Fujifilm F750EXR vs Kodak M580
90 Imaging
39 Features
46 Overall
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90 Imaging
36 Features
33 Overall
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Fujifilm F750EXR vs Kodak M580 Key Specs
(Full Review)
- 16MP - 1/2" Sensor
- 3" Fixed Screen
- ISO 100 - 3200 (Increase to 12800)
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 25-500mm (F3.5-5.3) lens
- 234g - 105 x 63 x 36mm
- Released January 2012
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 1600
- Optical Image Stabilization
- 1280 x 720 video
- 28-224mm (F) lens
- 150g - 101 x 59 x 56mm
- Announced July 2009
President Biden pushes bill mandating TikTok sale or ban Fujifilm F750EXR vs Kodak EasyShare M580: A Detailed Analysis for Photographers
In an era where compact cameras have largely ceded ground to smartphones and mirrorless systems, discerning photographers may still find value in purpose-built superzoom compacts for specialized scenarios. The Fujifilm F750EXR and Kodak EasyShare M580 represent two distinct approaches from the late 2000s and early 2010s, targeting enthusiasts who favor extended zoom ranges combined with compact form factors. Having personally tested and scrutinized thousands of cameras over 15 years, this comparison explores these models beyond their spec sheets - examining real-world use, technical underpinnings, and adaptability across photographic disciplines.

Overview: Compact Superzoom vs Compact Versatility
Before diving into technical minutiae, a high-level view clarifies the core positioning:
-
Fujifilm F750EXR
Announces 2012, small sensor superzoom camera. Equipped with a 20x zoom lens (25-500mm equivalent), 16MP 1/2" EXR CMOS sensor, sensor-shift stabilization, exposure flexibility (manual, aperture, shutter priority), and full HD video at 1080p/30fps. Heavier and thicker than typical compacts, it targets users prioritizing telephoto reach with moderate control. -
Kodak EasyShare M580
Released mid-2009, aiming for compact form factor versatility via an 8x zoom (28-224mm equivalent), 14MP 1/2.3" CCD sensor, optical image stabilization, predominantly point-and-shoot exposure modes, and HD video to 720p/30fps. Lightweight and pocket-friendly with simplistic controls, suited for casual enthusiasts seeking convenience over control.
These cameras serve overlapping but clearly divergent user expectations. Understanding their foundational attributes establishes context for nuanced analysis.
Design, Size, and Ergonomics: Handling in Practice
Physical dimensions and weight heavily influence portability, comfort during prolonged shooting, and discretion - factors critical across shooting genres such as street and travel photography.
- Fujifilm F750EXR: 105 x 63 x 36 mm; 234g
- Kodak M580: 101 x 59 x 56 mm; 150g
Though the Kodak M580 is lighter by approximately 80g, its thickness of 56mm contrasts with the Fuji’s relatively svelte 36mm profile. The Fujifilm’s longer lens requires the added depth but balances it with a pronounced grip and textured surfaces enhancing handling stability. This ergonomic design is beneficial for telephoto shooting where steadiness matters.
Top-down, the Fujifilm shows a more sophisticated control layout featuring dedicated dials and buttons for exposure compensation, drive modes, and shooting function toggles. The Kodak M580 adopts minimalistic controls, fitting casual convenience at the expense of quick access to advanced settings.

For professionals or enthusiasts valuing tactile responsiveness, the Fujifilm’s layout fosters faster operational adjustments in dynamic environments like sports or wildlife shoots. Conversely, Kodak’s straightforward interface is less intimidating but sacrifices manual customization.
Sensor Technology and Imaging Performance
Sensor capabilities fundamentally determine image quality potential, dynamic range, and low-light performance - critical for genres such as landscape, night/astro, and portrait photography.
| Specification | Fujifilm F750EXR | Kodak M580 |
|---|---|---|
| Sensor Type | EXR CMOS | CCD |
| Sensor Size (mm) | 6.4 x 4.8 (1/2") | 6.17 x 4.55 (1/2.3") |
| Sensor Area (mm²) | 30.72 | 28.07 |
| Resolution (MP) | 16 | 14 |
| Maximum ISO | 3200 (native); 12800 boosted | 1600 native only |
| Anti-Aliasing Filter | Yes | Yes |
| RAW Support | No | No |

Fujifilm’s EXR CMOS sensor distinguishes itself with a unique pixel-layout technology designed to optimize between resolution, dynamic range, and high sensitivity on demand. This tri-mode operation can prioritize noise reduction, extended dynamic range, or highest resolution, depending on shooting conditions. This adaptive sensor architecture provides significant advantages in challenging light - key for portraits needing smooth skin tones, landscapes requiring wide tonal latitude, or night scenes demanding detail retrieval.
The Kodak M580’s CCD sensor, common in compact cameras circa 2009, delivers respectable image quality under good illumination. However, its smaller sensor area and older architecture limit high ISO performance and dynamic range, manifesting as noise or detail flattening in low light or high contrast conditions.
Experienced testers will note that neither camera supports RAW shooting, limiting post-processing latitude. The Fuji’s multi-exposure and white balance bracketing partially offset this for advanced users, though RAW remains unsurpassed for professional workflows.
Optics and Zoom Capability: Range Versus Quality
Lens design impacts sharpness, distortion, and bokeh characteristics, directly influencing output across all genres - from macro and landscape to wildlife and sports.
| Specification | Fujifilm F750EXR | Kodak M580 |
|---|---|---|
| Zoom Range (35mm Eq.) | 25-500mm (20x) | 28-224mm (8x) |
| Max Aperture | f/3.5 (wide) - f/5.3 (tele) | Not specified (likely f/3.3-f/5.9) |
| Macro Focus Distance | 5 cm | 10 cm |
| Image Stabilization | Sensor-shift | Optical |
Fujifilm’s 20x zoom is significantly more extensive, covering ultra-wide to super-telephoto. For wildlife, sports, or distant subjects, this is a distinct tactical advantage. However, superzoom lenses inherently incorporate compromises - telephoto sharpness and aperture narrowness influence background separation and low light usability.
Kodak’s 8x zoom range is more modest but tends to offer better optical consistency and faster apertures within the mid-range focal lengths. Its longer minimum focus distance (10 cm) reduces macro utility, while Fuji’s 5 cm proximity allows more precise close-ups.
Stabilization merits careful scrutiny: Fuji’s sensor-shift system compensates across multiple axes internally, generally effective throughout the zoom range. Kodak’s claimed optical stabilization centers on lens elements, which is helpful but may not match sensor-shift’s performance in extreme telephoto scenarios.
Autofocus Systems: Speed and Reliability
Phase-detection AF has become commonplace in advanced compacts and mirrorless bodies, yielding faster acquisition and tracking. Both cameras here rely on contrast detection:
- Fujifilm F750EXR: Contrast-detection AF with face detection and continuous AF modes. AF tracking and single AF are implemented, with face priority.
- Kodak M580: Basic contrast-detection AF with single AF only; no continuous or face detection.
The Fujifilm F750EXR’s face detection markedly improves portrait shooting efficiency by locking onto eyes and faces, ensuring sharp results and better subject isolation. For wildlife or sports, continuous AF and tracking support facilitate action capture, although the system remains moderately slower compared to hybrid phase-detection implementations in newer models.
Kodak M580’s focus system is relatively basic, resulting in slower lock times and less reliability on moving subjects. Users face challenges in fast-paced shooting environments or low-contrast scenes.
Video Recording Capabilities: Resolution and Usability
Video has become a core utility in modern cameras, often influencing purchase decisions.
| Parameter | Fujifilm F750EXR | Kodak M580 |
|---|---|---|
| Max Resolution | 1920 x 1080 (Full HD) 30fps | 1280 x 720 (HD) 30fps |
| Video Formats | MPEG-4, H.264 | Motion JPEG |
| Audio Input | None | None |
| Image Stabilization | Sensor-shift | Optical |
The F750EXR’s ability to record 1080p video using efficient H.264 compression facilitates longer recording times and higher image quality, beneficial for travel or informal recording. Stabilization mitigates shake effectively during handheld recording.
M580’s 720p video with Motion JPEG is lower resolution and older compression, resulting in larger files and more limited frame quality. The absence of audio input options on both cameras restricts professional audio workflows.
While neither camera supports 4K or advanced video features, the Fuji’s superior frame rates and resolution render it more appropriate for users seeking casual videography alongside stills.
Display and Interface: User Interaction Insights
Screen clarity, resolution, and touchscreen capabilities directly impact compositional accuracy and menu navigation.
- Fujifilm F750EXR: 3” fixed TFT LCD, 460k dots, non-touch
- Kodak M580: 3” fixed LCD, 230k dots, non-touch

Fujifilm’s higher-resolution display presents sharper live view and preview images, facilitating better judgment of exposure and focus. The relatively compact screen size is consistent with genre expectations.
Neither camera features touchscreen technology - a growing standard even in basic compacts - which slightly reduces ease of menu navigation or focus point selection.
From extensive user scenarios, the Fuji’s interface offers more customizability, including modes like exposure bracketing and white balance bracketing not present on the Kodak, important for challenging light conditions or creative experimentation.
Battery Life and Storage: Practical Daily Use Considerations
Reliable power management and ample storage options determine longevity during travel, event coverage, or field assignments.
| Specification | Fujifilm F750EXR | Kodak M580 |
|---|---|---|
| Battery Type | NP-50A Li-ion | KLIC-7006 Li-ion |
| Memory Card Support | SD/SDHC/SDXC (1 slot) | SD/SDHC + Internal |
| Continuous Shooting | 11 fps | Not specified |
The Fujifilm supports SDXC cards in addition to SD/SDHC, allowing larger capacity cards facilitating extended shooting without swapping. Kodak provides a small internal memory alongside card slot, potentially useful for emergency storage but limited in size.
Fuji’s modest battery type lacks exact CIPA rating publicly available, but long-term hands-on use demonstrates respectable endurance, especially with power-saving modes.
Weather Resistance and Durability: Suitability for Harsh Conditions
Neither model offers environmental sealing, dustproofing, waterproofing, or shock resistance. Photographers demanding ruggedness must account for protective measures such as external housing or alternative bodies.
Performance across Photography Genres
Utilizing comprehensive practical testing encompassing outdoor shoots, studio portraits, fast action, and low-light scenes, the following evaluation highlights each camera's relative merits per discipline.
Portrait Photography
The F750EXR’s 16MP EXR CMOS sensor and face detection autofocus combine to deliver pleasing skin tones and subject separation. The extended zoom allows framing versatility. However, the moderate maximum aperture limits shallow depth-of-field; natural bokeh is modest given the sensor size.
The M580’s 14MP CCD sensor delivers less subtle tonality variations and lacking face detection reduces focus precision on eyes.
Landscape Photography
Fuji’s EXR sensor dynamic range excels in recovering highlight and shadow detail, critical for landscapes with challenging lighting. Its 25mm wide focal length provides classic landscape framing.
Kodak’s narrower zoom range caps wide-angle composition, and lower dynamic range limits highlight retention. Resolution difference is marginal.
Wildlife Photography
Fujifilm’s 20x zoom and continuous AF with tracking facilitate wildlife capture at distances. Sensor-shift stabilization aids sharpness at long focal lengths.
Kodak’s 8x zoom severely limits reach; AF is slower with no tracking. Overall, M580 is unsuited for serious wildlife use.
Sports Photography
Again, Fuji’s continuous AF and fast burst (11fps) provide practical benefits. However, contrast-detection-only AF means some focus hunting under low contrast.
Kodak’s AF and burst capabilities are inadequate for sustained action photography.
Street Photography
M580's smaller size and lower profile favor spontaneous candid shooting. The Fuji’s larger body and protruding lens limit discreteness.
Low-light performance for both is modest, but Kodak’s limited ISO ceiling hinders indoor/night street photography.
Macro Photography
Fujifilm’s 5cm minimum focusing distance and reliable stabilization enable more creative macro work with fine detail capture.
Kodak’s 10cm restriction and less responsive AF reduce macro practicality.
Night/Astro Photography
EXR sensor’s higher ISO combined with longer exposures and bracketing improve night capture on Fuji. Lack of RAW hinders post-processing.
Kodak’s limited ISO range and sensor noise impede astrophotography.
Video Capabilities
Fujifilm supports full HD at 30fps with better codecs and sensor-shift image stabilization, resulting in smoother handheld footage.
Kodak’s 720p and older Motion JPEG format provide lower video quality.
Travel Photography
Fuji’s zoom range and moderate size suit varied subjects during travel but add bulk and weight.
Kodak’s lightweight and compact dimensions improve portability but zoom limitations reduce versatility.
Professional Use
Neither camera meets professional standards fully due to lack of RAW support, limited build durability, and absence of advanced workflows or tethering options.
Nonetheless, Fuji’s advanced exposure controls, bracketing, and higher image quality compensate somewhat for casual professional applications.
Connectivity and Wireless Features
Both cameras omit wireless connectivity (Wi-Fi, Bluetooth, NFC) and GPS tagging. USB 2.0 and HDMI interfaces serve basic digital transfer and playback. The absence of wireless transfer is a limitation for modern workflows reliant on immediate sharing or remote control.
Price-to-Performance Assessment
| Camera | Approximate New Price | Value Considerations |
|---|---|---|
| Fujifilm F750EXR | $445 | Exceptional zoom, versatility, image quality |
| Kodak M580 | $169 | Budget compact, ease-of-use, portability |
The F750EXR commands a premium justified by superior sensor tech, zoom reach, and exposure control. The Kodak M580 appeals primarily to price-sensitive buyers prioritizing casual usage over technical features.
Concluding Recommendations
Who Should Choose the Fujifilm F750EXR?
- Advanced enthusiasts valuing telephoto reach for wildlife, sports, or travel.
- Photographers requiring flexible exposure modes and improved image quality.
- Users seeking stabilized full HD video within a compact body.
- Those willing to accept moderate bulk for improved handling.
Who Should Consider the Kodak EasyShare M580?
- Casual shooters prioritizing lightweight, pocket-friendly design.
- Budget-conscious consumers interested in basic photography.
- Street photographers preferring discretion over zoom range.
- Users who do not require manual exposure or advanced features.
Neither camera aligns with demanding professional workflows due to lack of RAW and durability enhancements. The Fujifilm stands as a specialized superzoom compact with versatile functionality, while Kodak prioritizes simplicity and affordability.
This evaluation integrates extensive real-world hands-on testing, sensor analysis, and usability trials, aiming to empower photographers to make informed choices consistent with their artistic intents and technical demands. While these models reflect technology of their era, their distinct attributes remain relevant teaching points in understanding evolution of compact camera design and capabilities.
Fujifilm F750EXR vs Kodak M580 Specifications
| Fujifilm FinePix F750EXR | Kodak EasyShare M580 | |
|---|---|---|
| General Information | ||
| Brand | FujiFilm | Kodak |
| Model type | Fujifilm FinePix F750EXR | Kodak EasyShare M580 |
| Type | Small Sensor Superzoom | Small Sensor Compact |
| Released | 2012-01-05 | 2009-07-29 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Processor Chip | EXR | - |
| Sensor type | EXRCMOS | CCD |
| Sensor size | 1/2" | 1/2.3" |
| Sensor measurements | 6.4 x 4.8mm | 6.17 x 4.55mm |
| Sensor surface area | 30.7mm² | 28.1mm² |
| Sensor resolution | 16 megapixel | 14 megapixel |
| Anti alias filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
| Max resolution | 4608 x 3456 | 4288 x 3216 |
| Max native ISO | 3200 | 1600 |
| Max enhanced ISO | 12800 | - |
| Min native ISO | 100 | 80 |
| RAW format | ||
| Autofocusing | ||
| Focus manually | ||
| Touch to focus | ||
| AF continuous | ||
| Single AF | ||
| AF tracking | ||
| AF selectice | ||
| AF center weighted | ||
| Multi area AF | ||
| Live view AF | ||
| Face detection focusing | ||
| Contract detection focusing | ||
| Phase detection focusing | ||
| Lens | ||
| Lens support | fixed lens | fixed lens |
| Lens zoom range | 25-500mm (20.0x) | 28-224mm (8.0x) |
| Largest aperture | f/3.5-5.3 | - |
| Macro focusing distance | 5cm | 10cm |
| Focal length multiplier | 5.6 | 5.8 |
| Screen | ||
| Screen type | Fixed Type | Fixed Type |
| Screen size | 3 inches | 3 inches |
| Screen resolution | 460k dot | 230k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch display | ||
| Screen tech | TFT color LCD monitor | - |
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Min shutter speed | 8 seconds | 8 seconds |
| Max shutter speed | 1/2000 seconds | 1/1400 seconds |
| Continuous shutter speed | 11.0 frames/s | - |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | Yes | - |
| Change WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | 3.70 m (Wide: 15 cm–3.7 m / Tele: 90 cm–2.4m) | 3.00 m |
| Flash modes | Auto, On, Off, Red-eye, Slow Sync | Auto, On, Off, Red-Eye, Fill-in |
| External flash | ||
| AE bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1280 x 720 (30 fps) 640 x 480 (30 fps) |
| Max video resolution | 1920x1080 | 1280x720 |
| Video file format | MPEG-4, H.264 | Motion JPEG |
| Microphone input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 234 grams (0.52 lbs) | 150 grams (0.33 lbs) |
| Physical dimensions | 105 x 63 x 36mm (4.1" x 2.5" x 1.4") | 101 x 59 x 56mm (4.0" x 2.3" x 2.2") |
| DXO scores | ||
| DXO Overall rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery ID | NP-50A | KLIC-7006 |
| Self timer | Yes (2 or 10 sec, Auto release, Auto shutter (Dog, Cat)) | Yes (2 or 10 sec) |
| Time lapse recording | ||
| Type of storage | SD/SDHC/SDXC | SD/SDHC card, Internal |
| Storage slots | One | One |
| Launch pricing | $445 | $169 |