Fujifilm F800EXR vs Nikon B500
90 Imaging
39 Features
50 Overall
43


68 Imaging
41 Features
50 Overall
44
Fujifilm F800EXR vs Nikon B500 Key Specs
(Full Review)
- 16MP - 1/2" Sensor
- 3" Fixed Display
- ISO 100 - 3200 (Boost to 12800)
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 25-500mm (F3.5-5.3) lens
- 232g - 105 x 63 x 36mm
- Launched July 2012
- Superseded the Fujifilm F770EXR
- Refreshed by Fujifilm F900EXR
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Tilting Display
- ISO 80 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 23-900mm (F3.0-6.5) lens
- 541g - 114 x 78 x 95mm
- Launched February 2016

Fujifilm F800EXR vs Nikon Coolpix B500: A Hands-On Comparison of Two Small Sensor Superzooms
When it comes to small sensor superzoom cameras, enthusiasts and casual photographers alike often seek a versatile all-in-one solution that balances reach, image quality, handling, and value. Today, I'm diving deep into a direct comparison between two noteworthy contenders in this category: the Fujifilm F800EXR (2012) and the Nikon Coolpix B500 (2016). Both cameras promise extensive zoom ranges and compact form factors, yet their designs, features, and performance target somewhat different users.
Having logged many hours of side-by-side tests - including lab benchmark data, real-world shooting sessions, and extensive menu navigation - I’ll walk you through everything essential to know. Whether you lean toward landscapes, wildlife, travel, or casual everyday shooting, my detailed evaluation will help clarify which camera deserves your hard-earned money.
Understanding the Cameras at a Glance: Size, Ergonomics, and Handling
Before delving into sensor performance or autofocus, how a camera feels and fits in your hand is foundational. The Fujifilm F800EXR is a classic compact superzoom, while the Nikon Coolpix B500 adopts a bridge-style SLR-like body.
The Fujifilm’s dimensions (105 x 63 x 36 mm) and light 232 g weight make it highly portable - ideal for travelers who need a pocketable zoom tool. In contrast, the Nikon B500 is notably larger (114 x 78 x 95 mm) and heavier at 541 g, feeling more substantial and perhaps less comfortable in long handheld sessions for some users.
One positive for the B500 is its generous front grip and SLR-like ergonomics, which many photographers with DSLR experience will appreciate. The F800EXR’s slim shape calls for a lighter grip approach; it has fewer physical controls but straightforward handling suited for quick point-and-shoot use.
The Fujifilm has a 3.0" fixed, non-touch TFT LCD, while the Nikon sports a larger 3.0" tilting screen with higher resolution (921k vs. 460k dots) - an important advantage for compositions at odd angles.
Top panel layouts reflect these divergent philosophies. The Nikon’s dedicated mode dial is intuitive for novices and pros, whereas the Fujifilm’s control layout is more minimalist with fewer dedicated buttons, leaning toward simplicity at the expense of rapid manual access.
In sum, if pocketability is paramount, the Fujifilm wins effortlessly. The Nikon better suits those wanting a comfortable grip and more tactile shooting control even in a larger package.
Sensor Technology and Image Quality: 16 Megapixels, But Are All Pixels Equal?
Both cameras share a 16-megapixel count, but sensor size and type impact image quality more profoundly than resolution alone.
The Fujifilm uses a 1/2-inch EXR CMOS sensor, measuring 6.4 x 4.8 mm, totalling about 30.7 mm² of surface area. This sensor benefits from Fujifilm's EXR-specific processing that optimizes different shooting modes: high resolution, high sensitivity, or increased dynamic range. This flexibility can lead to cleaner images in challenging light compared to typical small sensors.
In comparison, the Nikon B500 employs a 1/2.3-inch BSI-CMOS sensor sized at 6.17 x 4.55 mm (28.1 mm²). While slightly smaller, the BSI (Backside Illumination) technology helps improve sensitivity and noise performance in low light.
Based on DxOMark testing (where available for the F800EXR) and my practical shooting, Fujifilm’s sensor yields a higher color depth (19.5 bits vs. Nikon untested but generally good for BSI sensors) and notably better dynamic range (10.9 EV) in its optimized modes than you'd expect from entry-level zoom compacts. The Nikon, unfortunately, was not officially tested by DxOMark, but real-world comparisons show slightly more aggressive noise at ISO above 800.
Further, the Fujifilm supports RAW capture, which can unlock greater post-processing latitude, a notable advantage for semi-pro enthusiasts. The Nikon does not offer RAW - a critical consideration if you plan to process your images extensively.
Overall, if image quality and creative control rank high on your list, the Fujifilm’s sensor and processing edge it out - after duly accounting for the 4-year age gap.
Autofocus Systems and Burst Shooting: Tracking Fast Action
Autofocus speed, accuracy, and continuous shooting rates are vital for wildlife, sports, and fast-moving scenes.
The Fujifilm F800EXR features contrast-detection AF with face detection and continuous tracking. Its continuous shooting tops out at an impressive 11 frames per second (fps), excellent for a small sensor compact. However, confirmatory burst depth (how many raw/JPEG frames before buffer fills) remains modest due to processor limitations.
The Nikon B500 also uses contrast-detection AF but has a slightly more complex selective autofocus area system helpful when hunting for focus points manually. It includes face detection but lacks advanced animal or eye AF found in higher-end models.
While the B500’s continuous shooting is slower at 7.4 fps, it offers higher maximum shutter speeds (up to 1/4000 sec vs 1/2000 sec on the Fujifilm), which can help freeze motion more efficiently when paired with its enormous 40x zoom.
In hands-on use, both cameras perform well in decent light but struggle similarly in low contrast or low light - typical of contrast-detection AF units. The Fujifilm’s higher burst rate favors capturing fleeting wildlife moments; Nikon’s longer telephoto reach often necessitates slower, deliberate framing.
Build Quality, Weather Resistance, and Durability
Neither model boasts environmental sealing or ruggedized features. For casual use, this is acceptable, but serious outdoor photographers or travelers should consider additional protection.
Both cameras incorporate modest quality plastics and metal accents. The Fujifilm’s compact chassis feels sturdy for its size, but the Nikon’s bulkier body delivers a more solid grip presence, potentially extending durability during extended adventurous use.
Neither offers waterproofing or dustproofing. Both rely on SD card storage and support SDHC/SDXC cards, simplifying memory upgrades and file management.
Display and User Interface: Clarity and Control at Your Fingertips
Returning to the screens, the Nikon’s tilt functionality is a practical plus for shooting at unusual angles - over crowds, low to the ground, or even crazy selfie compositions (though unsupported explicitly).
The Fujifilm’s fixed 460k-dot LCD is comparatively dim and low-resolution but still usable in good daylight.
Menu navigation and customizability also differ. The Nikon’s menu system feels modern with quick access to common functions and ISO settings. Notably, the B500 integrates Bluetooth for straightforward smartphone pairing, allowing remote control and image transfer - a convenience the Fujifilm lacks.
Lens and Zoom Capabilities: Reach vs. Aperture Tradeoffs
How often have you wished you had “just a little more reach”? Here, the two cameras diverge sharply.
Fujifilm F800EXR: 25-500 mm equivalent (20x zoom), aperture f/3.5-5.3
Nikon B500: 23-900 mm equivalent (40x zoom), aperture f/3.0-6.5
The Nikon doubles the zoom range, a serious plus for wildlife and distant details. You get an ultra-telephoto reach of 900 mm equivalent - an extremely versatile lens in a bridge camera package. However, note the maximum aperture narrows to f/6.5 at full telephoto, making it more challenging in low light or when craving shallow depth-of-field effects.
The Fujifilm’s f/3.5-f/5.3 zoom lens is slightly faster and likely sharper, especially in mid-range focal lengths. Its shorter 500 mm max reach limits extreme telephoto shooting but keeps the camera lighter and autofocus quicker.
For macro work, Nikon’s minimum focusing distance is just 1 cm, versus 5 cm for the Fujifilm, making the B500 a superior choice for close-up photography of tiny subjects.
Stabilization: Essential When Zooming Long
Image stabilization is a must-have for handheld shooting at high zooms.
The Fujifilm uses sensor-shift stabilization - vibration correction occurs with the imaging sensor itself. This method is generally effective, especially useful at longer focal lengths up to 500 mm.
The Nikon relies on optical image stabilization inside the lens, which reduces blur from hand motion. While both systems deliver good results in practice, optical stabilizers sometimes provide a more immediate and perceivable effect. Our shooting tests indicated the Nikon held a slight edge in jitter reduction at maximum zoom, potentially due to its more advanced IS design, benefiting those without tripods.
Battery Life and Power Considerations: Shoot More, Worry Less
Battery endurance impacts shooting trips and travel convenience.
The Fujifilm F800EXR charges a proprietary NP-50A lithium-ion battery, rated for approximately 300 shots per charge. Considering the camera’s compact size and power efficiency, this is adequate but may require spare batteries for long excursions.
The Nikon B500 uses common 4 x AA batteries, which deliver a whopping 600 shots per set. This is a major advantage for travel and field use - AA batteries are easily sourced globally and allow quick replacement without waiting for charging.
However, AA batteries add weight and bulk compared to compact lithium-ion packs, visible in the Nikon’s heavier build.
Connectivity and Wireless Features
The Nikon B500 integrates Bluetooth, which streamlines image transfer and wireless remote shooting through Nikon's SnapBridge app. For casual social shooters or travel photographers using smartphones, this creates a convenient ecosystem.
The Fujifilm F800EXR has built-in Wi-Fi but lacks Bluetooth or NFC, making wireless connections slightly less versatile by today’s standards.
Neither supports external microphones or headphone jacks for video creators, limiting audio flexibility.
Video Capabilities: Full HD Shoots and Usability
Both cameras can capture Full HD (1920 x 1080) video, with the Nikon offering interlaced 60i/50i options and up to 30p progressive, compared to Fujifilm’s progressive 30 fps recording.
Neither camera supports 4K video or advanced video features like log profiles or external mic inputs, so neither targets serious videographers. Both use MPEG-4 H.264 codecs suitable for casual social sharing but not for high-end productions.
How Do These Cameras Perform Across Photography Styles?
Let's break down how the Fujifilm F800EXR and Nikon B500 stack up in several popular photography scenarios based on hands-on experience and feature analysis.
Photography Genre | Fujifilm F800EXR | Nikon Coolpix B500 |
---|---|---|
Portrait | Good skin tones with balanced color; notable bokeh limitations due to small sensor yet good face detection; no eye AF | Pleasant colors, but limited shallow depth-of-field; capable face detection; no eye/animal AF |
Landscape | Solid dynamic range thanks to EXR sensor; excellent color fidelity; compact for travel | Good dynamic range but less punchy; longer zoom less relevant; bulkier to carry |
Wildlife | Fast burst (11 fps) and decent AF tracking; 500 mm max zoom limits distant subjects | Longer reach (900 mm) but slower burst (7.4 fps); effective IS for handheld telephoto |
Sports | Faster burst and reasonable shutter speeds suit casual sports | Slower burst and narrower aperture limit action freeze |
Street | Compact and discreet; fast quick-start; fixed screen less versatile | Larger size limits stealth; tilt screen aids awkward angles |
Macro | Minimal close focusing at 5 cm | Superior macro with 1 cm focus distance |
Night/Astro | Stronger high ISO and dynamic range; no special astro modes | Lower noise performance; limited ISO above 1600 usability |
Video | Full HD at 30 fps; steady stabilization; no audio input | Full HD up to 60i; similar stabilization; no audio input |
Travel | Lightweight, modest battery life, wide-angle enough for various scenes | Heavy and bulky; excellent battery life; extensive zoom for varied compositions |
Professional | RAW output and manual controls make it a modest secondary camera | No RAW, limited manual exposure modes; entry-level role only |
Here is a side-by-side sample gallery from both cameras showing color rendition, detail, and noise under similar lighting.
Analyzing Scores: Overall and Genre-Specific Performance
Our evaluation panel aggregated scores considering image quality, ergonomics, feature sets, and value. The Fujifilm F800EXR achieves a respectable score reflective of its launch era innovation, while the Nikon B500 focuses on versatility and accessibility to a different user base.
The Fujifilm scores highest in image quality and burst shooting performance, while the Nikon earns marks for zoom capability and battery endurance.
Breaking down performance by photographic use case reveals clear trade-offs - Fujifilm shines in portraits, landscapes, and action, whereas Nikon dominates in wildlife telephoto reach and travel endurance.
Final Thoughts: Which Camera Fits Your Needs?
Now that we've unpacked all the critical factors, here's my distilled recommendation based on specific use cases:
Pick the Fujifilm F800EXR if…
- You want a lightweight, pocketable superzoom camera with decent image quality
- RAW shooting capability and manual exposure modes matter
- You prioritize fast continuous shooting bursts for wildlife or sports
- You desire superior performance in low light with sensor-shift stabilization
- Your shooting includes a variety of scenes demanding accurate color and dynamic range
Opt for the Nikon Coolpix B500 if…
- Zoom reach is your top priority - those extra mm matter for birding or distant wildlife
- You want a bridge-style camera with a firm SLR grip and ergonomic controls
- Battery life is vital - longer shooting sessions without recharge
- You appreciate a tilting high-res screen for flexible framing
- Bluetooth connectivity and ease of wireless sharing appeal to your workflow
Final Scorecard: Considering Price and Value
Both cameras hover around the $300 price point but come from different generations and philosophies. The Nikon B500 offers more modern conveniences and versatility for casual users, while the older Fujifilm F800EXR delivers better image fidelity and features appealing to enthusiasts comfortable with proprietary batteries and RAW workflows.
In closing, while neither replaces higher-end mirrorless or DSLR systems, each holds distinct value in the crowded superzoom compact market. Your choice boils down to whether you favor portability and image quality (Fujifilm), or zoom reach and user-friendly features with endurance (Nikon).
If you want a balanced, in-depth look before buying - I'd recommend handling both in person if possible. My hands-on experience highlights the importance of ergonomics and personal shooting preferences alongside specs and test data.
By integrating detailed sensor analysis, AF performance, handling characteristics, and photographic use cases, this comparison offers a nuanced perspective you can trust to find the best fit for your photography passion. If you have questions or want to share your experiences with either camera, feel free to join the conversation!
Fujifilm F800EXR vs Nikon B500 Specifications
Fujifilm FinePix F800EXR | Nikon Coolpix B500 | |
---|---|---|
General Information | ||
Company | FujiFilm | Nikon |
Model type | Fujifilm FinePix F800EXR | Nikon Coolpix B500 |
Category | Small Sensor Superzoom | Small Sensor Superzoom |
Launched | 2012-07-25 | 2016-02-23 |
Body design | Compact | SLR-like (bridge) |
Sensor Information | ||
Processor Chip | EXR | - |
Sensor type | EXRCMOS | BSI-CMOS |
Sensor size | 1/2" | 1/2.3" |
Sensor measurements | 6.4 x 4.8mm | 6.17 x 4.55mm |
Sensor area | 30.7mm² | 28.1mm² |
Sensor resolution | 16MP | 16MP |
Anti alias filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 4:3 |
Highest resolution | 4608 x 3456 | 4608 x 3456 |
Highest native ISO | 3200 | 3200 |
Highest boosted ISO | 12800 | - |
Lowest native ISO | 100 | 80 |
RAW pictures | ||
Autofocusing | ||
Manual focusing | ||
Touch focus | ||
Continuous autofocus | ||
Single autofocus | ||
Autofocus tracking | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Cross type focus points | - | - |
Lens | ||
Lens mount type | fixed lens | fixed lens |
Lens zoom range | 25-500mm (20.0x) | 23-900mm (39.1x) |
Maximal aperture | f/3.5-5.3 | f/3.0-6.5 |
Macro focusing range | 5cm | 1cm |
Crop factor | 5.6 | 5.8 |
Screen | ||
Range of display | Fixed Type | Tilting |
Display diagonal | 3 inch | 3 inch |
Resolution of display | 460k dot | 921k dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Display tech | TFT color LCD monitor | - |
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Slowest shutter speed | 8s | 1s |
Maximum shutter speed | 1/2000s | 1/4000s |
Continuous shooting speed | 11.0 frames/s | 7.4 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 3.70 m (Wide: 15 cm–3.7 m / Tele: 90 cm–2.4m) | 6.90 m (at Auto ISO) |
Flash settings | Auto, On, Off, Red-eye, Slow Sync | - |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1920 x 1080 (60i, 50i, 30p, 25p), 1280 x 720 (60p, 50p, 30p, 25p), 640 x 480 (30p, 25p) |
Highest video resolution | 1920x1080 | 1920x1080 |
Video format | MPEG-4, H.264 | MPEG-4, H.264 |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 232 gr (0.51 pounds) | 541 gr (1.19 pounds) |
Physical dimensions | 105 x 63 x 36mm (4.1" x 2.5" x 1.4") | 114 x 78 x 95mm (4.5" x 3.1" x 3.7") |
DXO scores | ||
DXO All around rating | 41 | not tested |
DXO Color Depth rating | 19.5 | not tested |
DXO Dynamic range rating | 10.9 | not tested |
DXO Low light rating | 143 | not tested |
Other | ||
Battery life | 300 photos | 600 photos |
Battery form | Battery Pack | AA |
Battery ID | NP-50A | 4 x AA |
Self timer | Yes (2 or 10 sec, Auto release, Auto shutter (Dog, Cat)) | Yes (2, 5, 10 secs) |
Time lapse feature | ||
Storage media | SD/SDHC/SDXC | SD/SDHC/SDXC |
Storage slots | Single | Single |
Retail pricing | $330 | $300 |