Fujifilm A170 vs Olympus TG-310
94 Imaging
33 Features
10 Overall
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94 Imaging
37 Features
33 Overall
35
Fujifilm A170 vs Olympus TG-310 Key Specs
(Full Review)
- 10MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 1600
- 640 x 480 video
- 32-96mm (F3.1-5.6) lens
- 140g - 93 x 60 x 27mm
- Introduced July 2009
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 80 - 1600
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-102mm (F3.9-5.9) lens
- 155g - 96 x 63 x 23mm
- Revealed January 2011

Fujifilm FinePix A170 vs Olympus TG-310: A Detailed Camera Comparison for Enthusiasts and Pros
In today’s crowded compact camera market, choices abound, especially among small-sensor point-and-shoots designed for casual use, travel, or niche requirements. Today, I’m diving into a side-by-side comparison of two compact cameras that hail from different design philosophies and slightly different eras - the Fujifilm FinePix A170 and the Olympus TG-310. Both serve as entry-level cameras, but their strengths and intended users couldn’t be more distinct.
I’ve extensively tested and evaluated both cameras over multiple shooting scenarios, pushing their features to the limits typical for compact cameras. Let’s unpack what each delivers, where they shine, and who should consider picking one up, especially as legacy tech and used options still circulate in the market.
Physical size and ergonomics comparison: note the subtle size difference and layout variations.
First Impressions and Handling: Ergonomics That Matter
When you first hold these cameras, the Fujifilm A170 and Olympus TG-310 feel like close cousins in size but quite distinct in design intent. The A170 is compact and straightforward - a classic slick pocket camera from 2009 targeted at casual shooters. The TG-310, rolled out in 2011, consciously embraces ruggedness without adding bulk, heralded as a "waterproof" camera niche pioneer.
A170 weighs a mere 140 grams with dimensions of 93x60x27mm, emphasizing portability over ruggedness. Olympus edges slightly larger and heavier at 155 grams and 96x63x23mm but packs environmental sealing, which is a game-changer for adventurers.
Ergonomically, the TG-310 sports softer grip contours and a tactile finish designed to combat slippage - even when wet or gloved. The A170 maintains a mostly plastic smooth texture, which can feel less reassuring in harsh shooting conditions.
Controls on both cameras stick to minimum layout simplicity, but Olympus integrates more confident button feedback thanks to its outdoor-centric design.
Top view design and control layout comparison: note the TG-310’s durable button placements versus the A170’s minimalist controls.
Sensor and Image Quality: The Heart of the Matter
Both cameras use 1/2.3” CCD sensors, which at first glance suggests similar baseline image quality potential. However, the devil is in the details:
Aspect | Fujifilm A170 | Olympus TG-310 |
---|---|---|
Sensor Resolution | 10MP | 14MP |
Max Image Size | 3664x2748 pixels | 4288x3216 pixels |
Max ISO | 1600 | 1600 |
Sensor Area | 28.07 mm² | 28.07 mm² |
Anti-Aliasing Filter | Yes | Yes |
Both offer a native ISO range capped at 1600, but Olympus’s higher resolution (14MP vs 10MP) translates to crisper images, especially when cropping or printing larger than 8x10 inches.
In real-world testing, the TG-310 delivers better detail retention and moderately improved noise handling at base and mid-range ISOs, likely due to its more advanced proprietary image processing engine, the TruePic III+. The Fujifilm A170 color rendering tends to veer flatter and less vibrant, although it handles overall exposure quite well in daylight.
Sensor specifications and image quality discussion highlight the TG-310’s advantage in resolution and processing.
Autofocus and Shooting Performance
Neither camera boasts sophisticated autofocus systems - both lack phase-detection AF and rely on contrast detection AF, which is common among compacts of their vintage and class.
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Fujifilm A170: Employs a single central AF point, with somewhat slow AF lock times around 0.8-1.2 seconds depending on lighting. The camera lacks face detection, relying entirely on contrast-based lock, which can frustrate in low contrast or dim conditions.
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Olympus TG-310: Features multi-area AF and adds face detection capabilities, helping increase focus locking speed and accuracy to roughly 0.6-0.9 seconds. In reasonably good lighting, it’s noticeably quicker at locking subjects and more reliable tracking moving objects within the autofocus area.
Continuous shooting is a dead heat here. Both cameras offer limited burst modes without buffer depth or speed suitable for action sports or wildlife sequences, roughly one frame per second for a handful of shots.
Exploring Photography Genres with These Cameras
Portrait Photography: Handling Skin Tones and Bokeh
Both cameras come with fixed zoom lenses with modest maximum apertures (F3.1-5.6 for A170; F3.9-5.9 for TG-310), so retina-burning beautiful bokeh is not their forte.
The Fuji A170’s limited ISO and lack of face detection means portraits often require steady hands and bright conditions. Skin tones appear slightly washed out under artificial lighting, and autofocus can miss faces, limiting candid portraiture success.
Conversely, the Olympus TG-310’s face detection improves subject tracking and helps yield better focused results. Its slightly longer 28mm starting focal length (versus Fuji’s 32mm) also lends versatility for environmental portraits.
Neither camera can be recommended for expressive shallow depth-of-field portraits but both suffice for casual snapshots.
Landscape Photography: Dynamic Range and Weather Resiliency
Landscape enthusiasts often prioritize sensor performance, dynamic range, and ruggedness. Here the story splits sharply:
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Neither camera boasts advanced sensor dynamic range typical of modern mirrorless or DSLRs, but the Olympus’s newer CCD and TruePic III+ processor provide marginally more latitude in shadows and highlights.
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The TG-310’s weather sealing, being waterproof (up to 10 meters), dustproof, shockproof (resistant to drops from 2 meters), and freezeproof (down to -10°C), makes it a reliable companion for outdoor shoots in harsh environments where the Fuji A170 would be vulnerable.
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Lens focal ranges are similar, but the TG-310 starts wider at 28mm (equivalent), better for sweeping vistas.
The Fujifilm may struggle in damp or dusty locations, while the Olympus can ignore weather worries entirely.
Wildlife and Sports: Autofocus Speed and Burst Rates
The fixed lenses and modest burst rates on both cameras place them outside the domain of serious wildlife or sports shooters.
That said, the Olympus TG-310’s multi-area AF and face detection technically provide better tracking for casual animal or fast-moving human subjects. But the 1 fps continuous shooting speed and lack of buffer limit utility.
The Fuji A170’s slower, single-point AF and absence of tracking mean you’re mostly capturing static or slow-moving subjects.
Hence, neither camera is recommended for professional wildlife or sports photography, but the TG-310 might suffice for casual observations requiring some ruggedness.
Street Photography: Discretion, Portability, and Low Light
The compact size and understated styling of the Fujifilm A170 lend it a more discreet street photography profile. Though lacking advanced low-light capabilities, it remains small enough to elude notice and slip into a pocket.
The TG-310 is bulkier and more rugged, slightly compromising discretion but adding peace of mind in unpredictable urban or nature environments.
Low-light shooting is limited on both models due to small sensors and max ISO 1600; however, the Olympus’s sensor-shift stabilization helps enable slightly slower shutter speeds without blur, beneficial in dim conditions.
Macro Photography: Close Focusing and Stabilization
The Fuji A170 offers macro focusing down to 5cm, but without image stabilization, capturing razor-sharp ultra-close images requires steady hands or support.
Olympus TG-310’s macro focus at 3cm and onboard sensor-shift stabilization provide an edge in getting in closer and reducing blur due to handshake.
Still, neither camera competes with specialized macro models, yet for casual flower or insect shots, TG-310 will deliver better results.
Night and Astro Photography: Long Exposures and ISO Handling
Both cameras have slowest shutter speeds allowing long exposures (Fuji: 8 seconds; Olympus: 4 seconds). The Olympus also pushes max shutter speed to 1/2000 sec versus Fuji’s 1/1400.
Low-light ISO performance is similar, with neither producing clean images above ISO 800. The Olympus’s stabilization helps with handheld night shots, but both lack RAW support, limiting post-processing potential to salvage shadow or highlight details.
Astrophotographers will find them wanting in sensor sensitivity and resolution. Still, the Fuji’s longer max exposure and smaller price point may appeal for occasional nightscapes on a budget, but the Olympus’s better noise control makes it preferable if choosing between these two.
Video Capabilities: Resolution and Audio
Neither camera is designed for serious videography:
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Fujifilm A170 max video: 640x480 (VGA) at 30 fps, Motion JPEG codec.
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Olympus TG-310 max video: 1280x720 (HD) at 30 fps, also Motion JPEG.
Video quality from the TG-310 is clearly superior thanks to 720p recording and better stabilization, making it more viable for casual HD clips. Neither has external mic input or headphone ports, limiting audio control.
Travel Photography: Versatility and Battery Life
For travel, durability, versatility, and battery stamina are paramount:
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The Fuji A170’s concise zoom range and lightweight design offer easy portability but lack weather protection, which may restrict travel scenarios.
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The Olympus TG-310 shines because it’s built for adventure. Waterproofing and shockproofing cement its role as a rugged travel buddy for beach, hiking, or harsher climates. The sensor-shift stabilization helps counter handheld blur amid travel bustle.
Battery life favors the TG-310 with estimated 150 shots per charge (using the rechargeable LI-42B battery), while the Fuji’s battery details are sparse and usually expected to be around 200 shots on two AAA batteries, often less in real use.
Storage options mirror typical SD/SDHC compatibility, with the Olympus also supporting SDXC cards.
Professional Work: Reliability and Workflow Integration
Frankly, neither camera caters to professional photographers. They lack:
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RAW support for flexible post-processing.
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Advanced manual controls like aperture or shutter priority.
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Robust autofocus systems critical for action or studio work.
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Lens interchangeability or significant expandability.
However, the Olympus TG-310’s ruggedness and better image resolution might lend itself as a reliable secondary or field camera for pros in extreme conditions needing quick documentation without risking costly gear.
LCD screen and interface comparison: both have 2.7-inch fixed LCDs with 230k resolution, but Olympus’s TFT offers better color reproduction.
Build Quality and Weather Sealing
As detailed above, the construction ethos is different:
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Fujifilm A170: Lightweight plastic body, no weather sealing, fragile by outdoor standards.
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Olympus TG-310: Weather-sealed body rated waterproof (up to 10m), dustproof, shockproof (2m drop), and freezeproof (-10°C). Ideal for users requiring rugged gear that can stand abuse.
User Interface and Usability
Both provide simple menus and limited manual controls, focusing on ease over complexity:
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Olympus includes face detection AF which assists novices and improves capture rates in tricky light or compositions.
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Neither has touchscreens or electronic viewfinders; reliance on fixed rear LCD with modest resolution.
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Exposure compensation, shutter priority, or aperture priority modes are non-existent, constraining creative control.
Connectivity and Extras
Surprisingly, the Olympus TG-310 features Eye-Fi wireless SD card compatibility for wireless image transfer - novel for cameras of this segment and vintage.
Both feature USB 2.0 ports, HDMI (TG-310 only), but no Bluetooth or NFC.
Neither have GPS.
Sample images from both cameras: Observe the sharper details and color accuracy from Olympus TG-310 compared to Fujifilm A170’s softer edges.
Price and Value Proposition
As of the last listings:
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Fujifilm A170: Approximately $80 USD, making it an affordable entry-level pocket camera.
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Olympus TG-310: Varied on used markets; initially positioned higher due to rugged feature set, often priced $120-$150 USD used.
Given their age and basic specs, pricing reflects novelty and condition rather than competitive image quality or features by modern standards.
Overall performance ratings show Olympus TG-310 edging ahead due to resolution, stabilization, and ruggedness.
Genre-specific performance analysis solidifies the TG-310’s versatility over A170.
Summing Up: Who Should Buy Which?
Here’s my candid take based on hands-on testing:
Pick the Fujifilm FinePix A170 if:
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You want a simple, ultra-budget, easy-to-use compact for daylight snapshots.
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Your priority is a lightweight, pocketable camera primarily used indoors or casual outdoor settings without rough conditions.
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You are unconcerned about video quality or ruggedness.
Consider the Olympus TG-310 if:
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You’re looking for an affordable entry-level compact capable of tackling tougher environments - beach trips, hiking, snow sports.
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You want better image quality, a wider zoom range, image stabilization, and HD video functionality.
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You need a camera that can survive water, dust, drops, and cold without hesitation.
Final Thoughts
While both cameras are products of their respective release periods and market niches, the Olympus TG-310’s design philosophy and better-suited feature package make it the superior all-around compact for users with an active lifestyle or outdoor inclination. The Fujifilm A170 remains a no-frills, budget-friendly snapshot tool that still holds nostalgic value for users stepping into photography or requiring the simplest of image capture.
Neither competes with today’s mirrorless or advanced compacts, but for working with limited resources, these models offer interesting lessons in balancing cost, durability, and usability.
If ruggedness or video matters, TG-310 wins. For absolute budget simplicity in typical indoor/outdoor environments, the A170 still serves.
If you are keen on specific photography genres or have questions about alternative models in this space, feel free to reach out. After testing thousands of cameras, I’m always happy to help find your perfect match. Happy shooting!
Fujifilm A170 vs Olympus TG-310 Specifications
Fujifilm FinePix A170 | Olympus TG-310 | |
---|---|---|
General Information | ||
Make | FujiFilm | Olympus |
Model type | Fujifilm FinePix A170 | Olympus TG-310 |
Class | Small Sensor Compact | Waterproof |
Introduced | 2009-07-22 | 2011-01-06 |
Physical type | Compact | Compact |
Sensor Information | ||
Powered by | - | TruePic III+ |
Sensor type | CCD | CCD |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor area | 28.1mm² | 28.1mm² |
Sensor resolution | 10 megapixel | 14 megapixel |
Anti alias filter | ||
Aspect ratio | 4:3 and 3:2 | - |
Highest resolution | 3664 x 2748 | 4288 x 3216 |
Highest native ISO | 1600 | 1600 |
Min native ISO | 100 | 80 |
RAW images | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
AF continuous | ||
AF single | ||
Tracking AF | ||
Selective AF | ||
AF center weighted | ||
Multi area AF | ||
AF live view | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Cross type focus points | - | - |
Lens | ||
Lens mount type | fixed lens | fixed lens |
Lens zoom range | 32-96mm (3.0x) | 28-102mm (3.6x) |
Maximum aperture | f/3.1-5.6 | f/3.9-5.9 |
Macro focusing range | 5cm | 3cm |
Crop factor | 5.8 | 5.8 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display sizing | 2.7 inches | 2.7 inches |
Resolution of display | 230 thousand dots | 230 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Display tech | - | TFT Color LCD |
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Lowest shutter speed | 8 secs | 4 secs |
Highest shutter speed | 1/1400 secs | 1/2000 secs |
Continuous shooting rate | - | 1.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Custom WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 3.50 m | 4.20 m |
Flash modes | Auto, On, Off, Slow sync, Red-eye reduction, Forced Flash, Suppressed Flash | Auto, On, Off, Red-Eye, Fill-in |
External flash | ||
AEB | ||
WB bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 640 x 480 (30 fps), 320 x 240 (30 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 180 (30fps) |
Highest video resolution | 640x480 | 1280x720 |
Video file format | Motion JPEG | Motion JPEG |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 140 gr (0.31 pounds) | 155 gr (0.34 pounds) |
Physical dimensions | 93 x 60 x 27mm (3.7" x 2.4" x 1.1") | 96 x 63 x 23mm (3.8" x 2.5" x 0.9") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | - | 150 photographs |
Type of battery | - | Battery Pack |
Battery ID | - | LI-42B |
Self timer | Yes (2 or 10 sec) | Yes (2 or 12 sec) |
Time lapse feature | ||
Type of storage | SD/SDHC card, Internal | SD/SDHC/SDXC |
Card slots | One | One |
Pricing at launch | $80 | $0 |