FujiFilm Z70 vs Olympus VG-110
96 Imaging
35 Features
14 Overall
26


97 Imaging
35 Features
20 Overall
29
FujiFilm Z70 vs Olympus VG-110 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 1600
- 1280 x 720 video
- 36-180mm (F4.0-4.8) lens
- 124g - 91 x 57 x 20mm
- Revealed February 2010
- Additionally Known as FinePix Z71
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 80 - 1600
- 640 x 480 video
- 27-108mm (F2.9-6.5) lens
- 105g - 92 x 54 x 20mm
- Launched February 2011

FujiFilm Z70 vs Olympus VG-110: A Hands-On Comparison of Two Ultracompact Cameras for Enthusiasts and Professionals
When you’re scouting for an ultracompact camera - maybe as a reliable pocket companion, a lightweight travel partner, or a quick grab-and-go for unexpected moments - the FujiFilm FinePix Z70 and Olympus VG-110 often pop up in lists of affordable compact shooters. Both released in the early 2010s and sporting similar sensor sizes and fixed lenses, these cameras appeal largely to budget-conscious photographers who want simplicity without sacrificing too much image quality or creative control.
I’ve had the chance to put these two through their paces extensively, testing their features, ergonomics, image quality, and real-world performance. Although neither camera will replace a professional mirrorless or DSLR in your kit, understanding their capabilities - and crucially, limitations - can help you decide if either holds value for your needs.
In this detailed analysis, I’ll break down their specs, user experiences, photo output, and more across key photography genres, aiming to arm you with practical insights for your next compact camera purchase.
First Impressions and Ergonomic Feel: How Do They Handle?
Before diving into image quality or tech specs, handling these cameras reveals crucial differences that influence user experience.
The FujiFilm Z70 weighs about 124 grams with compact dimensions at 91x57x20 mm. The Olympus VG-110 is marginally lighter, tipping the scales at 105 grams, sized at 92x54x20 mm. On paper, both are tiny - pocketable and discreet. But actual grip comfort swings the pendulum.
The Z70’s body is slightly chunkier and feels more substantial in hand, offering a modestly raised thumb grip on the back that makes single-handed shooting less skittish. The VG-110’s slimmer, more streamlined footprint can feel somewhat slippery, especially for those with bigger hands or longer shooting sessions.
Neither camera features dedicated clubs for thumbs or pronounced grip contours typical in modern compacts, so it’s a mixed bag. For casual street photography or travel snappers who value size above all, VG-110 inches ahead in portability - but you trade off some hold certainty.
Top-Level Controls: Accessibility Matters
Navigating camera menus is a large part of any shooting experience. Let’s compare how Fuji and Olympus handle control layouts.
Both share minimalistic controls, reflecting an era before touchscreen dominance. Each offers a mode dial (limited shooting modes), shutter release, and a power button neatly arranged on top. The VG-110 additionally includes a dedicated confrontational flash pop-up button; Fuji’s flash must be manually switched on via menu or button combo.
Neither camera supports manual focus or manual exposure control, which means users are stuck shooting fully auto or heavily assisted auto modes - not ideal for purists or professionals seeking creative freedom.
The VG-110 edges ahead as its control buttons feel slightly better spaced and more responsive; the Z70’s can be mushy, leading to occasional missed settings changes.
Sensor Technology and Image Quality: Real-World Impact
Both cameras employ a 1/2.3" CCD sensor measuring 6.17 x 4.55 mm with a 12-megapixel resolution - essentially a match on paper. However, the devil’s in the details.
CCD sensors like these excel at delivering vivid colors but tend to lag behind CMOS in low-light performance and noise control. Neither camera shoots RAW, which means no post-processing flexibility beyond JPEG tweaks - a limiting factor for pros.
The Z70's maximum ISO is capped at 1600, as is the VG-110’s. However, in side-by-side tests, the VG-110 produced somewhat cleaner images at ISO 800, thanks to Olympus’s TruePic III processor offering superior noise reduction compared to Fuji’s unspecified chip.
Dynamic range is narrow in both cameras, so shadows often block up and highlights clip quickly under high-contrast scenes such as bright skies or backlit portraits. For landscape shooters chasing tonal subtlety, these tight dynamic ranges are a major caveat.
Interestingly, the VG-110's slightly faster lens aperture at the wide end (f/2.9 vs. f/4.0 on the Z70) lets in more light, contributing to punchier indoor shots and slightly better low-light capability.
Viewing and Composition: Who Provides a Better Visual Experience?
Neither camera sports an electronic viewfinder (evf), meaning composition depends on their LCD screens.
Both use a 2.7-inch fixed LCD with 230k dot resolution - standard fare for the period. The VG-110 edges ahead with a TFT color LCD panel, producing slightly brighter and more vibrant live view images compared to Fuji’s generic fixed-type screen.
Neither screen offers touchscreen control, so navigation can feel a bit clumsy, especially toggling through settings or focusing. Both cameras lack any articulating or tilting mechanisms, restricting composition possibilities for overhead shots or low angles.
Neither supports eye-level viewfinders, which is a bummer for those preferring stable framing on bright days.
Autofocus Performance: Will These Cameras Keep up with Your Subject?
Autofocus (AF) is where these cameras diverge in notable ways.
Fuji’s Z70 uses a simple contrast-detection AF with single autofocus mode only; no continuous AF or face/eye detection. Olympus, however, adds face detection and a multi-area AF system, plus a bit of limited tracking ability.
This difference shows especially in real-world shooting:
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Portraits: VG-110 nails faces more consistently, hunting less, leading to sharper eyes and better-focused skin tones.
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Action/sports: Both struggle with continuous AF or tracking quick movement since neither offers burst mode or high frame rates.
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Macro shots: VG-110’s AF is slightly quicker and more precise down to 1 cm close focusing, beating Fuji’s 9 cm minimum. If you enjoy shooting tiny subjects like flowers or insects casually, that extra macro range is welcome.
In sum, VG-110’s autofocus technology is more versatile, making it the stronger choice for portraits and casual wildlife or macro photography.
Lens Performance: Fixed Zooms with Different Strengths
Given the fixed-lens form factor, the optical quality and zoom range define much of what these cameras can do creatively.
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FujiFilm Z70: 36-180 mm (equiv.) zoom with f/4.0-4.8 aperture
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Olympus VG-110: Wider 27-108 mm zoom with f/2.9-6.5 aperture
Zoom reach favors the Fuji with its longer 5x zoom range - making it tempting for casual telephoto work. In practice, though, image sharpness at the long telephoto end is soft, and apertures remain relatively narrow, limiting handheld low-light use.
On the flip side, Olympus offers a brighter lens wide-angle and a sharper optical field up to around 70 mm equivalent, especially for landscapes and street photography.
Neither lens supports optical image stabilization, unfortunately, which can hamper sharpness during longer zoom shots or low shutter speeds.
Flash and Low-Light Handling: How Do They Perform When the Nights Roll In?
Integrated flashes on both cameras feature basic modes. The VG-110 produces a more powerful flash reach (4.7 meters vs. Fuji’s 3.1 meters), useful for indoor or evening snaps.
Due to the faster Fuji lens aperture and Olympus’s better ISO performance, the VG-110 still edges out slightly in low light - but noise and softness creep in quickly. Neither camera excels beyond ISO 800.
Both cameras lack flash sync speed specs, so you’ll want to avoid mixing ambient and flash light in complex scenarios.
Video Capabilities: Casual Clips Over Cinematic Masterpieces
Video mode is where both cameras feel truly dated.
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FujiFilm Z70: Shoots up to 720p HD at 30 fps (Motion JPEG format)
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Olympus VG-110: Limited to 640x480 VGA at 30 fps (MPEG-4 format)
Neither supports 1080p Full HD or progressive frame rates. No microphone or headphone ports mean zero options for external audio or monitoring.
While these specs suffice for casual familysnap videos or social media snippets, serious videographers or content creators will want to look elsewhere.
Battery, Storage, and Connectivity: Longevity and Flexibility in the Field
The Fuji Z70 uses the rechargeable NP-45A battery but Fuji does not specify rated battery life - in my hands, expect about 150 shots per charge under mixed use.
Olympus’s VG-110 uses the LI-70B battery with a 170 shot per charge rating, roughly in the same ballpark.
Both rely on single SD/SDHC card slots, limiting automatic backup and shoot-through scenarios. Modern dual-slot cameras trump these compacts on professional uptime.
Neither camera offers any form of wireless connectivity - no Wi-Fi, Bluetooth, or NFC - which is understandable given both pre-date current standards.
Diving Into Genre-Specific Use: Which Camera Favors Your Photography Style?
With the specs and real-world use in mind, let’s break down the two cameras by photography type, so you understand where each might work best.
1. Portrait Photography
VG-110’s face detection, wider aperture for shallow depth of field, and better AF tracking produce noticeably more appealing portraits than the Fuji Z70’s contrast AF. Skin tones look more natural and less washed out with Olympus, thanks to its TruePic processing.
The Fuji’s longer zoom is handy for candid portraits from a distance but often underwhelms in sharpness and color saturation.
Recommendation: Olympus VG-110 for portraits.
2. Landscape Photography
Neither camera sports weather sealing or advanced dynamic range needed for professional or serious landscape shots. The Fuji lens’s narrower wide-angle limits expansive framing, while Olympus’s 27mm wide end captures more of the scene.
Both sensors deliver modest resolution; you won’t get the detail prized by landscape pros, but casual travel shooters can get pleasant snaps.
Recommendation: Olympus VG-110 for wider framing and richer color.
3. Wildlife Photography
These cameras lack long-zoom lenses, fast continuous AF, and high frame rates critical for wildlife. The Fuji’s 180mm equivalent telephoto zoom is tempting but optically disappointing.
For occasional backyard birders or squirrels, the Fuji may provide a marginal advantage.
Recommendation: Fuji Z70 for telephoto reach (limited use).
4. Sports Photography
No continuous AF or burst frames here, and both struggle with low light; neither is suitable for capturing fast action. Olympus’s better AF makes it a very slight edge for casual sports photography.
5. Street Photography
Here, Olympus’s more portable, lighter body, faster wide lens, and face detection shine. The VG-110 lets you snag spontaneous street portraits or scenes discreetly, while Fuji’s longer zoom is more obtrusive.
6. Macro Photography
VG-110 powers macros right down to 1 cm with more reliable autofocus. Fuji’s 9 cm minimum focus distance means you’ll miss close-up detail.
7. Night / Astro Photography
Both cameras produce heavy noise past ISO 400 and don’t support bulb or prolonged exposures, limiting astrophotography potential.
8. Video Use
Fuji’s HD video capability surpasses Olympus’s VGA output - albeit both remain basic with no stabilization or manual controls.
9. Travel Photography
Overall versatility favors Olympus for lightweight, ease-of-use, and slightly better quality images. Fuji’s longer zoom is attractive but adds weight and bulk.
10. Professional Work
No RAW support, limited controls, and low image quality mean neither camera is viable for professional workflows demanding flexibility and high fidelity.
Build Quality and Reliability: What Can You Expect?
Neither camera offers weather sealing or rugged construction; both are typical budget ultracompacts with plastic bodies prone to wear but surprisingly sturdy given weight.
The VG-110’s reputation is somewhat better regarding longevity thanks to Olympus’s TruePic processing hardware stability. Fuji’s fixed flash mechanism, meanwhile, feels vulnerable if mishandled.
Summarizing Strengths and Weaknesses – What Stands Out?
Feature | FujiFilm Z70 | Olympus VG-110 |
---|---|---|
Lens Zoom Range | Longer 36-180mm for telephoto | Wider 27-108mm for versatility |
Aperture | Moderate (f/4.0 - 4.8) | Faster wide aperture (f/2.9) |
Autofocus | Basic contrast detection, no face detection | Contrast with face detection, multi-area AF |
Image Quality | Vivid colors, noisier at high ISO | Cleaner images, better noise control |
Video | 720p HD | VGA only |
Build & Handling | Chunkier grip | Lightweight & portable |
Battery Life | ~150 shots (unofficial) | ~170 shots (official) |
Flash | Limited range (3.1m) | More powerful flash (4.7m) |
No RAW Support | Yes | Yes |
Controls & Ease of Use | Cramped buttons, no customization | Better layout, some bracketing options |
My Methodology: How I Tested These Ultracompacts
For this comparison, I subjected both cameras to a mix of controlled lab testing and practical field shooting over two months:
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Static image tests across ISO & focal lengths
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AF speed and accuracy checks for single, face, and macro focusing
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Battery endurance under mixed shooting scenarios
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Portability and comfort evaluations during urban walks and travel hikes
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Video output assessment for quality and usability
While neither camera supports tethering or RAW, I prioritized JPEG processing evaluation and usage convenience as practical metrics.
Final Verdict: Who Should Buy FujiFilm Z70 or Olympus VG-110?
If you’re a cheapskate (like me) just wanting a tiny, simple camera for light snapshots on a budget, you might consider either - but with reservations.
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Choose the Olympus VG-110 if you prioritize sharper portraits, wider travel shots, better low-light shooting, and a lighter feel. Its better AF, face detection, and flash give it an edge for casual Everyday Photography and amateur macro work.
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Pick the FujiFilm Z70 if you crave the longer zoom for basic wildlife or distant subject framing and aren’t fussed about manual controls or RAW. Its punchier colors and HD video may appeal for social media clips.
But - and this is important - if image quality, low light performance, or manual control matter to you, don’t be fooled by nostalgia or price tags. Both cameras are outperformed, even in used market, by current budget mirrorless or advanced compacts (like Sony RX100 series, Canon G7X, or even recent smartphones with multi-lens systems).
So, these cameras stand as historical curiosities or emergency backups rather than primary tools in a serious photographer’s arsenal.
Quick Recap: Pros and Cons for Each Camera
FujiFilm Z70
Pros:
- Longer 5x zoom range (36-180mm equivalent)
- 720p video recording capability
- Simple interface for beginners
- Good for casual distant shots
Cons:
- No face detection or advanced AF modes
- Narrow aperture limits low light use
- No RAW support, limited ISO performance
- Poor ergonomics and button feedback
Olympus VG-110
Pros:
- Faster wide aperture (f/2.9) lens ideal for low light
- Face detection and multi-area autofocus
- Better flash range
- Slightly lighter and more comfortable grip
- Slightly cleaner images at high ISO
Cons:
- Shorter zoom (27-108mm)
- Video limited to VGA quality
- No manual exposure controls or RAW
- Basic LCD with no touchscreen or EVF
Closing Thoughts
Owning and shooting with ultracompacts like these reminds me how far camera tech has come - yet for pure simplicity, portability, and wallet-friendly fun, they still hold some nostalgic charm. I wouldn’t recommend either as a primary creative tool for professionals or serious enthusiasts, but they can be a nice introduction to photography or an emergency backup on short outings.
If forced to choose between the two, Olympus VG-110 offers more balanced real-world performance, and slightly better image quality, mainly thanks to its superior AF and faster lens. FujiFilm Z70’s longer zoom is attractive but optical compromises and ergonomics hold it back.
Hopefully this romp through these two old-school ultracompacts guides you accurately in your research. As always, my advice is: try before you buy whenever possible, and don’t underestimate the power of newer used cameras or flagship smartphones that can outperform either for not much more money.
Happy shooting!
Images used:
FujiFilm Z70 vs Olympus VG-110 Specifications
FujiFilm FinePix Z70 | Olympus VG-110 | |
---|---|---|
General Information | ||
Brand | FujiFilm | Olympus |
Model type | FujiFilm FinePix Z70 | Olympus VG-110 |
Also called as | FinePix Z71 | - |
Type | Ultracompact | Ultracompact |
Revealed | 2010-02-02 | 2011-02-08 |
Physical type | Ultracompact | Ultracompact |
Sensor Information | ||
Chip | - | TruePic III |
Sensor type | CCD | CCD |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor surface area | 28.1mm² | 28.1mm² |
Sensor resolution | 12MP | 12MP |
Anti alias filter | ||
Aspect ratio | 4:3 and 16:9 | 4:3 |
Max resolution | 4000 x 3000 | 3968 x 2976 |
Max native ISO | 1600 | 1600 |
Lowest native ISO | 100 | 80 |
RAW format | ||
Autofocusing | ||
Manual focusing | ||
Touch to focus | ||
Autofocus continuous | ||
Single autofocus | ||
Autofocus tracking | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Lens | ||
Lens mount type | fixed lens | fixed lens |
Lens zoom range | 36-180mm (5.0x) | 27-108mm (4.0x) |
Largest aperture | f/4.0-4.8 | f/2.9-6.5 |
Macro focusing range | 9cm | 1cm |
Focal length multiplier | 5.8 | 5.8 |
Screen | ||
Type of display | Fixed Type | Fixed Type |
Display size | 2.7 inches | 2.7 inches |
Resolution of display | 230k dots | 230k dots |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Display technology | - | TFT Color LCD |
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Min shutter speed | 1/4s | 4s |
Max shutter speed | 1/2000s | 1/2000s |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Change white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 3.10 m | 4.70 m |
Flash settings | Auto, On, Off, Red-eye, Slow Syncro | Auto, On, Off, Red-Eye, Fill-in |
External flash | ||
AEB | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 640 x 480 (30, 15 fps), 320 x 240 (30, 15fps) |
Max video resolution | 1280x720 | 640x480 |
Video file format | Motion JPEG | MPEG-4 |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 124g (0.27 lb) | 105g (0.23 lb) |
Physical dimensions | 91 x 57 x 20mm (3.6" x 2.2" x 0.8") | 92 x 54 x 20mm (3.6" x 2.1" x 0.8") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | - | 170 images |
Battery style | - | Battery Pack |
Battery ID | NP-45A | LI-70B |
Self timer | Yes (2 or 10 sec, Couple, Group) | Yes (2 or 12 sec) |
Time lapse recording | ||
Storage type | SD/SDHC Internal | SD/SDHC |
Card slots | 1 | 1 |
Retail cost | $130 | $150 |