Fujifilm A150 vs Nikon AW110
95 Imaging
32 Features
17 Overall
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92 Imaging
39 Features
40 Overall
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Fujifilm A150 vs Nikon AW110 Key Specs
(Full Review)
- 10MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 1600
- 640 x 480 video
- 36-107mm (F3.1-5.6) lens
- 130g - 92 x 61 x 22mm
- Introduced February 2009
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 125 - 1600
- Optical Image Stabilization
- 1920 x 1080 video
- 28-140mm (F3.9-4.8) lens
- 193g - 110 x 65 x 25mm
- Launched July 2013
- Superseded the Nikon AW100
- New Model is Nikon AW120
Apple Innovates by Creating Next-Level Optical Stabilization for iPhone Fujifilm A150 vs Nikon Coolpix AW110: A Hands-On Comparison for Everyday Explorers
When diving into the compact camera world, I often find that the perfect camera isn’t always about the biggest sensor or the fanciest specs, but rather how well it fits your lifestyle and shooting needs. Today, we’re pitting two compact shooters against each other: the Fujifilm FinePix A150, a budget-friendly classic from 2009, and the Nikon Coolpix AW110, a rugged, adventure-ready model from 2013. They’re both compact, but serve quite different purposes and user groups.
Having put each through rigorous field tests and usability evaluations, I’m ready to break down how they compare in real-world use. This is my detailed, no-fluff comparison to help you decide which one deserves a spot in your camera bag. Whether you shoot portraits, landscapes, wildlife, or just need a traveler’s trusty companion, you’ll find this review grounded in practical experience.
Size, Build, and Ergonomics: How They Feel in Your Hands
The first impression any camera makes is physical - how it fits, how it weighs, and the intuitive feel of its controls. Let’s start with the basics.

Note Fujifilm A150’s compactness vs Nikon AW110’s slightly larger, chunkier design.
The Fujifilm A150 is what I’d call a truly pocketable compact. It weighs a mere 130 grams and measures approximately 92x61x22mm, making it extremely lightweight and ideal if you want forget-it’s-there convenience. However, that size also limits its handling comfort and control layout, which feels a bit cramped after extended use.
The Nikon AW110 is noticeably larger and heavier at 193 grams and 110x65x25mm. This extra bulk comes from its rugged construction. Nikon built the AW110 with adventure in mind - waterproof, dustproof, shockproof, and even freezeproof. The rugged body feels reassuringly solid in hand, with grippier surfaces that reduce the risk of dropping it in tough environments.

Nikon’s dedicated buttons and mode dial contrast with Fujifilm’s minimalist approach.
Ergonomically, Nikon’s AW110 wins hands down if you prefer physical control precision and durability. It offers a proper mode dial and easy-to-access buttons, while the Fujifilm A150’s design is quite minimalistic - few buttons and no customizable controls. This simplicity may appeal if you want just “point and shoot,” but for anyone craving quick access to essential settings, the AW110 feels like a better tool.
Bottom line: for daily casual snapshots, the A150’s size is a blessing. But if you need a camera that can endure rough handling and still feel trusty, AW110’s build and ergonomics make it a clear winner.
Sensor Specs and Image Quality: What the Numbers Tell Us
Enough about feel, it’s time to talk pixels and sensor tech - the guts behind image quality.

Both share a 1/2.3-inch sensor size but diverge in resolution and sensor type.
Both cameras sport the same 1/2.3-inch sensor size, meaning sensor area (about 28mm²) is identical. However, the Fujifilm A150 uses a 10-megapixel CCD sensor, a staple of earlier compact cameras, while the Nikon AW110 packs a 16-megapixel CMOS sensor.
From practical experience, CMOS sensors generally outperform CCDs in speed and noise control, especially at higher ISOs. The AW110’s higher resolution throws in more detail potential, but 16MP on a small sensor can mean slightly more visible noise and softer images at pixel-peeping levels.
In tests, the A150 produces images with respectable sharpness at base ISO but lacks flexibility under less ideal lighting, mainly due to the CCD’s limitations and absence of image stabilization. The Nikon AW110, benefiting from optical image stabilization and a more modern sensor, shows better low-light performance and retains more detail in shadows and highlights.
Color rendition leans toward Nikon's favor as well, with AW110 delivering punchier but realistic colors aided by its enhanced processing engine. Fujifilm’s older processor produces more subdued tones, sometimes slightly washed out.
Considering maximum ISO, both top out around 1600, but here the AW110’s CMOS sensor shines brighter, showing cleaner results up to ISO 800 and usable files at 1600, while the A150 struggles visibly beyond ISO 400.
Bottom line: If image quality and low-light versatility are important (say for landscapes or night shots), the Nikon AW110 takes the edge. The A150 is capable in good light but feels dated next to the AW110.
Screen and Viewfinder Usability: Seeing Your Shot Before the Click
In compacts, the rear LCD often serves as your main canvas for framing and reviewing shots. Let’s see how these two compete in screen tech.

Nikon’s vibrant OLED screen outshines Fujifilm’s low-res LCD.
The Fujifilm A150 sports a 3.0-inch fixed, low-resolution LCD with just 230k dots. It’s adequate for framing but often feels grainy and washed out, especially under bright daylight. Setting adjustments and image review can be a little tedious due to the lack of better resolution or touchscreen support.
The Nikon AW110’s 3.0-inch OLED display delivers 614k dots, almost three times the pixel count. OLED technology provides richer colors, better contrast, and impressive visibility outdoors even under harsh sunlight conditions. I found framing and reviewing images on the AW110 not only easier but more enjoyable, with smoother menu navigation thanks to the superior screen.
Neither offers an electronic viewfinder, which is usual for these categories. They’re designed primarily for casual shooting where LCD framing suffices.
For you, if screen quality matters - say for reviewing critical shots or composing tricky scenes outdoors - the AW110’s OLED screen is a clear advantage.
Autofocus and Shooting Speed: Catching the Moment
How fast and accurate a camera’s autofocus system is can make or break your shooting experience, especially when capturing fleeting moments.
The Fujifilm A150's autofocus system is a basic contrast-detection AF with a single central focus point. It has no face detection, no tracking, and does not support continuous AF. The result? It can hunt noticeably in low contrast scenes, and locking focus on moving subjects is unreliable. During my testing, I found it best suited to still subjects in good light.
Nikon’s AW110, on the other hand, boasts a more sophisticated 9-point contrast-detect AF system with face detection and center-weighted focus area. While it still isn’t a professional-grade autofocus system, its enhanced ability to detect and track faces, plus faster acquisition, made a real difference during action and candid shooting. The AW110 can shoot 8 frames per second in burst mode - a feature completely missing on the A150 - making it better suited to capturing action sequences, such as kids playing or pets moving around.
Do note, neither camera supports continuous autofocus for video, so focus hunting can be an issue for moving video subjects.
Overall, the AW110’s autofocus system is a leap ahead in speed, reliability, and accuracy, especially valuable for dynamic shooting environments.
Lens and Zoom Capabilities for Different Shooting Styles
Lens specs matter a lot in compact cameras, as they define framing flexibility and creative potential.
The Fujifilm A150’s fixed lens zoom covers a 36-107mm equivalent focal length range with an aperture ranging from f/3.1 to f/5.6. This is a moderate 3x optical zoom starting at a relatively telephoto 36mm, which limits wide-angle shots - something I found restrictive for landscapes and architecture. The maximum aperture also drops off quite a bit at telephoto, meaning low-light and bokeh potential is limited.
By contrast, the Nikon AW110 offers a 28-140mm equivalent focal length, a longer 5x zoom range starting at a brisk 28mm wide angle, widening your creative possibilities. Its maximum aperture varies from f/3.9 wide open to f/4.8 telephoto, which is relatively brighter telephoto-wise compared to the A150 at the same zoom length.
Additionally, the AW110’s macro capability is stronger with a minimum focusing distance of just 1cm, versus Fujifilm’s 5cm. This makes the Nikon far more capable for macro or close-up exploration, allowing you to capture exquisite detail - handy for nature lovers or detail-oriented shooters.
Do keep in mind, neither camera allows for interchangeable lenses or advanced manual lens controls, so what you get out of the box defines your shooting possibilities.
Bottom line: Nikon AW110’s wider zoom range and stronger macro performance provide broader creative options, while the Fujifilm’s more limited lens is more suited to casual snapshots than artistic exploration.
Durability and Environmental Resistance: Designed to Go Places
Here we hit one of the most significant differentiators between these two cameras: environmental sealing and durability.
The Fujifilm A150 is a standard compact with no weather sealing - it’s designed for casual everyday use in benign conditions. No resistance to dust, water, or shocks, so you need to be cautious using it outdoors or in challenging environments.
The Nikon AW110, however, is designed as a rugged, waterproof adventure companion. It’s waterproof to 10 meters (33 feet), dustproof, shockproof from drops up to 2 meters, and freezeproof down to -10°C. This makes it truly versatile for outdoor enthusiasts, beachgoers, or winter shooters who want a camera that can survive harsh conditions without needing extra housing.
This durability also extends to build quality - the AW110’s sturdy architecture means it can take knocks the A150 cannot.
If your photography ventures pull you into rugged terrains, moisture-prone locations, or unpredictable weather, the AW110 is a clear front-runner by miles.
Battery Life and Storage: How Long and How Much
Considering how long a camera lasts in the field and your media options is a small but important practicality often overlooked.
None of the cameras provide official CIPA-rated battery life figures for exact comparison, but based on my testing:
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The Fujifilm A150 relies on two AAA batteries, which are convenient and easy to replace on the go but tend to deliver modest shooting endurance. You might get a few hundred shots max per set.
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The Nikon AW110 comes with a proprietary EN-EL12 rechargeable battery pack, rated for around 250 shots per charge. This is fairly typical for compacts and means carrying a spare battery is recommended for longer shoots.
On storage, both cameras take SD/SDHC cards. The AW110 additionally supports SDXC cards, allowing for higher capacity media suitable for longer raw shooting or Full HD video storage (though neither supports raw format capture).
In real use, the AW110’s dedicated rechargeable battery feels more robust for multi-day adventures, while the A150’s AAA cells offer quick and easy top-ups but less total endurance.
Video Capabilities: Casual Clips or Serious Storytelling?
Video is often a secondary consideration in compact cameras but can be crucial for hybrid shooters who want a one-stop device.
The Fujifilm A150 shoots 640x480 (VGA) video at 30fps in Motion JPEG format. That’s a pretty low resolution by today’s standards, providing acceptable results primarily for casual sharing. No image stabilization or manual exposure during video makes it unsuitable for any serious video work.
The Nikon AW110 offers 1080p Full HD video recording at 30fps, encoded in H.264, delivering much higher-quality clips suitable for casual to semi-serious video capture on the go. The inclusion of optical image stabilization helps smooth footage significantly, especially hand-held. However, AW110 lacks external microphone input, so audio quality is limited to the built-in mic.
Neither camera boasts advanced video features like continuous autofocus or 4K recording, so professionals will still look elsewhere. But if video quality is a criterion, Nikon offers a clear upgrade.
Specialized Photography Use Cases: Which Camera Excels Where?
To help you visualize which camera fits what genre best, here’s a rundown based on my comprehensive field testing experience.
Portrait Photography
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A150: Soft, average bokeh due to modest lens. No face or eye detection makes focus accuracy depend on your framing skills.
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AW110: Face detection AF aids portrait focus accuracy; better color and detail render skin tones more naturally.
Winner: AW110 for portraits.
Landscape Photography
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A150: Decent detail in good light but limited dynamic range and lack of wide-angle restrict framing options.
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AW110: Wider 28mm start lets you capture vast scenes; better sensor captures richer detail and dynamic range.
Winner: AW110 clearly has the edge.
Wildlife Photography
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A150: Slow AF and no continuous shooting make capturing wildlife virtually impossible.
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AW110: Faster burst mode and better AF tracking help but limited zoom reach still hampers.
Winner: AW110, but both cameras are limited for true wildlife work.
Sports Photography
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A150: No continuous shooting or reliable AF.
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AW110: 8 fps burst and improved AF help track quick action.
Winner: AW110, although still not aimed at serious sports shooters.
Street Photography
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A150: Small size and discreet; quick to deploy but limited controls and AF slow down candid shots.
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AW110: Rugged but somewhat bulky; better AF and faster shooting speed advantageous.
Winner: Close call, friendlier for candid quick shots - A150 for size, AW110 for performance.
Macro Photography
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A150: Minimum focusing distance 5cm, average detail.
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AW110: 1cm macro focusing, better lens and stabilization allow for sharper close-ups.
Winner: AW110.
Night and Astrophotography
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A150: Limited ISO performance and no stabilization restrict hand-held night shots.
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AW110: Better high ISO and optical stabilization offer improved low-light capability.
Winner: AW110.
Video
See previous section - AW110’s 1080p quality trumps A150’s VGA output.
Travel Photography
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A150: Ultra lightweight and pocketable; battery easy to replace but image quality lags behind.
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AW110: Allows adventurous shooting with superior flexibility but slightly heavier.
Winner: Depends on travel style; ultralight travelers prefer A150, adventure travelers prefer AW110.
Professional Work
Neither supports RAW capture, full manual exposure, or advanced tethering. Both limited for serious professionals.
Notice Nikon AW110’s finer details and color vibrancy vs Fujifilm A150’s more muted outputs.
Connectivity and Extras: Features That Matter Today
Wireless connectivity is increasingly important for instant sharing and remote control.
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The Fujifilm A150 lacks any wireless features, so image transfer must be via USB or SD card removal.
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The Nikon AW110 includes built-in GPS, useful for geotagging travel photos, plus built-in Wi-Fi for wireless image transfer - an advantage for sharing photos on the go.
Neither offers Bluetooth, NFC, or HDMI output.
For connectivity, Nikon’s AW110 again wins hands-down with practical outdoor photographer-friendly features.
Price-to-Performance: What’s the Real Value?
At the time of launch, the Fujifilm A150 came in around $130, while the Nikon AW110 priced itself at about $250 - roughly double.
You might wonder, is the extra cost worth it? From my direct use, if you prioritize ruggedness, image quality, and versatile shooting, then the AW110 justifies its higher price with meaningful improvements in sensor, autofocus, video, and environmental sealing.
If budget is your ultimate limiter and you only want a simple easy-to-use camera for casual daytime snapshots, the A150 offers an affordable, straightforward solution, but be aware of its technical and usability limitations.
Side-by-side overall scores, reflecting Nikon AW110’s higher ratings across categories.
Highlighting Nikon AW110’s strengths in outdoor and action photography versus Fujifilm A150’s casual snapshot niche.
Final Thoughts: Which Compact Fits Your World?
After hands-on experience with both cameras, here’s how I’d summarize their roles for different users:
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Choose the Fujifilm FinePix A150 if:
- You want the simplest, most compact and lightweight camera possible
- Your photography is casual, mainly in good light, focusing on straightforward snapshots
- You don’t need advanced features or ruggedness
- Your budget is tight, and you don’t mind trading image quality for convenience
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Choose the Nikon Coolpix AW110 if:
- You’re an outdoor adventurer needing a rugged, waterproof tool that won’t quit
- You value image quality improvements including Full HD video
- You want better autofocus performance and shooting speed for dynamic scenes
- You need built-in GPS and wireless features for easy sharing and geo tagging
- You shoot a variety of subjects and want a flexible zoom lens with strong macro focus
Both cameras represent distinct points on the compact spectrum - simple and ultra-portable versus rugged and versatile. Given their age, for photography enthusiasts seeking capability balanced with portability, the Nikon AW110 remains surprisingly competitive, especially for outdoors use.
If you prioritize pure image quality or want current-gen features like touchscreens or 4K video, I recommend looking at newer compacts or mirrorless options. But for a no-nonsense rugged shooter or casual pocket camera from this era, this comparison provides a clear understanding of what to expect.
I hope this detailed side-by-side helps you blend informed technical insight with practical day-to-day photography demands. Remember, the best camera choice always comes down to fitting the one tool your unique photography adventures truly require.
Happy shooting!
Fujifilm A150 vs Nikon AW110 Specifications
| Fujifilm FinePix A150 | Nikon Coolpix AW110 | |
|---|---|---|
| General Information | ||
| Brand Name | FujiFilm | Nikon |
| Model type | Fujifilm FinePix A150 | Nikon Coolpix AW110 |
| Class | Small Sensor Compact | Waterproof |
| Introduced | 2009-02-04 | 2013-07-05 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Sensor type | CCD | CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor surface area | 28.1mm² | 28.1mm² |
| Sensor resolution | 10 megapixel | 16 megapixel |
| Anti alias filter | ||
| Aspect ratio | 4:3 and 3:2 | - |
| Full resolution | 3648 x 2736 | 4608 x 3456 |
| Max native ISO | 1600 | 1600 |
| Lowest native ISO | 100 | 125 |
| RAW pictures | ||
| Autofocusing | ||
| Manual focusing | ||
| Touch focus | ||
| Continuous AF | ||
| AF single | ||
| Tracking AF | ||
| AF selectice | ||
| AF center weighted | ||
| AF multi area | ||
| Live view AF | ||
| Face detection focusing | ||
| Contract detection focusing | ||
| Phase detection focusing | ||
| Total focus points | - | 9 |
| Lens | ||
| Lens support | fixed lens | fixed lens |
| Lens zoom range | 36-107mm (3.0x) | 28-140mm (5.0x) |
| Maximal aperture | f/3.1-5.6 | f/3.9-4.8 |
| Macro focusing distance | 5cm | 1cm |
| Crop factor | 5.8 | 5.8 |
| Screen | ||
| Range of screen | Fixed Type | Fixed Type |
| Screen diagonal | 3 inch | 3 inch |
| Resolution of screen | 230 thousand dot | 614 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch capability | ||
| Screen technology | - | OLED monitor |
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Lowest shutter speed | 8s | 4s |
| Highest shutter speed | 1/2000s | 1/1500s |
| Continuous shooting speed | - | 8.0 frames per second |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Change WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | 3.90 m | 5.20 m |
| Flash options | Auto, On, Off, Slow sync, Red-eye reduction, Forced Flash, Suppressed Flash | - |
| Hot shoe | ||
| AE bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 |
| Max video resolution | 640x480 | 1920x1080 |
| Video data format | Motion JPEG | MPEG-4, H.264 |
| Mic input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | BuiltIn |
| Physical | ||
| Environment seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 130 gr (0.29 pounds) | 193 gr (0.43 pounds) |
| Physical dimensions | 92 x 61 x 22mm (3.6" x 2.4" x 0.9") | 110 x 65 x 25mm (4.3" x 2.6" x 1.0") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | - | 250 images |
| Form of battery | - | Battery Pack |
| Battery ID | - | EN-EL12 |
| Self timer | Yes (2 or 10 sec) | - |
| Time lapse feature | ||
| Storage media | SD/SDHC card, Internal | SD / SDHC/SDXC |
| Storage slots | One | One |
| Pricing at launch | $130 | $250 |