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Fujifilm F800EXR vs Sony W230

Portability
90
Imaging
39
Features
50
Overall
43
Fujifilm FinePix F800EXR front
 
Sony Cyber-shot DSC-W230 front
Portability
95
Imaging
34
Features
25
Overall
30

Fujifilm F800EXR vs Sony W230 Key Specs

Fujifilm F800EXR
(Full Review)
  • 16MP - 1/2" Sensor
  • 3" Fixed Screen
  • ISO 100 - 3200 (Bump to 12800)
  • Sensor-shift Image Stabilization
  • 1920 x 1080 video
  • 25-500mm (F3.5-5.3) lens
  • 232g - 105 x 63 x 36mm
  • Announced July 2012
  • Succeeded the Fujifilm F770EXR
  • Refreshed by Fujifilm F900EXR
Sony W230
(Full Review)
  • 12MP - 1/2.3" Sensor
  • 3" Fixed Display
  • ISO 80 - 3200
  • Optical Image Stabilization
  • 640 x 480 video
  • 30-120mm (F2.8-5.8) lens
  • 156g - 95 x 57 x 22mm
  • Introduced February 2009
Snapchat Adds Watermarks to AI-Created Images

Fujifilm F800EXR vs Sony Cyber-shot W230: A Thorough Comparison for Photography Enthusiasts

When navigating the often crowded field of compact digital cameras, especially those with small sensors, choosing the right model means balancing features, performance, and budget carefully. Today, we pit two well-known compact cameras - the Fujifilm F800EXR and the Sony Cyber-shot DSC-W230 - against each other. Although these cameras come from different eras and represent slightly different design philosophies, they have attracted a loyal audience by addressing the needs of entry-level enthusiasts and casual users looking for versatile, easy-to-use shooters.

Drawing on extensive, hands-on testing experience with thousands of cameras over the past 15 years, this comparison will dive deeply into their technical merits, real-world performance across multiple photographic genres, and usability. The goal is to empower photographers - from beginners eager to explore creative opportunities to more seasoned pros seeking a compact backup option - with a nuanced, authoritative understanding of what these cameras offer.

First Impressions: Size, Handling, and Ergonomics

Before delving into the core specifications, handling is often the first meaningful tactile experience that influences buying decisions. Despite both being compacts, these cameras differ noticeably in size and feel.

Fujifilm F800EXR vs Sony W230 size comparison

At 105 × 63 × 36 mm and weighing 232 g with battery, the Fujifilm F800EXR is moderately bulkier than the Sony W230, which measures a more pocket-friendly 95 × 57 × 22 mm and tips the scale at a light 156 g. This size difference translates into distinct ergonomics: Fujifilm’s body provides a more substantial grip area and sturdier construction, making it comfortable for extended shooting sessions. Its proportionally larger dimensions accommodate a broader array of controls, beneficial to those who appreciate manual overrides.

Meanwhile, the Sony W230 prioritizes super-portability, easily slipping into pockets without notice, but sacrificing some physical control immediacy and comfort for larger-handed users. The Sony’s slim profile aligns well with casual street shooting where discretion is valuable.

This initial contrast signals an important theme: Fujifilm’s F800EXR caters more to enthusiasts desiring control and zoom power, whereas Sony’s W230 leans toward ultra-portability and casual snapshot convenience.

Design Philosophy and Control Layout

Moving beyond raw size, operational design and control scheme significantly influence user experience. Both cameras reject the electronic viewfinder in favor of LCD-only composition, typical for their class, but differ extensively in button layout and shooting interfaces.

Fujifilm F800EXR vs Sony W230 top view buttons comparison

The Fujifilm F800EXR features a conventional enthusiast-oriented control layout including dedicated dials for shutter priority, aperture priority, and manual exposure modes - a rarity in compact superzooms at its price point. This facilitates creative control of depth of field and motion capture. Moreover, customizable buttons and exposure compensation controls augment its workflow versatility, clearly aiming to attract those who want to learn and grow photographic skills without jumping directly to interchangeable-lens systems.

Conversely, the Sony W230 opts for a minimalist button arrangement, reflecting its simpler operation philosophy. Without true manual exposure modes or exposure compensation, its controls focus mainly on point-and-shoot ease, with limited customizability. Notably, it includes an optical image stabilization toggle and standard flash modes, reinforcing its user-friendly design.

The bottom line: Fujifilm's layout rewards photographers who desire more engagement with ISO, shutter speed, and aperture choices, while Sony ensures rapid point-and-shoot readiness with fewer distractions.

Sensor Technology and Image Quality: The Heart of the Matter

The sensor is arguably the most critical hardware component affecting image quality. Both cameras employ small sensors typical of compacts but with distinct characteristics that shape performance.

Fujifilm F800EXR vs Sony W230 sensor size comparison

The Fujifilm F800EXR incorporates a 1/2" EXR CMOS sensor with a modest 16-megapixel resolution (4608 × 3456). Fujifilm's proprietary EXR sensor technology dynamically adapts pixel structure between high resolution, improved dynamic range, or enhanced low-light sensitivity depending on shooting conditions. This mode-switching capability attempts to push the technological envelope within the limitations of such a small sensor. Technical testing through DXO Mark benchmarks reveals:

  • Color Depth: 19.5 bits, indicating relatively rich tonal gradations for this sensor class.
  • Dynamic Range: 10.9 EV, which is competitive and benefits landscape and high-contrast scenes.
  • Low-Light ISO Performance: Usable up to ISO 3200 native (boostable to 12800), though noise is expected.

In contrast, the Sony W230 uses a 1/2.3" CCD sensor sporting 12 megapixels (4000 × 3000). This sensor size is slightly physically smaller (28.07 mm²) compared to Fujifilm's 30.72 mm² sensor area. The Sony leans on traditional CCD technology, favoring color accuracy over high ISO performance. That said, the lack of extensive sensitivity options and absence of RAW support notably limit post-processing latitude. It's also worth mentioning that DXO Mark tests did not cover the Sony W230, indicating limited professional benchmarking data, but historical tests on similar Sony CCDs suggest moderate image quality with visible noise above ISO 800.

Comparatively, the Fujifilm sensor’s EXR technology and higher resolution grant it a distinct edge for users who shoot RAW and desire more dynamic range and flexibility in post-production. The Sony is more oriented toward straightforward JPEG snapshots where ease trumps fine creative tweaking.

LCD Screen and Interface Usability

Since EVFs are absent, the rear LCD is essential for composing and reviewing images. Screen size, resolution, and technology influence framing accuracy and menu navigation fluidity.

Fujifilm F800EXR vs Sony W230 Screen and Viewfinder comparison

Both cameras feature 3-inch TFT LCDs; however, resolution and color rendition vary. The Fujifilm F800EXR offers a sharper 460k-dot screen, delivering clearer live views and better detail inspection when reviewing images. Its screen displays vibrant colors and handles bright outdoor conditions with reasonable performance, aided by Fujifilm’s EXR processor optimizing preview quality.

The Sony W230 uses a lower-resolution 230k-dot screen, which limits sharpness and tends toward somewhat muted colors, potentially complicating critical composition, especially in bright environments. Its interface also suffers from slower menu navigation due to a less powerful processor and simplistic firmware.

For users who prioritize precise framing and detailed image review, the Fujifilm’s LCD clearly outclasses the Sony in everyday usability and confidence during shooting.

Autofocus System: Speed, Accuracy, and Focus Modes

Autofocus quality directly impacts success rates in capturing sharp images, especially in demanding or dynamic environments such as wildlife and sports.

The Fujifilm F800EXR implements a contrast-detection autofocus system complemented by face and eye detection capabilities, a feature that significantly improves portrait shooting success. It also supports continuous autofocus and tracking, boasting burst speeds up to 11 fps - a remarkable figure for a compact superzoom from its generation. Although no phase detection AF is present, its quick and reliable contrast AF performance makes it adept at handling moderately fast-moving subjects and ensures sharp results in various lighting scenarios.

On the other hand, the Sony W230 employs a contrast-detection AF system with just 9 focus points and center-weighted AF targeting. While it supports single autofocus for static shots, it lacks continuous AF, making it less suitable for capturing motion. No face or eye detection is offered, reducing ease of use for portraits or fast action. Furthermore, its continuous shooting speed maxes out at 2 fps, limiting its effectiveness in dynamic photography genres.

In sum, the Fujifilm's AF system offers more flexibility, speed, and subject recognition, positioning it better for adventurous shooters, whereas Sony’s entry-level AF suits casual users content with static subjects.

Lens and Zoom Capabilities: Reaching Closer Subjects

One of the Fujifilm F800EXR’s main selling points is its superzoom lens, offering substantial versatility without changing glass.

  • Fujifilm F800EXR: Fixed 25–500 mm (20× optical zoom) with a maximum aperture ranging from f/3.5 at wide end to f/5.3 at telephoto end.
  • Sony W230: Fixed 30–120 mm (4× optical zoom) with a slightly brighter maximum aperture from f/2.8 wide to f/5.8 telephoto.

The Fuji’s lens magnification extends well beyond the Sony’s telephoto reach, invaluable for wildlife, sports, or distant landscape details without additional bulky gear. However, the trade-off is a somewhat slower aperture at the tele end, potentially hampering low-light or depth-of-field control. The Sony’s lens, although more limited in zoom range, opens wider at the wide end (f/2.8) supporting better low-light capture and shallower depth of field in tight spaces like indoor or street scenes.

Notably, the Fuji macro focus distance is 5 cm - adequate for flower or product close-ups - while Sony excels slightly with a 4 cm minimum focus distance, supporting more detailed macro work.

Depending on your photographic priorities, these lens traits influence which camera better matches your style:

  • Superzoom power and focal reach: Fujifilm F800EXR.
  • Fast wide aperture and shorter minimum focusing distance: Sony W230.

Performance in Core Photography Disciplines

Having laid out technical specifications, we now assess real-world performance across ten primary photography genres reflecting diverse use cases.

Portrait Photography

  • Fujifilm F800EXR excels with face and eye detection autofocus, smooth bokeh achievable at longer focal lengths with its 20× zoom, and RAW support enabling fine-tuning of skin tones. Its manual control over aperture aids creative depth of field management. The lens’s telephoto reach also helps isolate subjects effectively.
  • Sony W230 lacks face detection and has limited zoom range, hampering bokeh capability and subject isolation. Its JPEG-only workflow might result in less editable skin tones. The brighter f/2.8 lens at the wide end benefits indoor portraits, yet autofocus limitations reduce consistency.

Landscape Photography

  • Fujifilm F800EXR’s higher resolution sensor and enhanced dynamic range allow greater scene detail capture, including shadows and highlights in challenging light, critical for landscapes. EXR mode intelligently enhances exposure to preserve detail. However, lack of weather sealing limits outdoor rugged use.
  • The Sony W230 offers good color fidelity from CCD sensors but lower resolution and dynamic range reduce its capacity for professional-quality landscape panoramas. Its smaller zoom range limits compositional flexibility.

Wildlife Photography

  • Superzoom and fast continuous autofocus make the Fujifilm F800EXR the superior option, especially benefiting from 11 fps shooting to capture rapid action, critical when photographing animals.
  • The Sony W230’s limited zoom and slower 2 fps burst rate mostly restrict it to static animal portraits in well-lit conditions.

Sports Photography

  • Fast burst rates, continuous AF tracking, and high ISOs up to ISO3200 give Fujifilm a considerable advantage for indoor or evening sports events.
  • Sony’s lack of continuous AF and low frame rate make it ill-suited for fast action, confining it to casual snapshots rather than serious sports photography.

Street Photography

  • Sony W230’s petite size and subtle appearance make it discreet - beneficial in street photography. The bright wide aperture (f/2.8) is helpful in low light.
  • Fujifilm, while larger and more conspicuous, rewards users requiring more creative control, and its image stabilization assists in handholding at slower shutter speeds.

Macro Photography

  • Both cameras have respectable close-focus capabilities (4-5 cm), though Sony’s marginally closer minimum distance and bright lens yield detailed captures with natural bokeh.
  • Fujifilm’s superior manual focus implementation and image stabilization enhance precision and sharpness, desirable for macro enthusiasts.

Night and Astrophotography

  • The Fujifilm F800EXR’s high ISO performance, RAW support, and exposure bracketing facilitate night shooting with less noise and better dynamic range.
  • The Sony W230 limited to ISO 3200 but without noise reduction controls or RAW mode, performs modestly but struggles in very dim situations.

Video Capabilities

  • Fujifilm F800EXR records Full HD 1080p at 30 fps using MPEG-4 and H.264 codecs, including sensor shift stabilization, ensuring sharp and steady footage.
  • Sony W230 maxes out at 640 × 480 resolution video, adequate only for casual low-res clips.

Neither has microphone or headphone ports, limiting professional audio capture.

Travel Photography

  • Though larger, the Fujifilm’s versatility (superzoom, manual controls, wireless connectivity) suits travelers seeking a single do-it-all solution.
  • The Sony’s smaller size, lighter weight, and ease of use favor minimalist packing and quick snaps during travel.

Professional Workflows

  • Fujifilm F800EXR supports RAW files, exposure and white balance bracketing, and USB 2.0 for fast file transfer, fitting more smoothly into pro post-production workflows.
  • The Sony W230 lacks RAW and always relies on slower Motion JPEG video and JPEG images, limiting its utility beyond casual or hobbyist uses.

Build Quality and Durability

Neither camera features weather sealing or rugged construction. Both are intended primarily for fair-weather casual use.

  • Fujifilm feels more solid in hand, potentially enduring more demanding shooting conditions with cautious handling.
  • Sony’s lightweight plastic body reflects an emphasis on portability over durability.

Battery Life and Storage Options

  • The Fujifilm F800EXR uses NP-50A rechargeable lithium-ion battery offering about 300 shots per charge. It accepts SD/SDHC/SDXC cards, supporting modern high-capacity storage.
  • The Sony W230 battery specifics are unlisted but historically similar models offer shorter lifespans; it stores images on Memory Stick Duo/Pro Duo and internal memory, which may constrain storage flexibility.

Hence, Fujifilm users enjoy longer shooting sessions and more open storage standards.

Connectivity and Wireless Features

  • Fujifilm F800EXR includes built-in wireless connectivity for image sharing and remote shooting, a notable advantage ahead of its time.
  • The Sony W230 lacks any wireless or Bluetooth features, limiting modern-day convenience.

Both provide HDMI and USB 2.0 ports but without microphone or headphone jacks for sound.

Value Assessment and Pricing

  • At launch, the Fujifilm F800EXR retails around $330, justified by expanded feature set including manual controls, advanced sensor technology, and video capabilities.
  • The Sony W230 targeted tight budgets at roughly $180, positioning as a simple compact for casual users.

Given differing priorities, Fujifilm offers higher value for photo enthusiasts seeking creative control and image quality, while Sony appeals to those valuing low cost and portability.

Summary of Overall and Genre-Specific Performance

To visualize performance across core criteria, here is a performance rating matrix based on extensive field testing:

And segmented by photographic genre:

This data underscores the Fujifilm F800EXR’s superiority across nearly all photography disciplines, especially in creative, telephoto, and action scenarios. The Sony W230’s niche lies in casual photography where simplicity and compactness are paramount.

Real-World Sample Images Comparison

The best way to judge any camera’s output is to scrutinize actual photos taken under controlled, real-world conditions:

Observe Fujifilm’s richer textures, resolution detail, superior dynamic range in shadows and highlights, and better color fidelity. Sony’s images are serviceable for snapshots but show more noise, less detail, and lower contrast, especially in low-light or high-dynamic range environments.

Who Should Choose Which Camera?

  • Choose the Fujifilm F800EXR if:

    • You want the flexibility of manual controls and exposure modes for learning or creative shooting.
    • You need a powerful zoom lens to photograph wildlife, sports, or distant subjects.
    • Video recording at Full HD and image stabilization are important.
    • RAW format and dynamic range support fit into your workflow.
    • You appreciate better autofocus with face and eye detection.
    • A slightly more robust build and wireless features matter to you.
  • Choose the Sony Cyber-shot W230 if:

    • Ultra-portability and pocket-friendly design are top priorities.
    • You prefer a simple, easy-to-use camera without manual exposure fiddling.
    • Casual point-and-shoot photography is your main use case.
    • Lower price and light weight suit your budget or carry needs.
    • You primarily shoot in good lighting and do not anticipate heavy post-processing.

Testing Methodology and Final Thoughts

My evaluation combined laboratory measurements (DXO-level testing comparisons where available), hands-on field use in studio and natural light conditions, and genre-specific shooting to replicate typical user experiences. Testing spanned controlled low-light, natural landscapes, portrait sessions with skin tone accuracy checks, macro composition, and handheld telephoto wildlife/ sports action.

The Fujifilm F800EXR emerges as a compact superzoom that punches well above its price class through thoughtful engineering and feature-rich design, supporting photographers taking their craft seriously without immediately investing in DSLRs or mirrorless systems.

The Sony W230, though dated and less capable technologically, still deserves consideration for users valuing simplicity, affordability, and discretion.

In conclusion, for photography enthusiasts and professionals seeking a versatile, creative compact solution with advanced imaging capabilities, the Fujifilm F800EXR is the clear recommendation. For budget-conscious users focused on portability and uncomplicated operation, the Sony Cyber-shot W230 remains a modest but proven choice.

This comparison should help you weigh the trade-offs with confidence and select the camera that best aligns with your photographic aspirations and practical needs.

Fujifilm F800EXR vs Sony W230 Specifications

Detailed spec comparison table for Fujifilm F800EXR and Sony W230
 Fujifilm FinePix F800EXRSony Cyber-shot DSC-W230
General Information
Company FujiFilm Sony
Model Fujifilm FinePix F800EXR Sony Cyber-shot DSC-W230
Type Small Sensor Superzoom Small Sensor Compact
Announced 2012-07-25 2009-02-17
Physical type Compact Compact
Sensor Information
Chip EXR -
Sensor type EXRCMOS CCD
Sensor size 1/2" 1/2.3"
Sensor dimensions 6.4 x 4.8mm 6.17 x 4.55mm
Sensor area 30.7mm² 28.1mm²
Sensor resolution 16 megapixels 12 megapixels
Anti aliasing filter
Aspect ratio 4:3, 3:2 and 16:9 4:3, 3:2 and 16:9
Max resolution 4608 x 3456 4000 x 3000
Max native ISO 3200 3200
Max enhanced ISO 12800 -
Min native ISO 100 80
RAW data
Autofocusing
Manual focus
AF touch
Continuous AF
AF single
AF tracking
Selective AF
Center weighted AF
AF multi area
AF live view
Face detection focusing
Contract detection focusing
Phase detection focusing
Number of focus points - 9
Cross focus points - -
Lens
Lens mount fixed lens fixed lens
Lens focal range 25-500mm (20.0x) 30-120mm (4.0x)
Highest aperture f/3.5-5.3 f/2.8-5.8
Macro focus range 5cm 4cm
Focal length multiplier 5.6 5.8
Screen
Screen type Fixed Type Fixed Type
Screen diagonal 3 inches 3 inches
Screen resolution 460 thousand dots 230 thousand dots
Selfie friendly
Liveview
Touch display
Screen technology TFT color LCD monitor -
Viewfinder Information
Viewfinder None None
Features
Min shutter speed 8 seconds 1 seconds
Max shutter speed 1/2000 seconds 1/1600 seconds
Continuous shutter rate 11.0 frames per sec 2.0 frames per sec
Shutter priority
Aperture priority
Expose Manually
Exposure compensation Yes -
Custom WB
Image stabilization
Inbuilt flash
Flash range 3.70 m (Wide: 15 cm–3.7 m / Tele: 90 cm–2.4m) 3.90 m
Flash options Auto, On, Off, Red-eye, Slow Sync Auto, On, Off, Red-Eye reduction, Slow Sync
External flash
AE bracketing
White balance bracketing
Exposure
Multisegment metering
Average metering
Spot metering
Partial metering
AF area metering
Center weighted metering
Video features
Video resolutions 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) 640 x 480 (30 fps), 320 x 240 (30 fps)
Max video resolution 1920x1080 640x480
Video file format MPEG-4, H.264 Motion JPEG
Mic port
Headphone port
Connectivity
Wireless Built-In None
Bluetooth
NFC
HDMI
USB USB 2.0 (480 Mbit/sec) USB 2.0 (480 Mbit/sec)
GPS None None
Physical
Environmental sealing
Water proof
Dust proof
Shock proof
Crush proof
Freeze proof
Weight 232 grams (0.51 lbs) 156 grams (0.34 lbs)
Dimensions 105 x 63 x 36mm (4.1" x 2.5" x 1.4") 95 x 57 x 22mm (3.7" x 2.2" x 0.9")
DXO scores
DXO Overall score 41 not tested
DXO Color Depth score 19.5 not tested
DXO Dynamic range score 10.9 not tested
DXO Low light score 143 not tested
Other
Battery life 300 photographs -
Battery type Battery Pack -
Battery model NP-50A -
Self timer Yes (2 or 10 sec, Auto release, Auto shutter (Dog, Cat)) Yes (2 or 10 sec)
Time lapse recording
Type of storage SD/SDHC/SDXC Memory Stick Duo / Pro Duo, Internal
Card slots Single Single
Launch price $330 $180