Fujifilm F500 EXR vs Panasonic LX3
91 Imaging
39 Features
42 Overall
40


91 Imaging
34 Features
40 Overall
36
Fujifilm F500 EXR vs Panasonic LX3 Key Specs
(Full Review)
- 16MP - 1/2" Sensor
- 3" Fixed Screen
- ISO 100 - 3200 (Expand to 12800)
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 24-360mm (F3.5-5.3) lens
- 215g - 104 x 63 x 33mm
- Launched January 2011
(Full Review)
- 10MP - 1/1.63" Sensor
- 3" Fixed Display
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 24-60mm (F2.0-2.8) lens
- 265g - 109 x 60 x 27mm
- Revealed November 2008
- New Model is Panasonic LX5

Fujifilm F500 EXR vs Panasonic Lumix LX3: A Detailed Comparison for Photography Enthusiasts
Choosing the right camera is a foundational step in any photographer's journey, whether you're just getting started or are a seasoned pro seeking a reliable compact option. Today, we dive deep into a side-by-side comparison of two popular small sensor compacts from the late 2000s to early 2010s era: the Fujifilm FinePix F500 EXR and the Panasonic Lumix DMC-LX3. Both cameras bring distinct philosophies and strengths to the table, with Fujifilm emphasizing superzoom flexibility and Panasonic focusing on premium optics and manual control.
Through this comparison, built on extensive hands-on testing across numerous lenses and lighting conditions, we'll guide you in understanding which model better fits your photographic style and technical requirements. We will explore sensor technologies, autofocus capabilities, ergonomics, image quality, and practical performance in various photography disciplines - from portraiture to wildlife to video.
Let's start by sizing up their physical presence and ease of use.
Compact Design and Handling: Ergonomics That Suit Your Shooting Style
When exploring compact cameras, size, weight, and control layout make an immediate difference in handheld comfort and shooting spontaneity.
Feature | Fujifilm FinePix F500 EXR | Panasonic Lumix DMC-LX3 |
---|---|---|
Dimensions (WxHxD) | 104 x 63 x 33 mm | 109 x 60 x 27 mm |
Weight | 215 g | 265 g |
Grip Style | Modest grip, mostly smooth | Slightly bulkier with grip bumps |
Lens Extension | Large superzoom lens | Compact fast prime-like lens |
Physical Controls | Mode dial, manual exposure | Rich manual dials, aperture ring |
Screen | 3" fixed TFT LCD | 3" fixed LCD without touch |
What This Means for You
If portability is paramount, the Fujifilm F500 EXR edges out slightly on being lighter and a bit shorter in height, making it easier to slip into pockets or casual bags. However, the Panasonic LX3’s thicker body is comfortable to grip securely, an important factor for shooting with longer exposures or when steady handling is necessary.
The Panasonic shines with tactile manual controls - an aperture ring around the lens and dedicated dials, offering faster adjustments without diving into menus. In contrast, Fujifilm’s layout is simpler and possibly friendlier for users transitioning from fully automatic setups.
Sensor Technology and Image Quality: The Heart of Your Visual Story
Understanding sensor specifications is crucial because they define your image’s sharpness, color depth, noise levels, and dynamic range - all core components for professional results.
Specification | Fujifilm FinePix F500 EXR | Panasonic Lumix DMC-LX3 |
---|---|---|
Sensor Type | EXR CMOS | CCD |
Sensor Size | 1/2" (6.4 x 4.8 mm) | 1/1.63" (8.07 x 5.56 mm) |
Sensor Area | ~30.7 mm² | ~44.9 mm² |
Megapixels | 16 | 10 |
Native ISO Range | 100–3200 | 80–6400 |
RAW Support | No | Yes |
Anti-alias Filter | Yes | Yes |
Max Image Resolution | 4608 x 3456 px | 3648 x 2736 px |
DxOMark Overall Score* | Not Tested | 39 |
(*DxOMark is a widely-respected image sensor benchmark based on lab results)
Expert Analysis
Sensor size is pivotal because larger sensors typically deliver better image quality by capturing more light, which impacts noise, dynamic range, and color depth. The Panasonic LX3 features a notably larger 1/1.63-inch CCD sensor compared to the F500 EXR’s smaller 1/2" EXR CMOS sensor.
This difference means the Panasonic LX3 has better low-light performance, richer color fidelity, and superior dynamic range capabilities, as confirmed by its respectable DxOMark score of 39. The CCD sensor, although older technology compared to CMOS, excels in color rendition and tonal transitions but at the expense of higher power consumption.
The Fujifilm F500 EXR touts a higher megapixel count (16MP) compared to the LX3’s 10MP, but in practical use, higher megapixels on a smaller sensor can lead to increased noise and less detailed images in low light. Additionally, the lack of RAW support on the F500 EXR limits post-processing flexibility, which professionals and enthusiasts often rely on for fine-tuning exposures and colors.
Lens and Zoom Versatility: Fixed Zoom or Fast Prime?
Lens capabilities define what kinds of scenes you can capture and how creative you can be with focus and depth.
Feature | Fujifilm F500 EXR | Panasonic LX3 |
---|---|---|
Focal Length | 24-360 mm (15x optical zoom) | 24-60 mm (2.5x optical zoom) |
Max Aperture | f/3.5–f/5.3 | f/2.0–f/2.8 |
Macro Minimum Focus | 5 cm | 1 cm |
Image Stabilization | Sensor-shift (digital sensor based) | Optical (lens-based) |
External Flash | No | Yes |
Practical Takeaways
The Fujifilm F500 EXR offers remarkable 15x zoom reaching to 360mm (equivalent), a feature beneficial for wildlife or travel photographers who cannot always get close to their subjects. However, this long zoom comes at the tradeoff of a relatively slow lens aperture, especially at the telephoto end, which can challenge indoor and low-light shooting.
Conversely, the Panasonic LX3 features a fast bright lens starting at f/2.0, excellent for low light and achieving shallow depth of field effects such as creamy bokeh - ideal for portraits and artistic work. It also focuses as close as 1 cm, allowing superb macro photography with excellent subject separation. The LX3’s optical image stabilization is generally more effective than sensor-shift digital stabilization, producing sharper photos in challenging lighting.
Autofocus and Shooting Responsiveness: Capturing the Moment
Reliable autofocus (AF) and shooting speed are non-negotiable for action, wildlife, and street photography.
Feature | Fujifilm F500 EXR | Panasonic LX3 |
---|---|---|
AF System | Contrast-detection, 3 fps cont. | Contrast-detection, 3 fps cont. |
AF Modes | Single, Continuous, Tracking | Single only |
Focus Points | Unknown (likely limited) | Few |
Manual Focus | No | Yes |
Face/Eye Detection | No | No |
Burst Mode | 3 fps | 3 fps |
Both cameras share a contrast detection autofocus mechanism common to compacts from their era, which performs decently in good light but can struggle under dim conditions or with fast-moving subjects.
The Fujifilm’s continuous AF and tracking make it somewhat better suited for casual movement capture. However, the Panasonic LX3 lacks continuous AF modes but compensates with a manual focus ring to tune focus precisely, helpful in macro or artistic shots.
Neither includes modern face or eye-detection systems, meaning they’re less capable for portrait photographers wanting seamless subject tracking. AF speed and accuracy are best tested in real-world conditions, and in my experience, the LX3's manual focus versatility compensates well in situations where autofocus slows down.
Display and User Interface: How You Interact With Your Camera
A clear, responsive LCD screen and intuitive controls make shooting pleasurable and efficient.
Feature | Fujifilm F500 EXR | Panasonic LX3 |
---|---|---|
Screen Size | 3” fixed TFT LCD | 3” fixed LCD |
Resolution | 460k dots | 460k dots |
Touchscreen | No | No |
Custom Buttons | Limited | Several customizable |
Manual Dials | Minimal | Aperture ring & dials |
Both share sizable 3-inch LCDs with 460k dot resolution, sharp and vivid for composing shots and reviewing images. Neither camera offers touchscreen functionality, a norm for their release periods.
The Fujifilm F500 EXR interface leans towards simplicity with programmable exposure modes but fewer physical dials. On the other hand, the LX3 is designed with more enthusiast controls, including dedicated dials for shutter speed and exposure compensation plus the much-appreciated aperture ring, speeding up manual adjustments and enriching the photographic process.
Many photographers find Panasonic's control cluster more aligned with traditional SLR handling, which is a positive for adopting more advanced shooting techniques.
Battery Life and Storage: Keeping You Shooting All Day
Although exact battery life is not official for both, practical experience with small sensor compacts like these suggests some differences.
- Fujifilm F500 EXR: Uses NP-50 rechargeable battery, rated for moderate shot counts; light on power consumption but may require frequent recharging under heavy use.
- Panasonic LX3: Battery life shorter due to CCD sensor and manual control use; recommends carrying spares during extended sessions.
Both cameras accept SD/SDHC cards, with the LX3 also supporting MMC and some internal memory. The Fujifilm primarily supports SD/SDHC/SDXC formats. Neither includes dual card slots, so managing storage wisely is essential.
Performance Across Photography Genres: Where Each Camera Excels
A camera's utility depends heavily on its strengths in specific photography disciplines. Here's how they stack up:
Genre | Fujifilm F500 EXR Strengths | Panasonic LX3 Strengths |
---|---|---|
Portrait | Zoom flexibility to capture candid portraits from afar | Wide aperture for shallow DOF and flattering bokeh |
Landscape | Long zoom aids distant compression effects | Larger sensor delivers better dynamic range and color depth |
Wildlife | Telescope reach at 360mm equivalent | Limited zoom, but precise manual focus helps macro wildlife |
Sports | Continuous AF and 3 fps burst feasible | Burst limited; manual focus fiend not ideal |
Street | Compact and lightweight, discrete lens | Faster lens allows low-light street shooting |
Macro | Moderate minimum focus distance at 5 cm | Superb 1 cm focusing, ideal for detailed close-ups |
Night/Astro | Higher max ISO enabled (up to 12800 boosted) | Lower ISO ceiling but cleaner files at high ISO |
Video | Full HD (1080p/30 fps), HDMI out | HD 720p video only, no HDMI |
Travel | Wide zoom range covers most scenarios | Bright lens suits varying light conditions |
Professional Use | Manual exposure modes, but no RAW support | RAW shooting, manual controls, and better image quality |
Video Capabilities: Which Supports Your Motion Projects Better?
Considering video recording for hybrid shooters or vloggers:
- Fujifilm F500 EXR:
- Video up to 1920 x 1080 at 30fps (Full HD)
- HDMI output for external monitor/recorders
- Stereo audio recording possible (though no microphone port)
- Panasonic LX3:
- Video tops out at 1280 x 720 (HD) at 24fps
- No HDMI output or external microphone support
If video quality and flexibility matter, the Fujifilm F500 EXR has a clear advantage, offering full HD at standard frame rates and an HDMI port for improved workflow. While both lack professional audio inputs, the F500 EXR is better suited for casual video capture.
Build Quality and Durability: How Tough Are These Cameras?
Neither the Fujifilm F500 EXR nor the Panasonic LX3 offer weather resistance or rugged body construction. Both are compact, plastic-bodied cameras that require careful handling outdoors in poor weather.
If you frequently shoot in harsh environments, additional protective gear or a more rugged camera system would be necessary.
Connectivity and Workflow Integration
Both cameras lack Wi-Fi, Bluetooth, or GPS, consistent with their era. Data transfer relies on USB 2.0 standards, with the Fujifilm offering HDMI output, aiding tethered shooting or playback on external screens.
The LX3’s RAW support simplifies integration into professional workflows, permitting finer editing in Adobe Lightroom or Capture One, whereas the F500 EXR’s lack of RAW limits you to JPEGs with less flex.
Price and Value: What Do You Get for Your Money?
At launch, both retailed around $430-$450, positioning them as upper-tier compact cameras aimed at enthusiasts.
- Fujifilm F500 EXR: Offers extensive zoom and Full HD video capabilities.
- Panasonic LX3: Boasts superior image quality, fast lens, and manual control.
Your choice depends on whether you prioritize optical reach and video or low-light performance and photographic control.
Genre-Specific Performance Ratings to Guide Your Pick
Based on our test shoots and user feedback, here's a summarized genre suitability assessment:
Genre | Fujifilm F500 EXR Rating | Panasonic LX3 Rating |
---|---|---|
Portrait | Medium | High |
Landscape | Medium | High |
Wildlife | High | Medium |
Sports | Medium | Low |
Street | High | High |
Macro | Medium | High |
Night/Astro | Low | Medium |
Video | Medium | Low |
Travel | High | Medium |
Professional Use | Low | Medium |
Overall Performance Scores
Our comprehensive testing reveals the Panasonic LX3’s image quality and handling allow for more creative control and professional-grade photos, ideal for enthusiasts wanting a compact with serious photographic potential. Meanwhile, the Fujifilm F500 EXR appeals to travelers and casual users needing a long zoom and video capabilities in a lightweight package.
Final Thoughts: Which Camera Fits Your Needs?
To sum up the essential distinctions:
Choose the Fujifilm F500 EXR if you:
- Need a powerful 15x zoom for wildlife, events, or travel.
- Value Full HD video and HDMI output.
- Prefer a lighter camera for casual use and zoom flexibility.
- Are content working within JPEGs or simple editing workflows.
- Want basic manual exposure modes with straightforward controls.
Choose the Panasonic LX3 if you:
- Prioritize image quality, color rendition, and better low-light performance.
- Want RAW shooting for advanced post-processing.
- Appreciate manual dials and aperture control for creative shooting.
- Are interested in macro photography with very close focusing.
- Need a fast lens for portraits and street photography in variable lighting.
Getting the Most Out of Your Compact Camera Journey
Whichever camera suits your style best, getting hands-on time remains invaluable. Try borrowing each model if possible, test their control layouts, and capture a variety of scenes. Remember that lenses and sensor size are a tradeoff - superzoom versatility versus image quality and lens speed.
Invest in accessories matching your photographic ambitions: spare batteries for all-day shooting, fast memory cards, and perhaps a protective case. For enthusiasts, learning manual controls and experimenting with aperture/shutter combinations ultimately elevates your craft more than specs alone.
We hope this in-depth breakdown clarifies the nuances between the Fujifilm FinePix F500 EXR and Panasonic Lumix LX3. Both are remarkable in their ways, representing different points on the enthusiast spectrum. Choose what aligns with your creative goals and start capturing your unique story today.
Happy shooting!
Fujifilm F500 EXR vs Panasonic LX3 Specifications
Fujifilm FinePix F500 EXR | Panasonic Lumix DMC-LX3 | |
---|---|---|
General Information | ||
Manufacturer | FujiFilm | Panasonic |
Model type | Fujifilm FinePix F500 EXR | Panasonic Lumix DMC-LX3 |
Class | Small Sensor Superzoom | Small Sensor Compact |
Launched | 2011-01-05 | 2008-11-04 |
Body design | Compact | Compact |
Sensor Information | ||
Processor Chip | EXR | - |
Sensor type | EXRCMOS | CCD |
Sensor size | 1/2" | 1/1.63" |
Sensor measurements | 6.4 x 4.8mm | 8.07 x 5.56mm |
Sensor area | 30.7mm² | 44.9mm² |
Sensor resolution | 16 megapixel | 10 megapixel |
Anti alias filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
Max resolution | 4608 x 3456 | 3648 x 2736 |
Max native ISO | 3200 | 6400 |
Max enhanced ISO | 12800 | - |
Lowest native ISO | 100 | 80 |
RAW pictures | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Cross type focus points | - | - |
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | 24-360mm (15.0x) | 24-60mm (2.5x) |
Maximum aperture | f/3.5-5.3 | f/2.0-2.8 |
Macro focusing range | 5cm | 1cm |
Focal length multiplier | 5.6 | 4.5 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen size | 3 inches | 3 inches |
Resolution of screen | 460 thousand dot | 460 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Screen tech | TFT color LCD monitor | - |
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Min shutter speed | 8s | 60s |
Max shutter speed | 1/2000s | 1/2000s |
Continuous shutter speed | 3.0fps | 3.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 3.20 m | 8.30 m |
Flash options | Auto, On, Off, Red-eye, Slow Sync | Auto, On, Off, Red-Eye, Slow Sync |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1280 x 720 (HD 24 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30fps), 320 x 240 (10fps) |
Max video resolution | 1920x1080 | 1280x720 |
Video format | MPEG-4 | - |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 215 gr (0.47 lbs) | 265 gr (0.58 lbs) |
Physical dimensions | 104 x 63 x 33mm (4.1" x 2.5" x 1.3") | 109 x 60 x 27mm (4.3" x 2.4" x 1.1") |
DXO scores | ||
DXO Overall rating | not tested | 39 |
DXO Color Depth rating | not tested | 19.6 |
DXO Dynamic range rating | not tested | 10.8 |
DXO Low light rating | not tested | 94 |
Other | ||
Battery ID | NP-50 | - |
Self timer | Yes (2 or 10 sec, Auto shutter(Dog, Cat)) | Yes (2 or 10 sec) |
Time lapse feature | ||
Type of storage | SD/SDHC/SDXC | SD/MMC/SDHC card, Internal |
Storage slots | 1 | 1 |
Launch pricing | $430 | $449 |