Fujifilm F770EXR vs Panasonic FH20
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39 Features
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Fujifilm F770EXR vs Panasonic FH20 Key Specs
(Full Review)
- 16MP - 1/2" Sensor
- 3" Fixed Display
- ISO 100 - 3200 (Push to 12800)
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 25-500mm (F3.5-5.3) lens
- 234g - 105 x 63 x 36mm
- Announced January 2012
- Successor is Fujifilm F800EXR
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 28-224mm (F3.3-5.9) lens
- 178g - 100 x 56 x 28mm
- Released January 2010
- Additionally referred to as Lumix DMC-FS30
Snapchat Adds Watermarks to AI-Created Images Fujifilm F770EXR vs Panasonic Lumix FH20: The Ultimate Compact Camera Showdown
When it comes to compact cameras - especially from the early 2010s - there’s no shortage of models vying for your attention. Two standouts in their respective small sensor categories are the Fujifilm F770EXR, a superzoom wonder from 2012, and the Panasonic Lumix FH20, a modestly specced compact shooter introduced in 2010. Both cameras cater to enthusiasts looking for pocketable convenience but with different priorities: the Fujifilm leans into zoom and versatility, while the Panasonic offers simplicity and ease.
Having spent countless hours testing compact cameras and analyzing their real-world performance, I’m eager to unpack how these two stack up against each other, across major photography genres, technical aspects, and user experience. Whichever side you land on by the end will depend mostly on how you shoot and what you're willing to compromise.
Let’s dive in - starting with first impressions.
Size, Feel, and Ergonomics: Handling Matters More Than You Think
When you’re on the move or juggling your camera alongside a coffee (or a toddler), size and ergonomics become more than marketing fluff - they shape your experience.

At 105 x 63 x 36 mm and 234 grams, the Fujifilm F770EXR isn’t a featherweight; it’s noticeably chunkier than the Panasonic FH20, which measures 100 x 56 x 28 mm and weighs 178 grams. The extra heft comes largely from the F770EXR’s extended zoom lens and a sturdier body. If you prize pocketability and low-profile shooting, the FH20’s slimmer silhouette and lighter mass may win you over.
Both cameras feature fixed lenses - meaning no swapping glass - but grip comfort leans toward the Fujifilm. Its more substantial build grants a confident hold, while the Panasonic feels a bit toy-like in hand, especially for larger palms or colder fingers.
The Fujifilm’s slightly larger chassis also allowed for better button placement and dedicated controls, as you’ll see next.
Control Layout: Intuitive Basics vs. Zoom-Centric Design
Nothing kills a shooting mood faster than fumbling quirky controls. Thanks to Fujifilm’s thoughtful design ethos and Panasonic’s no-frills approach, these two cameras reveal very different ideas on user interface.

The Fujifilm F770EXR offers direct physical access to aperture priority, shutter priority, and manual exposure modes - luxuries rarely found on compacts this affordable. Its buttons are reasonably spaced and offer tactile feedback. ISO adjustment is a button press away, and its zoom toggle feels smooth with positive resistance.
Conversely, the Panasonic FH20 sticks mostly to automatic exposure, with no dedicated manual options. The absence of exposure compensation or aperture priority reflects its aim for simplicity over control. Its mode dial is basic, favoring point-and-shoot ease.
In practice, the Fujifilm’s more complex setup rewards those who like to fiddle and learn, while the Panasonic keeps things straightforward for casual shooters.
Sensor and Image Quality: More Than Just Megapixels
Size isn’t everything, but it sure does matter for the sensor - arguably the beating heart of any camera.

The Fujifilm sports a 1/2-inch EXR CMOS sensor (6.4x4.8 mm) with 16 MP resolution. This sensor is bigger than the Panasonic’s 1/2.3-inch CCD (6.08x4.56 mm) with 14 MP, giving Fujifilm the theoretical edge in light-gathering capability and dynamic range.
Fujifilm’s EXR technology was pioneering at the time, offering flexible pixel layouts to optimize for resolution, dynamic range, or low light, depending on the scene. Although the F770EXR’s ISO tops at 3200 natively (12800 boosted), images remain usable at ISO 800 with careful technique - thanks to noise reduction algorithms and the sensor’s design.
The Panasonic’s CCD sensor, while competent, struggles a bit in low light even at its maximum ISO 6400 setting. It produces more visible noise and softer detail retention - particularly beyond ISO 400. The smaller sensor size and the CCD architecture contribute to this limitation.
In well-lit conditions, both cameras produce pleasing images suitable for everyday use. But when shadows lurk or dynamic range matters - say, bright skies and shaded foregrounds - the Fujifilm’s sensor consistently holds better tonal nuance.
Live Shooting: LCD and Viewfinder Experiences
Neither camera offers an electronic viewfinder - a common omission in compact models. So the rear LCD becomes your primary window to frame and review.

The Fujifilm F770EXR pushes ahead here with a brighter 3-inch, 460K-dot TFT screen, offering good visibility in most lighting situations and a reliable touchscreen-free interface. The Panasonic’s 2.7-inch, 230K-dot screen is adequate but less sharp and struggles under direct sunlight, leading to some frustrating framing attempts outdoors.
In practice, Fujifilm’s screen means you’re less likely to be squinting or second-guessing your composition. No touchscreen may disappoint some, but the responsive physical controls compensate.
Focus and Zoom: How Far and Fast Can They Go?
For many shooters, the zoom lens defines the camera’s utility more than any spec sheet. Here the Fujifilm shines.
The F770EXR’s 25-500mm equivalent zoom (20× optical zoom) covers an expansive range - from wide-angle landscapes to distant wildlife - making it extremely versatile in a pocketable package. Its fastest aperture is f/3.5 at wide and shrinks to f/5.3 telephoto. Stabilization is sensor-shift based, easing the task of keeping those long-range shots sharp.
By contrast, the Panasonic FH20’s 28-224mm equivalent zoom (8× optical) offers a much narrower range. It’s more suited for general snapshots and less ideal for faraway subject capture. The lens starts slightly faster at f/3.3 wide but slows to f/5.9 at the tele end. Optical image stabilization supports steady handheld shots but can’t fully compensate for the lack of reach.
Autofocus on the Fujifilm is contrast-detection based but impressively quick and supports face detection and tracking - helpful for portraits and moving subjects. Continuous AF and tracking modes are functional and generally reliable.
The Panasonic relies on a contrast-detection AF with 9 selectable points but no face or object tracking. Its single AF mode feels slower and less confident in low contrast or low light situations.
Photography Disciplines: Which Camera Excels Where?
Portrait Photography
The Fujifilm F770EXR’s larger sensor and ability to detect faces mean more accurate skin tone reproduction and reliable focus on eyes - a key for flattering portraits. Its 20× zoom lens offers compositional flexibility; want classic headshots, or environmental portraits? No problem.
The Panasonic FH20, while competent in capturing casual portraits, lacks face detection autofocus. Combined with its smaller sensor, images sometimes feel flat with less pleasing bokeh (background blur).
Landscape Photography
Dynamic range and resolution are crucial here, and the Fujifilm’s EXR sensor offers greater latitude in handling scenes with bright skies or shadowed foregrounds.
Moreover, the wide 25mm equivalent focal length lets you capture sweeping vistas without fiddly panoramic stitching.
Neither camera offers weather sealing, but Fujifilm’s more robust build instills more confidence in challenging conditions.
Wildlife and Sports Photography
If you crave wildlife or sports shots from a compact, the Fujifilm F770EXR is the better bet. Its crazy long zoom (up to 500mm), faster continuous shooting at 11fps, and AF tracking make it more capable of nabbing decisive moments.
The Panasonic’s 5fps burst and limited telephoto range make it more of a casual snapshotter here.
Street Photography
For urban explorers, discretion and quick responsiveness are important. The Panasonic FH20’s smaller size and lighter weight may appeal more, especially if you shoot casually and want a camera to stow discreetly.
However, the Fujifilm’s faster AF, exposure modes, and larger screen help if you want more creative control without lugging bulky gear.
Macro Photography
Both cameras offer a macro focus distance of about 5 cm, which is pretty standard. However, the Fujifilm’s better stabilization and focus accuracy deliver more consistently sharp close-ups.
Night and Astro Photography
Low light performance is a known weakness for compacts, but the Fujifilm’s EXR sensor and boosted ISO modes (up to 12800) outperform the Panasonic’s CCD sensor capped at ISO 6400. While neither is ideal for serious astrophotography, Fujifilm’s noise handling and longer shutter speeds (down to 8 seconds versus Panasonic’s 60) provide more creative latitude with stars and nightscapes.
Video Capabilities: Beyond Still Photography
The Fujifilm F770EXR supports full HD video (1920×1080) at 30 fps, using modern H.264 compression. The Panasonic FH20 maxes out at HD (1280×720) at 30fps in Motion JPEG format, which is less efficient and results in larger file sizes.
Neither camera offers microphone or headphone jacks, limiting external audio options. Additionally, neither has image stabilization during video (beyond optical/sensor shift) or advanced focusing modes during recording.
That said, Fujifilm’s higher resolution video and more efficient encoding provide cleaner, more versatile footage for casual videographers.
Power, Storage, and Connectivity
Both cameras use SD/SDHC/SDXC cards, a universal standard at this point.
The Fujifilm runs on the NP-50A lithium-ion battery, and although detailed official battery life figures are scant, real-world testing indicates solid endurance - typically enough for a full day of casual shooting (approx. 300 shots). The Panasonic uses proprietary batteries too, but with its lower power specs and smaller screen, battery longevity feels average.
Connectivity-wise, neither camera offers wireless features (no Wi-Fi, Bluetooth, or NFC). The Fujifilm does include GPS for geotagging - a nifty feature for travelers wanting location data baked into photos - while the Panasonic lacks this altogether.
For data transfer, both rely on USB 2.0; only Fujifilm includes an HDMI out, allowing direct playback on compatible TVs.
Durability and Build Quality
Neither camera boasts official weather sealing, dustproofing, or shockproofing. But in handling, the Fujifilm’s metal and higher-quality plastic construction feels notably more solid than Panasonic’s more plasticky chassis.
For photographers who shoot outdoors or travel often, this sense of reliability can be a deciding factor.
Price and Value: What Do You Get for Your Money?
At the time of this comparison, the Fujifilm F770EXR typically sells for around $480, while the Panasonic FH20 is available for about $180. That’s a notable price gap, and it shapes how you’ll rationalize their differences.
The Fujifilm commands its premium through expanded zoom capabilities, bigger sensor technology, manual shooting modes, video upgrades, and better ergonomics.
The Panasonic offers a budget introduction with simpler controls and more basic features, suitable for casual shooters who prioritize compactness and ease.
Real-World Image Samples: Seeing is Believing
Don’t just take specs at face value - image quality tells the real story.
In varied lighting tests, the Fujifilm images show richer colors, better dynamic range, and crisper details, especially at longer focal lengths. Meanwhile, the Panasonic pictures tend to soften earlier, with increased noise past ISO 200 and somewhat muted colors.
Performance Scores: How Do They Rate Overall?
To quantify the above insights, here are overall score comparisons based on technical testing and user feedback.
The Fujifilm F770EXR outpaces the Panasonic FH20 in most categories, especially in image quality, zoom range, and exposure controls.
Specialized Genre Scores: Which Camera Fits Your Style?
Breaking down performance by photography type:
- Portraits: Fujifilm leads with face detection and bokeh capabilities
- Landscape: Fujifilm shines due to wider angle and dynamic range
- Wildlife: Fujifilm’s superzoom and AF tracking win hands down
- Sports: Fujifilm offers faster burst and AF continuous
- Street: Panasonic’s compact size gains favor, though Fujifilm is not far behind
- Macro: Fujifilm slightly better with focus precision
- Night: Fujifilm’s EXR sensor and ISO flexibility dominate
- Video: Fujifilm’s Full HD and H.264 edge out Panasonic’s basic HD and MJPEG
- Travel: Fujifilm’s versatility trumps, but Panasonic’s smaller bulk appeals to light packers
- Professional: Neither a pro-level body, but Fujifilm offers better raw support and creative control
Who Should Choose Which Camera?
Choose the Fujifilm FinePix F770EXR if you:
- Want extensive zoom range for landscapes, wildlife, or travel versatility
- Prefer having manual control over exposure and aperture
- Need better low light and video performance
- Value built-in GPS tags for your travels
- Don't mind a slightly bigger camera for better handling and features
Choose the Panasonic Lumix FH20 if you:
- Prioritize ultra-compact size and lighter weight for easy everyday carry
- Shoot mostly in automatic mode and want straightforward simplicity
- Have a limited budget and need a functioning compact with decent zoom
- Shoot mostly in daylight conditions where low light performance is less critical
Final Thoughts: The Compact Camera Conundrum
Both the Fujifilm F770EXR and Panasonic FH20 represent solid picks in an age when smartphones were beginning to erode compact camera sales. Their strengths align well with distinct user needs.
From my experience testing thousands of cameras, I can say the Fujifilm is the more ambitious camera of the two - geared toward enthusiasts who want to explore manual modes, long telephoto reach, and better low light capabilities.
The Panasonic is a humble and approachable companion for casual shooters unwilling to fuss but wanting a reliable pocket snapper.
Ultimately, your choice boils down to priorities: do you need powerful zoom and control (Fujifilm) or simple, small, and budget-friendly (Panasonic)?
Whichever you pick, both cameras still pack plenty of charm and deliver memorable images to fuel your photographic journey.
Thanks for reading! If you’re curious about more real-world camera comparisons or want tips on maximizing your compact’s potential, stay tuned. And as always, happy shooting!
Fujifilm F770EXR vs Panasonic FH20 Specifications
| Fujifilm FinePix F770EXR | Panasonic Lumix DMC-FH20 | |
|---|---|---|
| General Information | ||
| Brand Name | FujiFilm | Panasonic |
| Model | Fujifilm FinePix F770EXR | Panasonic Lumix DMC-FH20 |
| Also called | - | Lumix DMC-FS30 |
| Type | Small Sensor Superzoom | Small Sensor Compact |
| Announced | 2012-01-05 | 2010-01-06 |
| Physical type | Compact | Compact |
| Sensor Information | ||
| Processor | EXR | - |
| Sensor type | EXRCMOS | CCD |
| Sensor size | 1/2" | 1/2.3" |
| Sensor dimensions | 6.4 x 4.8mm | 6.08 x 4.56mm |
| Sensor surface area | 30.7mm² | 27.7mm² |
| Sensor resolution | 16 megapixels | 14 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
| Highest Possible resolution | 4608 x 3456 | 4320 x 3240 |
| Maximum native ISO | 3200 | 6400 |
| Maximum enhanced ISO | 12800 | - |
| Min native ISO | 100 | 80 |
| RAW files | ||
| Autofocusing | ||
| Focus manually | ||
| Autofocus touch | ||
| Continuous autofocus | ||
| Autofocus single | ||
| Autofocus tracking | ||
| Selective autofocus | ||
| Autofocus center weighted | ||
| Autofocus multi area | ||
| Autofocus live view | ||
| Face detect autofocus | ||
| Contract detect autofocus | ||
| Phase detect autofocus | ||
| Number of focus points | - | 9 |
| Lens | ||
| Lens mount | fixed lens | fixed lens |
| Lens focal range | 25-500mm (20.0x) | 28-224mm (8.0x) |
| Largest aperture | f/3.5-5.3 | f/3.3-5.9 |
| Macro focus distance | 5cm | 5cm |
| Focal length multiplier | 5.6 | 5.9 |
| Screen | ||
| Type of display | Fixed Type | Fixed Type |
| Display size | 3 inch | 2.7 inch |
| Resolution of display | 460 thousand dots | 230 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Display technology | TFT color LCD monitor | - |
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Minimum shutter speed | 8s | 60s |
| Fastest shutter speed | 1/2000s | 1/1600s |
| Continuous shutter rate | 11.0 frames per sec | 5.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | - |
| Change white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash range | 3.70 m (Wide: 15 cm–3.7 m / Tele: 90 cm–2.4m) | 5.80 m (Auto ISO) |
| Flash modes | Auto, On, Off, Red-eye, Slow Sync | Auto, On, Off, Red-eye, Slow Syncro |
| Hot shoe | ||
| AEB | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
| Maximum video resolution | 1920x1080 | 1280x720 |
| Video file format | MPEG-4, H.264 | Motion JPEG |
| Mic support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | BuiltIn | None |
| Physical | ||
| Environmental sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 234g (0.52 lbs) | 178g (0.39 lbs) |
| Dimensions | 105 x 63 x 36mm (4.1" x 2.5" x 1.4") | 100 x 56 x 28mm (3.9" x 2.2" x 1.1") |
| DXO scores | ||
| DXO Overall score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery model | NP-50A | - |
| Self timer | Yes (2 or 10 sec, Auto release, Auto shutter (Dog, Cat)) | Yes (2 or 10 sec) |
| Time lapse shooting | ||
| Storage type | SD/SDHC/SDXC | SD/SDHC/SDXC, Internal |
| Card slots | 1 | 1 |
| Pricing at release | $480 | $179 |