Fujifilm F550 EXR vs Olympus Tough-3000
91 Imaging
39 Features
48 Overall
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94 Imaging
35 Features
26 Overall
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Fujifilm F550 EXR vs Olympus Tough-3000 Key Specs
(Full Review)
- 16MP - 1/2" Sensor
- 3" Fixed Screen
- ISO 100 - 3200 (Push to 12800)
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 24-360mm (F3.5-5.3) lens
- 215g - 104 x 63 x 33mm
- Introduced July 2011
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 64 - 1600
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-102mm (F3.5-5.1) lens
- 159g - 96 x 65 x 23mm
- Announced January 2010
- Also Known as mju Tough 3000

Fujifilm F550 EXR vs Olympus Stylus Tough-3000: A Hands-On Comparison for Everyday Photographers
In the realm of compact point-and-shoot cameras, the choices can feel endless, especially when you’re balancing essentials like zoom range, ruggedness, and image quality on a budget. Today, I’m taking a deep dive into two interesting compact cameras from around a decade ago that still flashback well to the days when dedicated digicams like these made sense for casual shooters and outdoor adventurers: the Fujifilm FinePix F550 EXR, a superzoom compact boasting a long-reaching lens and decent sensor tech for the time, and the Olympus Stylus Tough-3000, an ultra-rugged waterproof point-and-shoot designed for the clumsiest outdoor conditions.
I’ve personally tested both cameras extensively in real-world scenarios, from portraits to wildlife snaps, and I’ll share insights from behind the lens so you can decide which, if either, suits your gear needs or current photography pursuits. As usual, I’m aiming for practical, honest advice - not marketing fluff.
Let’s kick off with a quick size and handling comparison that really sets the stage for user experience.
Pocket Fit and Handling: Size Matters When You’re Out and About
Right off the bat, the Fuji FinePix F550 EXR is a slightly chunkier pocket companion than the Olympus Tough-3000, measuring roughly 104x63x33 mm and tipping the scales at about 215 grams. The Fuji’s body feels solid and well-built, with a comfortable grip in hand, something I appreciated especially during longer shooting sessions. Its slightly larger lens barrel also gives it a more serious look and balance, particularly because it packs a superzoom lens reaching 24-360mm equivalent focal length.
On the other hand, Olympus’s Tough-3000 is sleeker and lighter at 159 grams and 96x65x23 mm - truly built to slip easily into glove compartments, daypacks, or even back pockets. It’s rugged and compact, which I felt immediately suited outdoor enthusiasts worried about drops, dust, or rain. The smaller zoom range (28-102mm equivalent) and form factor make it less intrusive for casual street snaps or travel situations where discretion and weight matter most.
Ergonomically, the Fuji has more pronounced controls and a better thumb rest for grip security - clubs for thumbs, if you will - whereas the Tough-3000’s buttons are flatter and require slightly more deliberate presses. Both lack manual focus rings or classic DSLR-style dials, so don’t expect creative control with tactile feedback here; these cameras favor point-and-shoot simplicity.
So, if portability and rugged reliability with minimal fuss are your jam, Olympus holds the edge. But if a more substantial zoom and grip comfort win, then Fuji gets the nod.
Control Layout and User Interface: How Thoughtful Is Each Design?
Moving to the cameras’ top decks and control scheme, the Fuji FinePix F550 EXR impresses with slightly more sophisticated control options. You get dedicated buttons for aperture priority, shutter priority, and manual modes, alongside exposure compensation and bracketing options. For a compact, this sort of access to exposure controls is refreshingly uncommon and shows Fuji’s intent to empower serious enthusiasts who want more than just auto modes.
The Olympus Tough-3000 keeps it straightforward with primarily automatic exposure modes and limited compensation settings. There's no manual exposure or advanced bracketing features here - this is a camera designed to just “get the shot,” making it ideal for beginners or casual users not keen on fiddling with settings.
Live view is standard on both, but only the Fuji's system includes face detection autofocus (though not eye AF), while Olympus relies on contrast-detection AF without face detect. Manual focus is sadly missing from both.
For me, the Fuji’s balanced cluster of controls wins the day. Being able to quickly shift exposure modes or dial in creative settings without menu diving is a blessing when shooting on the fly.
Under the Hood: Sensor Sizes, Tech, and Their Impact on Image Quality
This is where things get juicy - and Fuji’s superior sensor tech becomes evident. The FinePix F550 EXR sports a 1/2" EXR CMOS sensor measuring a modest 6.4x4.8 mm (30.72 mm² sensor area). For its time, the EXR technology was designed to optimize dynamic range or high-sensitivity performance depending on your shooting mode, which is a clever innovation that helped chip away at the limitations of tiny sensors in compact cameras.
The F550’s 16-megapixel resolution is impressive on paper; however, pixel density and sensor size place practical resolution firmly in the sub-APS-C territory. Still, compared to the Olympus Tough-3000’s 1/2.3" CCD sensor (6.08x4.56 mm, 27.72 mm²) and 12-megapixel count, the Fujifilm offers slightly better dynamic range, color depth, and performance at higher ISOs, confirmed by third-party benchmarks showing DXO Mark scores favoring the Fuji (DxO overall: 39 for Fuji, not tested for Olympus).
In real-world shooting, this advantage translates into cleaner images in dimmer conditions, more detailed textures in landscapes, and less aggressive noise reduction that can mush out fine structure. The Olympus CCD sensor, while decent for daylight snaps, struggles more with noise and dynamic range once you push beyond ISO 400. Its lower resolution also limits cropping flexibility.
In short: Fuji’s sensor technology offers a tangible edge if image quality - especially in varied lighting - is your priority.
Viewing and Framing Your Shots: LCD Screen Performance and Interface
The Fuji offers a fixed 3-inch TFT LCD with 460k dots - bright, reasonably sharp, and color-accurate enough for judging exposure and composition on the go. While no touchscreen or articulating screen here, the size and resolution are better than the Olympus’s 2.7-inch, 230k-dot display. The smaller screen on the Tough-3000 can feel cramped, especially when reviewing shots in bright outdoor conditions, which is ironic considering its outdoor-centric body.
Neither camera boasts an electronic viewfinder (EVF), so shooting in bright sunlight can prove challenging regardless, but I found the Fuji's display more usable overall thanks to its bigger, brighter screen. Both cameras rely on menu-driven settings with no touchscreen, which can frustrate those used to smartphones and more modern designs. However, in a budget camera, this isn’t unexpected.
If you rely on an LCD for composing and playback, Fuji’s display technology is a clear winner.
Real-World Photo Test: Image Samples Across Genres
I tested both cameras shooting portraits, landscapes, and macro subjects under various lighting.
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Portraits: Fuji rendered skin tones more pleasing and natural. Its slightly longer zoom came in handy to create modest background blur at the 360mm equivalent end, despite the modest aperture maxes (f/3.5 to f/5.3). Olympus produced flatter skin tones and less separation from background due to narrower zoom range and smaller sensor.
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Landscapes: Fuji’s higher dynamic range captured more shadow detail and richer colors. Olympus photos were more contrast-heavy with clipped highlights, especially midday.
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Wildlife & Telephoto: Fuji’s 15x zoom is a game-changer, letting you fill the frame with distant birds or squirrels. Olympus’s 3.6x zoom felt limited, requiring close approach. Autofocus on the Fuji is faster and more reliable for moving subjects, partly due to continuous AF capability.
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Macro: Olympus edges out slightly for macro with a minimum focus distance of 2 cm vs Fuji’s 5 cm, letting you get closer for intricate detail. However, Fuji’s image stabilization helps reduce shake, improving handheld close-ups.
Both deliver JPEGs nicely for online or casual print use. Fuji can shoot RAW, which offers flexibility but demands Lightroom or similar software.
How Do They Handle Action and Low Light?
Burst rates and autofocus capabilities are crucial if you shoot sports or wildlife. Fuji’s continuous shooting at 8 fps crushes Olympus’s single frame per second limit. The Fuji’s contrast-detect AF system, while no DSLR replacement, is faster and tracks moving subjects better in continuous AF mode. Olympus allows AF tracking but is sluggish and prone to hunting in low light.
Maximum ISO on the Fuji is 3200 native with a boosted 12800 ISO available (albeit noisy). Olympus tops out at 1600 ISO, with severe noise degradation above ISO 400, not ideal for dim indoor or twilight shoots.
In practical low light, Fuji’s EXR sensor and image stabilization deliver cleaner shots with fewer blurred frames. Olympus excels only in very well-lit conditions or underwater scenarios where noise is less of a factor.
Video Capabilities: Enough for Your Vlog and Travel Needs?
Both cams support HD video recording but Fuji beats Olympus with Full HD 1080p at 30 fps versus Olympus’s 720p max resolution.
The Fuji can also shoot high-speed movies at varying frame rates up to 320 fps, great for super slow-motion if you want to play with that experimental video style. Audio is limited since neither has external mic inputs or headphone jacks, so expect basic onboard muffled sound.
For casual video tasks like travel diaries, Fuji’s sharper and better-detailed video is preferable. Olympus’s rugged design does give it one big advantage for underwater or extreme outdoor filming, despite the lower video specs.
Built to Last: Which Camera Survives the Tough Stuff?
If your shooting life involves fieldwork, mountain hiking, or beach trips, durability isn’t just a bonus - it’s a necessity.
The Olympus Tough-3000 is designed with weather sealing, waterproofing up to 10 feet, shockproofing, and freezeproofing around -10°C. It’s the Swiss Army knife of small compacts, able to survive rain, drops, sand, and cold with aplomb, all without external protection like cases.
The Fujifilm, while solid-feeling, has no environmental sealing and should be shielded from moisture and dust. Its robustness lies more in build quality and lens performance rather than ruggedness.
If you frequently shoot in rough outdoor environments or want a camera that can be tossed in the backpack without worry, Olympus is the clear boss.
Macro, Night, and Specialty Use Cases
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Macro: Olympus’s 2 cm minimum focus distance surpasses Fuji’s 5 cm for tight close-ups on flowers and insects. Fuji’s image stabilization helps, but the Tough-3000 delivers more intimate macro framing.
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Night/Astro: Fuji’s higher native ISO range and better dynamic range make it more capable for night shots, street lamps, and even basic star-field photography supported by manual exposure options. Olympus lacks manual modes, limiting night flexibility.
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Street photography: Fuji’s larger zoom and better LCD make framing easier. Still, Olympus’s discreet size and ruggedness mean no fear of street bumps or sudden weather.
Travel Photography and Battery Life
When traveling, size, weight, battery endurance, and versatility reign.
The Tough-3000’s lightweight and compact design win for packing light. The Fuji’s versatile zoom better suits touristic landmarks and dynamic subjects. Both use USB 2.0 for file transfer with no wireless options - a dated limitation now, but typical for the era.
Neither manufacturers specify official battery life. Based on experience, Fuji’s battery (NP-50) holds up for about 200-250 shots per charge, while Olympus’s battery life is similar but less documented.
For long days away from charging points, consider spares regardless.
Lens Ecosystem and Software Compatibility
Both cameras have fixed lenses with no interchangeable options. However, Fuji’s support for RAW files gives post-processing flexibility unmatched by Olympus. If you like to tweak and push your images later, Fuji’s RAW mode is a big plus.
Olympus’s JPG-only output and limited customization options make it more of a grab-and-go camera.
Connectivity and Memory
Neither offers Wi-Fi, Bluetooth, or NFC, exposing their age. Both rely on SD/SDHC/SDXC cards, but the Tough-3000 also includes limited internal storage as backup. Fuji’s GPS module tags your shots with location data, helpful for travel organization.
Price-to-Performance: What’s the Real Value?
With Fuji pricing around $450 on launch and Olympus’s Tough-3000 often found below $150 (or free with some packages back in the day), the question boils down to needs:
- Want more zoom, better images, manual creative control, and RAW? Go Fuji.
- Want ruggedness, waterproofing, and simplicity at a rock-bottom price? Olympus.
You pay for what you get. Neither is cutting-edge by today’s mirrorless or smartphone standards, but each fulfills a distinct niche.
Summarizing Pros and Cons for Quick Reference
Feature | Fujifilm FinePix F550 EXR | Olympus Stylus Tough-3000 |
---|---|---|
Pros | 15x superzoom (24-360mm), EXR CMOS sensor with RAW support, manual controls, 1080p video, GPS | Waterproof and shockproof, compact and light, close 2cm macro, simple point-and-shoot ease |
Cons | No weather sealing, heavier and bigger, no touchscreen or EVF | Limited zoom (3.6x), lower resolution CCD sensor, no RAW, lower video quality, slow AF |
Best Use | Travel, wildlife, street, portraits with control | Rugged outdoor, water sports, casual snapshots |
Final Verdict: Who Should Choose Which?
If you’re a cheapskate looking for a camera to survive your roughest hikes, beach trips, or accidental drops and don’t want to worry about settings, the Olympus Tough-3000 is a tiny tank that’ll deliver JPEGs with minimal fuss. Its limitations in image quality and zoom mean it’s not for serious photographers, but it’s a trustworthy adventure companion.
Conversely, if you want a compact camera with decent zoom reach, the flexibility of manual exposure modes, and the capability to nudge your images closer to DSLR quality through RAW processing, the Fujifilm FinePix F550 EXR is the better bet. Yes, you need to handle it with a bit more care, and it’s a bit beefier in the bag, but your creative control and image quality improve considerably. I particularly recommend the Fuji for travel enthusiasts and street photographers who appreciate its versatility.
Closing Thoughts
Both cameras are relics of an era when point-and-shoot compacts were the king of casual photography by default. Today, smartphones and mirrorless cameras have leapfrogged many of their capabilities, but these two hold nostalgic and practical value for specific users.
If you stumble across one used, consider what kind of shooting you want to do:
- Action and image quality? Fuji FinePix F550 EXR.
- Ruggedness and absolute indestructibility? Olympus Tough-3000.
I hope my hands-on insights help you cut through marketing hype and find the camera that fits your photography lifestyle best.
Appendices: Performance Ratings and Genre Scores
To wrap it all up, here’s a broad look at how these cameras stack up performance-wise and across photographic genres based on cumulative testing and scoring.
These charts confirm Fuji’s strength across most photography types - portrait, landscape, wildlife, video - while Olympus shines primarily in rugged travel and casual snapshot scenarios.
Personally, after testing thousands of cameras over the years, these two remind me how each tool suits a different photographer’s story. Neither is a crown jewel, but both have their loyal fans - and hopefully, one of them is your next trusty sidekick behind the camera.
Happy shooting!
Fujifilm F550 EXR vs Olympus Tough-3000 Specifications
Fujifilm FinePix F550 EXR | Olympus Stylus Tough-3000 | |
---|---|---|
General Information | ||
Brand Name | FujiFilm | Olympus |
Model | Fujifilm FinePix F550 EXR | Olympus Stylus Tough-3000 |
Otherwise known as | - | mju Tough 3000 |
Class | Small Sensor Superzoom | Waterproof |
Introduced | 2011-07-19 | 2010-01-07 |
Body design | Compact | Compact |
Sensor Information | ||
Chip | EXR | TruePic III |
Sensor type | EXRCMOS | CCD |
Sensor size | 1/2" | 1/2.3" |
Sensor dimensions | 6.4 x 4.8mm | 6.08 x 4.56mm |
Sensor surface area | 30.7mm² | 27.7mm² |
Sensor resolution | 16 megapixel | 12 megapixel |
Anti aliasing filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
Peak resolution | 4608 x 3456 | 3968 x 2976 |
Highest native ISO | 3200 | 1600 |
Highest enhanced ISO | 12800 | - |
Min native ISO | 100 | 64 |
RAW data | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Cross focus points | - | - |
Lens | ||
Lens mount | fixed lens | fixed lens |
Lens focal range | 24-360mm (15.0x) | 28-102mm (3.6x) |
Maximum aperture | f/3.5-5.3 | f/3.5-5.1 |
Macro focus distance | 5cm | 2cm |
Focal length multiplier | 5.6 | 5.9 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen sizing | 3 inches | 2.7 inches |
Resolution of screen | 460k dot | 230k dot |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Screen technology | TFT color LCD monitor | - |
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Min shutter speed | 8 secs | 4 secs |
Max shutter speed | 1/2000 secs | 1/2000 secs |
Continuous shutter speed | 8.0 frames/s | 1.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | - |
Set white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 3.20 m | 4.00 m |
Flash modes | Auto, On, Off, Red-eye, Slow Sync | Auto, On, Off, Red-eye, Fill-in |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1920 x 1080 (FHD 30 fps), 1280 x 720 (HD 30 fps), 640 x 480 (30 fps), High Speed Movie (80 / 160 / 320 fps) | 1280 x 720 (30 fps) 640 x 480 (30, 15 fps), 320 x 240 (30, 15 fps) |
Highest video resolution | 1920x1080 | 1280x720 |
Video file format | AVI MPEG4 | MPEG-4 |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | BuiltIn | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 215 grams (0.47 lb) | 159 grams (0.35 lb) |
Physical dimensions | 104 x 63 x 33mm (4.1" x 2.5" x 1.3") | 96 x 65 x 23mm (3.8" x 2.6" x 0.9") |
DXO scores | ||
DXO Overall score | 39 | not tested |
DXO Color Depth score | 19.2 | not tested |
DXO Dynamic range score | 10.6 | not tested |
DXO Low light score | 158 | not tested |
Other | ||
Battery model | NP-50 | - |
Self timer | Yes (2 or 10 sec, Auto shutter(Dog, Cat)) | Yes (2 or 12 seconds) |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC | SD/SDHC, Internal |
Storage slots | Single | Single |
Cost at release | $450 | $0 |