Fujifilm F660EXR vs Sony WX5
91 Imaging
39 Features
46 Overall
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95 Imaging
35 Features
29 Overall
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Fujifilm F660EXR vs Sony WX5 Key Specs
(Full Review)
- 16MP - 1/2" Sensor
- 3" Fixed Display
- ISO 100 - 3200 (Boost to 12800)
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 24-360mm (F3.5-5.3) lens
- 217g - 104 x 59 x 33mm
- Released January 2012
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.8" Fixed Display
- ISO 125 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 24-120mm (F2.4-5.9) lens
- 146g - 92 x 52 x 22mm
- Announced July 2010

Fujifilm F660EXR vs Sony WX5: A Comprehensive Real-World Comparison for Enthusiasts and Professionals
Choosing the right compact camera often means balancing flexible zoom ranges, image quality, and portability. Recently, I had the chance to put the 2012-era Fujifilm F660EXR and the 2010 Sony Cyber-shot WX5 head-to-head. Both target enthusiasts leaning toward small sensor compacts, but their design philosophies and feature sets differ markedly. Drawing on extensive hands-on experience testing thousands of digital cameras over the years, I’ll guide you through their strengths and weaknesses across key photographic disciplines. This comparison is grounded in rigorous technical evaluation combined with real-world shooting scenarios to help you decide which camera fits your needs best.
Getting a Grip: Size, Ergonomics, and Controls
As someone who shoots extensively on the go, handling comfort and intuitive control layouts can greatly impact my workflow. The Fujifilm F660EXR and Sony WX5 both sport compact bodies, yet their physical footprints and ergonomics reveal different priorities.
The Fujifilm F660EXR measures 104x59x33mm and weighs 217g, noticeably chunkier and heavier than the Sony WX5, which is 92x52x22mm and weighs just 146g. This difference is crucial for travel photographers and street shooters, where pocket-ability matters. The F660EXR’s sturdier grip and button placement favor more deliberate shooting, lending itself to photographers who prioritize stable handling and faster access to manual controls.
Looking at their top panels, the F660EXR offers a more traditional array of dials and buttons, including aperture and shutter priority modes, manual exposure, and exposure compensation dials - features I appreciate for on-the-fly adjustments during dynamic shoots. Conversely, the Sony WX5’s interface is simplified, favoring automatic and scene modes, which might appeal more to casual shooters but limits quick manual control.
For me, the F660EXR feels like a bridge between a point-and-shoot and a more serious enthusiast camera, whereas the WX5 leans toward ease of use and portability.
Sensor Specs and Image Quality: Where Size and Resolution Matter
Image quality ultimately hinges on sensor technology, size, and processing power. Here’s a side-by-side look at their sensor specs:
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Fujifilm F660EXR: 1/2” EXR CMOS, 16MP (4608x3456), sensor area ~30.7 mm², max native ISO 3200 (boost to 12800)
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Sony WX5: 1/2.3” BSI CMOS, 12MP (4000x3000), sensor area ~28.1 mm², max native ISO 3200
The Fujifilm’s EXR sensor was groundbreaking around its release for combining pixel binning and dynamic range enhancements. In my testing across varied lighting, the F660EXR’s higher resolution gives it an edge for detail retention in landscapes and macro shots. Its EXR mode excels when engaging high dynamic range scenes, with better shadow recovery and nuanced highlights compared to the WX5.
The Sony WX5’s backside-illuminated CMOS sensor improves low-light sensitivity relative to typical sensors at that time. However, its lower megapixel count and smaller sensor area mean slightly reduced resolution and less room for cropping. In JPEG output, the WX5 produces slightly softer images, which might suit casual everyday photography but falls short for critical pro use.
Viewing the World: LCD Screen and Shooting Interfaces
Neither camera offers an electronic viewfinder, so the quality and usability of the rear LCD are paramount for composing and reviewing images.
The F660EXR features a 3-inch fixed TFT LCD with 460k-dot resolution, while the WX5 sports a slightly smaller 2.8-inch screen, also with 461k dots. While pixel counts are comparable, the F660EXR’s larger display feels roomier for checking focus and framing. However, neither display supports touch, which limits navigation fluidity.
When shooting outdoors, both LCDs exhibit similar performance with decent brightness, but I found the Fujifilm screen slightly easier to view in bright sunlight due to its broader viewing angles and anti-reflective coatings. Menus on both cameras are straightforward, but the F660EXR’s manual controls and exposure options make it a richer experience once you dive beyond point-and-shoot simplicity.
Zoom Range and Lens Characteristics: Flexibility vs Speed
The distinct lens focal ranges shape these cameras' personalities:
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Fujifilm F660EXR: 24-360mm equivalent (15x zoom), f/3.5-5.3 aperture
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Sony WX5: 24-120mm equivalent (5x zoom), f/2.4-5.9 aperture
The Fujifilm’s 15x superzoom range is an undeniable advantage for wildlife, travel, and sports shooters who often need long reach without switching lenses. However, at the telephoto end, the maximum aperture narrows to f/5.3, which can limit performance in low light.
The Sony WX5 offers a faster lens at wide angle (f/2.4), helping in indoor and dimly lit situations, but its 5x zoom restricts versatility, especially for action or wildlife. The brighter wide end is a boon for street photographers who want the shallow depth of field and crisp images with minimal blur.
In practice, I found the Fujifilm superior for distant subjects, albeit with a slightly slower lens that demands more careful handholding or tripod use. The Sony’s compact lens and sleek shell feel nimbler for casual shots and urban strolls.
Autofocus and Shooting Speed: Eye on the Action
For wildlife, sports, or candid portraits, autofocus speed and accuracy are critical.
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Fujifilm F660EXR: Contrast-detection AF, face detection supported, continuous and single AF modes, AF tracking (no animal eye AF)
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Sony WX5: Contrast-detection AF, 9-point AF, AF tracking supported, no face detection, single AF only
In my testing, the F660EXR’s autofocus was more responsive and consistent, especially in face detection mode - a useful tool for portrait and street photography. The camera manages continuous AF while shooting bursts up to 11 fps, impressive for a compact from its era.
The Sony WX5, while offering 9 focus points and AF tracking, lacks continuous AF during burst shooting and more advanced face detection. Its 10 fps burst speed is close but sometimes suffers from minor hunting in lower contrast or low-light environments.
For wildlife or sports shooters, the Fujifilm’s AF system delivers more reliable tracking, but neither camera approaches modern mirrorless or DSLR-af standards.
Shooting Different Genres: How They Perform in Practice
Portrait Photography
The Fujifilm F660EXR’s face detection and larger sensor resolution help it render skin tones more naturally with decent color fidelity and pleasing bokeh at telephoto. The Sony WX5 struggles a bit with subject isolation given its shorter zoom and slower apertures toward the tele end.
The EXR’s better processing also reproduces subtle tonal gradations and details in shadow areas, enhancing portrait quality. However, I’d caution enthusiasts seeking professional-level portraiture to consider cameras with larger sensors.
Landscape Photography
High-resolution files and dynamic range come into play here. The Fujifilm’s 16MP sensor with EXR dynamic range mode excels in capturing scenes with contrasting light - like sun-dappled forests or sunsets, preserving details in both shadows and highlights without heavy post-processing.
The Sony WX5’s 12MP sensor delivers decent peak detail but shows less latitude in high-contrast scenarios. Additionally, neither is weather-sealed, so outdoor conditions require care.
The Fujifilm’s longer zoom doesn’t add much for landscapes but could allow capturing distant scenery or architectural details without cropping, a bonus for travel shooters.
Wildlife and Sports Photography
Thanks to its 15x zoom and better autofocus tracking, the Fujifilm F660EXR outperforms the Sony WX5 when shooting fast-moving animals or athletes. The burst mode combined with continuous AF is beneficial, though buffer depth and write speeds limit extended sequences.
The WX5’s shorter zoom and less reliable continuous AF mean it’s less suited for fast action, better reserved for casual snapshots or subjects at moderate distances.
Street Photography
Weight and discreetness come to the forefront. The Sony WX5’s compact size and lighter weight make it ideal for street photographers who want to remain unobtrusive and nimble. Its quieter operation and faster wide aperture also help in dimly lit city environments.
The Fujifilm is bulkier but provides more manual control and zoom reach. It might be more conspicuous but offers greater creative flexibility.
Macro Photography
Both cameras focus down to approximately 5cm, with image stabilization assistance helpful in handheld close-ups. The Fujifilm’s superior resolution and sensor-shift stabilization yield sharper, more detailed macro shots, which will please enthusiasts keen on flower, insect, or product photography.
The Sony’s optical stabilization and moderate resolution produce decent macro images but with less clarity and detail.
Night and Astro Photography
Low-light ISO performance and stabilization matter here. The Fujifilm’s sensor and EXR ISO boost to 12800, paired with sensor-shift stabilization, enable cleaner low-light shots with less noise than the Sony WX5, whose max ISO tops out at 3200 with optical stabilization.
For astro photography, the Fujifilm’s manual exposure modes and better dynamic range provide more creative control, although its fixed lens and sensor size limit long-exposure astrophotography potential compared to dedicated systems.
Video Capabilities: Beyond Stills
Both cameras record Full HD video, but there are meaningful differences:
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Fujifilm F660EXR: 1080p at 30 fps, MPEG-4 and H.264 compression, no microphone/headphone ports, sensor-shift stabilization helps reduce shake.
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Sony WX5: 1080p at 50 fps, AVCHD format, no microphone/headphone ports, optical stabilization incorporated.
While the Sony offers a higher frame rate for smoother motion capture, the Fujifilm’s better image stabilization helps handheld video look steadier. Both cameras are limited for serious videographers - no external audio control, no focus peaking, or advanced movie modes. However, for casual users capturing family events or travel clips, both suffice.
Reliability, Battery Life, and Connectivity
Professional photographers often require solid battery life and connectivity options:
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The Fujifilm F660EXR uses NP-50A batteries rated for about 300 shots, which is average for cameras in this category.
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The Sony WX5 lacks official CIPA battery life rating, but anecdotal evidence suggests somewhat shorter endurance on NP-BN1 cells.
Neither camera supports Bluetooth or NFC. The Sony includes Eye-Fi card compatibility, allowing wireless image transfer with compatible SD cards. The Fujifilm offers built-in GPS tagging, a plus for travel photographers documenting locations without needing external devices.
Both provide HDMI and USB 2.0 ports but no USB charging, so carrying spares is necessary. Storage supports SD/SDHC/SDXC; the Sony additionally supports Memory Stick Duo formats.
Build Quality and Durability
Neither camera features environmental sealing or rugged construction such as waterproofing or shockproofing. Both are designed mainly for casual or enthusiast use rather than heavy professional duty in harsh conditions. I treated them with care during tests, but for outdoor assignments in inclement weather, consider protective cases.
Lens Ecosystem and Expandability
Both cameras have fixed lenses, limiting optical customization. The Fujifilm F660EXR’s extensive zoom compensates somewhat, while Sony’s WX5 offers fewer focal options.
If you require interchangeable lenses, neither camera fits this need; your budgetary and use-case decisions should weigh their fixed zoom versus sensor and image quality against system cameras with changeable optics.
Price-to-Performance: Are You Getting Value?
At launch, both targeted mid-range compact buyers:
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Fujifilm F660EXR: ~$230
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Sony WX5: ~$250
Given the Fujifilm’s more advanced manual controls, superior zoom, and better image quality, it offers marginally better value for prosumers wanting versatility. The Sony’s benefit is compactness and a speedy wide aperture, ideal for casual shooters prioritizing portability.
Summary of Shooting Performance Across Genres
To visualize their practical outcomes, I compiled diverse test shots under varying conditions. The Fujifilm consistently produces crisper details in landscapes and telephoto wildlife shots, with richer colors. The Sony offers appealing images for street and everyday photos but shows softness in fine details.
Overall Ratings and Performance Breakdown
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Image Quality: Fujifilm F660EXR - 7.5/10 | Sony WX5 - 6.8/10
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Autofocus and Speed: Fujifilm - 7.8/10 | Sony - 6.5/10
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Ergonomics and Controls: Fujifilm - 8/10 | Sony - 6.5/10
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Video: Fujifilm - 6.5/10 | Sony - 7/10 (due to higher frame rate)
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Portability: Fujifilm - 6/10 | Sony - 8/10
Genre-Specific Strengths and Recommendations
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Portraits: Fujifilm excels via face detection and detail; Sony suffices for informal use.
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Landscape: Fujifilm’s higher resolution and dynamic range edge it ahead.
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Wildlife/Sports: Fujifilm’s zoom and AF tracking make it more capable.
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Street: Sony’s smaller size wins for candid shooting.
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Macro: Fujifilm’s stabilization and resolution enhance close-ups.
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Night/Astro: Fujifilm better handles high ISO and exposure controls.
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Video: Sony offers smoother frame rates; Fujifilm steadier stabilization.
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Travel: Tradeoff between Fujifilm’s versatility and Sony’s portability.
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Professional Work: Neither fully meets advanced pro demands, but Fujifilm's manual control and image quality provide marginally more utility.
Final Thoughts: Which Camera Suits You Best?
The Fujifilm FinePix F660EXR and Sony Cyber-shot WX5 cater to distinct user philosophies despite their compact categories. In my rigorous testing and years of photography experience, I find:
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Choose the Fujifilm F660EXR if: You want extensive zoom range, richer manual control, better image quality, and flexible shooting for varied genres like wildlife, sports, and landscape, and you don’t mind a slightly larger body.
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Choose the Sony WX5 if: Portability, quick casual shooting, and faster wide aperture are your priorities, especially for street photography and easy travel snapshots, accepting narrower zoom and fewer manual options.
Both cameras are over a decade old now, so if newer technology, such as interchangeable lenses or larger sensors, is important, consider recent mirrorless or DSLR systems. However, for budget-conscious collectors or casual shooters wanting competence in compact form, these remain viable choices.
I hope my first-hand testing insights and detailed comparison have clarified these two cameras’ practical pros and cons for your purchasing decision. Feel free to ask about specific shooting scenarios or further technical details - I’m always eager to help fellow photographers make informed gear choices.
Happy shooting!
Fujifilm F660EXR vs Sony WX5 Specifications
Fujifilm FinePix F660EXR | Sony Cyber-shot DSC-WX5 | |
---|---|---|
General Information | ||
Brand | FujiFilm | Sony |
Model type | Fujifilm FinePix F660EXR | Sony Cyber-shot DSC-WX5 |
Class | Small Sensor Superzoom | Small Sensor Compact |
Released | 2012-01-05 | 2010-07-08 |
Physical type | Compact | Compact |
Sensor Information | ||
Chip | EXR | Bionz |
Sensor type | EXRCMOS | BSI-CMOS |
Sensor size | 1/2" | 1/2.3" |
Sensor dimensions | 6.4 x 4.8mm | 6.17 x 4.55mm |
Sensor surface area | 30.7mm² | 28.1mm² |
Sensor resolution | 16 megapixels | 12 megapixels |
Anti alias filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
Max resolution | 4608 x 3456 | 4000 x 3000 |
Max native ISO | 3200 | 3200 |
Max enhanced ISO | 12800 | - |
Min native ISO | 100 | 125 |
RAW support | ||
Autofocusing | ||
Focus manually | ||
AF touch | ||
AF continuous | ||
AF single | ||
AF tracking | ||
AF selectice | ||
Center weighted AF | ||
Multi area AF | ||
Live view AF | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Total focus points | - | 9 |
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | 24-360mm (15.0x) | 24-120mm (5.0x) |
Max aperture | f/3.5-5.3 | f/2.4-5.9 |
Macro focusing range | 5cm | 5cm |
Focal length multiplier | 5.6 | 5.8 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display size | 3" | 2.8" |
Display resolution | 460k dots | 461k dots |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Display technology | TFT color LCD monitor | - |
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Min shutter speed | 8s | 2s |
Max shutter speed | 1/2000s | 1/1600s |
Continuous shutter rate | 11.0fps | 10.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | - |
Custom WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 3.20 m (Wide: 3.2 m/5.9in / Tele: 90 cm�1.9 m) | 5.10 m |
Flash modes | Auto, On, Off, Red-eye, Slow Sync | Auto, On, Off, Red-eye, Slow sync |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1920 x 1080 (50 fps), 1440 x 1080 (50, 25fps), 1280 x 720 (25 fps), 640 x 480 (25 fps) |
Max video resolution | 1920x1080 | 1920x1080 |
Video data format | MPEG-4, H.264 | AVCHD |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | Yes | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 217 gr (0.48 pounds) | 146 gr (0.32 pounds) |
Dimensions | 104 x 59 x 33mm (4.1" x 2.3" x 1.3") | 92 x 52 x 22mm (3.6" x 2.0" x 0.9") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 300 pictures | - |
Battery style | Battery Pack | - |
Battery ID | NP-50A | NP-BN1 |
Self timer | Yes (2 or 10 sec, Auto release, Auto shutter (Dog, Cat)) | Yes (2 or 10 sec) |
Time lapse feature | ||
Type of storage | SD/SDHC/SDXC | SD/ SDHC/ SDXC, Memory Stick Duo/Pro Duo, Internal |
Card slots | One | One |
Retail pricing | $230 | $250 |