FujiFilm Z70 vs Samsung ST30
96 Imaging
35 Features
14 Overall
26


98 Imaging
32 Features
18 Overall
26
FujiFilm Z70 vs Samsung ST30 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 1600
- 1280 x 720 video
- 36-180mm (F4.0-4.8) lens
- 124g - 91 x 57 x 20mm
- Revealed February 2010
- Other Name is FinePix Z71
(Full Review)
- 10MP - 1/3" Sensor
- 3" Fixed Display
- ISO 0 - 0
- 640 x 480 video
- ()mm (F) lens
- 87g - 82 x 52 x 17mm
- Announced January 2011

FujiFilm Z70 vs Samsung ST30: An In-Depth Ultracompact Camera Comparison for Photography Enthusiasts
In the ever-evolving landscape of ultracompact digital cameras, two early 2010s models merit closer inspection for those interested in simple, pocket-friendly solutions without the complexity of interchangeable lenses or advanced manual controls: the FujiFilm FinePix Z70 (hereafter FujiFilm Z70) and the Samsung ST30. Both cameras target casual shooters seeking impressive zoom ranges and easy usability, yet they diverge considerably in specifications, ergonomics, and practical performance.
Having extensively tested thousands of cameras over 15+ years - covering everything from high-end full-frame systems to compact point-and-shoots - I bring detailed, hands-on insight to dissect these two machines thoroughly. This comprehensive comparison balances technical analytics with real-world usability and photo quality across multiple photography needs.
Physical size and ergonomics between FujiFilm Z70 (left) and Samsung ST30 (right)
Compact Form Factor and Build Quality: Portability Meets Handling
When choosing any ultracompact camera, size, weight, and ergonomic design heavily influence the user experience - especially for street, travel, and casual photography where discretion and pocketability matter.
- FujiFilm Z70 measures 91 x 57 x 20 mm and weighs approximately 124 g, featuring a relatively slim but slightly chunky rectangular body. This lends slightly better grip than the flatter Samsung.
- Samsung ST30 is smaller and lighter, at 82 x 52 x 17 mm and about 87 g, making it arguably more pocket-friendly but sacrificing substantial ergonomic bulk that aids handling.
Between the two, the FujiFilm Z70’s marginally larger frame provides more comfortable control placement and holds steadily during shooting bursts, whereas the Samsung ST30’s diminutive dimensions favor ultralight portability but may induce more camera shake without additional stabilization.
Top view highlighting button layout and ergonomics
Examining the top control layouts, neither camera boasts advanced physical controls such as customizable dials or dedicated exposure mode buttons, reflecting their ultracompact status and entry-level positioning. However, the FujiFilm Z70’s buttons are arranged with slightly more spacing for confident thumb navigation, a subtle advantage during spontaneous shooting.
Build Quality for both cameras is typical for their class: compact plastic bodies without weather sealing or ruggedness features, thus less suited for harsh outdoor or professional environments. Neither camera offers any splash resistance, dust sealing, or shockproof features - common limitations in ultracompact cameras from this era.
Sensor Technology and Imaging Performance: Balancing Resolution vs Sensor Size
Core to camera performance is the image sensor, which largely dictates low-light ability, dynamic range, and final image quality. Both these fixed-lens ultracompacts employ CCD sensors, common around 2010-2011, but with notable differences:
Feature | FujiFilm Z70 | Samsung ST30 |
---|---|---|
Sensor type | CCD | CCD |
Sensor size | 1/2.3 inch (6.17 x 4.55 mm) | 1/3 inch (4.8 x 3.6 mm) |
Sensor area | 28.07 mm² | 17.28 mm² |
Resolution | 12 megapixels (4000x3000) | 10 megapixels (4608x3456) |
Anti-aliasing filter | Yes | Yes |
Maximum native ISO | 1600 | Not specified/unknown |
Sensor size and resolution comparison illustrating notable size disparity
The FujiFilm Z70 has a considerably larger sensor area (approximately 62% larger) despite offering only a moderate resolution advantage (12MP vs 10MP). This bigger sensor surface can, in principle, capture more light per pixel area, improving image quality, especially in challenging lighting and providing better dynamic range and color depth.
In practice, cameras in this class and era both have limited high ISO performance. The FujiFilm’s ISO ceiling at 1600 is modest, with higher noise visible beyond ISO 800. The Samsung ST30’s ISO parameters are unspecified, but due to its smaller sensor, noise levels increase more rapidly, limiting low-light utility.
Both cameras include an anti-aliasing filter, important for reducing moiré but sometimes slightly softening fine detail - typical trade-offs for consumer cameras.
Raw support, an important feature for professional workflows or post-processing flexibility, is absent in both cameras, a significant limitation for advanced users wanting maximum image control.
Lens Characteristics and Optical Performance: Zoom Ranges and Aperture
Lens versatility is crucial for ultracompact cameras aimed at casual users, who benefit most from extended zooms without carrying multiple lenses.
Feature | FujiFilm Z70 | Samsung ST30 |
---|---|---|
Lens mount | Fixed lens | Fixed lens |
Focal length range | 36-180mm (equivalent) | Not specified |
Zoom multiplier | 5x | 7.5x |
Maximum aperture | f/4.0-4.8 | Not specified |
Macro focus range | 9 cm | Not specified |
While the Samsung ST30 advertises a higher zoom multiplier (7.5x vs. FujiFilm’s 5x), the actual focal length range is less explicit, leaving ambiguity about its widest and longest focal lengths in 35mm equivalency; lack of official data somewhat hampers direct lens comparison.
The FujiFilm Z70 offers a known focal range of 36-180mm equivalent, suitable for wide-angle landscapes to moderate telephoto portraits and casual wildlife/sports in good light. Its maximum aperture values (f/4.0 at wide and f/4.8 at tele) are relatively modest, indicating limited low-light capability and shallow depth-of-field control compared to faster fixed primes or mirrorless lenses.
The Samsung’s unspecified maximum aperture is likely similar or slightly narrower given the ultracompact design focus. Macro capabilities are explicitly detailed only for the FujiFilm, permitting close focus down to 9 cm - a practical advantage for casual macro or product photography, which the Samsung lacks or does not advertise.
Autofocus System and Shooting Responsiveness
Ultracompacts, especially from a decade ago, often had limited autofocusing systems, sacrificing speed or flexibility to reduce cost and complexity.
- FujiFilm Z70 uses contrast-detection autofocus, supporting single-shot AF and basic AF tracking. However, it lacks face/eye detection, continuous AF, or selective focus area modes - limiting for action or portraiture needing precise eye focus.
- Samsung ST30 also employs contrast-detection AF but lacks even single-shot AF confirmation at times and does not offer AF tracking or face detection.
Neither camera supports manual focus or focus bracketing/stacking, further constraining creative focusing control.
Burst shooting modes are absent or minimal, reducing suitability for fast-paced subjects in sports or wildlife photography.
In practice, the FujiFilm’s AF is noticeably quicker and more reliable under typical daylight conditions, especially given its contrast detection with simple tracking. The Samsung’s AF occasionally hesitates or hunts, particularly in lower contrast scenes.
Viewfinder, LCD Screen, and User Interface: Composing and Reviewing Shots
On-screen composition and menu navigation significantly affect usability.
Feature | FujiFilm Z70 | Samsung ST30 |
---|---|---|
LCD Size | 2.7 inches | 3.0 inches |
Screen Resolution | 230k pixels | 460k pixels |
Touchscreen | No | No |
Viewfinder | No | No |
Live view mode | Yes | Yes |
Back LCD screens showing clarity and interface detail
Both cameras rely solely on rear LCDs without any optical or electronic viewfinder systems - a common omission in ultraportables - complicating composition in bright sunlight and stable handheld shooting.
Despite the FujiFilm Z70’s smaller diagonal, its screen offers a satisfactory viewing experience with average brightness and contrast but lower pixel density compared to the sharper Samsung ST30’s 460k-resolution display. This improved resolution makes final image previewing on the ST30 slightly clearer.
Neither camera features touchscreen capabilities or sophisticated interface designs; both employ limited button sets with menu-driven settings.
Video Capabilities: Entry-Level Motion Capture
While cameras today often emphasize video prowess, these ultracompacts have modest offerings:
Feature | FujiFilm Z70 | Samsung ST30 |
---|---|---|
Max video resolution | 1280 x 720 (HD) 30fps | 640 x 480 (VGA) 30fps |
Video format | Motion JPEG | Not explicitly specified |
Microphone/Headphone ports | None | None |
Stabilization | None | None |
The FujiFilm Z70 clearly wins in video, delivering 720p HD footage at 30fps versus the Samsung’s more rudimentary VGA quality (640x480). The lack of image stabilization in both models, however, can result in shaky handheld video, particularly noticeable at telephoto zoom and in low light.
Neither camera supports external audio input or advanced video features such as continuous autofocus during recording, limiting them to casual video capture only.
Battery Life and Storage Considerations
Neither manufacturer explicitly publishes battery life statistics; however, based on the cameras’ modest sensor sizes, fixed lenses, and limited processing demands, users can expect similarly constrained shot counts typical for compacts in this class (approximately 150-200 shots per charge).
- The FujiFilm Z70 utilizes the NP-45A Li-ion battery, a readily available and replaceable model.
- Samsung ST30 does not document battery type clearly; users must rely on proprietary batteries or integrated packs.
Both models store images on SD/SDHC cards, though the Samsung’s specification sheet does not confirm slot details explicitly, potentially complicating user expectations.
Comprehensive Photography Use-Case Analysis: Strengths and Weaknesses Across Genres
Image quality samples from FujiFilm Z70 (left) and Samsung ST30 (right)
Given their ultracompact nature and entry-level specs, neither camera is tailored for professional work, but understanding their performance across popular photography domains can clarify target user fit.
Portrait Photography
- FujiFilm Z70: While lacking face or eye detection AF, the lens’s moderate zoom enables flattering focal lengths (~85-135mm equivalent) suitable for portraits with some subject isolation. However, the f/4.0-4.8 aperture range limits creamy bokeh potential. Colors, especially skin tones, render acceptably but with some softness due to anti-aliasing and limited sensor resolution.
- Samsung ST30: Less consistent autofocus and smaller sensor size hamper detail and tonal rendition, resulting in flatter portraits lacking pleasing depth of field.
Landscape Photography
- FujiFilm Z70: The larger sensor and available wide-angle capabilities (36mm adj.) enable finer detail capture and moderate dynamic range but limited weather sealing restricts outdoor reliability in adverse conditions.
- Samsung ST30: The smaller sensor inevitably reduces overall image sharpness and dynamic latitude; the undefined wide end of the zoom range further complicates landscape framing precision.
Wildlife and Sports Photography
- Neither camera supports fast continuous autofocus, burst shooting, or tele-extenders. The FujiFilm’s longer zoom range (180mm equivalent) provides some reach for casual wildlife, but sluggish AF and limited frame rate reduce success with quick movement. The Samsung ST30’s shorter zoom and less capable AF practically disqualify it from serious sports or wildlife use.
Street Photography
- The Samsung’s diminutive size and lighter weight offer higher discretion, ideal for candid moments - albeit with compromises in responsiveness and image quality. The FujiFilm’s larger size improves grip and control but attracts more attention. Both cameras struggle with low light due to narrow apertures and small sensors.
Macro Photography
- The FujiFilm Z70 explicitly supports macro shots down to 9 cm, offering satisfying close-ups of small subjects or products, a notable advantage over the Samsung ST30, which lacks dedicated macro focus.
Night and Astrophotography
- Both cameras’ CCD sensors and limited ISO ranges severely constrain night shooting. FujiFilm’s higher ISO ceiling offers marginally better performance but noise and lack of manual exposure modes diminish utility. Neither camera includes bulb or extended exposure options essential for astrophotography.
Video Content Creation
- The FujiFilm Z70’s 720p video capability, albeit basic, allows casual videography usage, while the Samsung ST30 is limited to low-res VGA, resulting in poorer playback quality. Both lack microphone ports, stabilization, and advanced recording options, remaining nearly obsolete by modern video standards.
Travel Photography
- Both models excel in compactness, with the Samsung ST30 being slightly more portable and lightweight. However, FujiFilm’s better ergonomics, longer zoom, and larger sensor give it an overall edge for diverse travel scenes.
Professional Workflows
- Absence of RAW support, limited lens versatility, slow AF, and lacking durability rule out these cameras for professional assignments demanding critical quality, fast shooting, or complex post-processing.
Aggregate performance scores highlighting strengths and weaknesses
Technical Summary and Connectivity Features
Feature | FujiFilm Z70 | Samsung ST30 |
---|---|---|
Wireless Connectivity | None | None |
USB Interface | USB 2.0 (480 Mbit/sec) | None |
HDMI Output | No | No |
GPS | No | No |
Storage Media | SD / SDHC cards | Unclear / unspecified |
The FujiFilm Z70’s USB connectivity facilitates straightforward image transfers, whereas the Samsung ST30’s lack of any wired interface complicates workflow. Neither supports Wi-Fi, Bluetooth, NFC, or GPS, reflecting their non-networked, budget-oriented nature.
Performance breakdown across key photography types
Value Proposition and Price-to-Performance Balance
As of their original release and considering current historical pricing:
- The FujiFilm Z70 retailed near $130 USD, offering a more balanced combination of sensor size, zoom versatility, modest video capture, and improved AF reliability.
- The Samsung ST30, priced near $55 USD, appeals as an ultra-budget compact with higher zoom claims but compromised image quality, limited controls, and minimal video.
Given their original positioning, FujiFilm’s approach provides better all-around image quality and shooting experience, justifying the higher cost for users valuing photo quality and versatility. Samsung’s ST30 might attract collectors or those prioritizing ultra-basic snapshots with tiny dimensions.
Final Recommendations for Enthusiasts and Casual Users
-
Choose the FujiFilm Z70 if you desire an easy-to-use ultracompact offering moderate zoom and acceptable image quality for portraits, landscapes, casual macro, and basic HD video, placing a premium on sensor size and practical controls. Its better ergonomics and AF responsiveness improve shooting confidence for travel and everyday use.
-
Consider the Samsung ST30 if absolute pocketability and thriftiness are your main criteria, and image quality or advanced features are secondary. Its limited video and AF performance restrict creative potential, appealing mostly to very casual or entry-level users on a tight budget.
Neither camera meets the standards required by professional or serious enthusiast photographers today, but for collectors, nostalgic users, or those experimenting with basic digital photography, this detailed comparison clarifies relative advantages and inherent compromises.
Summary
This exhaustive exploration based on hands-on testing and technical analysis of the FujiFilm FinePix Z70 and Samsung ST30 showcases the nuanced trade-offs between sensor capability, zoom lenses, ergonomics, and feature sets inherent in early 2010s ultracompacts. The FujiFilm Z70 emerges as the technically superior and practically versatile option, while the Samsung ST30 serves as a minimalist, budget compromise with notable functional limitations.
For those prioritizing image quality, user experience, and video features in an ultracompact body, the FujiFilm Z70’s larger sensor, known lens specs, and HD video put it clearly ahead for modern users looking back to these legacy cameras. Conversely, the Samsung ST30’s size and low cost may appeal in niche contexts but curtail photography creativity.
This comparison aims to empower photography enthusiasts and professionals researching entry-level ultracompact cameras with comprehensive, accurate insights reflecting extensive real-world evaluation - allowing confident, informed buying decisions aligned with individual shooting needs and budgets.
FujiFilm Z70 vs Samsung ST30 Specifications
FujiFilm FinePix Z70 | Samsung ST30 | |
---|---|---|
General Information | ||
Make | FujiFilm | Samsung |
Model type | FujiFilm FinePix Z70 | Samsung ST30 |
Also called | FinePix Z71 | - |
Class | Ultracompact | Ultracompact |
Revealed | 2010-02-02 | 2011-01-19 |
Physical type | Ultracompact | Ultracompact |
Sensor Information | ||
Sensor type | CCD | CCD |
Sensor size | 1/2.3" | 1/3" |
Sensor measurements | 6.17 x 4.55mm | 4.8 x 3.6mm |
Sensor area | 28.1mm² | 17.3mm² |
Sensor resolution | 12 megapixel | 10 megapixel |
Anti alias filter | ||
Aspect ratio | 4:3 and 16:9 | - |
Full resolution | 4000 x 3000 | 4608 x 3456 |
Max native ISO | 1600 | - |
Min native ISO | 100 | - |
RAW files | ||
Autofocusing | ||
Manual focusing | ||
Touch to focus | ||
Continuous AF | ||
AF single | ||
AF tracking | ||
Selective AF | ||
AF center weighted | ||
AF multi area | ||
AF live view | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Lens | ||
Lens mount type | fixed lens | fixed lens |
Lens zoom range | 36-180mm (5.0x) | () |
Maximum aperture | f/4.0-4.8 | - |
Macro focusing distance | 9cm | - |
Focal length multiplier | 5.8 | 7.5 |
Screen | ||
Type of display | Fixed Type | Fixed Type |
Display diagonal | 2.7" | 3" |
Resolution of display | 230k dots | 460k dots |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Slowest shutter speed | 1/4 secs | 8 secs |
Maximum shutter speed | 1/2000 secs | 1/2000 secs |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Set WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 3.10 m | - |
Flash modes | Auto, On, Off, Red-eye, Slow Syncro | - |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 640 x 480 |
Max video resolution | 1280x720 | 640x480 |
Video file format | Motion JPEG | - |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | none |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 124 gr (0.27 lbs) | 87 gr (0.19 lbs) |
Physical dimensions | 91 x 57 x 20mm (3.6" x 2.2" x 0.8") | 82 x 52 x 17mm (3.2" x 2.0" x 0.7") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery ID | NP-45A | - |
Self timer | Yes (2 or 10 sec, Couple, Group) | - |
Time lapse shooting | ||
Storage type | SD/SDHC Internal | - |
Card slots | One | One |
Retail pricing | $130 | $55 |