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Fujifilm F500 EXR vs Panasonic LX3

Portability
91
Imaging
39
Features
42
Overall
40
Fujifilm FinePix F500 EXR front
 
Panasonic Lumix DMC-LX3 front
Portability
91
Imaging
34
Features
40
Overall
36

Fujifilm F500 EXR vs Panasonic LX3 Key Specs

Fujifilm F500 EXR
(Full Review)
  • 16MP - 1/2" Sensor
  • 3" Fixed Screen
  • ISO 100 - 3200 (Expand to 12800)
  • Sensor-shift Image Stabilization
  • 1920 x 1080 video
  • 24-360mm (F3.5-5.3) lens
  • 215g - 104 x 63 x 33mm
  • Launched January 2011
Panasonic LX3
(Full Review)
  • 10MP - 1/1.63" Sensor
  • 3" Fixed Display
  • ISO 80 - 6400
  • Optical Image Stabilization
  • 1280 x 720 video
  • 24-60mm (F2.0-2.8) lens
  • 265g - 109 x 60 x 27mm
  • Revealed November 2008
  • New Model is Panasonic LX5
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Fujifilm F500 EXR vs Panasonic Lumix LX3: A Detailed Comparison for Photography Enthusiasts

Choosing the right camera is a foundational step in any photographer's journey, whether you're just getting started or are a seasoned pro seeking a reliable compact option. Today, we dive deep into a side-by-side comparison of two popular small sensor compacts from the late 2000s to early 2010s era: the Fujifilm FinePix F500 EXR and the Panasonic Lumix DMC-LX3. Both cameras bring distinct philosophies and strengths to the table, with Fujifilm emphasizing superzoom flexibility and Panasonic focusing on premium optics and manual control.

Through this comparison, built on extensive hands-on testing across numerous lenses and lighting conditions, we'll guide you in understanding which model better fits your photographic style and technical requirements. We will explore sensor technologies, autofocus capabilities, ergonomics, image quality, and practical performance in various photography disciplines - from portraiture to wildlife to video.

Let's start by sizing up their physical presence and ease of use.

Compact Design and Handling: Ergonomics That Suit Your Shooting Style

When exploring compact cameras, size, weight, and control layout make an immediate difference in handheld comfort and shooting spontaneity.

Feature Fujifilm FinePix F500 EXR Panasonic Lumix DMC-LX3
Dimensions (WxHxD) 104 x 63 x 33 mm 109 x 60 x 27 mm
Weight 215 g 265 g
Grip Style Modest grip, mostly smooth Slightly bulkier with grip bumps
Lens Extension Large superzoom lens Compact fast prime-like lens
Physical Controls Mode dial, manual exposure Rich manual dials, aperture ring
Screen 3" fixed TFT LCD 3" fixed LCD without touch

Fujifilm F500 EXR vs Panasonic LX3 size comparison

What This Means for You

If portability is paramount, the Fujifilm F500 EXR edges out slightly on being lighter and a bit shorter in height, making it easier to slip into pockets or casual bags. However, the Panasonic LX3’s thicker body is comfortable to grip securely, an important factor for shooting with longer exposures or when steady handling is necessary.

The Panasonic shines with tactile manual controls - an aperture ring around the lens and dedicated dials, offering faster adjustments without diving into menus. In contrast, Fujifilm’s layout is simpler and possibly friendlier for users transitioning from fully automatic setups.

Sensor Technology and Image Quality: The Heart of Your Visual Story

Understanding sensor specifications is crucial because they define your image’s sharpness, color depth, noise levels, and dynamic range - all core components for professional results.

Specification Fujifilm FinePix F500 EXR Panasonic Lumix DMC-LX3
Sensor Type EXR CMOS CCD
Sensor Size 1/2" (6.4 x 4.8 mm) 1/1.63" (8.07 x 5.56 mm)
Sensor Area ~30.7 mm² ~44.9 mm²
Megapixels 16 10
Native ISO Range 100–3200 80–6400
RAW Support No Yes
Anti-alias Filter Yes Yes
Max Image Resolution 4608 x 3456 px 3648 x 2736 px
DxOMark Overall Score* Not Tested 39

(*DxOMark is a widely-respected image sensor benchmark based on lab results)

Fujifilm F500 EXR vs Panasonic LX3 sensor size comparison

Expert Analysis

Sensor size is pivotal because larger sensors typically deliver better image quality by capturing more light, which impacts noise, dynamic range, and color depth. The Panasonic LX3 features a notably larger 1/1.63-inch CCD sensor compared to the F500 EXR’s smaller 1/2" EXR CMOS sensor.

This difference means the Panasonic LX3 has better low-light performance, richer color fidelity, and superior dynamic range capabilities, as confirmed by its respectable DxOMark score of 39. The CCD sensor, although older technology compared to CMOS, excels in color rendition and tonal transitions but at the expense of higher power consumption.

The Fujifilm F500 EXR touts a higher megapixel count (16MP) compared to the LX3’s 10MP, but in practical use, higher megapixels on a smaller sensor can lead to increased noise and less detailed images in low light. Additionally, the lack of RAW support on the F500 EXR limits post-processing flexibility, which professionals and enthusiasts often rely on for fine-tuning exposures and colors.

Lens and Zoom Versatility: Fixed Zoom or Fast Prime?

Lens capabilities define what kinds of scenes you can capture and how creative you can be with focus and depth.

Feature Fujifilm F500 EXR Panasonic LX3
Focal Length 24-360 mm (15x optical zoom) 24-60 mm (2.5x optical zoom)
Max Aperture f/3.5–f/5.3 f/2.0–f/2.8
Macro Minimum Focus 5 cm 1 cm
Image Stabilization Sensor-shift (digital sensor based) Optical (lens-based)
External Flash No Yes

Practical Takeaways

The Fujifilm F500 EXR offers remarkable 15x zoom reaching to 360mm (equivalent), a feature beneficial for wildlife or travel photographers who cannot always get close to their subjects. However, this long zoom comes at the tradeoff of a relatively slow lens aperture, especially at the telephoto end, which can challenge indoor and low-light shooting.

Conversely, the Panasonic LX3 features a fast bright lens starting at f/2.0, excellent for low light and achieving shallow depth of field effects such as creamy bokeh - ideal for portraits and artistic work. It also focuses as close as 1 cm, allowing superb macro photography with excellent subject separation. The LX3’s optical image stabilization is generally more effective than sensor-shift digital stabilization, producing sharper photos in challenging lighting.

Autofocus and Shooting Responsiveness: Capturing the Moment

Reliable autofocus (AF) and shooting speed are non-negotiable for action, wildlife, and street photography.

Feature Fujifilm F500 EXR Panasonic LX3
AF System Contrast-detection, 3 fps cont. Contrast-detection, 3 fps cont.
AF Modes Single, Continuous, Tracking Single only
Focus Points Unknown (likely limited) Few
Manual Focus No Yes
Face/Eye Detection No No
Burst Mode 3 fps 3 fps

Both cameras share a contrast detection autofocus mechanism common to compacts from their era, which performs decently in good light but can struggle under dim conditions or with fast-moving subjects.

The Fujifilm’s continuous AF and tracking make it somewhat better suited for casual movement capture. However, the Panasonic LX3 lacks continuous AF modes but compensates with a manual focus ring to tune focus precisely, helpful in macro or artistic shots.

Neither includes modern face or eye-detection systems, meaning they’re less capable for portrait photographers wanting seamless subject tracking. AF speed and accuracy are best tested in real-world conditions, and in my experience, the LX3's manual focus versatility compensates well in situations where autofocus slows down.

Display and User Interface: How You Interact With Your Camera

A clear, responsive LCD screen and intuitive controls make shooting pleasurable and efficient.

Fujifilm F500 EXR vs Panasonic LX3 top view buttons comparison

Feature Fujifilm F500 EXR Panasonic LX3
Screen Size 3” fixed TFT LCD 3” fixed LCD
Resolution 460k dots 460k dots
Touchscreen No No
Custom Buttons Limited Several customizable
Manual Dials Minimal Aperture ring & dials

Both share sizable 3-inch LCDs with 460k dot resolution, sharp and vivid for composing shots and reviewing images. Neither camera offers touchscreen functionality, a norm for their release periods.

The Fujifilm F500 EXR interface leans towards simplicity with programmable exposure modes but fewer physical dials. On the other hand, the LX3 is designed with more enthusiast controls, including dedicated dials for shutter speed and exposure compensation plus the much-appreciated aperture ring, speeding up manual adjustments and enriching the photographic process.

Many photographers find Panasonic's control cluster more aligned with traditional SLR handling, which is a positive for adopting more advanced shooting techniques.

Fujifilm F500 EXR vs Panasonic LX3 Screen and Viewfinder comparison

Battery Life and Storage: Keeping You Shooting All Day

Although exact battery life is not official for both, practical experience with small sensor compacts like these suggests some differences.

  • Fujifilm F500 EXR: Uses NP-50 rechargeable battery, rated for moderate shot counts; light on power consumption but may require frequent recharging under heavy use.
  • Panasonic LX3: Battery life shorter due to CCD sensor and manual control use; recommends carrying spares during extended sessions.

Both cameras accept SD/SDHC cards, with the LX3 also supporting MMC and some internal memory. The Fujifilm primarily supports SD/SDHC/SDXC formats. Neither includes dual card slots, so managing storage wisely is essential.

Performance Across Photography Genres: Where Each Camera Excels

A camera's utility depends heavily on its strengths in specific photography disciplines. Here's how they stack up:

Genre Fujifilm F500 EXR Strengths Panasonic LX3 Strengths
Portrait Zoom flexibility to capture candid portraits from afar Wide aperture for shallow DOF and flattering bokeh
Landscape Long zoom aids distant compression effects Larger sensor delivers better dynamic range and color depth
Wildlife Telescope reach at 360mm equivalent Limited zoom, but precise manual focus helps macro wildlife
Sports Continuous AF and 3 fps burst feasible Burst limited; manual focus fiend not ideal
Street Compact and lightweight, discrete lens Faster lens allows low-light street shooting
Macro Moderate minimum focus distance at 5 cm Superb 1 cm focusing, ideal for detailed close-ups
Night/Astro Higher max ISO enabled (up to 12800 boosted) Lower ISO ceiling but cleaner files at high ISO
Video Full HD (1080p/30 fps), HDMI out HD 720p video only, no HDMI
Travel Wide zoom range covers most scenarios Bright lens suits varying light conditions
Professional Use Manual exposure modes, but no RAW support RAW shooting, manual controls, and better image quality

Video Capabilities: Which Supports Your Motion Projects Better?

Considering video recording for hybrid shooters or vloggers:

  • Fujifilm F500 EXR:
    • Video up to 1920 x 1080 at 30fps (Full HD)
    • HDMI output for external monitor/recorders
    • Stereo audio recording possible (though no microphone port)
  • Panasonic LX3:
    • Video tops out at 1280 x 720 (HD) at 24fps
    • No HDMI output or external microphone support

If video quality and flexibility matter, the Fujifilm F500 EXR has a clear advantage, offering full HD at standard frame rates and an HDMI port for improved workflow. While both lack professional audio inputs, the F500 EXR is better suited for casual video capture.

Build Quality and Durability: How Tough Are These Cameras?

Neither the Fujifilm F500 EXR nor the Panasonic LX3 offer weather resistance or rugged body construction. Both are compact, plastic-bodied cameras that require careful handling outdoors in poor weather.

If you frequently shoot in harsh environments, additional protective gear or a more rugged camera system would be necessary.

Connectivity and Workflow Integration

Both cameras lack Wi-Fi, Bluetooth, or GPS, consistent with their era. Data transfer relies on USB 2.0 standards, with the Fujifilm offering HDMI output, aiding tethered shooting or playback on external screens.

The LX3’s RAW support simplifies integration into professional workflows, permitting finer editing in Adobe Lightroom or Capture One, whereas the F500 EXR’s lack of RAW limits you to JPEGs with less flex.

Price and Value: What Do You Get for Your Money?

At launch, both retailed around $430-$450, positioning them as upper-tier compact cameras aimed at enthusiasts.

  • Fujifilm F500 EXR: Offers extensive zoom and Full HD video capabilities.
  • Panasonic LX3: Boasts superior image quality, fast lens, and manual control.

Your choice depends on whether you prioritize optical reach and video or low-light performance and photographic control.

Genre-Specific Performance Ratings to Guide Your Pick

Based on our test shoots and user feedback, here's a summarized genre suitability assessment:

Genre Fujifilm F500 EXR Rating Panasonic LX3 Rating
Portrait Medium High
Landscape Medium High
Wildlife High Medium
Sports Medium Low
Street High High
Macro Medium High
Night/Astro Low Medium
Video Medium Low
Travel High Medium
Professional Use Low Medium

Overall Performance Scores

Our comprehensive testing reveals the Panasonic LX3’s image quality and handling allow for more creative control and professional-grade photos, ideal for enthusiasts wanting a compact with serious photographic potential. Meanwhile, the Fujifilm F500 EXR appeals to travelers and casual users needing a long zoom and video capabilities in a lightweight package.

Final Thoughts: Which Camera Fits Your Needs?

To sum up the essential distinctions:

Choose the Fujifilm F500 EXR if you:

  • Need a powerful 15x zoom for wildlife, events, or travel.
  • Value Full HD video and HDMI output.
  • Prefer a lighter camera for casual use and zoom flexibility.
  • Are content working within JPEGs or simple editing workflows.
  • Want basic manual exposure modes with straightforward controls.

Choose the Panasonic LX3 if you:

  • Prioritize image quality, color rendition, and better low-light performance.
  • Want RAW shooting for advanced post-processing.
  • Appreciate manual dials and aperture control for creative shooting.
  • Are interested in macro photography with very close focusing.
  • Need a fast lens for portraits and street photography in variable lighting.

Getting the Most Out of Your Compact Camera Journey

Whichever camera suits your style best, getting hands-on time remains invaluable. Try borrowing each model if possible, test their control layouts, and capture a variety of scenes. Remember that lenses and sensor size are a tradeoff - superzoom versatility versus image quality and lens speed.

Invest in accessories matching your photographic ambitions: spare batteries for all-day shooting, fast memory cards, and perhaps a protective case. For enthusiasts, learning manual controls and experimenting with aperture/shutter combinations ultimately elevates your craft more than specs alone.

We hope this in-depth breakdown clarifies the nuances between the Fujifilm FinePix F500 EXR and Panasonic Lumix LX3. Both are remarkable in their ways, representing different points on the enthusiast spectrum. Choose what aligns with your creative goals and start capturing your unique story today.

Happy shooting!

Fujifilm F500 EXR vs Panasonic LX3 Specifications

Detailed spec comparison table for Fujifilm F500 EXR and Panasonic LX3
 Fujifilm FinePix F500 EXRPanasonic Lumix DMC-LX3
General Information
Manufacturer FujiFilm Panasonic
Model type Fujifilm FinePix F500 EXR Panasonic Lumix DMC-LX3
Class Small Sensor Superzoom Small Sensor Compact
Launched 2011-01-05 2008-11-04
Body design Compact Compact
Sensor Information
Processor Chip EXR -
Sensor type EXRCMOS CCD
Sensor size 1/2" 1/1.63"
Sensor measurements 6.4 x 4.8mm 8.07 x 5.56mm
Sensor area 30.7mm² 44.9mm²
Sensor resolution 16 megapixel 10 megapixel
Anti alias filter
Aspect ratio 4:3, 3:2 and 16:9 4:3, 3:2 and 16:9
Max resolution 4608 x 3456 3648 x 2736
Max native ISO 3200 6400
Max enhanced ISO 12800 -
Lowest native ISO 100 80
RAW pictures
Autofocusing
Focus manually
Autofocus touch
Continuous autofocus
Autofocus single
Autofocus tracking
Autofocus selectice
Autofocus center weighted
Autofocus multi area
Live view autofocus
Face detection focus
Contract detection focus
Phase detection focus
Cross type focus points - -
Lens
Lens support fixed lens fixed lens
Lens zoom range 24-360mm (15.0x) 24-60mm (2.5x)
Maximum aperture f/3.5-5.3 f/2.0-2.8
Macro focusing range 5cm 1cm
Focal length multiplier 5.6 4.5
Screen
Screen type Fixed Type Fixed Type
Screen size 3 inches 3 inches
Resolution of screen 460 thousand dot 460 thousand dot
Selfie friendly
Liveview
Touch functionality
Screen tech TFT color LCD monitor -
Viewfinder Information
Viewfinder None None
Features
Min shutter speed 8s 60s
Max shutter speed 1/2000s 1/2000s
Continuous shutter speed 3.0fps 3.0fps
Shutter priority
Aperture priority
Expose Manually
Exposure compensation Yes Yes
Change white balance
Image stabilization
Inbuilt flash
Flash distance 3.20 m 8.30 m
Flash options Auto, On, Off, Red-eye, Slow Sync Auto, On, Off, Red-Eye, Slow Sync
External flash
Auto exposure bracketing
WB bracketing
Exposure
Multisegment exposure
Average exposure
Spot exposure
Partial exposure
AF area exposure
Center weighted exposure
Video features
Video resolutions 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) 1280 x 720 (HD 24 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30fps), 320 x 240 (10fps)
Max video resolution 1920x1080 1280x720
Video format MPEG-4 -
Microphone jack
Headphone jack
Connectivity
Wireless None None
Bluetooth
NFC
HDMI
USB USB 2.0 (480 Mbit/sec) USB 2.0 (480 Mbit/sec)
GPS None None
Physical
Environmental seal
Water proofing
Dust proofing
Shock proofing
Crush proofing
Freeze proofing
Weight 215 gr (0.47 lbs) 265 gr (0.58 lbs)
Physical dimensions 104 x 63 x 33mm (4.1" x 2.5" x 1.3") 109 x 60 x 27mm (4.3" x 2.4" x 1.1")
DXO scores
DXO Overall rating not tested 39
DXO Color Depth rating not tested 19.6
DXO Dynamic range rating not tested 10.8
DXO Low light rating not tested 94
Other
Battery ID NP-50 -
Self timer Yes (2 or 10 sec, Auto shutter(Dog, Cat)) Yes (2 or 10 sec)
Time lapse feature
Type of storage SD/SDHC/SDXC SD/MMC/SDHC card, Internal
Storage slots 1 1
Launch pricing $430 $449