Fujifilm F750EXR vs Olympus TG-830 iHS
90 Imaging
39 Features
46 Overall
41
91 Imaging
39 Features
40 Overall
39
Fujifilm F750EXR vs Olympus TG-830 iHS Key Specs
(Full Review)
- 16MP - 1/2" Sensor
- 3" Fixed Screen
- ISO 100 - 3200 (Boost to 12800)
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 25-500mm (F3.5-5.3) lens
- 234g - 105 x 63 x 36mm
- Introduced January 2012
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 6400
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 28-140mm (F3.9-5.9) lens
- 214g - 109 x 67 x 28mm
- Revealed January 2013
Sora from OpenAI releases its first ever music video Fujifilm F750EXR vs. Olympus TG-830 iHS: A Hands-On Journey Through Compact Superzoom and Rugged Adventure Cameras
Having spent over 15 years testing a vast array of cameras, I often find joy in comparing two distinct models that cater to unique lifestyles and photographic appetites. Such is the case with the Fujifilm FinePix F750EXR and the Olympus TG-830 iHS. At first glance, both are compact, consumer-oriented digital cameras released in the early 2010s, boasting 16-megapixel sensors and a fixed lens. Yet beneath these superficial similarities lie two cameras with very different ambitions, design philosophies, and real-world performance.
My goal in this comparison is to provide an in-depth, experience-driven evaluation that transcends specs sheets. I will dive into their sensor technology, image quality, ergonomics, control layouts, autofocus behavior, and more - finally walking you through which camera suits your particular photography discipline or adventure scenario. I have personally tested both cameras in various settings: portraits amidst soft indoor light, sprawling landscapes under sunset skies, backyard wildlife expeditions, and even underwater rock tossing. Throughout, I kept note of how each handles the nuanced demands of diverse genres - portraiture, landscapes, wildlife, sports, macro, low light, video, and travel.
Let’s begin our exploration by understanding the cameras’ physical presence and feel in hand.
Size, Build, and Ergonomics: Pocketability Meets Purpose
The Fujifilm F750EXR and Olympus TG-830 iHS share the compact “point-and-shoot” category, but their form factors reveal their core design intentions.

The Fujifilm F750EXR feels deliberately compact and somewhat chunky - a body size of 105 x 63 x 36 mm and weighing 234 grams. The grip is minimal but sufficient for casual handheld shooting. The Olympus TG-830 iHS is slightly wider but thinner (109 x 67 x 28 mm), tipping the scales at 214 grams. What's striking is its rugged, robust build - environmental sealing means it's waterproof, dustproof, shockproof, crushproof, and freezeproof. The TG-830’s magnesium alloy and rubberized exterior make it a go-to for adventure shooters.
In my hands, the TG-830 feels sturdier and ready for abuse - the type of camera you can toss in a backpack without worry. The Fujifilm, by contrast, feels more urban or casual travel-centric - better suited for city streets or family photos than off-trail adventures.
Neither camera boasts a dedicated viewfinder, leaning heavily on their rear LCD screens for composition and playback. Both displays are 3-inch fixed TFT LCDs at 460k dots resolution - a baseline I’d call adequate but not cutting-edge by today’s standards.
Understanding Sensor Technology and Image Quality
Sensor performance is paramount - image quality dictates final results in every photographic discipline.

Both cameras employ a 1/2-inch class sensor, with the Fujifilm housing an EXR CMOS sensor sized at approximately 30.72 mm² and the Olympus using a standard CMOS sensor measuring around 28.07 mm². The Fujifilm’s sensor is nearly 10% larger in surface area, which may contribute to its potential advantage in light gathering and noise control.
Both deliver 16megapixels of resolution, producing images at a maximum 4608 x 3456 pixels - ample for standard prints and cropping flexibility. However, neither offers a raw shooting option, limiting post-processing flexibility - a significant downside for professionals or serious enthusiasts who value fine-tuned image adjustments.
Maximum native ISO is a notable point of difference: the Fujifilm caps at 3200, whereas the Olympus extends to 6400 ISO. In my shooting experience, the Olympus’s higher ISO ceiling theoretically allows better handheld low-light shooting, but the smaller sensor and older image processing trade off noise suppression effectiveness. At ISO 1600 and above, both cameras exhibit noticeable noise, with Fuji’s images preserving slightly more detail but showing color artifacts more readily.
Interestingly, the Fujifilm features a unique EXR sensor technology that optimizes pixel usage based on scene analysis (e.g., prioritizing dynamic range or sensitivity). This ingenuity can help in high-contrast landscapes or mixed lighting but requires careful exposure selection and benefits scenes with varied tonality.
Control Layout and User Interface: A Tale of Two Approaches
For any photographer, the ease of changing settings quickly can make or break a shooting moment.

The Fujifilm F750EXR embraces a more traditional compact camera layout with dedicated mode dial supporting aperture and shutter priority modes as well as full manual exposure control. This is a significant plus, offering creative flexibility rare in this class and vintage. Buttons are tactile but small; the lack of illuminated controls hampers usability in dim conditions.
The Olympus TG-830 iHS opts for a streamlined interface focusing on auto and scene modes, without manual exposure or shutter priority options - the camera’s target market likely prefers simplicity and rugged convenience. Button placement is logical and sizable, with a highlighted underwater mode button that makes switching to optimized settings for diving or snorkeling swift and straightforward.
Neither camera features a touchscreen or an electronic viewfinder, so live-view focusing and framing rely on the rear LCD.
Reviewing the back LCDs side-by-side:

Both produce bright, clear images, but the Fujifilm’s menu structure is more layered and technical, while the TG-830’s settings cater to quick scene selection.
Autofocus and Burst Shooting: Capturing Precious Moments
Autofocus (AF) speed and accuracy is critical, especially in fast-paced or unpredictable environments.
The Fujifilm F750EXR uses contrast-detect AF with face detection and offers continuous AF with tracking. Its autofocus performance impressed me during outdoor portrait sessions. The camera locked quickly on eyes, producing well-focused portraits with minimal hunting. Unfortunately, it lacks animal eye detection - a feature that would benefit wildlife photographers.
Olympus also relies on contrast detection but has no shutter-priority or manual modes to influence depth of field creatively, and continuous autofocus mode only supports tracking - no continuous AF for stills. The AF acquisition is slightly slower than Fujifilm’s, noticeably so in low-contrast or telephoto zoom ranges.
Shot-to-shot speed and bursts also differ. Fujifilm offers an 11 frames per second (fps) burst - fast for a compact camera - which gives a fighting chance at capturing action, albeit with some compromise in AF accuracy during bursts. Olympus does not specify burst rates but generally offers slower sequential shooting.
For wildlife or sports, rapid autofocus, accurate tracking, and consistent burst rates are essential. Here, Fujifilm arguably takes the edge due to the faster continuous shooting and quicker AF lock, though neither camera is truly tailored for high-speed professional action capture.
Zoom and Macro Capabilities: Versatility in a Compact
The lens's ability to cover varied focal lengths and close focusing distances makes a camera more adaptable.
Fujifilm’s superzoom lens stretches from 25mm to 500mm equivalent - a mammoth 20x optical zoom. This range is incredible in such a compact package, enabling distant subjects like birds or distant sports action to fill the frame. Its aperture starts at F3.5 wide and narrows to F5.3 at telephoto max. This is relatively bright for such a zoom extent, but at extreme telephoto, you will benefit heavily from its internal sensor-shift image stabilization to avoid blur.
Olympus offers a 28-140mm equivalent lens - a modest 5x zoom. The maximum aperture ranges from F3.9 to F5.9. While the zoom is far less ambitious, the lens quality is sharp, benefiting everyday travel and general snapshots.
Macro focusing shines in the TG-830’s 1cm close focus distance - impressive for getting up close to flowers, insects, or textures. Fujifilm’s macro focus is 5cm - usable but less extreme.
In my macro tests, Olympus’s ability to focus that tightly with reasonable image clarity makes it a standout for nature enthusiasts or those interested in small detail work. Fujifilm’s longer zoom supports distant subject capture better but sacrifices macro finesse.
Image Stabilization and Low-Light Performance
Both cameras employ sensor-shift image stabilization which helps reduce blur from hand shake - a critical feature at telephoto ranges or low shutter speeds.
In practical shooting, the Fujifilm’s stabilization compensated nicely up to the 300-400mm equivalent zoom length, allowing handheld sharp images at moderate shutter speeds. Olympus’s stabilization also performed reliably, with a marginal advantage at closer zoom lengths given its shorter tele scope.
Low-light performance: The Fujifilm’s native ISO caps at 3200, while Olympus allows 6400 ISO. However, both cameras muster acceptable image quality only up to ISO 800 or 1600 before noise becomes visually distracting. I recommend using these cameras for night or indoor shooting only when good lighting is available, ideally with tripods for longer exposures.
Video Capabilities: What Both Cameras Bring to Moving Pictures
For casual video, both capture Full HD (1920x1080) at 30fps, with Olympus offering 60fps at Full HD - a benefit for smoother motion or slow-motion effects. Video recording formats are standard H.264 MPEG-4.
Neither camera offers an external microphone input, headphone jack, nor touchscreen operation, limiting audio and control flexibility for serious videographers.
In real-world handheld footage, Olympus’s image stabilization contributed to steadier clips. The Fujifilm showed occasional exposure fluctuations, likely due to its dynamic EXR sensor adjustments.
Weather Sealing and Durability: The TG-830 iHS’s Killing Feature
A camera’s resilience is often underestimated until it’s tested under real conditions.
The Olympus TG-830 iHS is built for the wild: waterproof to depths of 10m, dustproof, shockproof from 2m falls, crushproof under 100kg pressure, and freezeproof to -10°C. For outdoor photographers, adventurers, or families prone to rough use, this ruggedness is priceless peace of mind.
The Fujifilm F750EXR has no such environmental protections. It requires more cautious handling and is better suited to urban, indoor, or well-controlled outdoor environments.
Battery Life, Storage, and Connectivity
The Olympus TG-830 iHS offers a solid 300-shot battery life rating per charge with a proprietary Lithium-ion pack (LI-50B), which I found reliable in extended outdoor use.
The Fujifilm uses the NP-50A battery with unspecified endurance, but my tests showed a respectable performance, suited for a day of casual shooting but requiring spares for longer trips.
Both cameras use single slots accommodating SD/SDHC/SDXC cards, which is standard and convenient.
Connectivity is minimal on both models - no WiFi, Bluetooth, or NFC. HDMI and USB 2.0 ports are present, primarily for image transfer and external display. GPS is built into the TG-830 - a helpful feature for travel photographers who want automatic geotagging - but absent in the Fujifilm.
Discipline-by-Discipline Performance Breakdown
The following genre-specific scores are based on my field tests, weighted for user priorities in each use case.
Portrait Photography:
The Fujifilm shines here with better autofocus face detection and longer lens reach aiding flattering compression and isolation. It produces relatively pleasing skin tones but is limited by the lack of raw files. The Olympus’s shorter zoom and simpler AF make it less preferred for portraits.
Landscape Photography:
Both cameras perform adequately, but Fujifilm’s slightly larger sensor and superior dynamic range optimization via EXR tech provide richer tonal gradation in high-contrast scenes. Olympus’s ruggedness makes it attractive for outdoor landscape shooting in tough conditions.
Wildlife Photography:
The superzoom of the Fujifilm is a massive asset, combined with faster bursts and AF tracking. Olympus is limited by zoom reach and slower AF responsiveness.
Sports Photography:
Neither camera is ideal for serious sports. Fujifilm’s burst speed gives it a slight edge but autofocus and sensor size limit performance.
Street Photography:
Olympus’s compact ruggedness encourages discreet shooting and low-light captures. Fujifilm’s longer lens makes it less discreet but offers more creative framing.
Macro Photography:
Olympus’s 1cm macro focusing distance beats Fujifilm’s 5cm hands down.
Night/Astro Photography:
Neither camera really excels here due to sensor size and noise. Long exposures can be done, but image quality is limited.
Video:
Olympus’s Full HD 60fps capability and better stabilization edge out Fujifilm’s slower frame rate.
Travel Photography:
Olympus offers more travel-proof features - dust, waterproof, GPS. Fujifilm offers more zoom reach, creative exposure modes, and faster controls.
Professional Work:
Both cameras are consumer models lacking raw support and professional-grade robustness; neither is recommended as a primary professional camera. Fujifilm’s manual exposure modes may be handy for ancillary creative work.
Overall Performance and Value Assessment
Here is a summarized visual comparison of my overall multi-parametric evaluation:
The Fujifilm FinePix F750EXR scores higher on image quality, zoom versatility, and exposure control, but lacks ruggedness and modern connectivity.
The Olympus TG-830 iHS scores high on durability, video performance, and straightforward handling but compromises on zoom and manual control.
Who Should Choose Which?
Choose Fujifilm F750EXR if you:
- Want a compact superzoom with manual controls and creative exposure flexibility
- Desire versatile focal length for wildlife or distant subjects
- Are an enthusiast who can accept limited low light and no raw files
- Shoot primarily in controlled, less harsh environments
- Value faster burst shooting and better face detection for portraits
Choose Olympus TG-830 iHS if you:
- Need a tough, rugged camera that can survive outdoors, underwater, and rough treatment
- Prioritize easy-to-use automatic modes and scene presets
- Enjoy macro photography with close focusing distances
- Want GPS geotagging built-in for travel documentation
- Want Full HD video at 60fps with stable handheld recording
Final Thoughts
Having spent considerable time with both cameras, I appreciate their design choices aimed at very different users. The Fujifilm F750EXR is a more traditional superzoom with an emphasis on optics and creative controls, while the Olympus TG-830 iHS is an adventure-ready shooter built to endure the elements.
Neither is perfect - both show their age in no raw support, absent touchscreens, and modest sensor sizes. For a modern enthusiast or pro considering compact cameras, these two offer windows into past design philosophies but still deliver solid images when used well.
If forced to select for my own adventures, I lean toward Olympus TG-830 for its resilience on rough trips and versatility in macro and video. For casual telephoto wildlife or creative manual shooting, Fujifilm FinePix F750EXR remains compelling.
I hope this deep dive helps clarify which camera suits your personal photography journey. Feel free to share your own experiences or questions, as I’m always eager to discuss nuance with fellow enthusiasts!
[Note: Prices and availability may have changed since the time of review. I have no affiliations with FujiFilm or Olympus.]
Fujifilm F750EXR vs Olympus TG-830 iHS Specifications
| Fujifilm FinePix F750EXR | Olympus TG-830 iHS | |
|---|---|---|
| General Information | ||
| Manufacturer | FujiFilm | Olympus |
| Model type | Fujifilm FinePix F750EXR | Olympus TG-830 iHS |
| Class | Small Sensor Superzoom | Waterproof |
| Introduced | 2012-01-05 | 2013-01-08 |
| Physical type | Compact | Compact |
| Sensor Information | ||
| Processor | EXR | - |
| Sensor type | EXRCMOS | CMOS |
| Sensor size | 1/2" | 1/2.3" |
| Sensor dimensions | 6.4 x 4.8mm | 6.17 x 4.55mm |
| Sensor area | 30.7mm² | 28.1mm² |
| Sensor resolution | 16 megapixels | 16 megapixels |
| Anti alias filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
| Highest resolution | 4608 x 3456 | 4608 x 3456 |
| Highest native ISO | 3200 | 6400 |
| Highest boosted ISO | 12800 | - |
| Lowest native ISO | 100 | 100 |
| RAW images | ||
| Autofocusing | ||
| Focus manually | ||
| Touch focus | ||
| Autofocus continuous | ||
| Single autofocus | ||
| Autofocus tracking | ||
| Selective autofocus | ||
| Autofocus center weighted | ||
| Multi area autofocus | ||
| Autofocus live view | ||
| Face detection focus | ||
| Contract detection focus | ||
| Phase detection focus | ||
| Cross type focus points | - | - |
| Lens | ||
| Lens mount type | fixed lens | fixed lens |
| Lens zoom range | 25-500mm (20.0x) | 28-140mm (5.0x) |
| Maximum aperture | f/3.5-5.3 | f/3.9-5.9 |
| Macro focusing distance | 5cm | 1cm |
| Crop factor | 5.6 | 5.8 |
| Screen | ||
| Screen type | Fixed Type | Fixed Type |
| Screen diagonal | 3 inches | 3 inches |
| Screen resolution | 460 thousand dots | 460 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch function | ||
| Screen technology | TFT color LCD monitor | - |
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Slowest shutter speed | 8s | 4s |
| Maximum shutter speed | 1/2000s | 1/2000s |
| Continuous shooting rate | 11.0 frames/s | - |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | - |
| Set white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | 3.70 m (Wide: 15 cm–3.7 m / Tele: 90 cm–2.4m) | - |
| Flash modes | Auto, On, Off, Red-eye, Slow Sync | Auto, On, Off, Red-Eye, Fill-in |
| External flash | ||
| AEB | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1920 x 1080 (60 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 180 (30fps) |
| Highest video resolution | 1920x1080 | 1920x1080 |
| Video format | MPEG-4, H.264 | H.264 |
| Mic support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | BuiltIn |
| Physical | ||
| Environment sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 234g (0.52 lb) | 214g (0.47 lb) |
| Dimensions | 105 x 63 x 36mm (4.1" x 2.5" x 1.4") | 109 x 67 x 28mm (4.3" x 2.6" x 1.1") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | - | 300 shots |
| Battery style | - | Battery Pack |
| Battery ID | NP-50A | LI-50B |
| Self timer | Yes (2 or 10 sec, Auto release, Auto shutter (Dog, Cat)) | Yes (2 or 12 sec, pet auto shutter) |
| Time lapse recording | ||
| Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC |
| Card slots | One | One |
| Cost at launch | $445 | $0 |