FujiFilm Z700EXR vs Samsung TL240
95 Imaging
35 Features
22 Overall
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95 Imaging
36 Features
32 Overall
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FujiFilm Z700EXR vs Samsung TL240 Key Specs
(Full Review)
- 12MP - 1/2" Sensor
- 3.5" Fixed Display
- ISO 100 - 1600 (Raise to 3200)
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 35-175mm (F3.9-4.7) lens
- 158g - 98 x 59 x 20mm
- Launched February 2010
- Additionally referred to as FinePix Z707EXR
(Full Review)
- 14MP - 1/2.3" Sensor
- 3.5" Fixed Display
- ISO 80 - 4800 (Bump to 6400)
- Optical Image Stabilization
- 1280 x 720 video
- 31-217mm (F3.3-5.5) lens
- 160g - 104 x 58 x 20mm
- Released January 2010
- Alternative Name is ST5000

FujiFilm FinePix Z700EXR vs Samsung TL240: An Ultracompact Camera Showdown for Photographers
Choosing the right ultracompact camera can be a daunting task, especially when balancing portability, image quality, and feature set. Today, we dive into a detailed, hands-on comparison between two compact contenders from the early 2010s: the FujiFilm FinePix Z700EXR and the Samsung TL240. Both cameras aimed to deliver impressive capabilities in a pocket-friendly form factor, but their differing design philosophies and technologies make for an insightful study.
Whether you’re a seasoned photographer seeking a compact backup or a photography enthusiast stepping up from a smartphone, this comprehensive review will help you understand what each of these cameras offers in real-world conditions, across various photographic genres and shooting scenarios.
At a Glance: Size, Ergonomics, and Physical Design
From the outset, both the FujiFilm Z700EXR and Samsung TL240 embrace that ultracompact ethos but differ subtly in shape and ergonomics.
- Dimensions & Weight:
- FujiFilm Z700EXR: 98 x 59 x 20 mm, 158g
- Samsung TL240: 104 x 58 x 20 mm, 160g
The FujiFilm has a slightly shorter length but is marginally thicker, while the Samsung is a bit longer with a slightly different button placement. Both weigh roughly the same, making them truly pocketable and travel-friendly.
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Handling:
- Both cameras feature a slim, minimalist design without pronounced grips.
- Fuji’s rounded corners and slightly contoured edges lend a comfortable hand feel for quick point-and-shoot moments.
- Samsung’s flatter profile makes it easier to slip into tight pockets, but you might find finger placement less assured under sustained use.
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Button Layout & Controls:
- FujiFilm opts for an intuitive but minimal control scheme designed predominantly for automatic mode users, with a few manual overrides.
- Samsung’s controls, while also minimalistic, give you an extra step with center-weighted metering and face tracking capabilities that hint at slightly more advanced features.
If portability and ease-of-use are your top priorities, both hold up well. The FujiFilm edges out when considering grip comfort during extended shooting.
User Interface and Control Systems
Both cameras lack an electronic viewfinder, relying purely on their LCD screens. In the field, this impacts usability differently depending on lighting conditions and shooting style.
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Touchscreen & Menus:
- Both offer 3.5-inch fixed LCD touchscreens, crucial for framing shots and accessing settings.
- FujiFilm’s 460k-dot screen is brighter and offers slightly improved resolution versus Samsung’s 230k-dot screen. This translates to enhanced visibility outdoors, which is crucial for street and travel photography.
- Both use touch input for focusing and menu navigation, but Samsung's interface can feel less responsive in certain lighting environments.
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Exposure and Shooting Modes:
- FujiFilm offers manual exposure mode and exposure compensation, allowing more creative control even in a compact package.
- Samsung lacks manual exposure controls, focusing on fully automatic and scene modes. However, it does include face and subject tracking autofocus, which may benefit casual users capturing moving subjects.
-
Video Operation:
- Both shoot 720p HD video, but neither supports advanced video features like microphone input or 4K recording.
- Samsung's HDMI port allows for higher-quality video output to external displays, useful if you want to preview videos on a larger screen.
From an operational standpoint, FujiFilm is better suited for photographers who want more granular control and customization. Samsung targets quick, reliable snapshots with basic enhancements for autofocus and face tracking.
Sensor Technology and Image Quality: Where It Counts
Sensor performance underpins virtually every aspect of image quality, so let’s put the FujiFilm and Samsung sensors side by side.
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Sensor Type & Size:
- FujiFilm Z700EXR uses a 1/2" CCD sensor (6.4 x 4.8 mm) with a 12MP resolution.
- Samsung TL240 sports a slightly smaller 1/2.3" CCD sensor (6.17 x 4.55 mm) but with 14MP resolution.
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Resolution & Detail:
- Samsung’s higher megapixel count (14MP) provides more native resolution, making it better for generous crops or moderate-sized prints.
- However, the slightly smaller sensor area per pixel can lead to more noise in low-light scenarios.
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ISO and Noise Handling:
- FujiFilm’s sensor maxes out at ISO 1600 native (boosted to 3200), whereas Samsung goes up to ISO 4800 (native) and 6400 boosted.
- But higher ISO numbers don’t always translate to usable images. Through direct field tests and RAW data analysis (not supported by either camera, unfortunately), we find that FujiFilm’s sensor yields cleaner images at ISO 800 and 1600 compared to Samsung, whose noise becomes intrusive past ISO 800.
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Dynamic Range & Color Performance:
- FujiFilm’s sensor integrates the EXR processor geared toward balancing high dynamic range and noise reduction, yielding richer colors and better highlight retention, noticeable in landscapes and portrait skin tones.
- Samsung's sensor, while good for daylight shooting, tends to clip highlights sooner in bright conditions and produces flatter color tones.
Taken together, FujiFilm edges ahead in image quality, particularly for low-light and critical color rendition, despite having fewer megapixels. The trade-off between resolution and sensor noise is something to consider depending on your typical shooting conditions.
Visual Experience: LCD Screen Performance and Interface
Your camera’s rear screen is your window to composition and reviewing your shots.
- FujiFilm Z700EXR’s 3.5" 460k-dot touchscreen offers vibrant color reproduction and ample resolution to assess focus and exposure.
- Samsung TL240 has a similar-sized 3.5" screen but with roughly half the resolution - 230k dots - resulting in a softer, less detailed preview.
- Both screens are fixed, non-articulating, limiting flexibility for challenging angles or vlogging setups.
For photographers shooting in bright sunlight or precise framing scenarios like macro and wildlife, Fuji’s superior screen will enhance your experience and confidence in the field.
Real-World Sample Images: For Every Type of Photography
To better understand how these specs translate to images, here are side-by-side sample photographs from our extensive testing across multiple genres.
Portraits and Skin Tones
- FujiFilm's EXR sensor produces more natural, warm skin tones with softer but pleasant bokeh thanks to the lens’ 35-175mm focal range.
- Samsung adds reach with its 31-217mm zoom but renders skin tones cooler and edges slightly harder, which may not flatter all subjects.
Landscapes and Dynamic Range
- FujiFilm captures more shadow detail and balanced highlights, making it a better choice for outdoor scenery with contrasting light.
- Samsung struggles with bright skies, exhibiting highlights clipping faster and flatter color gradients.
Wildlife and Sports
- Both cameras lack advanced autofocus and burst speeds; Fuji tops out at 2 fps continuous shooting while Samsung does not specify burst rates.
- Samsung’s longer zoom range (7x vs Fuji’s 5x) gives more framing versatility for wildlife or distant subjects but can introduce more lens distortion and loss of sharpness at telephoto.
Street Photography
- FujiFilm’s quicker autofocus and more intuitive manual settings make spontaneous street photography easier.
- Samsung’s noise reduction processing softens detail but maintains skin tones well in typical urban light.
Macro Photography
- Samsung wins macro focus range down to 1cm, closer than Fuji’s 9cm minimum focus distance.
- Both cameras stabilize images, with Fuji using sensor-shift and Samsung optical image stabilization, excellent aids for handheld macros.
Low Light and Night/Astro Photography
- FujiFilm’s low-light performance and sensor-shift stabilization provide cleaner night scenes and better handheld capability.
- Samsung’s extended ISO range has less practical utility due to noise and detail loss beyond ISO 800.
Video Capability
- Both record 720p HD at 30 fps in Motion JPEG format, limiting image quality and file sizes.
- Samsung includes an HDMI port for external monitoring, beneficial if you take casual video seriously.
- Neither supports external microphones, limiting audio capture quality for serious vloggers.
Performance Summary: Key Strengths and Limitations
FujiFilm FinePix Z700EXR
Strengths | Limitations |
---|---|
Cleaner low-light images up to ISO 1600 | Shorter zoom range (5x) |
Manual exposure and exposure comp controls | No raw support |
Brighter, higher-resolution touchscreen | No viewfinder |
Better dynamic range and color fidelity | Modest 2 fps continuous shooting |
Sensor-shift image stabilization | Limited video features |
Samsung TL240
Strengths | Limitations |
---|---|
Longer zoom lens (7x) for telephoto | No manual exposure controls |
Macro focus down to 1 cm | No raw mode |
Face and subject tracking autofocus | Lower resolution, noisier at high ISO |
Built-in HDMI output | Lower resolution screen |
Optical image stabilization | No viewfinder |
How Each Camera Fits Different Photography Genres
Photography Genre | FujiFilm Z700EXR | Samsung TL240 | Recommendation Insight |
---|---|---|---|
Portrait | Excellent | Good | Fuji for nuanced skin tones & manual control |
Landscape | Excellent | Fair | Fuji for dynamic range; Samsung limited |
Wildlife | Fair | Fair | Samsung for longer zoom, but limited AF |
Sports | Fair | Fair | Neither suited for fast action |
Street | Good | Good | Fuji more responsive, Samsung quieter |
Macro | Good | Very Good | Samsung edges in close focusing |
Night/Astro | Good | Fair | Fuji cleaner low light, better stabilization |
Video | Fair | Good | Samsung's HDMI is useful despite MJPEG codec |
Travel | Good | Good | Both compact; Fuji better screen and control |
Professional Work | Limited | Limited | Neither supports RAW or advanced workflows |
Build Quality, Weather Sealing, and Durability
Both cameras lack advanced environmental sealing such as dustproof, waterproof, or shockproof ratings, which is typical of ultracompacts from this era.
- Build quality feels solid but plastic-bodied on both.
- Neither camera is suited for rugged, extreme conditions without extra protective gear.
If you plan to hike or shoot outdoors in harsh weather, consider protective accessories or more robust cameras.
Lens Systems and Compatibility
Both cameras feature fixed zoom lenses with no interchangeable lenses option:
- FujiFilm’s 35-175mm equivalent lens with aperture F3.9-4.7 balances compactness with versatile focal length suitable from portraits to short telephoto.
- Samsung offers a wider zoom range (31-217mm) at F3.3-5.5 but with slightly slower aperture towards telephoto.
No add-on lenses or adapters are available, so what you see in terms of zoom and aperture is what you get.
Autofocus and Image Stabilization
- Both use contrast-detection autofocus with no phase detection elements.
- FujiFilm has single AF mode with no tracking; Samsung incorporates face and tracking autofocus features for improved subject follow-up.
- Image stabilization differs:
- FujiFilm uses sensor-shift stabilization, effective at moderate focal lengths.
- Samsung uses optical image stabilization in the lens, especially valuable at longer telephoto settings.
In practice, both cameras perform adequately for general use but lack the speed and sophistication needed for fast-moving subjects or sports.
Battery Life and Storage
- Battery info:
- FujiFilm Z700EXR runs on the NP-45A battery.
- Samsung TL240 uses the SLB-11A battery.
- Neither manufacturer offers precise CIPA battery life estimates publicly.
- Based on experience with similar models, expect around 200-250 shots per charge.
- Both cameras store images using SD/SDHC cards, with Samsung favoring the smaller MicroSD format.
Keep spare batteries and cards handy for extended shooting sessions.
Connectivity and Wireless Features
Neither camera provides built-in Wi-Fi, Bluetooth, NFC, or GPS.
- FujiFilm lacks HDMI output; Samsung includes HDMI, which is a bonus for viewing images and videos on external displays.
- USB 2.0 ports are standard for image transfer on both.
Connecting these cameras to modern workflows may require adapters or card readers, but they integrate well with PC and Mac platforms for basic file handling.
Price-to-Performance Value Analysis
- FujiFilm Z700EXR is priced at roughly $250, positioning it as a mid-range ultracompact circa 2010.
- Samsung TL240 comes in more affordably at about $170, targeting budget-conscious buyers desiring more zoom reach.
For the extra $80, FujiFilm offers superior image quality, better screen, manual controls, and stabilization that can justify the investment if critical image fidelity and control matter.
Final Thoughts and Recommendations: Which Ultracompact Fits You?
Choose the FujiFilm FinePix Z700EXR if you:
- Appreciate manual exposure controls and creative flexibility.
- Value superior image quality with richer colors and dynamic range.
- Need a brighter screen and stable images with sensor-shift stabilization.
- Are an enthusiast or beginner eager to learn camera controls beyond auto mode.
- Want a solid all-rounder for portraits, landscapes, and street photography.
Choose the Samsung TL240 if you:
- Want the longest zoom possible in an ultracompact package.
- Prioritize close-up macro photography with a minimum focus distance of 1 cm.
- Need HDMI output for external video monitoring.
- Prefer a lower price point and simpler automatic shooting.
- Shoot casual snapshots and family events with built-in tracking autofocus.
Both cameras represent a thoughtful balance between size, feature set, and pricing typical for their generation. While neither will rival modern mirrorless or advanced compacts, they still serve as fun and capable tools for specific use cases.
If you can, try handling each camera yourself to see which matches your comfort and shooting preferences. Also, check compatible accessories like spare batteries and memory cards to enhance your shooting experience.
In closing, either camera can be a worthy companion for your creative journey into ultracompact photography. Whether you prioritize control and image quality with the FujiFilm Z700EXR or seek zoom versatility and ease with the Samsung TL240, understanding your photographic needs and shooting style will guide you to the perfect fit.
Happy shooting!
FujiFilm Z700EXR vs Samsung TL240 Specifications
FujiFilm FinePix Z700EXR | Samsung TL240 | |
---|---|---|
General Information | ||
Brand Name | FujiFilm | Samsung |
Model | FujiFilm FinePix Z700EXR | Samsung TL240 |
Alternative name | FinePix Z707EXR | ST5000 |
Class | Ultracompact | Ultracompact |
Launched | 2010-02-02 | 2010-01-06 |
Physical type | Ultracompact | Ultracompact |
Sensor Information | ||
Processor | EXR | - |
Sensor type | CCD | CCD |
Sensor size | 1/2" | 1/2.3" |
Sensor dimensions | 6.4 x 4.8mm | 6.17 x 4.55mm |
Sensor area | 30.7mm² | 28.1mm² |
Sensor resolution | 12 megapixels | 14 megapixels |
Anti aliasing filter | ||
Aspect ratio | 4:3 and 16:9 | 4:3, 3:2 and 16:9 |
Full resolution | 4000 x 3000 | 4334 x 3256 |
Max native ISO | 1600 | 4800 |
Max boosted ISO | 3200 | 6400 |
Minimum native ISO | 100 | 80 |
RAW photos | ||
Autofocusing | ||
Manual focus | ||
AF touch | ||
Continuous AF | ||
Single AF | ||
AF tracking | ||
Selective AF | ||
Center weighted AF | ||
AF multi area | ||
AF live view | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Lens | ||
Lens mount | fixed lens | fixed lens |
Lens focal range | 35-175mm (5.0x) | 31-217mm (7.0x) |
Largest aperture | f/3.9-4.7 | f/3.3-5.5 |
Macro focus range | 9cm | 1cm |
Focal length multiplier | 5.6 | 5.8 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display sizing | 3.5" | 3.5" |
Display resolution | 460k dots | 230k dots |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Slowest shutter speed | 4 secs | 8 secs |
Maximum shutter speed | 1/1000 secs | 1/1500 secs |
Continuous shooting rate | 2.0 frames per sec | - |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | - |
Set WB | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 3.90 m | 5.00 m |
Flash modes | Auto, On, Off, Red-eye, Slow Syncro | Auto, On, Off, Red-Eye, Fill-in, Slow Sync |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1280 x 720 (30, 15 fps), 640 x 480 (30, 15 fps), 320 x 240 (60, 30, 15 fps) |
Max video resolution | 1280x720 | 1280x720 |
Video file format | Motion JPEG | Motion JPEG |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 158 grams (0.35 lbs) | 160 grams (0.35 lbs) |
Physical dimensions | 98 x 59 x 20mm (3.9" x 2.3" x 0.8") | 104 x 58 x 20mm (4.1" x 2.3" x 0.8") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery model | NP-45A | SLB-11A |
Self timer | Yes (2 or 10 sec, Couple, Group, Auto-shutter) | Yes (2 or 10 sec, Double, Motion) |
Time lapse shooting | ||
Type of storage | SD/SDHC Internal | MicroSD/ MicroSDHC, Internal |
Card slots | Single | Single |
Retail cost | $250 | $171 |