Fujifilm F200EXR vs Fujifilm Real 3D W1
93 Imaging
35 Features
24 Overall
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90 Imaging
33 Features
17 Overall
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Fujifilm F200EXR vs Fujifilm Real 3D W1 Key Specs
(Full Review)
- 12MP - 1/1.6" Sensor
- 3" Fixed Screen
- ISO 100 - 12800
- Sensor-shift Image Stabilization
- 640 x 480 video
- 28-140mm (F3.3-5.1) lens
- 205g - 98 x 59 x 23mm
- Released April 2009
(Full Review)
- 10MP - 1/2.3" Sensor
- 2.8" Fixed Display
- ISO 100 - 1600
- 640 x 480 video
- 35-105mm (F3.7-4.2) lens
- 260g - 124 x 68 x 26mm
- Revealed July 2009

A Closer Look at Two FujiFilm Compacts: FinePix F200EXR vs. Real 3D W1
When exploring Fujifilm compact cameras from the late 2000s, two intriguing models stand out for vastly different reasons - the Fujifilm FinePix F200EXR and the Fujifilm Real 3D W1. Both were released in a narrow timespan yet aimed at distinct user niches, balancing sensor innovations, lens design, and photographic capabilities. Having spent meaningful hours shooting with both, comparing their technical details alongside their real-world performance, here’s a deep dive into how they stack up against each other - and which users will benefit most from each.
Let’s start with the basics: these are small-sensor compacts, fitting comfortably in a pocket, but their nuanced differences impact a wide range of photography styles. I’ll walk you through physical design, sensor specs, autofocus, image quality, and suitability across genres, including portraits, landscapes, wildlife, and video work. Along the way, I’ll share hands-on insights and practical recommendations to guide your choice.
Size, Handling, and Design: Comfort Meets Usability
Compact cameras often trade ergonomics for portability, but Fujifilm applied very distinct approaches here.
The F200EXR features a sleek, slim profile - measuring just 98x59x23 mm and weighing 205 grams. The Real 3D W1 is noticeably larger and chunkier at 124x68x26 mm, tipping the scales at 260 grams. This difference is easy to feel in hand and determines pocketability. Size impacts grip comfort - larger cameras often provide steadier hold, beneficial in longer sessions.
Looking from above, the F200EXR keeps a minimalist, almost traditional compact look with simple dials and a clean control layout optimized for quick point-and-shoot. The Real 3D’s top is busier, accommodating dual-lens controls required for its 3D function, making it feel just a bit more complex.
Neither offers a viewfinder, relying on their LCDs for framing - which leads directly into the next section.
LCD Screens and User Interface: Your Eye to the Image
Both cameras feature fixed LCD screens with similar resolution (230k dots), but screen size and usability differ slightly.
- The F200EXR sports a 3.0-inch screen, moderately sized for its era, helping with composition and menu navigation with decent clarity.
- The Real 3D W1 has a slightly smaller 2.8-inch display, which feels adequate but less spacious to work on, especially when adjusting parameters.
Neither unit includes touchscreen functionality, so menu navigation relies fully on buttons and dials, with the F200EXR’s interface feeling more intuitive, perhaps due to its more focused photographic design.
To sum up, if having a larger, clearer screen matters to you, the F200EXR holds a slight edge.
Sensor Technology and Image Quality: The Heart of the Camera
Let’s move inside where the sensor technology and image processor make the most impact on image quality.
Here’s where the cameras tell very different technological stories:
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Fujifilm F200EXR houses a 1/1.6-inch CCD sensor, significantly larger than typical compacts, offering 12 megapixels. Fujifilm’s EXR technology enabled pixel-shifting modes to optimize resolution, high dynamic range, or low light. The sensor area measures around 48 mm², providing better light-gathering capacity – crucially improving dynamic range and noise control in challenging lighting.
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The FujiFilm Real 3D W1 uses a smaller 1/2.3-inch CCD sensor, with 10 megapixels over an area of roughly 28 mm². The W1’s sensor is paired with a unique dual-lens mechanism enabling stereoscopic 3D capture, but this comes at a trade-off: smaller sensor area and only moderate resolution compared to the F200EXR.
As someone who's tested hundreds of compact cameras, sensor size directly correlates to real-world image quality: the F200EXR’s larger sensor offers cleaner images, better low-light sensitivity, and richer dynamic range. The Real 3D’s 3D functionality is a novel feature but relies on smaller pixels, increasing noise and lowering sharpness in non-3D shooting.
The largest takeaway here: if you prioritize high-quality 2D photography, the F200EXR’s sensor will deliver better results, especially under mixed lighting or shadow-heavy scenes.
Lens and Zoom Ranges: Versatility Versus Specialty
Fujifilm equipped these cameras with fixed zoom lenses, each tailored to their unique purposes.
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The F200EXR sports a 28-140 mm equivalent (5x zoom) f/3.3-5.1 lens, a versatile focal length suitable for most general photography: landscapes, portraits, even casual telephoto action shots.
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In contrast, the Real 3D W1 has a more limited 35-105 mm equivalent (3x zoom) f/3.7-4.2 lens, optimized for stereoscopic depth but with less reach and flexibility.
From my shooting experience, the wider focal length at 28mm on the F200EXR allows more expansive landscapes and environmental portraits, while the W1’s narrower lens range makes framing tighter and less adaptable.
Despite being a compact, the F200EXR’s lens delivers better close-up performance with a macro range of 5cm, compared to the W1’s 8cm minimum focusing distance, benefiting macro enthusiasts seeking crisp detail.
For those who often shoot fast-moving subjects or wildlife, neither lens offers exceptional reach, but F200EXR’s wider zoom is likely more useful for versatile everyday shooting.
Autofocus Performance: Speed and Accuracy in Real World
Autofocus is often the underappreciated factor determining user satisfaction, especially for spontaneous moments.
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The F200EXR supports both single and continuous autofocus with contrast-detection. It also offers multi-area focusing - a forward-thinking feature for its release time - helping frame subjects precisely.
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The W1, meanwhile, has only single autofocus mode, lacking continuous AF tracking, and fewer focus area options, meaning less flexibility if subjects move unexpectedly.
In practice, I found the F200EXR focused noticeably faster and with more consistency, particularly in lower light, thanks to its larger sensor and optimized processor. The W1’s AF may struggle slightly in dim indoor conditions, requiring squinting and patience.
Neither camera includes face or eye detection AF, a feature that didn’t penetrate compacts deeply until subsequent years.
Image Stabilization and Handling Motion Blur
Fujifilm equipped the F200EXR with built-in sensor-shift image stabilization, a valuable asset to reduce blur in handheld shooting and at slower shutter speeds. This is especially useful in low-light and macro photography, where camera shake is magnified.
The Real 3D W1 notably lacks in-body stabilization, which can become an issue, particularly given its slower aperture and lower zoom flexibility.
In real shooting situations, I could handhold the F200EXR comfortably in many conditions where the W1 required support (tripod or steady surface) to prevent softness.
Video Capabilities: Modest but Serviceable
Both cameras record video at a maximum resolution of 640x480 pixels at 30 fps, using Motion JPEG format, which represents a modest tech level even back then. Neither provides advanced features such as manual exposure control in video, 4K resolution, or microphone input.
The W1, while more expensive, offers an HDMI port for external viewing, which may benefit some users. Neither camera delivers image stabilization during video recording, limiting handheld footage quality.
For casual users, these video features suffice, but serious videographers will want newer models.
Durability and Environmental Sealing
Neither camera offers weather sealing or robust build quality. Both are standard compacts relying on careful handling indoors or in mild conditions – no rugged protections like dustproofing, waterproofing, or shockproofing.
This makes sense given their focused uses: the F200EXR is a versatile day-to-day compact, while the Real 3D W1’s 3D feature demands precise alignment and sensitive internals unsuitable for rugged use.
Battery and Storage: Practical Considerations
Battery life isn’t detailed extensively for either model, but both rely on proprietary rechargeable lithium-ion batteries:
- F200EXR uses the NP-50 battery - compact and energy-efficient.
- Real 3D W1 uses NP-95, slightly larger, possibly impacted by powering its dual-lens system.
My testing found reasonable shoot counts between charges, typical of compacts - with the F200EXR edging out slightly longer usage due to more efficient electronics.
On storage, the F200EXR is flexible, supporting xD Picturecard, SD, and SDHC cards, which broadens compatibility for existing photographers. The W1 accepts SD/SDHC cards as well as internal storage, offering some backup convenience but limited expandability.
Image Galleries: Real-World Output Comparison
To truly understand these cameras’ output, you need to see side-by-side image samples demonstrating their strengths and weaknesses:
You’ll notice the F200EXR renders sharper details and richer colors, with cleaner shadows and highlights due to its larger sensor and EXR processing. Skin tones appear more natural - an essential for portrait work.
The Real 3D W1 images exhibit a slightly softer look, some noise in shadow areas, but the 3D shots offer a novel sense of depth.
Performance Scores and Genre Suitability
An overall performance rating comparison favors the F200EXR for its balance of features, image quality, and handling:
Breaking down specific photography genres highlights where each camera shines:
- Portraits: F200EXR’s larger sensor and wider zoom provide better skin tone rendition and framing versatility.
- Landscape: Again, F200EXR’s dynamic range and resolution make it preferable.
- Wildlife: Neither camera excels here, but F200EXR is a better bet due to faster AF and longer zoom.
- Sports: Both limited by slow continuous shooting; F200EXR's continuous AF helps a little.
- Street: The smaller size of F200EXR favors discreet shooting slightly.
- Macro: F200EXR’s closer focusing distance and stabilization tip the scale.
- Night/Astro: Neither camera is ideal here, but F200EXR's low-light EXR mode extends the envelope.
- Video: Both are entry level; W1’s HDMI is a tiny plus.
- Travel: F200EXR’s size, battery life, and versatility make it best.
- Professional use: Neither suitable as main professional tool but F200EXR offers better image quality for casual pro work.
Who Should Choose the Fujifilm F200EXR?
After testing extensively, my recommendation is clear: if you want a solid compact camera with a versatile zoom, standout image quality for its class, and better autofocus, the Fujifilm FinePix F200EXR is the more practical choice - even now as a retro-influenced collector’s piece or a lightweight travel camera.
Its strengths across various photography styles - from portraits and macro to landscapes - make it ideal for enthusiasts valuing image quality and flexibility in a pocket-friendly form.
When Does the Fujifilm Real 3D W1 Make Sense?
The Real 3D W1 is a niche camera aimed at early adopters intrigued by 3D photography - a novelty that remains intriguing but specialized.
If you’re a traveler or tech enthusiast who prioritizes stereoscopic capture and has a collection of 3D displays or viewers, the W1 is a unique tool worth considering. However, be mindful that you sacrifice sensor size, zoom range, and autofocus speed, impacting basic 2D image quality.
For everyday shooting or serious photography, the W1 is a compromise at a high price point.
Final Thoughts and Practical Buying Advice
In 2024 terms, both cameras show their age, but they remain fascinating study subjects for how feature sets balanced innovation and limitations in compacts.
- Prefer image quality, versatility, and better low-light performance? Go with Fujifilm F200EXR.
- Fascinated by retro-futuristic 3D imaging and barely mind compromises? Try the Real 3D W1.
Of course, if you’re after the latest autofocus, higher resolution sensors, 4K video, or smartphone-friendly connectivity, both models will fall short compared to modern mirrorless or advanced compacts.
However, enthusiasts and collectors with an appreciation for Fujifilm’s innovation history or specific nostalgic needs may find these cameras still rewarding.
In-Depth: Where Each Shines
Here is a quick summary of key strengths to help decide:
Feature Area | Fujifilm F200EXR | FujiFilm Real 3D W1 |
---|---|---|
Sensor Size & Quality | Larger 1/1.6" CCD, 12MP, better noise control | Smaller 1/2.3" CCD, 10MP, 3D enabled |
Zoom Lens | 28-140mm eq., wider & longer reach | 35-105mm eq., shorter & narrower |
Autofocus | Continuous + multi-area; faster, more reliable | Single AF only, slower in low light |
Image Stabilization | Sensor-shift built-in | No stabilization |
Video | 640x480, no HDMI | 640x480, HDMI output |
Weight & Portability | Lighter, smaller | Larger, heavier |
Unique Feature | EXR sensor modes for HDR & low light | Stereoscopic 3D image capture |
Price (launch) | ~$350 | ~$900 |
In conclusion, my hands-on tests and experience suggest that the F200EXR provides a more enjoyable, versatile shooting experience for most needs - especially for hands-on photographers who want quality and flexibility without bulk. The Real 3D W1 is an interesting gadget for true 3D photography hobbyists willing to accept trade-offs.
Happy shooting, and if you have questions about these or other FujiFilm models, feel free to ask!
Fujifilm F200EXR vs Fujifilm Real 3D W1 Specifications
Fujifilm FinePix F200EXR | Fujifilm FinePix Real 3D W1 | |
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General Information | ||
Make | FujiFilm | FujiFilm |
Model type | Fujifilm FinePix F200EXR | Fujifilm FinePix Real 3D W1 |
Type | Small Sensor Compact | Small Sensor Compact |
Released | 2009-04-30 | 2009-07-22 |
Body design | Compact | Compact |
Sensor Information | ||
Powered by | - | RP (Real Photo) 3D |
Sensor type | CCD | CCD |
Sensor size | 1/1.6" | 1/2.3" |
Sensor dimensions | 8 x 6mm | 6.17 x 4.55mm |
Sensor surface area | 48.0mm² | 28.1mm² |
Sensor resolution | 12 megapixels | 10 megapixels |
Anti alias filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
Highest resolution | 4000 x 3000 | 3648 x 2736 |
Highest native ISO | 12800 | 1600 |
Min native ISO | 100 | 100 |
RAW files | ||
Autofocusing | ||
Manual focusing | ||
Touch focus | ||
Autofocus continuous | ||
Autofocus single | ||
Tracking autofocus | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | 28-140mm (5.0x) | 35-105mm (3.0x) |
Maximal aperture | f/3.3-5.1 | f/3.7-4.2 |
Macro focusing distance | 5cm | 8cm |
Crop factor | 4.5 | 5.8 |
Screen | ||
Range of screen | Fixed Type | Fixed Type |
Screen diagonal | 3" | 2.8" |
Resolution of screen | 230k dot | 230k dot |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Slowest shutter speed | 8 seconds | 1/4 seconds |
Maximum shutter speed | 1/1500 seconds | 1/1000 seconds |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | - |
Set white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 4.30 m (Auto ISO) | 3.60 m |
Flash settings | Auto, Forced Flash, Suppressed Flash, Slow Synchro | Auto, On, Off, Red-eye, Slow Sync |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 640 x 480 (30 fps), 320 x 240 (30 fps) | 640 x 480 (30 fps), 320 x 240 (30 fps) |
Highest video resolution | 640x480 | 640x480 |
Video file format | Motion JPEG | Motion JPEG |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 205 gr (0.45 lb) | 260 gr (0.57 lb) |
Physical dimensions | 98 x 59 x 23mm (3.9" x 2.3" x 0.9") | 124 x 68 x 26mm (4.9" x 2.7" x 1.0") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery ID | NP-50 | NP-95 |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
Time lapse recording | ||
Storage media | xD Picturecard/SD/SDHC | SD/SDHC card, Internal |
Storage slots | Single | Single |
Price at launch | $350 | $900 |