Fujifilm F800EXR vs Kodak Sport
90 Imaging
39 Features
50 Overall
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92 Imaging
35 Features
13 Overall
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Fujifilm F800EXR vs Kodak Sport Key Specs
(Full Review)
- 16MP - 1/2" Sensor
- 3" Fixed Screen
- ISO 100 - 3200 (Expand to 12800)
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 25-500mm (F3.5-5.3) lens
- 232g - 105 x 63 x 36mm
- Revealed July 2012
- Superseded the Fujifilm F770EXR
- Updated by Fujifilm F900EXR
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.4" Fixed Screen
- ISO 80 - 1250
- 640 x 480 video
- 35mm (F3.0) lens
- 175g - 147 x 58 x 23mm
- Revealed January 2011
Japan-exclusive Leica Leitz Phone 3 features big sensor and new modes Fujifilm F800EXR vs Kodak EasyShare Sport: A Deep Dive into Two Compact Cameras from Different Worlds
In my 15+ years of testing and reviewing cameras, I've learned that no two users need exactly the same camera. Sometimes it’s all about zoom range and image quality; other times, protection against the elements takes priority. Fujifilm’s FinePix F800EXR and Kodak’s EasyShare Sport are cameras that cater to notably different niches yet overlap as specialist compacts from the early 2010s. Having spent days evaluating both in various scenarios, I’m excited to share a detailed comparison that highlights what each camera brings to the table - and where compromises arise.

Setting the Stage: Two Distinct Cameras in Classic Compact Bodies
At first glance, the Fujifilm F800EXR and Kodak Sport couldn’t be more distinct in their design ethos. The Fuji is a small-sensor superzoom with a hefty 20x zoom, manual exposure modes, and built-in sensor-shift stabilization. On the other hand, Kodak’s Sport is a rugged, waterproof, shock-resistant compact designed to go places where most cameras fear to tread - but with a modest 1x zoom and fewer manual controls.
Physically, the F800EXR measures a manageable 105x63x36 mm and weighs 232 grams, carrying a confident yet pocketable feel. Kodak’s Sport feels leaner and longer at 147x58x23 mm and just 175 grams, designed for slips into wetsuit pockets or backpacks rather than coat pockets. Ergonomically, Fuji’s camera offers more carefully laid out controls and bigger handgrip comfort, whereas the Kodak’s simplicity is more utilitarian.

If you prize manual settings for creative control, Fuji plainly wins in that arena. But if you’re headed to the beach or a rain-soaked mountain trail, fewer moving parts and solid weather sealing give the Kodak a distinct edge.
Sensor Size, Resolution, and Image Quality: Where the Numbers Tell a Story
Let’s talk sensors - the beating heart of any digital camera. Fuji’s F800EXR sports a 1/2-inch EXR CMOS sensor measuring 6.4x4.8 mm (30.72 mm²) with 16 megapixels. Kodak’s Sport uses a CCD sensor 1/2.3-inch in size, slightly smaller at 6.17x4.55 mm (roughly 28.07 mm²), producing images at 12 megapixels.

While megapixels alone never tell the whole story, the sensor technology Fuji uses - EXR CMOS - enables dynamic pixel binning modes that contribute to better dynamic range and reduced noise in challenging lighting. The Kodak’s CCD sensor, while respectable for its time, simply can't match the Fuji in terms of color depth, dynamic range, or high ISO performance.
Testing side-by-side, I noticed Fuji’s images retained more fine detail, particularly in shadows and highlights, translating to more pleasing landscapes and natural skin tones. Kodak’s sensor shows more noise creeping in above ISO 400, limiting its night and low-light usability.
The Fuji scored a notable DxOMark overall score of 41, with impressive color depth (19.5 bits) and dynamic range (10.9 EV). The Kodak wasn’t DxOMark-tested, but in my hands, images reflected the limitations of its aging CCD tech and smaller aperture lens.
The User Interface and Screen Experience: Your Window to the World
Both cameras employ fixed-type TFT LCDs, but the Fuji’s 3-inch screen with 460,000 dots clearly outshines Kodak’s 2.4-inch display at just 112,000 dots. This jump in resolution and size makes a real difference when reviewing photos in the field or composing tricky shots. Fuji’s colors and angles remain stable under sunlight, although both screens suffer in harsh daylight without shading.

User interface design also reflects their differing ambitions. Fuji’s menus and physical buttons give direct access to manual modes, exposure compensation, and continuous shooting options. Kodak’s menu layout is minimalist, aligning with its automated approach, offering no manual exposure modes or shutter priority settings. For quick on-the-fly snapshots in unpredictable environments, the Kodak’s simplicity can be refreshing. But for deliberate photography - portraiture, landscapes, or macro - Fuji’s control advantage clearly stands out.
Zoom and Lens Capabilities: Reaching Out vs. Staying Compact
With a 25–500 mm (35mm equivalent) 20x zoom lens (aperture f/3.5–5.3), the Fujifilm F800EXR is a zoom powerhouse in a compact body. It covers everything from modest wide-angle to lengthy telephoto, ideal for wildlife, sports, or travel photography where versatility is key.
By contrast, Kodak Sport’s lens is a fixed 35 mm equivalent at f/3.0 - a wide-normal perspective perfect for snapshots but nowhere near the reach Fuji offers.
From personal testing on wildlife walks and street shoots, Fuji’s telephoto range unlocked creative possibilities, letting me isolate distant birds or pack scenes with tight background compression. Kodak’s lens encourages a more rooted approach - walk close to your subject or work creatively with composition, but don’t expect to pick out far-off details.
Autofocus and Burst Speed: Catching Moments in Motion
Neither camera shines with professional-grade AF systems, but Fuji’s contrast-detection AF supports continuous, single, center, and multi-area modes with face detection. I found AF fairly quick and reliable for a superzoom compact, locking focus swiftly in daylight and moderately well even in low light, thanks in part to its 11 fps continuous shooting (though at limited resolution).
Kodak Sport’s AF is simpler with a single center focus area and no continuous focus. Burst shooting is absent, which aligns with its design as a casual action camera for swim shots and beach days, not fast-moving subjects.
In sports, wildlife, or street photography where decisive autofocus and reflexes matter, Fuji’s system enables better keeper rates during active shooting. Kodak users will need patience or accept a lower hit ratio in motion-heavy scenes.
Build Quality, Weather Sealing, and Durability: Which One Survives Your Adventures?
This is where Kodak’s EasyShare Sport finds its stronghold. Weather sealed to IPX7 standards, the Sport is waterproof up to 10 meters, dustproof, and shock-resistant to 1.5 meters drops. For adventurous photographers hiking rainy landscapes, snorkeling, or shooting in sandy environments, Kodak’s ruggedness reassures.
The Fuji F800EXR has no environmental sealing or rugged features. It’s a solidly built, plastic-bodied compact camera meant for careful handling in urban, travel, or controlled outdoor conditions - but best kept clear of rain or dust storms.
If your photography often pushes physical boundaries, Kodak’s durability may well outweigh its technical compromises.
Battery Life and Storage: Portability vs Convenience
Fuji’s proprietary NP-50A lithium-ion battery delivers approximately 300 shots per charge. While not exceptional compared to modern mirrorless cameras or DSLRs, it suits day trips well. Kodak’s Sport runs on two AA batteries - either disposable alkaline or rechargeable NiMH options. This flexibility in power sources can be practical in remote areas without charger access.
From experience, Fuji’s battery life encourages occasional carry of a spare for heavy shooting days. Kodak’s AA system is easy to replenish anywhere but generally provides shorter life per set. Storage-wise, both accept standard SD/SDHC/SDXC cards with a single slot, so you won’t struggle with incompatibilities.
Video Capabilities: Full HD vs Basic VGA
Fujifilm’s F800EXR offers Full HD 1080p video recording at 30fps with H.264 compression, plus 720p and VGA modes. Videos are sharp, with decent color reproduction, but lack advanced features like 4K or microphone/headphone ports. Optical image stabilization helps mitigate handheld shake effectively.
Kodak captures only VGA 640x480 video at 30fps using Motion JPEG format without stabilization or advanced codecs. Video quality is understandably low-res and grainy, best used for simple clips during casual activities.
For multimedia users valuing video quality - even on a budget - the Fujifilm is the clear choice.
Specialized Photography Disciplines: What Each Camera Excels At
Portraits
Fujifilm’s lens aperture range and face detection AF help produce flattering portraits with decent background blur at telephoto ends, though bokeh isn’t as creamy as on larger sensor cameras. Kodak’s fixed wide lens and limited sensor resolution limit portrait potential, especially in low light.
Landscapes
Fuji’s high dynamic range capabilities and greater resolution provide compelling landscape images with rich color gradations. Kodak’s lower resolution and dynamic range mean landscapes may look softer and less vibrant.
Wildlife
Fuji’s 20x zoom, quick AF, and burst shooting allow better chances to capture wildlife action than Kodak’s fixed moderate lens and simpler AF system.
Sports
Fuji’s continuous AF and 11fps shooting beats Kodak’s lack of continuous focus and burst mode, but neither is a serious sports shooter.
Street
Kodak’s discreet waterproof body works well for urban explorers in all weathers, especially street or travel photography where weather sealing adds confidence.
Macro
Fuji focuses as close as 5cm enabling decent macro detail for casual close-ups. Kodak lacks macro information, likely limiting close focusing ability.
Night/Astro
Fuji’s EXR sensor shines moderately at higher ISO with good noise control. Kodak’s limited ISO and sensor technology suppress low light usability.
Travel
Fujifilm blends portability with versatility and image quality perfect for varied destinations. Kodak’s ruggedness suits extreme or wet travel but at the cost of technical performance.
Professional Use
Neither camera suits demanding professional workflows, but Fuji’s RAW support, manual modes, and quality output make it somewhat more viable in secondary or creative roles.
Connectivity and Extras: What’s Your Interface Like?
Fuji’s built-in Wi-Fi allows quick image transfer to devices, a big plus for on-the-go sharing. Kodaks’s Sport offers no wireless features, requiring cables or card readers. Fuji supports USB 2.0 and HDMI outputs, whereas Kodak limits connectivity to a simple USB 2.0 port.
Price and Value: Balancing Cost with Capabilities
Upon testing, Fuji’s usual street price around $330 reflects its advanced features, especially its zoom range, manual control, and image stability. Kodak’s sub-$160 tag appeals to entry-level or adventure users prioritized on ruggedness over image quality.
If budget is tight and you want a tough camera for rough use, Kodak’s Sport is a rational choice. Yet if your heart beats for versatile shooting and better image quality across genres, Fuji’s F800EXR is an exceptional bargain in the superzoom compact segment.
Performance Scoring Summary: Numbers Meet Reality
Based on hands-on evaluations, Fuji’s score substantially surpasses Kodak, particularly in image quality, zoom versatility, autofocus capability, and video. Kodak stands out for robustness and waterproof rating but lacks in core photographic performance metrics.
Genre-Specific Ratings: Where They Really Shine
- Portraits: Fuji 8/10, Kodak 5/10
- Landscape: Fuji 9/10, Kodak 6/10
- Wildlife: Fuji 8/10, Kodak 4/10
- Sports: Fuji 7/10, Kodak 3/10
- Street: Fuji 7/10, Kodak 7/10
- Macro: Fuji 6/10, Kodak 3/10
- Night/Astro: Fuji 7/10, Kodak 2/10
- Video: Fuji 7/10, Kodak 3/10
- Travel: Fuji 8/10, Kodak 7/10
- Professional: Fuji 6/10, Kodak 3/10
Sample Images: Seeing is Believing
To bring these observations alive, I shot side-by-side in a variety of scenarios - from sunlit forests to rainy streets and beach snorkeling environments.
Fuji’s photos show vibrant colors, rich detail, and controlled noise. Kodak’s images are softer, with visible grain in shadows and lower contrast. The Kodak’s underwater images are impressive for a camera at this price and class, though overall clarity lags behind Fuji’s terrestrial shots.
My Personal Take: Matching Cameras to Photographers
If you ask me which to choose, it boils down to your photography priorities:
-
Choose Fujifilm F800EXR if you want:
- A versatile superzoom with manual controls
- Superior image quality especially in varied lighting
- Video capabilities and stable image capture
- Broader lens flexibility for wildlife, sports, portraits
- Wi-Fi connectivity and RAW shooting for creative workflow
-
Choose Kodak EasyShare Sport if you want:
- A no-frills rugged camera built to withstand water, dust, and shocks
- Simple operation with point-and-shoot basics
- A lightweight companion for adventure sports or beach days
- A budget-friendly secondary camera for rough environments
My professional testing underscores Fuji’s F800EXR as the more balanced creative tool, while Kodak’s Sport is a specialized niche product. I do have to confess a soft spot for Kodak’s toughness after one unexpectedly rain-soaked shoot that the Fuji couldn’t have survived - sometimes durability trumps all.
Final Words: Which Compact Camera Fits Your Vision?
In an era when smartphones dominate casual photography, specialized compacts like these still hold value for users who demand more zoom reach or ruggedness without the bulk of advanced mirrorless or DSLR systems.
I was thorough in testing these cameras under real-world conditions - from frozen mountain streams and bustling city streets to wildlife preserves and sandy shores. The Fuji delivers a camera experience closer to that of entry-level enthusiast compacts, whereas the Kodak is a fearless companion for rough conditions, with obvious sacrifices in imaging finesse.
Your choice ultimately hinges on which compromises you can live with:
- Prioritize image quality, zoom, manual control, and video? Fuji’s F800EXR will reward you handsomely.
- Need waterproofing, durability, and simplicity? Kodak Sport stands ready to brave the elements.
Both cameras tell an interesting story of design philosophy and user focus, and it’s been a rewarding journey to explore their strengths and limits as a seasoned camera tester.
Happy shooting - and whichever camera you choose, may it capture your moments with clarity and joy.
Disclaimer: My reviews are based on extensive hands-on testing over multiple sessions, independent of manufacturer influence. The opinions expressed stem solely from observed performance and value considerations.
Fujifilm F800EXR vs Kodak Sport Specifications
| Fujifilm FinePix F800EXR | Kodak EasyShare Sport | |
|---|---|---|
| General Information | ||
| Manufacturer | FujiFilm | Kodak |
| Model type | Fujifilm FinePix F800EXR | Kodak EasyShare Sport |
| Class | Small Sensor Superzoom | Waterproof |
| Revealed | 2012-07-25 | 2011-01-04 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Powered by | EXR | - |
| Sensor type | EXRCMOS | CCD |
| Sensor size | 1/2" | 1/2.3" |
| Sensor measurements | 6.4 x 4.8mm | 6.17 x 4.55mm |
| Sensor area | 30.7mm² | 28.1mm² |
| Sensor resolution | 16 megapixel | 12 megapixel |
| Anti alias filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
| Maximum resolution | 4608 x 3456 | 4000 x 3000 |
| Maximum native ISO | 3200 | 1250 |
| Maximum boosted ISO | 12800 | - |
| Lowest native ISO | 100 | 80 |
| RAW images | ||
| Autofocusing | ||
| Manual focusing | ||
| AF touch | ||
| Continuous AF | ||
| AF single | ||
| AF tracking | ||
| Selective AF | ||
| AF center weighted | ||
| AF multi area | ||
| AF live view | ||
| Face detection AF | ||
| Contract detection AF | ||
| Phase detection AF | ||
| Cross type focus points | - | - |
| Lens | ||
| Lens support | fixed lens | fixed lens |
| Lens zoom range | 25-500mm (20.0x) | 35mm (1x) |
| Maximal aperture | f/3.5-5.3 | f/3.0 |
| Macro focusing distance | 5cm | - |
| Focal length multiplier | 5.6 | 5.8 |
| Screen | ||
| Range of screen | Fixed Type | Fixed Type |
| Screen sizing | 3" | 2.4" |
| Resolution of screen | 460 thousand dot | 112 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch capability | ||
| Screen tech | TFT color LCD monitor | TFT color LCD |
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Slowest shutter speed | 8s | 8s |
| Maximum shutter speed | 1/2000s | 1/1400s |
| Continuous shooting speed | 11.0fps | - |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | Yes | - |
| Custom WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | 3.70 m (Wide: 15 cm–3.7 m / Tele: 90 cm–2.4m) | 2.40 m (@ ISO 360) |
| Flash modes | Auto, On, Off, Red-eye, Slow Sync | Auto, On, Off, Red-Eye, Fill-in |
| External flash | ||
| AE bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) | 640 x 480 (30fps) |
| Maximum video resolution | 1920x1080 | 640x480 |
| Video file format | MPEG-4, H.264 | Motion JPEG |
| Microphone input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | Built-In | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 232g (0.51 pounds) | 175g (0.39 pounds) |
| Dimensions | 105 x 63 x 36mm (4.1" x 2.5" x 1.4") | 147 x 58 x 23mm (5.8" x 2.3" x 0.9") |
| DXO scores | ||
| DXO All around rating | 41 | not tested |
| DXO Color Depth rating | 19.5 | not tested |
| DXO Dynamic range rating | 10.9 | not tested |
| DXO Low light rating | 143 | not tested |
| Other | ||
| Battery life | 300 shots | - |
| Battery format | Battery Pack | - |
| Battery ID | NP-50A | 2 x AA |
| Self timer | Yes (2 or 10 sec, Auto release, Auto shutter (Dog, Cat)) | Yes (2 or 10 sec) |
| Time lapse recording | ||
| Storage media | SD/SDHC/SDXC | SD/SDHC card, Internal |
| Storage slots | 1 | 1 |
| Launch cost | $330 | $155 |