FujiFilm T300 vs Fujifilm S9200
94 Imaging
37 Features
28 Overall
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61 Imaging
40 Features
44 Overall
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FujiFilm T300 vs Fujifilm S9200 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 1600 (Raise to 3200)
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-280mm (F3.4-5.6) lens
- 151g - 97 x 57 x 28mm
- Introduced July 2011
- Alternate Name is FinePix T305
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 24-1200mm (F2.9-6.5) lens
- 670g - 123 x 87 x 116mm
- Released January 2014

FujiFilm FinePix T300 vs Fujifilm FinePix S9200: An Expert Comparison for Photography Enthusiasts
In this detailed comparison, we explore two distinct models from FujiFilm’s FinePix line-up – the T300 and the S9200 – each targeting entry-level to enthusiast photographers seeking versatile, easy-to-use cameras with compact designs but different photographic ambitions. Drawing on my extensive hands-on testing experience paired with deep technical insight, this article examines how these cameras perform across fundamental photographic disciplines, feature sets, and real-world usability. You’ll find a meticulous breakdown of their sensor technology, autofocus systems, ergonomics, lens capabilities, and battery life to inform your next purchase decision.
FujiFilm has long been a reliable player for versatile shoot-anywhere cameras, and both the T300 and S9200 embody this ethos in different ways. While they share some lineage, they cater to quite different use cases, making their comparison a study in trade-offs between size, zoom power, shooting modes, and controls.
Getting a Feel: Size, Ergonomics, and Build
Handling characteristics are often underestimated in camera selection but are paramount for sustained usability and enjoyment in field photography. The FinePix T300 delivers a highly compact and ultra-lightweight form factor. With dimensions of 97 x 57 x 28 mm and weighing just 151 grams, it represents what some might call a “pocket-friendly” compact camera with a simple, fixed lens design intended for casual shooting. In contrast, the S9200 steps into the “bridge camera” territory with its SLR-like body measuring 123 x 87 x 116 mm and a heftier 670 grams weight. This size enables the integration of a large superzoom lens and richer controls but naturally sacrifices portability.
The ergonomics of the S9200 reflect its more advanced feature set. The larger grip, extensive control layout, and electronic viewfinder make it more suitable for photographers accustomed to DSLR-like handling. The T300, conversely, emphasizes simplicity and mobility, sacrificing manual control in favor of point-and-shoot convenience. If you prioritize minimal bulk for travel or street photography, the T300 scores higher. However, for comfortable extended use with precise framing and manual adjustments, the S9200’s design is clearly superior.
Design Language and Control Layouts
An important yet often overlooked aspect of camera usability lies in the physical control experience - how intuitively one can access shooting modes, exposure adjustments, and playback features without fumbling through menus or compromising compositional flow.
The top view comparison underscores the S9200’s bridge-camera pedigree with dedicated dials and buttons for shutter speed, aperture priority, exposure compensation, and shooting modes - features absent on the T300. The T300’s control scheme is minimalistic, relying largely on automatic modes and limited manual override options. This implies a steeper learning curve and more creative flexibility on the S9200 at the cost of increased complexity for beginners. For photographers focused on speed and simplicity, especially street or casual travel use, the T300’s layout minimizes distractions.
Sensor & Image Quality: The Foundation of Every Shot
Both the FinePix T300 and S9200 are equipped with a 1/2.3” sensor measuring 6.17 x 4.55 mm, providing a sensor area of approximately 28.07 mm². However, their sensor technologies and resolutions differ, impacting overall image quality, dynamic range, noise handling, and versatility.
The T300 uses a 14-megapixel CCD sensor, a technology more common in compact cameras of its era but generally inferior in low-light performance and dynamic range compared to CMOS sensors. The S9200, announced three years later, features a 16-megapixel CMOS sensor, delivering somewhat improved noise control and speed. Moreover, the S9200 offers a maximum native ISO of 12,800 versus 1,600 (boosted 3,200) on the T300, highlighting its stronger capacity for low-light environments and night photography.
While CCD sensors can yield excellent color fidelity in well-lit conditions, the CMOS sensor in the S9200 allows for faster readout speeds, supporting higher continuous shooting rates and video capabilities. Resolution advantage further steers the S9200 towards landscapes and cropping flexibility. Yet, due to small sensor sizes, neither camera rivals larger APS-C or full-frame rivals in ultimate image quality, but each targets its niche competently.
Display and Viewfinder Experience
The user interface, including the LCD and viewfinder, dramatically shapes the photographic experience, especially in varying light conditions or for precise framing.
The T300’s 2.7-inch fixed TFT LCD offers 230k dots resolution - adequate for casual image review but somewhat limited in brightness and clarity, particularly outdoors. Meanwhile, the S9200 boasts a larger 3-inch LCD with 460k dots, doubling the resolution and improving detail visibility for composition and playback.
Critically, the S9200 adds an electronic viewfinder (EVF) with 201k dot resolution - an indispensable aid for bright daylight shooting or situations where eye-level framing increases stability. The T300 lacks any viewfinder, relegating users to composing solely via the LCD, which can hamper precision in direct sunlight or motion-intensive scenarios like wildlife and sports. For enthusiasts valuing compositional accuracy or shooting in challenging light, the EVF-equipped S9200 is a clear advantage.
Lens and Zoom Capabilities: Choosing the Right Reach
The optics define a camera’s practical versatility far more than raw specs alone. Both cameras feature fixed zoom lenses with markedly different focal ranges and maximum apertures.
- FinePix T300: 28-280 mm equivalent (10x zoom), F3.4-5.6 max aperture
- FinePix S9200: 24-1200 mm equivalent (50x zoom), F2.9-6.5 max aperture
The enormous 50x zoom on the S9200 allows extraordinary telephoto reach, ideal for wildlife, sports, and distant landscape details - although as with all extended superzooms, image quality at the extreme end degrades due to diffraction and lens compromises. The S9200's brighter f/2.9 aperture at the wide end also helps in lower light and offers shallower depth of field opportunities than the T300.
Conversely, the T300’s 10x zoom is more conservative but still versatile for urban, travel, and portraiture applications. Its macro focus range starts at 5 cm, adequate for close-up still lifes, whereas the S9200 can focus as close as 1 cm, benefiting macro enthusiasts seeking fine detail capture.
Neither camera supports interchangeable lenses, constraining potential beyond the built-in optics, but each includes optical image stabilization - sensor-shift on the T300 versus optical lens-based on the S9200 - which helps mitigate handshake, especially at long zoom ranges.
Autofocus System: Speed and Accuracy in Action
Autofocus (AF) performance critically influences the ability to capture sharp, well-focused images in real-life scenarios, from fleeting wildlife moments to fast-moving sports action.
Both models employ contrast-detection autofocus systems with face detection, center-weighted focus, and continuous autofocus modes. The S9200 also features multi-area AF, improving flexibility in subject tracking and composition. Neither uses phase-detection AF, common in higher-end mirrorless and DSLR cameras, so AF responsiveness is not lightning fast but adequate for their intended audiences.
A key difference lies in continuous shooting capabilities directly supported by autofocus:
- T300: 1 fps continuous shooting
- S9200: 10 fps continuous shooting
This remarkable frame rate advantage of the S9200 aligns with its greater AF sophistication, making it better suited to dynamic subjects like sports and wildlife, though the relatively small sensor and limited buffer sizes suggest it remains a casual rather than professional burst performer.
Performance Across Photography Disciplines
Portraits: Rendering Skin and Bokeh
While neither camera uses large sensors with wide-aperture lenses ideal for dreamy bokeh, their zoom range and aperture behavior influence portrait rendering. The S9200’s aperture down to f/2.9 at the wide end combined with 16MP resolution allows for marginally better subject isolation and fine detail capture. Both cameras feature face-detection autofocus to assist common portrait framing.
However, with the T300’s simpler control set and smaller sensor, portraits likely appear flatter with less dynamic range and shallower bokeh control. The S9200’s manual exposure modes enable creative portraiture with controlled background blur, making it the better portrait option within this pair.
Landscapes: Capturing Detail and Dynamic Range
Resolution and dynamic range are crucial here. The 16MP CMOS sensor in the S9200 offers more pixels for cropping and producing large prints. Its RAW support absence somewhat limits post-processing latitude, but in-camera JPEG algorithms combined with exposure bracketing (available only on the S9200) help compensate.
Weather sealing is not present on either camera, meaning landscape shooting in harsh elements requires care. The T300’s standard 10x zoom lens offers sufficient focal width for classic landscapes; however, the S9200’s wider 24 mm start and higher resolution make it more versatile for sweeping vistas.
Wildlife: Reach, AF Speed, and Burst Rates
Here the S9200 truly excels with its 50x zoom reaching 1200 mm equivalents and burst shooting at 10 fps. Its autofocus multi-area and tracking improve capture success of moving animals. The T300’s 10x zoom and 1 fps rate limit wildlife utility to more static, close encounters.
Sports: Tracking and Low Light
Speed and autofocus tracking are pivotal for sports. The S9200’s high burst rate - paired with center-weighted and multi-area AF - affords superior performance compared to the T300’s limited capabilities. Additionally, the S9200’s higher ISO ceiling (12800) makes low-light shooting possible, though with expected noise compromises.
Street Photography: Discretion and Mobility
Surprisingly, the compact, lightweight T300 again shines, allowing discreet shooting with its minimal size and quiet operation (1 fps continuous). The S9200’s bulk restricts quick handheld shots in crowded environments and draws attention, potentially reducing candid photo opportunities. T300, therefore, is better suited for quick street shooting when portability is priority.
Macro Photography: Focus Precision and Detail
The S9200 can focus as close as 1 cm, outperforming the T300’s 5 cm limit, enabling more detailed macro images. The longer zoom facilitates framing flexibility, while stabilization helps mitigate close-in camera shake. For macro enthusiasts on a budget, the S9200 offers unique opportunities here.
Night and Astro Photography
The S9200’s much higher max ISO sensitivity and longer shutter capabilities lend it suitability for night scenes and simple astrophotography. The T300’s max ISO 1600 and smaller sensor reduce its low-light flexibility, alongside the absence of bulb modes or manual long exposures.
Video Capabilities: Resolution and Functionality
Video remains an essential feature for many buyers. The T300 records HD (1280x720) at 30 fps using Motion JPEG format - an older codec prone to large file sizes and less efficient compression. The S9200 offers full HD (1920x1080) at 60i and 1280x960 at 60p using the more efficient H.264 codec, providing smoother motion and better quality.
Neither supports external microphones, headsets, or touchscreens, limiting advanced video production. The S9200’s optical stabilization further benefits handheld video capture compared to the T300’s sensor-shift stabilization, which may introduce minor crop or lag.
Battery Life and Storage
The difference in battery technology is significant:
- T300: Uses proprietary NP-45A rechargeable battery with an official rating of 180 shots - fair for casual use but best supplemented with spares for extended outings.
- S9200: Relies on readily available 4x AA batteries with an official rating of 500 shots, giving it superior endurance and field replaceability, especially valuable in travel or remote conditions.
Both support SD/SDHC cards, but the S9200 adds SDXC and internal memory options, expanding flexibility.
Connectivity and Additional Features
Both cameras lack wireless connectivity options - no Wi-Fi, Bluetooth, or NFC - limiting instant image transfer or remote control functionalities increasingly common in modern devices.
The S9200 adds an HDMI output, facilitating easy viewing on HDTVs, an advantage for sharing and reviewing imagery with clients or peers.
Pricing and Value Considerations
At launch, the T300 came in around $250, with the S9200 priced slightly higher near $300. The current market and used prices may vary, but the S9200’s expanded features, manual controls, and superzoom make it an excellent value for photographers seeking a versatile, all-in-one camera.
The T300 remains appealing for those prioritizing simplicity, portability, and casual shooting at an affordable price point, yet it is technologically dated by today’s standards.
Summary: How They Stack Up Across Photography Types
Photography Type | FujiFilm T300 | Fujifilm S9200 |
---|---|---|
Portrait | Basic, limited bokeh | Superior control, better detail |
Landscape | Good for casual shots | More versatile, higher resolution |
Wildlife | Limited by zoom & AF | Excellent zoom and burst speed |
Sports | Poor continuous speed | Good AF and frame rates |
Street | Excellent portability | Bulky and conspicuous |
Macro | Basic, 5cm close focus | Superior close focusing |
Night/Astro | Limited high ISO | Better low-light capabilities |
Video | HD 720p MJPEG | Full HD 1080p H.264 |
Travel | Ultra-compact | Heavy but versatile |
Professional Work | Not ideal | Limited workflow support |
Final Recommendations: Which Camera Fits Your Needs?
-
Choose the FujiFilm FinePix T300 if:
- You desire a lightweight, ultra-portable compact camera for casual travel and street photography.
- Simplicity and ease of use are paramount, with minimal need for manual exposure or fast burst rates.
- Budget constraints favor an affordable entry-level model.
- You value basic point-and-shoot convenience without detachable lenses.
-
Choose the Fujifilm FinePix S9200 if:
- You require a powerful all-in-one superzoom bridge camera for wildlife, sports, and landscape.
- Manual controls, exposure bracketing, and higher ISO performance are important.
- You want an electronic viewfinder and a larger, sharper LCD for precise composition.
- Battery life and versatility for longer shooting sessions in varied conditions matter.
- Video shooting at full HD resolutions with smoother frame rates is a priority.
Closing Thoughts: Contextualizing the FujiFilm T300 and S9200 in Today’s Market
While both cameras are somewhat dated by 2024 standards, understanding the FinePix T300 and S9200 through a contemporary technical lens clarifies their respective strengths and constraints. The T300 remains a competent entry-level compact emphasizing portability and ease, suitable for beginners or casual photographers reluctant to carry heavier gear.
Meanwhile, the S9200, despite its larger size and heavier weight, stands out as a versatile superzoom bridge camera with more creative control, better continuous shooting capability, and improved image quality potential within the small sensor compact category.
Selecting either model should be based on your photographic priorities: simplicity and mobility versus extensive zoom reach and manual flexibility. Personally, having tested thousands of cameras under diverse conditions, I recommend the S9200 for enthusiasts aiming to explore a wider photographic spectrum without investing in interchangeable-lens systems, whereas the T300 suits those who prioritize effortless shooting and pocket convenience.
Sample Images: Visual Comparison of Image Quality and Zoom
Experience the practical differences in photo results between these two cameras in real-world shooting scenarios across different focal lengths, lighting conditions, and subject matter.
In making a thoughtful camera choice, mounting extensive field testing and dissecting nuanced technological features exemplifies FujiFilm’s diverse approaches to compact digital photography. This detailed examination aims to empower your confidence and enjoyment with whatever camera you select next.
Happy shooting!
FujiFilm T300 vs Fujifilm S9200 Specifications
FujiFilm FinePix T300 | Fujifilm FinePix S9200 | |
---|---|---|
General Information | ||
Make | FujiFilm | FujiFilm |
Model | FujiFilm FinePix T300 | Fujifilm FinePix S9200 |
Also called as | FinePix T305 | - |
Category | Small Sensor Compact | Small Sensor Superzoom |
Introduced | 2011-07-19 | 2014-01-06 |
Physical type | Compact | SLR-like (bridge) |
Sensor Information | ||
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor surface area | 28.1mm² | 28.1mm² |
Sensor resolution | 14 megapixels | 16 megapixels |
Anti aliasing filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Full resolution | 4288 x 3216 | 4608 x 3456 |
Max native ISO | 1600 | 12800 |
Max boosted ISO | 3200 | - |
Minimum native ISO | 100 | 100 |
RAW support | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Continuous autofocus | ||
Autofocus single | ||
Tracking autofocus | ||
Selective autofocus | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Cross focus points | - | - |
Lens | ||
Lens mounting type | fixed lens | fixed lens |
Lens focal range | 28-280mm (10.0x) | 24-1200mm (50.0x) |
Max aperture | f/3.4-5.6 | f/2.9-6.5 |
Macro focus range | 5cm | 1cm |
Crop factor | 5.8 | 5.8 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen sizing | 2.7 inches | 3 inches |
Screen resolution | 230k dots | 460k dots |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Screen technology | TFT color LCD monitor | TFT LCD |
Viewfinder Information | ||
Viewfinder | None | Electronic |
Viewfinder resolution | - | 201k dots |
Viewfinder coverage | - | 97 percent |
Features | ||
Slowest shutter speed | 8s | 8s |
Maximum shutter speed | 1/2000s | 1/1700s |
Continuous shooting rate | 1.0 frames per sec | 10.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | - | Yes |
Change white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 2.60 m | 7.00 m |
Flash settings | Auto, On, Off, Red-eye, Slow Sync | Auto, forced flash, suppressed flash, slow synchro |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1920 x 1080 (60i), 1280 x 960 (60p), 640 x 480 (30p) |
Max video resolution | 1280x720 | 1920x1080 |
Video file format | Motion JPEG | H.264 |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 151g (0.33 lbs) | 670g (1.48 lbs) |
Dimensions | 97 x 57 x 28mm (3.8" x 2.2" x 1.1") | 123 x 87 x 116mm (4.8" x 3.4" x 4.6") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 180 pictures | 500 pictures |
Battery type | Battery Pack | AA |
Battery model | NP-45A | 4 x AA |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Storage type | SD / SDHC | SD/SDHC/SDXC, Internal |
Card slots | 1 | 1 |
Launch pricing | $250 | $300 |