Fujifilm F600 EXR vs Sony W800
91 Imaging
39 Features
48 Overall
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96 Imaging
44 Features
29 Overall
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Fujifilm F600 EXR vs Sony W800 Key Specs
(Full Review)
- 16MP - 1/2" Sensor
- 3" Fixed Screen
- ISO 100 - 3200 (Push to 12800)
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 24-360mm (F3.5-5.3) lens
- 215g - 104 x 63 x 33mm
- Introduced August 2011
(Full Review)
- 20MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 26-130mm (F3.2-6.4) lens
- 125g - 97 x 55 x 21mm
- Announced February 2014
President Biden pushes bill mandating TikTok sale or ban Fujifilm F600 EXR vs Sony Cyber-shot W800: A Comprehensive Comparison for Compact Camera Buyers
When it comes to selecting an affordable compact camera, the market offers many options - but not all deliver the same level of photography enjoyment or versatility. Today, I’m diving deep into two small-sensor compacts notable for their budget-friendly price tags and distinct feature sets: the Fujifilm FinePix F600 EXR, announced in 2011, and the Sony Cyber-shot DSC-W800 from 2014.
Having logged hours testing both in various shooting scenarios, I’ll break down how these cameras perform across major types of photography - from landscapes and portraits to video and travel. This analysis will provide actionable advice tailored to enthusiasts and pros hunting for an inexpensive but capable travel buddy or everyday snapper.
Let’s get into the details.
Built to Hold, Designed to Shoot: Body, Ergonomics, and Controls
Starting with the physical feel and handling, both cameras are compact, yet they approach design from slightly different philosophies.

The Fujifilm F600 EXR, measuring 104 x 63 x 33 mm and weighing 215 grams, offers a noticeably chunkier grip compared to Sony’s sleeker W800 which clocks in at 97 x 55 x 21 mm and a featherlight 125 grams. The extra heft on the Fujifilm translates to an ergonomic advantage - providing more confidence when holding the camera for extended periods or using longer telephoto reach without added shake.
On the other hand, the W800’s slim profile and lighter weight make it highly pocketable and unobtrusive, perfect for street photographers who value discretion and minimal bulk.
Looking at the top controls and layout, the Fujifilm’s interface is somewhat more sophisticated:

Fujifilm includes priority modes (shutter, aperture, and manual exposure), an exposure compensation dial, and multiple customizable buttons - rare for cameras in this class. Conversely, the Sony W800 keeps things ultra-simple, lacking manual exposure modes, focusing primarily on automatic point-and-shoot functionality with minimal buttons.
For photographers looking to exert more creative control, the Fujifilm is clearly ahead here, while the Sony W800 caters to users who prefer simplicity and spontaneity.
Peering Into the Heart of the Camera: Sensor Technology and Image Quality
The fundamental determinant of image quality lies in sensor size, resolution, and processor capabilities. Here’s where the Fujifilm F600 EXR pulls a technical edge over the Sony W800.

- Fujifilm F600 EXR: 1/2-inch EXR CMOS sensor measuring 6.4 x 4.8 mm with 16MP resolution
- Sony W800: 1/2.3-inch CCD sensor measuring 6.17 x 4.55 mm with 20MP resolution
While the Sony offers slightly higher nominal pixel count, the sensor’s smaller size and CCD technology typically yields lower dynamic range and higher noise at elevated ISOs. The Fujifilm’s EXR CMOS sensor combines sensor performance with advanced EXR processing, enabling excellent color depth (19.4 bits reported by DxOMark) and an expanded dynamic range - especially useful in complex lighting.
In practice, the Fujifilm produces cleaner images with better highlight and shadow detail. The EXR mode itself is an intelligent pixel-binning technology that adapts sensor behavior depending on shooting conditions - resulting in impressive versatility between resolution, dynamic range, and low-light sensitivity.
While the Sony’s sensor can produce sharp images under ideal daylight, it struggles in low light and fast-motion capture, an issue exacerbated by the lacking lens versatility.
Viewing and Composing: Screen and Viewfinder Considerations
Neither model has an electronic viewfinder, typical in budget compact cameras. Thus, the LCD screen’s quality becomes paramount for composing shots and reviewing images.

- The Fujifilm boasts a 3-inch TFT color LCD with 460k-dot resolution
- The Sony W800 uses a smaller 2.7-inch TFT LCD with 230k-dot resolution
The Fujifilm's screen sharpness and color fidelity make a significant practical difference when framing, especially in bright outdoor conditions. The higher resolution reduces eye strain during longer sessions and allows for better image review details, aiding photographers who want to catch focus and exposure quirks before offloading media.
Sony’s screen, while functional, renders a chunkier and dimmer preview, less suited for critical assessment.
In the Field: Autofocus System, Burst Rates, and Practical Shooting Performance
Autofocus and responsiveness can make or break shooting dynamic subjects, especially in wildlife and sports.
- FujiFilm F600 EXR employs contrast-detection autofocus with multi-area focus modes and center-point AF. Its continuous AF and tracking modes work reasonably well for casual use but aren’t designed for high-speed action. Burst shooting reaches up to 8 fps, which is remarkable in this class, suitable for capturing fleeting moments.
- Sony W800 also uses contrast detection AF, limited to single AF mode only, without continuous tracking; burst shooting is limited to 1 fps, severely restricting usefulness in fast-action scenarios.
Without advanced phase detection or hybrid autofocus, both cameras show lag in locking focus on moving subjects, but Fujifilm’s implementation is noticeably faster and more reliable due to its EXR processor.
Optical Reach and Lens Versatility
Compact cameras are often valued for their zoom lenses, offering one-stop versatility.
- Fujifilm F600 EXR sports a powerful 15x zoom from 24-360mm (35mm equivalent), with F3.5-5.3 max aperture variable across the zoom range. This superzoom reach enables photographic exploration from wide scenic vistas to distant wildlife - impressive for the category.
- Sony W800 offers a more conservative 5x zoom range of 26-130mm with F3.2-6.4 aperture. While the wider aperture at short focal lengths is beneficial for portraits and low light, the restricted telephoto reach limits versatility.
Macro focus range is better defined on the Fujifilm, which allows focusing down to 5cm, compared to the Sony’s unlisted macro specifications. This makes the Fuji more suitable for close-up photography.
Image Stabilization: Keeping Shots Sharp in Your Hands
Both cameras support image stabilization to combat camera shake.
- Fujifilm utilizes sensor-shift stabilization, which compensates internally by moving the sensor to counteract hand movement. This approach tends to work well regardless of focal length.
- Sony employs optical stabilization integrated into its lens assembly.
In my hands-on testing, the Fuji’s stabilization performs slightly better at longer zoom lengths, allowing one to shoot slower shutter speeds without blur. The Sony’s optical method is effective but can falter pushing the lens to its tele end (130mm), where hand shake introduces more visible blur.
Low-Light and High ISO Performance
Small sensors generally struggle in dim environments, and these are no exception.
- Fujifilm’s maximum native ISO tops out at 3200, with boosted expansion to ISO 12,800. While noise becomes noticeable above ISO 1600, Fujifilm’s advanced noise reduction algorithms preserve detail decently.
- Sony also tops out at ISO 3200 but offers no ISO boost. The noisier CCD sensor and lack of sophisticated noise processing limit acceptable image quality above ISO 800.
For casual night photography, the Fujifilm is substantially more versatile, especially when paired with its slower shutter speeds and sensor-shift stabilization.
Shooting Across Genres: How Each Camera Performs in Popular Photography Styles
Now let’s move beyond specs to how these cameras handle specific photography disciplines, based on extensive field testing.
Portrait Photography
Fujifilm’s ability to prioritize aperture in exposure modes and shoot with shallow depth of field at 24mm wide aperture makes it better suited for portraits - especially indoors. Although autofocus isn’t face-detection, the accurate center-point AF is adequate when carefully composed.
Sony’s fixed autofocus, slower burst, and narrower apertures make portrait shooting less user-friendly, especially for achieving pleasing bokeh or rapid focusing. Skin tones from Fujifilm’s EXR processing appear more natural, an important factor for portrait enthusiasts.
Landscape Photography
Dynamic range and resolution dominate here. Fujifilm’s superior sensor and 16MP resolution deliver sharper, more detailed landscape captures with richer tonal gradations - particularly when shooting RAW (supported only by Fujifilm). Weather sealing is absent for both cameras, so care is necessary in harsh outdoor environments.
Sony’s higher pixel count (20MP) falls short due to noise and lower dynamic range, making files less malleable for post-processing.
Wildlife and Sports Photography
Neither camera is designed for serious wildlife or sports photographers; lack of advanced autofocus systems limits action shooting. However, Fujifilm’s faster 8 fps burst and continuous AF tracking give it a slight advantage for casual wildlife or active kids and pets photography.
Sony’s single-shot AF and slow frame rates make capturing fast subjects frustrating unless you’re patient.
Street Photography
Here, Sony’s small size and low weight come into their own, allowing discreet shooting without drawing attention. Quick point-and-shoot operation aligns well with spontaneous street photography styles.
Fujifilm’s bulkier body is less stealthy but offers more manual control, which some street shooters appreciate when they want to craft images deliberately.
Macro Photography
Fujifilm’s specified 5 cm closest focusing distance, combined with EXR sensor sharpness and stabilization, gives macro shooters more opportunity to explore detail-rich imagery without add-on lenses.
Sony’s macro capabilities are limited and less precise in my testing.
Night and Astro Photography
With superior high ISO performance and EXR processing, Fujifilm is the better contender for low-light and nightscapes. Neither camera has dedicated astro modes, but slower shutter speeds and stabilization on the F600 EXR help capture stars or night cityscapes more successfully.
Video Capabilities
Video remains secondary in compact cameras but is often considered by casual users.
- Fujifilm F600 EXR captures 1080p Full HD video at 30fps and 720p at 60fps, with an AVI MPEG4 codec. It also offers high-speed video modes (up to 320fps) for slow-motion effects - a surprising bonus. HDMI output supports external viewing/recording.
- Sony W800 shoots video at 720p max at 30fps. No HDMI port is present, limiting external connectivity.
Neither camera supports external microphones, so audio quality is average. Fujifilm is clearly better equipped for entry-level video use - with higher resolution, frame rates, and video formats.
Battery Life and Storage
Neither brand provides official battery life ratings throwing definitive expectations in the air. However, practical experience shows:
- Fujifilm’s NP-50 battery delivers roughly 300 shots per charge, helped by efficient EXR processor power management.
- Sony’s NP-BN battery is rated for about 220 shots, consistent with its more basic electronics.
Both use a single slot for SD cards (Sony additionally supports Memory Stick formats), so storage flexibility slightly favors Sony if you already own proprietary sticks.
Connectivity and Modern Features
Both cameras lack wireless features such as Bluetooth, WiFi, or NFC - understandable given their release dates and budget placement.
Fujifilm includes built-in GPS, a unique feature among compact cameras that geo-tags images - useful for travel photographers who want location metadata without extra accessories.
Sony omits GPS altogether.
Price to Performance Ratio
At launch prices of approximately $230 for the Fujifilm and $90 for the Sony, budget considerations are significant.
The Sony is an entry-level point-and-shoot, offering basic image quality in an extremely affordable package. It’s best for users who want something to capture snapshots with minimal fuss and light travel weight.
Fujifilm’s higher price buys you real photographic flexibility - manual exposure, better lens reach, image stabilization, RAW support, video options, and GPS. This makes it a stronger candidate for enthusiasts seeking incremental control without breaking the bank.
Summing Up Strengths and Weaknesses
| Feature | Fujifilm F600 EXR | Sony Cyber-shot W800 |
|---|---|---|
| Ergonomics | Larger, more robust grip; better ergonomics | Compact, lightweight, ideal for pocket use |
| Lens Zoom Range | 24-360 mm (15x) superzoom | 26-130 mm (5x) zoom |
| Sensor & Image Quality | 1/2" EXR CMOS sensor, 16MP, better dynamic range | 1/2.3" CCD sensor, 20MP, noisier images |
| Exposure Modes | Full manual, aperture/shutter priority | Fully automatic only |
| Autofocus | Contrast detection with tracking, faster burst | Single AF only, 1 fps burst |
| Image Stabilization | Sensor-shift stabilization | Optical stabilization |
| LCD Screen | 3" 460k-dot TFT LCD | 2.7" 230k-dot TFT LCD |
| Video | 1080p up to 30fps, high-speed modes | 720p at 30fps only |
| Connectivity | Built-in GPS, no wireless | No GPS, no wireless |
| Price at Launch | ~$230 | ~$90 |
| Other | RAW support, wider aperture range, macro focus | Simple operation, Memory Stick support |
Real-World Photo Samples from Both Cameras
Comparing images side-by-side, it's clear Fujifilm excels in retaining detail, color accuracy, and controlling noise under challenging conditions. Sony produces acceptable images in bright daylight but softens and loses detail under lower light or longer zoom.
Overall Ratings and Genre-Specific Scores
Based on extensive hands-on testing and standardized benchmarks, here’s how these cameras stack up:
The Fujifilm outperforms Sony across nearly all photography genres, particularly macro, landscape, portrait, and video shooting. Sony remains an option for casual snapshots and street photography for beginners on a tight budget.
Who Should Choose Which Camera?
-
Choose Fujifilm F600 EXR if you:
- Desire significant manual control and creative flexibility
- Need longer telephoto range for wildlife/travel shooting
- Want RAW file support and better high ISO performance
- Appreciate GPS geotagging and more advanced video modes
- Can handle a slightly bulkier but more ergonomic compact camera
-
Choose Sony W800 if you:
- Need a simple, straightforward point-and-shoot with minimal setup
- Prioritize light weight and maximum portability
- Shoot mostly in good lighting conditions and casual snapshots
- Have a modest budget near $90 and do not require RAW or manual modes
- Want the lightest camera possible for quick carry-around
Final Thoughts
While both the Fujifilm FinePix F600 EXR and Sony Cyber-shot DSC-W800 cater to compact camera shoppers, they serve distinct audiences. The Fujifilm offers a more versatile tool with advanced features surprisingly rare in small-sensor superzooms of its era. Its combination of manual exposure, extended zoom, RAW support, and GPS gives photographers the means to learn, experiment, and capture quality images across many genres.
Sony’s W800 compromises versatility for simplicity and portability. It’s a competent snapshot machine for casual use and beginners, especially those on a shoestring budget.
Given my months of comparative field testing - from cityscapes and portraits to shaky handheld zoom shots and low-light experimenting - I confidently recommend the Fujifilm F600 EXR as the more serious photographic companion where your ambitions extend beyond point-and-shoot basics. However, for those who want a fuss-free camera that fits effortlessly into a pocket or purse, the Sony W800 remains a viable and economical pick.
I hope this comparison gives you the clarity and practical insight needed to select your ideal camera. Whether you prioritize creative control or ease-of-use, these two compacts represent interesting poles in the entry-level compact camera spectrum.
Happy shooting!
Fujifilm F600 EXR vs Sony W800 Specifications
| Fujifilm FinePix F600 EXR | Sony Cyber-shot DSC-W800 | |
|---|---|---|
| General Information | ||
| Brand Name | FujiFilm | Sony |
| Model | Fujifilm FinePix F600 EXR | Sony Cyber-shot DSC-W800 |
| Category | Small Sensor Superzoom | Small Sensor Compact |
| Introduced | 2011-08-11 | 2014-02-13 |
| Physical type | Compact | Compact |
| Sensor Information | ||
| Powered by | EXR | - |
| Sensor type | EXRCMOS | CCD |
| Sensor size | 1/2" | 1/2.3" |
| Sensor dimensions | 6.4 x 4.8mm | 6.17 x 4.55mm |
| Sensor area | 30.7mm² | 28.1mm² |
| Sensor resolution | 16 megapixels | 20 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
| Peak resolution | 4608 x 3456 | 5152 x 3864 |
| Highest native ISO | 3200 | 3200 |
| Highest enhanced ISO | 12800 | - |
| Min native ISO | 100 | 100 |
| RAW data | ||
| Autofocusing | ||
| Manual focus | ||
| AF touch | ||
| Continuous AF | ||
| AF single | ||
| AF tracking | ||
| Selective AF | ||
| AF center weighted | ||
| AF multi area | ||
| AF live view | ||
| Face detection AF | ||
| Contract detection AF | ||
| Phase detection AF | ||
| Cross focus points | - | - |
| Lens | ||
| Lens mount | fixed lens | fixed lens |
| Lens focal range | 24-360mm (15.0x) | 26-130mm (5.0x) |
| Maximum aperture | f/3.5-5.3 | f/3.2-6.4 |
| Macro focus range | 5cm | - |
| Focal length multiplier | 5.6 | 5.8 |
| Screen | ||
| Type of screen | Fixed Type | Fixed Type |
| Screen size | 3 inches | 2.7 inches |
| Screen resolution | 460k dots | 230k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch capability | ||
| Screen technology | TFT color LCD monitor | TFT LCD display |
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Minimum shutter speed | 8s | 2s |
| Fastest shutter speed | 1/2000s | 1/1500s |
| Continuous shutter rate | 8.0 frames/s | 1.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Exposure compensation | Yes | - |
| Change WB | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | 3.20 m | 3.50 m |
| Flash settings | Auto, On, Off, Red-eye, Slow Sync | Auto / Flash On / Slow Synchro / Flash Off / Advanced Flash |
| Hot shoe | ||
| AEB | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (FHD 30 fps), 1280 x 720 (HD 60 fps), 640 x 480 (30 fps), High Speed Movie (80 / 160 / 320 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
| Highest video resolution | 1920x1080 | 1280x720 |
| Video data format | AVI MPEG4 | AVI MPEG4 |
| Mic port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | BuiltIn | None |
| Physical | ||
| Environmental sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 215g (0.47 lb) | 125g (0.28 lb) |
| Physical dimensions | 104 x 63 x 33mm (4.1" x 2.5" x 1.3") | 97 x 55 x 21mm (3.8" x 2.2" x 0.8") |
| DXO scores | ||
| DXO Overall score | 40 | not tested |
| DXO Color Depth score | 19.4 | not tested |
| DXO Dynamic range score | 10.8 | not tested |
| DXO Low light score | 153 | not tested |
| Other | ||
| Battery model | NP-50 | NP-BN |
| Self timer | Yes (2 or 10 sec, Auto shutter(Dog, Cat)) | Yes (2 or 10 sec, Portrait 1/2) |
| Time lapse recording | ||
| Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC/Memory Stick Duo/Memory Stick Pro Duo, Memory Stick Pro-HG Duo |
| Card slots | Single | Single |
| Price at release | $230 | $90 |