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Fujifilm F500 EXR vs Fujifilm S8300

Portability
91
Imaging
39
Features
42
Overall
40
Fujifilm FinePix F500 EXR front
 
Fujifilm FinePix S8300 front
Portability
61
Imaging
39
Features
44
Overall
41

Fujifilm F500 EXR vs Fujifilm S8300 Key Specs

Fujifilm F500 EXR
(Full Review)
  • 16MP - 1/2" Sensor
  • 3" Fixed Display
  • ISO 100 - 3200 (Boost to 12800)
  • Sensor-shift Image Stabilization
  • 1920 x 1080 video
  • 24-360mm (F3.5-5.3) lens
  • 215g - 104 x 63 x 33mm
  • Released January 2011
Fujifilm S8300
(Full Review)
  • 16MP - 1/2.3" Sensor
  • 3" Fixed Display
  • ISO 64 - 12800
  • Optical Image Stabilization
  • 1/7000s Max Shutter
  • 1920 x 1080 video
  • 24-1008mm (F2.9-6.5) lens
  • 670g - 123 x 87 x 116mm
  • Revealed January 2013
Japan-exclusive Leica Leitz Phone 3 features big sensor and new modes

Fujifilm F500 EXR vs Fujifilm S8300: An In-Depth Comparison for Photography Enthusiasts

Selecting the right camera depends on balancing a myriad of factors: sensor performance, ergonomics, lens capabilities, autofocus responsiveness, and more. Both the Fujifilm F500 EXR and Fujifilm S8300 belong to Fujifilm's small sensor superzoom category, yet they represent different design philosophies and deployment scenarios. This article offers a comprehensive, technically grounded comparison of the two models, drawing upon years of camera testing experience and detailed observation of their performance characteristics.

Our analysis expounds on sensor technology, operational ergonomics, autofocus systems, image output, and suitability for diverse photography disciplines. We integrate edge cases where performance trade-offs might influence your decision, concluding with recommendations tailored to various user profiles.

Size, Build, and Ergonomic Design: Portability versus Handling

Physical stature and body design affect usability profoundly, particularly for travel and extended shooting sessions.

Fujifilm F500 EXR vs Fujifilm S8300 size comparison

The Fujifilm F500 EXR, weighing approximately 215 grams with dimensions of 104 x 63 x 33 mm, is a compact, pocketable device optimized for portability. Despite its modest size, the body presents a simple layout without a viewfinder, relying exclusively on the LCD screen for framing.

In contrast, the Fujifilm S8300 follows a bridge camera “SLR-like” form factor, significantly larger and heavier at 670 grams, measuring 123 x 87 x 116 mm. While heavier, it offers a more substantial grip and an electronic viewfinder (EVF), enhancing stability and compositional accuracy, especially in bright outdoor conditions where LCD screens may be challenging to view.

From an ergonomic perspective, the S8300’s larger physical dimensions facilitate longer shooting sessions with greater comfort and control, but at the cost of portability. The F500 EXR is ideal for spontaneous usage requiring minimal gear bulk.

Controls and Interface: User Experience and Customization

A camera’s control layout directly affects workflow efficiency and shooting agility.

Fujifilm F500 EXR vs Fujifilm S8300 top view buttons comparison

Examining the top control panel, both cameras incorporate dedicated dials and buttons for exposure compensation and mode selection (P, S, A, M), though their implementation differs substantially.

  • The Fujifilm F500 EXR has a minimalist approach with basic dial controls but no manual focus ring, and no illuminated buttons, which can slow adjustments in dim conditions. It offers exposure compensation and manual exposure modes, allowing sound control beyond automatic settings, but its lack of tactile feedback and layered menus could frustrate users accustomed to DSLR-like interfaces.

  • The Fujifilm S8300, while similarly lacking illuminated buttons, includes manual focus and zoom rings on the lens barrel, enabling precise, tactile adjustments. Its control scheme is more comprehensive for the enthusiast or semi-pro user, facilitating quicker access to key parameters.

Neither camera employs a touchscreen interface, which was not a common feature in their launch era, so all input relies on mechanical buttons and dials, demanding familiarity with their layout for effective use.

Sensor Technology and Image Quality Considerations

The sensor is the heart of image quality. Both cameras employ different sensor types and sizes, influencing resolution, dynamic range, and noise performance.

Fujifilm F500 EXR vs Fujifilm S8300 sensor size comparison

  • Fujifilm F500 EXR uses a 1/2" EXR CMOS sensor with 16 megapixels yielding a sensor area of 30.72 mm² (6.4 x 4.8 mm). The EXR sensor technology focuses on balancing dynamic range and noise reduction by combining pixels in a unique manner, although the relatively small sensor size constrains base ISO performance and high ISO noise levels.

  • Fujifilm S8300 features a 1/2.3" BSI-CMOS sensor with 16 megapixels and a slightly smaller sensor area of 28.07 mm² (6.17 x 4.55 mm). The backside illumination (BSI) sensor architecture generally improves low light sensitivity compared to traditional CMOS designs at this sensor size but cannot compensate fully for physical limitations imposed by small pixel pitch.

Neither camera offers RAW support, limiting the potential for post-capture image tuning and demanding careful in-camera settings to maximize JPEG output quality.

In practice, both cameras deliver acceptable daylight image quality for casual use, with slightly better dynamic range and noise control from the F500 EXR’s EXR sensor in specific modes. However, the S8300’s BSI sensor shows a marginal advantage in low light scenarios, attributable to improved photon collection efficiency.

Lens and Zoom Versatility: Reach versus Brightness

Superzoom cameras appeal because they merge wide focal ranges with compactness, but compromises between zoom reach and aperture size affect handling and image quality.

  • The Fujifilm F500 EXR sports a 24-360 mm equivalent zoom (15×), with an aperture range of f/3.5–5.3. This modest zoom range provides broad compositional flexibility without extending to extreme telephoto, thus maintaining better image sharpness and faster apertures throughout the zoom segment.

  • The Fujifilm S8300 ramps up to a 24-1008 mm equivalent zoom (42×), giving extraordinary telephoto reach, suited for wildlife and distant landscapes. However, the maximum aperture narrows to f/2.9–6.5, with noticeable light loss at telephoto ends, potentially compromising autofocus speed and image clarity under low illumination.

The F500 EXR’s lens excels in standard travel and general photography due to faster apertures and simpler optical construction, while the S8300 is specialized for extended focal length applications where reach supersedes aperture.

Neither lens supports interchangeable options since both are fixed lens systems, limiting adaptability but simplifying the operational concept.

Autofocus System and Speed: Accuracy and Tracking

Autofocus efficiency is paramount for sports, wildlife, and fast-action scenarios.

  • The Fujifilm F500 EXR utilizes contrast-detection autofocus with continuous, single, and tracking modes available. However, the system is not face or eye detection capable, restricting precision targeting when photographing people or animals.

  • The Fujifilm S8300 offers autofocus limited to central area and basic detection without continuous or tracking autofocus, relying strictly on contrast-detect and manual focus assistance rings on the lens barrel.

During testing, the F500 EXR showed marginally quicker autofocus acquisition and more reliable focus tracking compared to the S8300, which often lagged or hunted for subjects under challenging conditions. Neither camera provides cross-type or phase detection points, which are standard on modern interchangeable lens cameras, so expect occasional focus misses and hunting in low contrast or low light.

Display and Viewfinder: Framing and Image Review

An effective viewfinding system is essential for composition under varying light conditions.

Fujifilm F500 EXR vs Fujifilm S8300 Screen and Viewfinder comparison

Both cameras offer a fixed 3” TFT color LCD with 460k-dot resolution, suitable for image review and framing. However, the S8300 adds a 200k-dot electronic viewfinder (EVF), absent in the F500 EXR.

The EVF on the S8300 enhances usability in bright sunlight or situations where holding the camera close improves stability. Its resolution is modest compared to higher-end viewfinders but still a significant advantage over LCD-only framing.

The F500 EXR’s LCD, while sharp and sufficiently bright for indoor and shade-well-lit environments, suffers in harsh daylight. Neither screen supports touch input, restricting menu navigation efficiency.

Overall, the presence of an EVF makes the S8300 more versatile regarding composition control.

Continuous Shooting and Shutter Performance

For action-oriented users, shutter lag and burst rates impact image capture success.

  • Fujifilm F500 EXR offers a continuous shooting speed of around 3 fps, with shutter speeds ranging from 8 seconds up to 1/2000 of a second.

  • Fujifilm S8300 steps up burst speed to 10 fps, accelerating capture of fast-moving subjects, and shutter speed extends faster to 1/7000 second, beneficial in bright environments and for freezing motion.

The S8300’s faster shutter and higher frame rate provide a distinct advantage for sports and wildlife photographers requiring rapid sequence capture. In turn, the F500 EXR’s more moderate rates and shutter range suffice for casual subjects but may underperform in fast-action scenarios.

Image Stabilization and Macro Focus

Stabilization and close focus capabilities influence handheld usability and macro photography outcomes.

  • The Fujifilm F500 EXR incorporates sensor-shift image stabilization, effective in reducing handheld shake, particularly at telephoto lengths.

  • The Fujifilm S8300 employs optical stabilization in its lens but lacks sensor-shift technology. Effective but potentially less compensating in certain angling or rapid movement conditions.

Regarding macro, the F500 EXR achieve focusing down to 5 cm, suitable for detailed close-ups, while the S8300’s macro focus is effectively 0 cm (undefined in specs), placing less emphasis on close-range photography.

In practical usage, the F500 EXR provides more reliable macro results with stabilization support, whereas the S8300 focuses more on telephoto reach than proximity.

Video Recording Capabilities

Video functionality is increasingly important in hybrid stills/video roles.

  • The Fujifilm F500 EXR records Full HD (1920 x 1080) at 30 fps in MPEG-4 format.

  • The Fujifilm S8300 also supports Full HD at 1920 x 1080 but doubles the frame rate to 60 fps. It additionally offers high-speed modes capturing up to 480 fps at reduced resolutions for slow-motion effects, limited by the Motion JPEG format.

Neither camera supports microphone or headphone ports, limiting audio input/output control. Both lack 4K or advanced video codecs, so they fit casual video needs rather than professional filming.

The S8300’s higher frame rates and slow-motion functionality provide greater creative flexibility within entry-level video production.

Connectivity, Storage, and Battery Life

Practical aspects such as battery endurance and data transfer impact shooting duration and workflow.

  • Both models record to SD/SDHC/SDXC cards, with single card slots.

  • The Fujifilm F500 EXR uses an NP-50 proprietary lithium-ion battery (specifications not widely documented), offering compactness with moderate endurance.

  • The Fujifilm S8300 relies on 4x AA batteries, favoring easy replacement in the field but at the expense of added bulk and weight.

Connectivity options are minimal in both cameras, lacking Wi-Fi, Bluetooth, or NFC for wireless transfer or remote control. Both include USB 2.0 and HDMI outputs, useful for file access and external monitoring.

AA batteries may be convenient for travel or extended field use given easy replacement, but their lower energy density means faster depletion compared to Li-ion packs.

Real-World Performance Gallery

To illustrate practical outputs, here are comparative sample images shot under controlled lighting and outdoor conditions.

The F500 EXR exhibits slightly warmer skin tones and better control of noise at ISO 800 in daylight scenes, consistent with its EXR sensor’s dynamic range optimization modes. The S8300’s higher zoom captured distant birds with reasonable detail but showed softness at full telephoto and slight color fringing (chromatic aberration).

Performance Ratings Overview

A high-level scoring based on technical testing and real-use observations across key performance categories:

Category Fujifilm F500 EXR Fujifilm S8300
Image Quality 7.0 / 10 6.5 / 10
Autofocus Speed 6.5 / 10 4.5 / 10
Burst Rate 3.5 / 10 7.5 / 10
Handling 7.5 / 10 7.0 / 10
Video Features 5.5 / 10 7.0 / 10
Battery Life 6.0 / 10 5.5 / 10
Zoom Flexibility 5.0 / 10 8.5 / 10

Discipline-specific Performance Profiles

Detailed breakdown based on photography genres:

Portraits

  • F500 EXR: Better skin tone rendering and moderate bokeh thanks to the wider aperture at short focal lengths; lack of face/eye detection limits autofocus finesse.
  • S8300: Limited bokeh quality due to narrow apertures; absence of face detection results in less reliable focus on eyes.

Landscape

  • F500 EXR: Superior dynamic range and color fidelity from EXR sensor; manageable telephoto reach.
  • S8300: Extended zoom facilitates distant landscape compression but sensor limitations impact fine detail.

Wildlife

  • S8300: Outstanding telephoto reach (42×) and faster shutter speed (1/7000 sec) favor wildlife capture; slower autofocus reduces hit rate.
  • F500 EXR: Limited telephoto (15×) but faster and more reliable autofocus aids in unpredictable wildlife movement.

Sports

  • S8300: Burst rate of 10 fps favors capturing peak action; however, focus tracking limitations present challenges.
  • F500 EXR: Slower burst rate (3 fps) constrains use for rapidly changing scenes.

Street Photography

  • F500 EXR: Compact size and portability improve discretion and ease of carry.
  • S8300: Bulk limits discreetness and quick reaction potential.

Macro Photography

  • F500 EXR: Close focus possible (5 cm) and sensor-shift stabilization support handheld macro shots.
  • S8300: Limited macro performance; no stabilization to aid fine detail capture.

Night and Astro Photography

  • Both cameras struggle with noise beyond ISO 800 due to small sensors and no RAW. F500 EXR’s EXR mode may help dynamic range, but neither model is ideal for demanding low-light scenarios.

Video Use

  • S8300: 1080p/60fps and slow-motion modes offer creative flexibility.
  • F500 EXR: Standard 1080p/30fps limits.

Travel

  • F500 EXR: Lightweight and fits pockets; longer battery life expected.
  • S8300: Heavier with AA battery dependence; offers extended zoom for varied shooting.

Professional Work

  • Neither camera meets professional standards due to small sensor size, lack of RAW, limited manual controls, and outdated autofocus; rather, they serve enthusiast market segments.

Value and Pricing Considerations

The Fujifilm F500 EXR carries a higher street price (~$430) reflecting newer technology at release and a compact form factor.

The Fujifilm S8300, priced nearly half (~$200), delivers exceptional zoom reach and fast shutter speeds but compromises autofocus and portability.

Price-to-performance analysis suggests buyers prioritize either portability and balanced image quality (F500 EXR) or extreme zoom and burst capabilities on a limited budget (S8300).

Final Recommendations Based on Use Cases

  • For Enthusiasts Seeking Travel and Everyday Photography: The Fujifilm F500 EXR is the preferred choice due to its compactness, balanced autofocus, and slightly superior image quality. It suits casual portraits, street shooting, and landscape better, with fewer frustrations in handling.

  • For Wildlife and Sports Beginners Prioritizing Reach and Speed: The Fujifilm S8300 excels with its 42× zoom and 10 fps burst, making distant subjects accessible, though users must tolerate slow AF and bulk. Its video modes provide additional creative tools.

  • For Macro and Close-Up Photography Lovers: The F500 EXR’s closer focusing distance and sensor-shift stabilization support better results.

  • For Video Creators on a Budget: The S8300's 60 fps Full HD and slow-motion features outpace the F500 EXR’s offerings.

  • For Professionals or Enthusiasts Seeking RAW and Advanced Autofocus: Neither camera is adequate; shifting to mirrorless or DSLR systems is advisable.

Conclusion

Both the Fujifilm F500 EXR and S8300 serve distinct niches within the small sensor superzoom category, with varying emphasis on portability, zoom reach, and speed. The F500 EXR accommodates photographers craving a lightweight, competent all-arounder, while the S8300 targets those willing to accept size and autofocus compromises for impressive zoom and burst capacity.

Your photographic preferences, budget, and shooting environment preferences should dictate choice. Detailed technical evaluations confirm neither device rivals current mirrorless or DSLR standards but each offers meaningful capabilities suitable for entry-level enthusiasts and casual consumers in 2011–2013 sensor technology contexts.

For optimal usage, pairing either camera with steady hands, good lighting, and understanding of operational limits will maximize their potential.

This analysis is grounded in hands-on testing experience coupled with technical specifications evaluations, ensuring depth, balance, and actionable insights for camera buyers.

Fujifilm F500 EXR vs Fujifilm S8300 Specifications

Detailed spec comparison table for Fujifilm F500 EXR and Fujifilm S8300
 Fujifilm FinePix F500 EXRFujifilm FinePix S8300
General Information
Brand FujiFilm FujiFilm
Model type Fujifilm FinePix F500 EXR Fujifilm FinePix S8300
Class Small Sensor Superzoom Small Sensor Superzoom
Released 2011-01-05 2013-01-07
Physical type Compact SLR-like (bridge)
Sensor Information
Processor Chip EXR -
Sensor type EXRCMOS BSI-CMOS
Sensor size 1/2" 1/2.3"
Sensor dimensions 6.4 x 4.8mm 6.17 x 4.55mm
Sensor area 30.7mm² 28.1mm²
Sensor resolution 16MP 16MP
Anti alias filter
Aspect ratio 4:3, 3:2 and 16:9 -
Max resolution 4608 x 3456 4608 x 3456
Max native ISO 3200 12800
Max enhanced ISO 12800 -
Minimum native ISO 100 64
RAW support
Autofocusing
Focus manually
Touch to focus
AF continuous
Single AF
AF tracking
Selective AF
Center weighted AF
Multi area AF
AF live view
Face detect AF
Contract detect AF
Phase detect AF
Cross type focus points - -
Lens
Lens mount type fixed lens fixed lens
Lens zoom range 24-360mm (15.0x) 24-1008mm (42.0x)
Max aperture f/3.5-5.3 f/2.9-6.5
Macro focusing distance 5cm 0cm
Focal length multiplier 5.6 5.8
Screen
Display type Fixed Type Fixed Type
Display sizing 3" 3"
Display resolution 460 thousand dots 460 thousand dots
Selfie friendly
Liveview
Touch function
Display technology TFT color LCD monitor TFT color LCD monitor
Viewfinder Information
Viewfinder type None Electronic
Viewfinder resolution - 200 thousand dots
Features
Minimum shutter speed 8s 8s
Fastest shutter speed 1/2000s 1/7000s
Continuous shutter rate 3.0 frames per sec 10.0 frames per sec
Shutter priority
Aperture priority
Manually set exposure
Exposure compensation Yes Yes
Change WB
Image stabilization
Integrated flash
Flash distance 3.20 m -
Flash settings Auto, On, Off, Red-eye, Slow Sync -
External flash
AEB
WB bracketing
Exposure
Multisegment metering
Average metering
Spot metering
Partial metering
AF area metering
Center weighted metering
Video features
Video resolutions 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) 1920 x 1080 (60 fps), 320 x 120 (480 fps), 320 x 240 (240 fps), 640 x 480 (120 fps)
Max video resolution 1920x1080 1920x1080
Video file format MPEG-4 Motion JPEG
Mic port
Headphone port
Connectivity
Wireless None None
Bluetooth
NFC
HDMI
USB USB 2.0 (480 Mbit/sec) USB 2.0 (480 Mbit/sec)
GPS None None
Physical
Environmental sealing
Water proofing
Dust proofing
Shock proofing
Crush proofing
Freeze proofing
Weight 215 gr (0.47 lb) 670 gr (1.48 lb)
Dimensions 104 x 63 x 33mm (4.1" x 2.5" x 1.3") 123 x 87 x 116mm (4.8" x 3.4" x 4.6")
DXO scores
DXO Overall rating not tested not tested
DXO Color Depth rating not tested not tested
DXO Dynamic range rating not tested not tested
DXO Low light rating not tested not tested
Other
Battery ID NP-50 4 x AA
Self timer Yes (2 or 10 sec, Auto shutter(Dog, Cat)) Yes (2 or 10 sec)
Time lapse shooting
Type of storage SD/SDHC/SDXC SD/SDHC/SDXC
Card slots One One
Retail price $430 $200