps, several frame rates, and better compression formats (AVCHD and MPEG-4) for efficient storage and quality.
Fuji’s 720p video is serviceable but basic, with less efficient encoding and no external mic input for improved audio. Panasonic’s video benefits from smoother motion and much better image stabilization on moving shots, an advantage for casual video or multimedia projects.
Real-World Use Cases: What Each Camera Excels At
Let’s see how these specifications translate to practical photography disciplines.
Portrait Photography
- FujiFilm S3200: Skin tones are moderately accurate with CCD's color rendition; limited aperture range restricts creamy bokeh. Face detection autofocus improves sharpness on eyes.
- Panasonic FZ70: Slightly better color fidelity and sharpness in the 16 MP output. Larger aperture at wide end aids softer background blur. Manual focus ring helps for precise eye focus.
Landscape Photography
- FujiFilm S3200: Wide-angle 24mm start is good, but lower resolution and dynamic range limit detail in complex scenes.
- Panasonic FZ70: 20mm wide-angle and higher resolution with CMOS offer better landscape results; improved dynamic range renders highlights and shadows more naturally despite small sensor limits.
Wildlife and Sports Photography
- FujiFilm S3200: Slower continuous shooting (1 fps) and limited autofocus points make capturing fast action difficult.
- Panasonic FZ70: 9 fps burst rate and 23 AF points combined with 1200mm equivalent zoom make it a practical choice for casual wildlife or sports shooters.
Macro Photography
- FujiFilm S3200: Macro focusing distance of 2 cm is good, but no manual focus limits close-up precision.
- Panasonic FZ70: Closer macro distance (1 cm) and manual focus capability provide more creative control for fine subjects.
Night and Astro Photography**
- FujiFilm S3200: Max ISO 1600 and CCD noise limit low-light shot usability.
- Panasonic FZ70: Better high ISO performance up to 3200 and raw support allow cleaner night shots. However, the small sensor still constrains true astro imaging quality.
Street Photography
- FujiFilm S3200: Smaller size and lighter weight slightly edge its portability.
- Panasonic FZ70: Bulkier but better zoom and focusing performance; could hinder discretion but help grab distant street moments.
Travel Photography
- FujiFilm S3200 offers user-friendliness due to battery flexibility.
- Panasonic FZ70’s versatility and battery efficiency make it ideal for capturing everything from city sights to wildlife.
Sample Images: A Visual Comparison
We’ve included a set of sample shots from both cameras under identical conditions: daylight landscapes, indoor portraits, and zoomed wildlife.
You can see the Panasonic images generally produce crisper detail and more vivid color, with less noise in shadows and smooth tonal gradations. Fuji’s JPEGs are softer with sometimes muted colors and more noise past ISO 400.
Overall Performance Ratings
Summarizing extensive testing results:
- Panasonic FZ70 scores higher overall (~41 points on DxO Mark equivalents for the small sensor class) thanks to image quality, autofocus, and video.
- FujiFilm S3200 falls behind due to older sensor tech and slower responsiveness.
Specialized Genre Scores: Match Your Photography Style
Looking closely at how each camera performs in application-specific tests:
- Wildlife and sports: Panasonic clearly outperforms.
- Landscape and portrait: Panasonic leads but Fuji can still suffice for casual photographers.
- Video: Panasonic only choice.
- Macro: Panasonic edges out.
- Travel & street: tie with trade-offs in portability vs performance.
The Final Verdict: Which Bridge Camera Should You Choose?
Both cameras offer an accessible entry to superzoom photography, but your choice should reflect your priorities:
Choose the FujiFilm S3200 if you:
- Are budget-conscious and want an affordable superzoom that’s competent for casual travel and family shots
- Prefer AA battery convenience for extended shooting in remote locations
- Value lightweight handling and simple operational style
Choose the Panasonic FZ70 if you:
- Want superior zoom reach (1200mm equivalent) for wildlife or sports
- Need faster autofocus, higher resolution, and better low light performance
- Expect to shoot Full HD video and want raw image capture for editing flex
- Favor ergonomics optimized for manual controls and faster shooting speed
Tips to Get the Most from Your Chosen Camera
- For FujiFilm S3200 users: Use manual exposure modes to optimize image quality and experiment with RAW simulations via software. Carry spare AA batteries especially for longer trips.
- For Panasonic FZ70 users: Learn to leverage the manual focus ring and burst shooting for wildlife sequences. Explore AVCHD video settings for best recording quality.
Wrapping Up Your Camera Journey
When considering these two small sensor superzooms, think about how each fits into your unique photography journey. The FujiFilm S3200 is a reliable budget performer for everyday shooting with a familiar feel, while the Panasonic FZ70 pushes the envelope with advanced zoom range, video, and autofocus capabilities.
We strongly encourage you to try both in-store if possible to judge handling and image feel yourself. Also, pair your camera choice with lenses accessories or ND filters for creative experimentations, and invest in quality memory cards to maximize shooting endurance.
Whichever camera you pick, both will take you on rewarding photographic adventures - explore, capture, and create with confidence!
By integrating thoughtfully balanced technical insight with practical shooting considerations, you’re empowered to make an informed decision tailored to your creative pursuits.
FujiFilm S3200 vs Panasonic FZ70 Specifications
FujiFilm FinePix S3200 | Panasonic Lumix DMC-FZ70 | |
---|---|---|
General Information | ||
Brand | FujiFilm | Panasonic |
Model type | FujiFilm FinePix S3200 | Panasonic Lumix DMC-FZ70 |
Also Known as | FinePix S3250 | - |
Class | Small Sensor Superzoom | Small Sensor Superzoom |
Launched | 2011-01-05 | 2013-07-18 |
Body design | SLR-like (bridge) | SLR-like (bridge) |
Sensor Information | ||
Processor | - | Venus Engine |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor area | 28.1mm² | 28.1mm² |
Sensor resolution | 14 megapixel | 16 megapixel |
Anti alias filter | ||
Aspect ratio | - | 1:1, 4:3, 3:2 and 16:9 |
Highest resolution | 4288 x 3216 | 4608 x 3456 |
Highest native ISO | 1600 | 3200 |
Highest boosted ISO | 6400 | 6400 |
Minimum native ISO | 100 | 100 |
RAW photos | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Autofocus continuous | ||
Single autofocus | ||
Autofocus tracking | ||
Selective autofocus | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Total focus points | - | 23 |
Cross type focus points | - | - |
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | 24-576mm (24.0x) | 20-1200mm (60.0x) |
Maximal aperture | f/3.1-5.9 | f/2.8-5.9 |
Macro focusing range | 2cm | 1cm |
Crop factor | 5.8 | 5.8 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen diagonal | 3" | 3" |
Resolution of screen | 230k dot | 460k dot |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Screen technology | - | TFT Screen LCD Display |
Viewfinder Information | ||
Viewfinder | Electronic | Electronic |
Viewfinder resolution | - | 202k dot |
Viewfinder coverage | 97 percent | 100 percent |
Features | ||
Lowest shutter speed | 8s | 8s |
Highest shutter speed | 1/2000s | 1/2000s |
Continuous shooting speed | 1.0 frames per sec | 9.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 7.00 m | 13.50 m |
Flash options | Auto, On, Off, Red-eye, Slow Sync | Auto, On, Off, Red-eye, Slow Sync |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1920 x 1080 (50i/60i, 25p/30p), 1280 x 720p (50p/60p or 25p/30p), 640 x 480 (25p/30p) |
Highest video resolution | 1280x720 | 1920x1080 |
Video file format | Motion JPEG | MPEG-4, AVCHD |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 540 grams (1.19 pounds) | 606 grams (1.34 pounds) |
Dimensions | 118 x 81 x 100mm (4.6" x 3.2" x 3.9") | 130 x 97 x 118mm (5.1" x 3.8" x 4.6") |
DXO scores | ||
DXO All around rating | not tested | 41 |
DXO Color Depth rating | not tested | 19.4 |
DXO Dynamic range rating | not tested | 10.8 |
DXO Low light rating | not tested | 171 |
Other | ||
Battery life | 300 images | 400 images |
Battery form | AA | Battery Pack |
Battery ID | 4 x AA | - |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 secs) |
Time lapse feature | ||
Type of storage | SD / SDHC | SD/SDHC/SDXC, Internal |
Storage slots | One | One |
Launch price | $190 | $300 |