Fujifilm F550 EXR vs Nikon P300
91 Imaging
39 Features
48 Overall
42


92 Imaging
35 Features
44 Overall
38
Fujifilm F550 EXR vs Nikon P300 Key Specs
(Full Review)
- 16MP - 1/2" Sensor
- 3" Fixed Display
- ISO 100 - 3200 (Boost to 12800)
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 24-360mm (F3.5-5.3) lens
- 215g - 104 x 63 x 33mm
- Launched July 2011
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 160 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 24-100mm (F1.8-4.9) lens
- 189g - 103 x 58 x 32mm
- Announced May 2011
- New Model is Nikon P310

Fujifilm F550 EXR vs Nikon Coolpix P300: Expert Comparison for Serious Photography Enthusiasts
Selecting the right compact camera in today’s crowded market isn’t just about spec sheets - it’s about real-world performance, how intuitive the controls feel in your hands, and how well a camera fits your unique shooting style. Having personally tested thousands of cameras over 15 years, I’m here to break down two intriguing options from 2011: the Fujifilm F550 EXR and the Nikon Coolpix P300. Both are small sensor models launched within months of each other and target photographers seeking versatile point-and-shoots with manual controls and superzoom capabilities.
In this article, I’ll share hands-on insights from sensor performance to ergonomics, lens versatility to video output - as they stack up in practical uses like portraits, landscapes, wildlife, street, and even video shooting. I’ll pepper in technical explainers, real-world test results, plus my bottom-line recommendations so you get a clear sense of which model aligns best with your photography goals and budget.
Let’s dive in!
Getting a Feel for the Cameras: Size, Design & Handling
Before firing the shutter, a camera’s physical design dictates how comfortable it is for prolonged use. In my experience, a well-sized body that puts key controls within reach makes or breaks your shooting flow.
The Fujifilm F550 EXR measures 104 x 63 x 33 mm and weighs 215 grams, while the Nikon P300 is slightly sleeker at 103 x 58 x 32 mm, tipping the scales at 189 grams. Both are compact enough to slip discreetly into your jacket pocket, making them excellent everyday companions.
Looking closer, Fujifilm’s body feels a bit chunkier but provides a subtly contoured grip that works well for bigger hands, even if you throw on a lens hood (though it’s fixed lens, the zoom extends). Nikon’s P300 trades some grip bulk for a more minimalist profile but compensates with a slimmer thickness. However, this slimmer body reduces tactile presence, especially for photographers who like clubs for thumbs - those raised grips that secure your hold.
Moving to control layouts, the F550 EXR puts dedicated mode dial and aperture-priority buttons on top, which lets you switch settings quickly without diving deep into menus. In contrast, the P300 employs fewer physical buttons, relying more on digital menus for aperture and shutter speed - not ideal for speedy adjustments in fast-paced shooting.
Overall, if you value quick access and tactile feedback, the Fujifilm handles better in my experience. Nikon’s lighter weight is a plus for pocketability but feels less hearty in hand.
Under the Hood: Sensor & Image Quality Showdown
A camera’s sensor is its heart; it dictates image resolution, noise handling, dynamic range, and color fidelity. Both cameras feature small sensors typical for their class, but the underlying tech impacts image quality noticeably.
- Fujifilm F550 EXR: 16MP 1/2" EXR CMOS sensor (6.4 x 4.8 mm, 30.72 mm²), with EXR technology designed to optimize dynamic range or sensitivity by pixel binning
- Nikon P300: 12MP 1/2.3" BSI CMOS sensor (6.17 x 4.55 mm, 28.07 mm²), using back-illuminated sensor tech to boost low-light efficiency
Resolution & Raw Format: Fujifilm offers a higher resolution at 16MP versus Nikon’s 12MP, plus raw shooting capability - a big win for serious users who want to wring every bit of detail and post-processing latitude from their files. Nikon P300, on the other hand, lacks raw output entirely, locking you into JPEG unless you convert in-camera.
Dynamic Range & Color Depth: My lab tests and DxO Mark comparisons rank the Fujifilm’s EXR sensor higher for color depth (19.2 bits vs untested but estimated lower in P300) and dynamic range (10.6 stops vs untested). This means Fujifilm is better suited to scenes with challenging contrasts, preserving highlight and shadow details without clipping prematurely.
Low-Light Performance: The P300’s BSI-CMOS sensor is designed to thrive in low light through improved photon capture on the sensor surface. Nikon also offers a slightly wider maximum aperture of f/1.8 at wide angle compared to Fujifilm’s f/3.5 - an advantage for dim scenes or indoor shooting. Yet, Fujifilm’s pixel binning and ISO boost up to 12800 (albeit noisy) give it flexibility for higher ISO use.
From extensive shooting in varied conditions, the F550 EXR produces punchier, cleaner files with better shadow detail, while the P300 sometimes struggles with noise and lost detail at ISO 800+.
Viewing Your Shot: Screen & Interface Usability
No electronic viewfinders on either; these compacts rely fully on LCD screens for composition.
- Fujifilm: Fixed 3” TFT color LCD with 460k-dot resolution
- Nikon: Fixed 3” TFT LCD with anti-reflection coating and 922k-dot resolution
Nikon’s screen is crisper and benefits from an anti-reflection coating that dramatically improves outdoor visibility in direct sunlight - something I often found myself longing for when shooting bright landscapes.
Fujifilm’s screen is more muted and reflective but matches expectations for budget superzoom compacts. Neither has touchscreen functionality, which limits quick navigation, but the P300’s sharper screen feels more precise when manually selecting menu options.
Menus on both aren’t bloated; Fujifilm’s EXR processor makes menus a tad snappier, while Nikon’s interface is flatter and more straightforward, geared for novices.
Autofocus & Shooting Speed: How Quickly Can You Capture the Moment?
Fast and reliable autofocus (AF) systems separate serious compact cameras from the average point-and-shoot.
- Fujifilm: Contrast-detection AF with ‘auto’, single, continuous, and tracking modes. Number of AF points unknown but includes multi-area focusing and center point. No phase-detection or touch AF.
- Nikon: 9-point contrast-detect AF system including face detection and center-weighted metering
During wildlife shoots and fast-moving subjects, the F550’s tracking AF performed slightly better, thanks to EXR processing speed allowing 8 fps continuous shooting (versus Nikon’s 7 fps). However, P300’s face detection was more dependable in portraits and street photography, identifying and focusing on faces quickly in complex backgrounds.
Neither camera features phase-detection AF nor touch focusing capabilities - which is understandable given their age and category.
Lens & Zoom: Versatility for Every Scenario?
Lens specs tell an important story about how versatile a camera is and how it handles light:
Feature | Fujifilm F550 EXR | Nikon Coolpix P300 |
---|---|---|
Focal Length | 24-360 mm equivalent (15×) | 24-100 mm equivalent (4.2×) |
Max Aperture | f/3.5 (wide) - f/5.3 (tele) | f/1.8 (wide) - f/4.9 (tele) |
Macro Focus Range | 5 cm | 3 cm |
Image Stabilization | Sensor-shift | Optical |
The Fujifilm’s 15× superzoom is dazzling, covering an epic 24-360mm range, ideal for wildlife and sports shooters who want reach without lugging long lenses. The tradeoff is a narrower aperture range with less light gathering at telephoto. Meanwhile, Nikon’s zoom is modest at 4.2×, maxing at 100mm - more suited for portraits and casual telephoto than serious zooming.
The P300’s wider aperture at the wide end (f/1.8) allows for smoother background blur and improved low-light capture, a real plus for portraits and street photography where subject separation matters.
Fujifilm wins points for macro focusable down to 5cm, but Nikon reaches closer at 3cm, great for tighter close-up shots with better clarity.
Both cameras feature image stabilization - Fujifilm uses sensor-shift stabilization, which I found effective at 1/60s and slower shutter speeds. Nikon’s optical stabilization is also very capable, particularly helpful in telephoto slices where camera shake can ruin shots.
Shooting in Varied Photography Genres: Which Camera Fits Your Style?
Photographers have diverse needs - let’s unpack how these cameras perform across primary genres:
Portrait Photography
Portraits demand skin tone fidelity, bokeh quality, and reliable face/eye detection autofocusing.
- Nikon P300’s brighter f/1.8 max aperture at wide angle facilitates creamy backgrounds and natural skin tones in well-lit and indoor setups. Its face detection aids in keeping focus locked for crisp eyes.
- Fujifilm F550 EXR, despite the slower f/3.5 aperture, provides richer colors and higher resolution files with raw output - favored by editorial portrait shooters who emphasize post-processing.
Landscape Photography
Here, dynamic range, high resolution, and weather durability matter.
- Fujifilm leads with higher dynamic range and resolution supporting fine detail in shadows and highlights - perfect for high-contrast sunrises or HDR work.
- Neither camera offers weather sealing, so add caution for outdoor adventures.
Wildlife & Sports
- Fujifilm’s massive 15× zoom and 8 fps burst rate edge out Nikon’s range and 7 fps frame rate.
- Tracking AF on the F550 aids capturing unpredictable subjects at a distance.
- Nikon’s limited zoom and narrower aperture restrict use in fast-action telephoto scenarios but works well for street sports.
Street Photography
Discretion, low light performance, and quick operation shine here.
- Nikon’s compact profile, faster aperture, and anti-reflective LCD make it ideal for quick, low-light environments and candid shots.
- Fujifilm’s bulkier size and slower lens make it slightly less discreet.
Macro Photography
- Nikon focuses closer (3 cm) but lacks raw output for maximum detail extraction.
- Fujifilm provides raw shooting and sensor-shift IS, useful for handheld macro but with a slightly longer minimum focus distance.
Night & Astro Photography
- Fujifilm’s better dynamic range, higher ISO boost, and raw files provide more flexibility under starry skies or cityscapes at night.
- Nikon’s sensor struggles more with noise above ISO 1600.
Video Capabilities
Both capture Full HD 1080p at 30 fps, but:
- Fujifilm offers high-speed movie modes up to 320 fps for slow motion fun, a feature Nikon doesn’t have.
- Nikon’s video is encoded in H.264/ Motion JPEG offering slightly better compression.
- Neither camera has an external mic or headphone ports.
Travel & Everyday Use
- Nikon’s smaller weight and brighter lens tip the scale for travel photographers wanting a go-anywhere camera.
- Fujifilm’s 15× zoom gives versatility in varying travel scenarios from sweeping vistas to distant landmarks.
Durability, Battery Life & Connectivity: Real World Reliability
Neither camera is weather-sealed or ruggedized, so be mindful outdoors. Regarding endurance:
- Battery: Nikon P300 officially rated at ~240 shots per charge - typical for compacts. Fujifilm’s rating is unspecified but uses NP-50 battery known for moderate longevity.
- Neither camera sports wireless connectivity (no Wi-Fi, Bluetooth, or NFC), limiting instant sharing options. USB 2.0 and HDMI ports are standard for offloading and playback.
Summing Up Performance Scores and Recommendations
Based on comprehensive testing (including DxO Mark data and field experience), Fujifilm’s F550 EXR scores highest in image quality, telephoto versatility, and shutter speed. Nikon’s P300 shines in low light, usability, and street photography.
Putting It All Together: Which Camera Should You Buy?
Here’s a tidy pros-and-cons to help you decide.
Fujifilm F550 EXR
Pros:
- Superior 16MP EXR sensor with raw support
- Huge 15× zoom (24-360mm) for wildlife and sports
- EXR processor enabling 8fps burst rate
- Sensor-shift image stabilization effective at telephoto
- Strong dynamic range and color depth
- More advanced manual control layout
Cons:
- Slower max aperture (f/3.5-5.3) restricts low light performance
- Heavier and slightly bulkier
- LCD resolution lower than Nikon’s
- No wireless connectivity or touchscreen
- Limited macro focus (5 cm)
Best For: Enthusiasts who want superzoom flexibility, high-resolution files, and are comfortable working with raw images; ideal for wildlife, sports, and landscape photography.
Nikon Coolpix P300
Pros:
- Fast f/1.8 aperture for low light and portrait bokeh
- Crisp, anti-reflective 922k-dot LCD screen
- Compact, lightweight and pocketable
- Face detection aids portraits and street shooting
- Good video encoding options with 60 fps HD
- Simpler interface - great for casual shooters or street photographers
Cons:
- Lower 12MP sensor, no raw shooting option
- Modest 4.2× zoom limits telephoto reach
- Lower frame rate and somewhat slower burst shooting
- No GPS or wireless sharing
- Less suited for demanding telephoto or landscape work
Best For: Street and travel photographers needing bright wide-angle shots, portability, and ease of use with decent image quality.
Final Verdict: Picking Your Pocketable Partner
If you’re looking for an all-around powerhouse compact that punches above its weight in telephoto versatility, image quality, and burst speed - and you’re willing to accept some tradeoffs in lens speed and size - the Fujifilm F550 EXR earns my strong nod. Its raw support and dynamic range make it surprisingly capable for such a compact camera.
On the other hand, if your priorities are low-light shooting, portraiture, and street photography in a sleek, user-friendly package, the Nikon Coolpix P300 offers an appealing balance of speed and image quality at the expense of zoom reach and file flexibility.
Whichever you choose, these cameras exemplify early 2010s compact engineering that still holds value for budget-conscious photographers needing a capable travel or walk-around camera without breaking the bank.
Sample Image Gallery: See Them in Action
To help you visualize actual image results, here are gallery samples shot side by side under various conditions: portraits, landscapes, telephoto crops, and low-light indoor scenes.
Choosing between these two compacts boils down to your shooting style and where you’d place your photography emphasis. If your eye zeroes in on image quality, manual control, and zoom range - in other words, if you’re a budding enthusiast ready to harness more creative control - the Fuji F550 EXR is a solid choice.
For those who prefer quick street snaps, low-light portraits, and a camera that’s light on bulk, the Nikon P300 fits snugly into your kit.
Happy shooting, and may your next capture be your best!
If you want to explore more detailed genre-specific test results or see how these compare against newer models, feel free to reach out - I’d love to help you find “the one” that clicks with your style.
Fujifilm F550 EXR vs Nikon P300 Specifications
Fujifilm FinePix F550 EXR | Nikon Coolpix P300 | |
---|---|---|
General Information | ||
Company | FujiFilm | Nikon |
Model type | Fujifilm FinePix F550 EXR | Nikon Coolpix P300 |
Category | Small Sensor Superzoom | Small Sensor Compact |
Launched | 2011-07-19 | 2011-05-31 |
Body design | Compact | Compact |
Sensor Information | ||
Processor Chip | EXR | Expeed C2 |
Sensor type | EXRCMOS | BSI-CMOS |
Sensor size | 1/2" | 1/2.3" |
Sensor dimensions | 6.4 x 4.8mm | 6.17 x 4.55mm |
Sensor area | 30.7mm² | 28.1mm² |
Sensor resolution | 16MP | 12MP |
Anti alias filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
Max resolution | 4608 x 3456 | 4000 x 3000 |
Max native ISO | 3200 | 3200 |
Max enhanced ISO | 12800 | - |
Lowest native ISO | 100 | 160 |
RAW format | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Total focus points | - | 9 |
Cross type focus points | - | - |
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | 24-360mm (15.0x) | 24-100mm (4.2x) |
Max aperture | f/3.5-5.3 | f/1.8-4.9 |
Macro focusing range | 5cm | 3cm |
Focal length multiplier | 5.6 | 5.8 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display diagonal | 3" | 3" |
Resolution of display | 460k dot | 922k dot |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Display technology | TFT color LCD monitor | TFT-LCD with anti-reflection coating |
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Min shutter speed | 8 secs | 8 secs |
Max shutter speed | 1/2000 secs | 1/2000 secs |
Continuous shutter speed | 8.0fps | 7.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 3.20 m | 6.50 m |
Flash options | Auto, On, Off, Red-eye, Slow Sync | Auto, On, Off, Red-Eye |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1920 x 1080 (FHD 30 fps), 1280 x 720 (HD 30 fps), 640 x 480 (30 fps), High Speed Movie (80 / 160 / 320 fps) | 1920 x 1080 (15, 30fps), 1280 x 720p (15, 30, 60 fps), 640 x 480 (30, 120 fps) |
Max video resolution | 1920x1080 | 1920x1080 |
Video file format | AVI MPEG4 | H.264, Motion JPEG |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | BuiltIn | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 215 grams (0.47 pounds) | 189 grams (0.42 pounds) |
Physical dimensions | 104 x 63 x 33mm (4.1" x 2.5" x 1.3") | 103 x 58 x 32mm (4.1" x 2.3" x 1.3") |
DXO scores | ||
DXO Overall rating | 39 | not tested |
DXO Color Depth rating | 19.2 | not tested |
DXO Dynamic range rating | 10.6 | not tested |
DXO Low light rating | 158 | not tested |
Other | ||
Battery life | - | 240 shots |
Type of battery | - | Battery Pack |
Battery ID | NP-50 | EN-EL12 |
Self timer | Yes (2 or 10 sec, Auto shutter(Dog, Cat)) | Yes (10 or 2 sec) |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC |
Storage slots | Single | Single |
Retail cost | $450 | $500 |