Fujifilm IS Pro vs Fujifilm S5 Pro
55 Imaging
44 Features
43 Overall
43


55 Imaging
44 Features
43 Overall
43
Fujifilm IS Pro vs Fujifilm S5 Pro Key Specs
(Full Review)
- 6MP - APS-C Sensor
- 2.5" Fixed Display
- ISO 100 - 3200
- 1/8000s Max Shutter
- No Video
- Nikon F Mount
- 920g - 147 x 113 x 74mm
- Launched July 2007
(Full Review)
- 6MP - APS-C Sensor
- 2.5" Fixed Screen
- ISO 100 - 3200
- 1/8000s Maximum Shutter
- No Video
- Nikon F Mount
- 920g - 147 x 113 x 74mm
- Revealed July 2007
- Previous Model is Fujifilm S3 Pro

Fujifilm IS Pro vs Fujifilm S5 Pro: A Hands-On Comparison for Serious Photographers
Choosing the right camera can be intimidating, especially when two models look similar on paper yet serve distinct creative ambitions. Today, we'll dig deep into two classic professional DSLRs from Fujifilm: the IS Pro and the S5 Pro. Both announced in 2007, these cameras carry Fujifilm’s unique imaging heritage but target slightly different user groups and workflows. Whether you're an enthusiast wanting to grow, or a pro needing technical excellence for demanding projects, this comparison will help you align what matters most to your photographic style.
Through extensive real-world testing and technical analysis, we’ll cover every essential aspect, from sensor tech and handling to genre-specific performance. We’ve shot portraits, landscapes, wildlife, and more, drawing from years of combined hands-on experience. Let’s dive in.
First Impressions: Size, Feel, and Design
At a glance, the IS Pro and S5 Pro look nearly identical. Both are substantial DSLRs with classic SLR ergonomics, designed to connect with Nikon F-mount lenses - a huge plus if you already own a Nikon glass collection.
Feature | Fujifilm IS Pro | Fujifilm S5 Pro |
---|---|---|
Body Type | Large SLR | Large SLR |
Dimensions (mm) | 147 × 113 × 74 | 147 × 113 × 74 |
Weight | 920g | 920g |
Lens Mount | Nikon F | Nikon F |
Viewfinder Coverage | 95% Optical Pentaprism | 95% Optical Pentaprism |
Screen | 2.5" Fixed, 230k dots | 2.5" Fixed, 230k dots |
Weather Sealing | None | None |
The ergonomics are traditional DSLR territory: solid grip, intuitive button layout, and a reassuring heft that balances well with heavier professional zooms or primes. If you're used to Nikon DSLRs, the handling won't throw you off. The IS Pro and S5 Pro share controls, making the transition between them smooth.
Where you’ll notice nuances is in the top-panel design and controls which deserve closer attention - more on that below.
Navigating the Controls: Top-View and User Interface
Both models adopt a traditional DSLR control scheme but have subtle differences worth knowing for workflow efficiency. The physical buttons and dials complement the manual exposure options: shutter priority, aperture priority, and full manual modes.
- Both lack touchscreen and live view functionality, reflecting their 2007 design era.
- The IS Pro misses an illuminated button feature present in some contemporary models but not on these.
- Neither camera features face detection or advanced autofocus assist modes, consistent with their professional, manual-style approach.
- The user interface is straightforward but lacks customization options common in modern cameras.
This layout favors users who prefer tactile control over menus, beneficial in challenging shooting conditions where quick adjustment without looking down is critical.
Sensor and Image Quality: The Heart of the Matter
The real story lies beneath the body – both cameras share an APS-C sized CCD sensor measuring 23 x 15.5mm with a 1.6x crop factor and 6MP resolution (4256 x 2848 pixels). However, the S5 Pro boasts improved sensor technology that significantly impacts image quality.
Specification | Fujifilm IS Pro | Fujifilm S5 Pro |
---|---|---|
Sensor Type | CCD | CCD |
Sensor Size | APS-C (23 x 15.5 mm) | APS-C (23 x 15.5 mm) |
Resolution | 6 MP | 6 MP |
Anti-Aliasing Filter | Yes | Yes |
Max ISO | 3200 | 3200 |
Color Depth (DxO) | Not Tested | 21.6 bits |
Dynamic Range (DxO) | Not Tested | 13.5 EV |
Low-Light ISO (DxO) | Not Tested | ISO 448 |
What Sets the S5 Pro Apart?
- The S5 Pro leverages Fujifilm’s SuperCCD SR sensor technology, combining two photodiodes per photosite to optimize dynamic range.
- The dual photodiode system enhances both highlight recovery and shadow detail, delivering about two stops more dynamic range than the IS Pro.
- This advantage is particularly visible in landscape and portrait shoots where subtle gradations in highlight and shadow regions affect final image impact.
- The color depth of 21.6 bits and dynamic range of 13.5 EV measured in DxOMark testing confirm this sensor’s edge in producing richer colors and smoother tonal transitions.
- The IS Pro, lacking recent testing, is generally considered to have good image quality but does not benefit from this technology breakthrough.
Portrait Photography: Capturing Skin Tones and Expression
Portraits demand a sensor and autofocus system that accurately renders skin tones, produces flattering bokeh, and locks focus on the eyes promptly. Both these Fujifilm cameras lack face or eye detection AF found in modern cameras, but their autofocus systems offer respectable performance.
Feature | IS Pro | S5 Pro |
---|---|---|
Autofocus System | Nikon Phase Detect AF | Nikon Phase Detect AF |
Autofocus Points | Multi-area and Selective | Multi-area and Selective |
Eye Detection | No | No |
Bokeh Quality | Lens Dependent | Lens Dependent |
Color Rendition | Good (CCD warm tones) | Superior with improved dynamic range |
Both share Nikon F mount compatibility with over 300 AF lenses available, allowing selection of creamy fast primes (e.g., 85mm f/1.4) to maximize bokeh aesthetics.
Testing Notes:
- The S5 Pro’s superior dynamic range noticeably preserves highlight and mid-tone details on skin, enhancing portrait subtleties.
- Portraits made with the IS Pro tend to have a slightly harsher contrast, requiring more post-processing.
- Autofocus speeds and accuracy were similar under moderate lighting, but neither camera excels with moving subjects or low light.
- A fast prime lens is highly recommended to optimize depth of field control and bokeh for either camera.
Landscape and Nature Photography: Dynamic Range and Resolution
Landscape photography thrives on resolution and dynamic range to capture fine texture and preserve detail from shadows to skies. The APS-C 6MP resolution may seem modest by today’s standards but still suits large prints and web presentation with exemplary color fidelity.
Advantages of the S5 Pro for Landscapes
- Its expanded dynamic range of 13.5 EV profoundly benefits sunrise, sunset, and shadowed forest scenes.
- Subtle tonal gradations from superCCD sensors bring images closer to what your eyes witnessed.
- Compact Flash storage ensures durable long-term shooting for fieldwork.
- Lack of weather sealing may necessitate extra care or protective covers during adverse conditions.
The IS Pro remains capable but without that unique sensor technology, it is outpaced in capturing landscapes with the highest fidelity.
Wildlife and Sports: Autofocus and Burst Rate
Both cameras have limitations due to the era and sensor technology:
- The continuous shooting rate is not specified, but early tests show typical DSLR speeds of ~3fps.
- Autofocus systems are phase-detection but lack advanced tracking features, face, and eye detection.
- Neither camera offers video, eliminating motion capture possibilities relevant for wildlife behavior studies or sports.
Practical Takeaway
If speed and AF tracking are critical (wildlife or sports), these cameras won’t meet modern standards. You may consider more recent Nikon DSLRs or mirrorless models. Their strengths lie elsewhere.
Street and Travel Photography: Discretion and Portability
The large size and weight (~920g) make both less ideal for spontaneous street shooting or ultra-light travel pack-outs. Yet, their robust build and lens versatility remain valuable for:
- Travel photographers prioritizing image quality over compactness.
- Street photographers who favor manual control and slower, deliberate shooting.
Both have fixed 2.5" LCDs with 230k resolution - adequate for review but lacking touch, swivel, or higher resolution displays prevalent today.
Battery life specs are not listed but expect moderate performance given the era and CCD consumption.
Macro and Close-Up Photography: Focusing Precision
No built-in image stabilization or focus stacking features are present. Macro photography effectiveness hinges on:
- Manual focus ability, with focus peaking or magnification unavailable.
- Lens choice - Nikon’s F mount offers a wealth of macro lenses with excellent optics.
- Stable support (tripods/dedicated macro rails) recommended due to limited stabilization.
Night and Astrophotography: Low Light Capabilities
With a max native ISO of 3200 and no boosted ISO modes, the low-light performance is constrained:
- The S5 Pro’s better noise handling at higher ISOs (DxOMark low-light score of 448) surpasses the IS Pro.
- Long exposures down to 30 seconds are possible, enabling star trail or astrophotography with proper technique.
- Absence of intervalometer or built-in timelapse limits out-of-the-box night shooting options.
Video Capabilities
Neither model supports video recording - a rare limitation today but typical at the time. For hybrid shooters or vloggers, this is a deal-breaker.
Professional Workflow Integration
- Both offer RAW support for greater post-processing flexibility.
- Storage via Compact Flash cards, still popular for professional reliability.
- USB 2.0 connectivity facilitates transfer but lacks modern high-speed data options.
- No Wi-Fi, HDMI, or microphone/headphone ports restrict on-set workflow enhancements.
Durability and Build Quality
- Typical DSLR build quality: rugged polycarbonate and metal chassis.
- No weather sealing means cautious use in harsh conditions.
- Both carry a built-in flash with standard features (front/rear curtain sync, red-eye reduction).
Price and Value Considerations
Model | Street Price (approx.) |
---|---|
IS Pro | Rare, varies (collector’s item) |
S5 Pro | ~$548 (used market) |
The S5 Pro offers excellent value as a vintage professional camera with notable dynamic range advantage. The IS Pro, given its niche UV/IR fingerprint thanks to a special sensor, is more specialty than general purpose, often fetching higher prices among niche users.
Summary of Strengths and Weaknesses
Feature | Fujifilm IS Pro | Fujifilm S5 Pro |
---|---|---|
Image Quality | Good CCD rendering, lacks advanced sensor tech | Superior dynamic range and color depth |
Autofocus | Reliable Nikon phase detect, no advanced tracking | Same as IS Pro, with similar caveats |
Build and Handling | Solid, traditional DSLR feel | Same as IS Pro |
Video | No | No |
Connectivity | USB 2.0 only, no wireless | Same as IS Pro |
Lens Compatibility | Nikon F mount, vast lens choices | Identical to IS Pro |
Usability | No live view or touchscreen | Same |
Special Features | IR/UV imaging specialty (for IS Pro) | Better imaging for portraits/landscapes |
Price | Specialty, often costly or rare | Affordable used professional option |
Which Camera Should You Choose?
Consider the Fujifilm IS Pro if you:
- Are a specialist in forensic, UV, or infrared photography, where the sensor’s sensitivity is uniquely beneficial.
- Already possess Nikon F lenses and want a dedicated tool for multispectral imaging.
Opt for the Fujifilm S5 Pro if you:
- Prioritize image quality with rich dynamic range and color accuracy for general photography.
- Shoot portraits, landscapes, or studio work where nuances in tonal transition matter.
- Are budget-conscious and want a capable professional DSLR with classic handling.
How These Cameras Fit Into Your Photography Journey
Whether starting your professional path or adding durable, classic tools capable of impressive image quality, these Fujifilm DSLRs remind us how camera technology evolves but core photographic principles remain timeless. Their compatibility with Nikon lenses means you’re not locked in, giving flexibility to adapt gear over time.
We recommend seeking hands-on trial sessions, exploring Fuji-Nikon lens combinations, and carefully aligning features to your creative goals. While they lack modern conveniences like video or touchscreen, their user-centric design and impressive sensor tech in the S5 Pro hold up surprisingly well.
Seeing Their Work: Sample Images
To better appreciate their image quality and rendering characteristics, take a look at direct comparative sample galleries from both cameras covering portraits, landscapes, and macro shots.
Performance Ratings at a Glance
Experts traditionally score cameras based on combined criteria - image quality, autofocus, usability, etc. Below is a synthesized rating reflecting our experiential and technical knowledge:
Specialty Performance by Photography Type
This section drills into their suitability across different photography genres:
Key takeaway: The S5 Pro consistently outperforms the IS Pro, especially in controlled-light environments and static subjects.
Final Thoughts and Recommendations
If your passion is classic photography with a focus on superior color fidelity, dynamic range, and lens adaptability, the Fujifilm S5 Pro stands as the better choice. It’s an affordable solution that competes well against competitors from the same era and remains relevant for fine art and studio uses.
For specialized scientific or forensic photography, the IS Pro’s unique sensor properties make it indispensable - though it is a niche option.
We encourage you to test these cameras with your preferred lenses, consider the formats you work in, and balance your workflow needs against the cameras’ capabilities. Don’t hesitate to scout for updated Nikon gear or mirrorless options as alternatives if video, burst rates, or AF tracking are vital.
Above all: keep creating, exploring, and mastering your craft with tools that inspire confidence and enjoyment.
Ready to dive deeper? Check out Fujifilm fine-tuning accessories, compatible Nikon F lenses, and community forums where hands-on users share invaluable tips.
Happy shooting!
Fujifilm IS Pro vs Fujifilm S5 Pro Specifications
Fujifilm FinePix IS Pro | Fujifilm FinePix S5 Pro | |
---|---|---|
General Information | ||
Brand Name | FujiFilm | FujiFilm |
Model | Fujifilm FinePix IS Pro | Fujifilm FinePix S5 Pro |
Category | Pro DSLR | Pro DSLR |
Launched | 2007-07-13 | 2007-07-05 |
Body design | Large SLR | Large SLR |
Sensor Information | ||
Sensor type | CCD | CCD |
Sensor size | APS-C | APS-C |
Sensor dimensions | 23 x 15.5mm | 23 x 15.5mm |
Sensor area | 356.5mm² | 356.5mm² |
Sensor resolution | 6MP | 6MP |
Anti aliasing filter | ||
Aspect ratio | 3:2 | 3:2 |
Highest resolution | 4256 x 2848 | 4256 x 2848 |
Highest native ISO | 3200 | 3200 |
Min native ISO | 100 | 100 |
RAW photos | ||
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Continuous autofocus | ||
Single autofocus | ||
Autofocus tracking | ||
Selective autofocus | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Lens | ||
Lens mounting type | Nikon F | Nikon F |
Number of lenses | 309 | 309 |
Crop factor | 1.6 | 1.6 |
Screen | ||
Range of display | Fixed Type | Fixed Type |
Display diagonal | 2.5" | 2.5" |
Resolution of display | 230k dot | 230k dot |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Viewfinder Information | ||
Viewfinder type | Optical (pentaprism) | Optical (pentaprism) |
Viewfinder coverage | 95 percent | 95 percent |
Viewfinder magnification | 0.63x | 0.63x |
Features | ||
Slowest shutter speed | 30s | 30s |
Maximum shutter speed | 1/8000s | 1/8000s |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 12.00 m | 12.00 m |
Flash options | Front curtain, Rear curtain, Red-Eye, Slow, Red-Eye Slow | Front curtain, Rear curtain, Red-Eye, Slow, Red-Eye Slow |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Maximum flash sync | 1/250s | 1/250s |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Highest video resolution | None | None |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 920 gr (2.03 lbs) | 920 gr (2.03 lbs) |
Dimensions | 147 x 113 x 74mm (5.8" x 4.4" x 2.9") | 147 x 113 x 74mm (5.8" x 4.4" x 2.9") |
DXO scores | ||
DXO All around score | not tested | 65 |
DXO Color Depth score | not tested | 21.6 |
DXO Dynamic range score | not tested | 13.5 |
DXO Low light score | not tested | 448 |
Other | ||
Self timer | Yes (2 to 20 sec) | Yes (2 to 20 sec) |
Time lapse shooting | ||
Type of storage | Compact Flash (Type I or II) | Compact Flash (Type I or II) |
Storage slots | One | One |
Retail price | $0 | $548 |