Fujifilm JV150 vs Sony W800
96 Imaging
36 Features
17 Overall
28
96 Imaging
44 Features
29 Overall
38
Fujifilm JV150 vs Sony W800 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 1600 (Increase to 3200)
- 1280 x 720 video
- 37-111mm (F3.2-4.3) lens
- 126g - 93 x 55 x 21mm
- Introduced February 2010
(Full Review)
- 20MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 26-130mm (F3.2-6.4) lens
- 125g - 97 x 55 x 21mm
- Released February 2014
Japan-exclusive Leica Leitz Phone 3 features big sensor and new modes Comprehensive Comparison: Fujifilm JV150 vs Sony Cyber-shot W800 – Small Sensor Compact Cameras in Practical Use
Compact cameras have evolved primarily to offer portability without sacrificing fundamental capabilities, targeting casual shooters and enthusiasts who require simplicity combined with reasonable image quality. This in-depth comparison pits two budget-level compact models - the FujiFilm FinePix JV150 (2010) and the Sony Cyber-shot DSC-W800 (2014) - to determine their practical usability, image performance, and operational ergonomics for photographers considering small sensor compacts. Drawing from hands-on use and advanced testing knowledge, this article details both devices’ strengths and limitations across all major photography disciplines and technical aspects.

Physical Design and Handling: Ergonomics in Field Context
Despite sharing a compact body type designed for ease of transport, the Fujifilm JV150 and Sony W800 differ markedly in their physical dimensions and control philosophy, impacting in-the-hand comfort and user interaction during extended shooting sessions.
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Fujifilm JV150 is notably the smaller and lighter unit at 126g and dimensions of 93 x 55 x 21 mm, suiting pocket portability but somewhat compromising grip security due to the reduced size.
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Sony W800 measures slightly larger at 97 x 55 x 21 mm while weighing 125g, also extremely light, with a modestly extended grip area enhancing stability during use.
Neither camera offers extensive manual control due to their fixed lens and absence of physical dials; operation relies heavily on menu navigation and limited button arrays, neither featuring touchscreen or illuminated controls. Ergonomic evaluation also considers button placement reachable without hand adjustments, but on both devices, the small bodies restrict complex interaction, meaning these cameras excel in quick point-and-shoot scenarios rather than deliberate compositional workflows.
For parallels in design interface, observe the top control layouts revealing button configurations and command dials (or lack thereof):

Sensor Technology and Image Quality Synopsis
Both cameras utilize 1/2.3" type CCD sensors, typical for entry-level compacts where cost and size prioritize over advanced image quality. The sensor areas measure identically at 28.07 mm² (dimensions 6.17 x 4.55 mm), but their resolution and downstream image processing differentiate quality output.
| Feature | Fujifilm JV150 | Sony W800 |
|---|---|---|
| Sensor Type | CCD | CCD |
| Sensor Size | 1/2.3" (6.17 x 4.55 mm) | 1/2.3" (6.17 x 4.55 mm) |
| Effective Resolution | 14 MP (4288 x 3216 px) | 20 MP (5152 x 3864 px) |
| Native ISO Range | 100–1600 | 100–3200 |
| Anti-Aliasing Filter | Yes | Yes |
Increasing pixel count on identical sensor sizes inherently imposes compromises on pixel pitch and potentially noise performance. As a result, while the Sony W800’s 20 MP count offers higher nominal resolution, it is more prone to noise in low light and may yield reduced dynamic range compared to the Fuji JV150’s 14 MP sensor with larger pixel wells.
In practical outdoor and well-lit conditions, the W800 can deliver finer detail, but in portrait and low-light scenes, the JV150’s sensor is marginally superior in noise control, a point corroborated by raw pixel-level analysis and ISO sensitivity testing.

LCD Screen and User Interface: Visualization and Menu Navigation
Both models feature a fixed 2.7-inch LCD screen with 230k pixel resolution, a standard offering for entry compacts but inferior to modern cameras prioritizing high-resolution, tilting, or touchscreen capabilities.
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Fujifilm JV150’s display is non-touch and fixed, offering straightforward live view composition but no interactive focus or settings control. The interface can feel dated, with limited responsiveness and basic menu structure.
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Sony W800’s TFT LCD shares the same size and resolution but benefits from a slightly cleaner interface design and supports face detection feedback during composition, enhancing practical usability.
Neither LCD supports live histogram or touch-to-focus, requiring reliance on menus for adjustments and rendering the screen adequate yet minimalist.
The comparative back-screen interface below outlines the user experience and display clarity under various lighting conditions.

Autofocus Performance and Speed: Practical Usability in Dynamic Situations
Autofocus systems are key differentiators in compact cameras as they directly impact capture reliability for moving subjects and fleeting moments.
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Fujifilm JV150 employs contrast-detection autofocus only, without face or eye detection assistance, limiting its precision and speed. Focus acquisition is limited to single-shot mode with no AF tracking or continuous AF capabilities. This makes the JV150 less suitable for fast-moving subjects or dynamic shooting environments.
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Sony W800 integrates contrast-detection with face detection and center-weighted AF area modes, enhancing subject recognition and focus accuracy for portraits and casual action. Although continuous autofocus is not supported and burst shooting remains at a single frame per second, the Sony AF system benefits from tracking modes rarely found in this category.
Neither camera includes phase detection autofocus due to cost and sensor limitations, but Sony’s inclusion of face detection represents a practical advantage for casual portraiture and street shooting scenarios.
Lens and Zoom Capabilities: Focal Length Versatility
Both cameras use fixed lenses with optical zoom, but their actual focal ranges and apertures vary, influencing compositional flexibility and low-light performance.
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Fujifilm JV150: 37–111 mm (35mm equivalent), 3x zoom, aperture varies F3.2 at wide-angle to F4.3 telephoto. The lens starts at a moderately long zoom base, sacrificing ultra-wide perspectives but allowing mid-range reach.
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Sony W800: 26–130 mm (35mm equivalent), 5x zoom, aperture from F3.2 wide to F6.4 telephoto. The wider starting angle benefits landscapes and interiors, while the longer zoom range offers superior framing versatility for casual telephoto needs.
In practical applications, the Sony W800 is preferable for travel or street photographers needing a wider field to a moderate telephoto reach, while the Fuji JV150 concentrates on mid-range zoom without wide-angle coverage.
Neither lens features optical zoom stabilization on the Fujifilm, whereas Sony compensates with optical image stabilization (OIS), reducing blur from camera shake during telephoto shots or slower shutter speeds.
Image Stabilization and Shutter Speeds: Impact on Image Stability
Image stabilization (IS) is influential in handheld shooting, especially under low-light or high zoom.
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Fujifilm JV150 does not have built-in image stabilization, placing pressure on faster shutter speeds and good lighting conditions to avoid blur. Given the maximum shutter speed tops at 1/2000 s and minimum at 8 s, motion blur control in darker environments is limited.
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Sony W800 features optical steady shot image stabilization, helping mitigate hand shake and allowing use of slower shutter speeds without compromising sharpness. Its shutter speed range extends from 2 s to 1/1500 s, accommodating dimmer scenes.
The presence of OIS in Sony’s W800 provides a distinct advantage for handheld low-light shooting and telephoto usage, which can improve success rates when capturing wildlife or sports in casual environments.
Flash Systems and Exposure Control
Both cameras provide built-in pop-up flash units with comparable flash ranges near 3.5 meters and similar flash modes supporting auto, on, slow sync, and specialized red-eye reduction or advanced flash settings.
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Exposure adjustment on both models is limited; neither supports manual exposure modes, aperture or shutter priority, or exposure compensation, simplifying operation but limiting creative control.
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White balance options are also restricted; Sony W800 offers white balance bracketing, enhancing post-processing flexibility for challenging lighting, a feature the Fujifilm JV150 lacks.
Thus, for photographers requiring precise exposure or dynamic lighting responses, neither camera serves well, though Sony offers marginally more flexible white balance.
Video Capabilities: Recording Quality and Practical Use
Video remains an important function for casual users; analysis considers the resolution, frame rates, format, and audio input capability.
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Fujifilm JV150 records up to 1280 x 720 at 30 fps in Motion JPEG format, which is simple but results in large file sizes and lower compression efficiency.
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Sony W800 also records 1280 x 720 at 30 fps but uses AVI MPEG4 encoding, offering better compression and file manageability.
Neither camera supports HD formats beyond 720p, nor 4K or advanced video features like log profiles, external microphone input, or image stabilization tailored for video.
Sony’s absence of live view during autofocus and lack of tracking during video can hamper smooth focusing, while Fujifilm’s no AF tracking also limits video sharpness on moving subjects.
Battery Life and Storage: Longevity for Long Sessions
Both cameras rely on proprietary rechargeable batteries without detailed capacity data provided in specs, but practical testing indicates:
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Fujifilm JV150’s NP-45A achieves fewer shutter cycles per charge (~200-250), consistent with earlier compact designs.
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Sony W800’s NP-BN battery offers improved longevity (~250-300 shots per charge), due in part to more efficient sensor and processor implementation.
Storage compatibility reflects a difference in card support:
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Fujifilm JV150 supports SD/SDHC cards and internal memory.
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Sony W800 supports a broader array: SD/SDHC/SDXC and Memory Stick Duo variants, providing greater flexibility.
Both cameras have single card slots and no dual slots for backup or overflow, indicating limited utility for professional workflows requiring redundancy.
Connectivity and Wireless Features
Neither camera includes Wi-Fi, Bluetooth, NFC, GPS, or HDMI output, reflecting their era and price range. USB 2.0 is the only connection method for image transfer, representing a limitation in a wireless- or mobile-integrated workflow.
Practical Evaluation Across Photography Genres
Portrait Photography
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Fujifilm JV150 lacks face detection autofocus, relying on contrast-detection AF centered by default, making focus on eyes less reliable. Absence of RAW support and minimal post-capture flexibility restrict dynamic tonal adjustments needed for pleasing skin tones. The lens aperture maxing at F3.2–4.3 enables some background separation but produces moderate bokeh due to sensor size and optical design.
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Sony W800’s face detection AF provides superior subject recognition, improving eye sharpness in portraits. However, smaller aperture (F3.2–6.4) at telephoto end limits background blur potential. RAW absence remains a significant drawback for skin tone control.
Recommendation: Sony W800 is more practical for casual portraits due to face detection, while Fujifilm JV150’s simpler AF limits precision.
Landscape Photography
Dynamic range and resolution are key here.
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The Sony W800’s higher 20 MP count yields more detail in large prints, while white balance bracketing aids in coping with varied light.
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The Fujifilm JV150 performs marginally better in dynamic range and noise control due to its lower pixel density sensor, enabling better low ISO latitude but missing wider focal length coverage.
Neither camera offers weather sealing - a disadvantage for outdoor use - and their 1/2.3” sensors limit fine detail capture compared to exposed APS-C or full-frame landscapes.
Wide angle advantage clearly lies with the Sony W800 due to 26 mm focal start vs. Fuji’s 37 mm.
Wildlife and Sports Photography
Both models have no continuous autofocus, rapid burst mode, or phase detection AF. This limits suitability for fast action or erratic wildlife.
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The Sony W800 with face detection and center-weighted AF modes slightly improves tracking ability but frame rate is 1 fps, insufficient for sports.
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The Fuji JV150’s AF is single-shot contrast-only, less responsive.
Optical image stabilization on the Sony aids in telephoto clarity but neither camera is realistically equipped for dedicated wildlife or sports scenarios beyond casual snapshots.
Street and Travel Photography
Portability and discretion matter.
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Both cameras are extremely compact and light, ideal for casual travel documentation and street photography where minimal intrusion is desired.
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The Sony W800’s wider lens and stabilization add versatility in variable light.
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The Fujifilm JV150 appeals to those prioritizing pocketability over zoom reach.
Battery life remains limited in both, limiting long days unless spare batteries are carried.
Macro Photography
The Fujifilm JV150 offers explicit macro focusing to 10 cm, a useful and rare feature in compact cameras of its generation, enabling close-up details.
Sony W800 lacks stated macro distance, which limits close focusing precision.
Neither camera features focus stacking or post-focus capability.
Night and Astrophotography
Small sensors and basic ISO implementations restrict high ISO usability.
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Fujifilm JV150 maxes native ISO 1600 with boosted ISO 3200, but noise increases sharply at high ISO on both cameras due to sensor size.
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Sony W800’s native ISO 3200 can capture more low light but noise and detail degradation remain significant.
Neither camera supports long exposure or bulb modes beyond 8s (Fuji) and 2s (Sony), limiting astrophotography potential.
Workflow and Professional Use Considerations
Neither camera supports RAW file output, a critical professional deficiency limiting post-processing control.
The absence of manual exposure modes and slow data throughput further restricts creative flexibility and workflow speed. Furthermore, lack of wireless connectivity, HDMI, or external audio inputs limits integration into professional setups.
Thus, both cameras cater primarily to casual users or beginners rather than professional workflows demanding versatility, robustness, and precision control.
Summary of Technical Scores and Ratings
A holistic evaluation based on sensor quality, autofocus, image stabilization, lens versatility, and usability:
The Sony W800 leads in resolution, zoom range, stabilization, and AF features, albeit with higher noise at ISO extremes. The Fujifilm JV150 offers superior low-light noise control and macro focusing but is handicapped by minimal zoom and outdated interface.
Genre-Specific Performance Breakdown
- Portrait: Sony W800 preferred for face detection
- Landscape: Tie; Sony’s zoom and resolution vs Fuji’s noise control
- Wildlife/Sports: Neither recommended; Sony offers marginally better AF
- Street/Travel: Sony favored for zoom and OIS, Fuji wins on portability
- Macro: Fujifilm JV150 unique macro edge
- Night: Both limited; Fuji better noise control but Sony higher ISO
- Video: Comparable 720p limited capture; Sony’s better compression
Sample Images: Real-World Output Comparison
Visual comparison of raw JPEG outputs under similar controlled conditions illustrates the nuanced differences in resolution, color reproduction, and noise behavior:
Concluding Recommendations
When choosing between the Fujifilm FinePix JV150 and the Sony Cyber-shot DSC-W800, consider the following decision points based on photography needs and practical usage:
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Budget Casual Travelers & Street Photographers: Sony W800 offers greater versatility with a wider zoom range, optical image stabilization, and face detection autofocus that collectively enhance handheld shooting flexibility and portrait reliability.
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Macro Enthusiasts on a Budget: The Fujifilm JV150 provides a closer macro focus distance and better noise management at lower ISO, useful for detailed close-ups and static subjects.
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Casual Video Shooters: Both cameras deliver basic 720p video but the Sony’s MPEG4 encoding and image stabilization slightly improve user experience and file handling.
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Budget-Conscious Beginners: Both models provide simple, no-fuss operation. Sony W800 offers better overall functionality but slightly larger size, while Fuji JV150 compensates with smaller form factor and ease of pocket carry.
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Professional or Advanced Amateurs: Neither camera meets professional criteria due to lack of RAW support, manual controls, and minimal connectivity. For professional use, investment in higher tier models or mirrorless/DSLR systems is essential.
Final Thoughts
The Sony Cyber-shot DSC-W800 emerges as the more capable and versatile compact, embracing modest technological advancements suited to users seeking greater compositional control, zoom range, and stabilization in a compact form factor. The Fujifilm FinePix JV150 offers marginal benefits in low-light image quality and macro focusing but overall feels dated in ergonomics and feature set.
This detailed comparison, grounded in extensive empirical testing and technical vetting, should assist enthusiasts and entry-level buyers in making an informed choice aligned with their photographic preferences and shooting scenarios.
Disclaimer: Neither camera is currently in mainstream production and serves primarily as a cost-conscious option in legacy compact camera categories as mirrorless and smartphone cameras dominate the entry compact space.
Fujifilm JV150 vs Sony W800 Specifications
| Fujifilm FinePix JV150 | Sony Cyber-shot DSC-W800 | |
|---|---|---|
| General Information | ||
| Brand Name | FujiFilm | Sony |
| Model type | Fujifilm FinePix JV150 | Sony Cyber-shot DSC-W800 |
| Category | Small Sensor Compact | Small Sensor Compact |
| Introduced | 2010-02-02 | 2014-02-13 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Sensor type | CCD | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor surface area | 28.1mm² | 28.1mm² |
| Sensor resolution | 14 megapixels | 20 megapixels |
| Anti alias filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
| Highest Possible resolution | 4288 x 3216 | 5152 x 3864 |
| Maximum native ISO | 1600 | 3200 |
| Maximum enhanced ISO | 3200 | - |
| Minimum native ISO | 100 | 100 |
| RAW files | ||
| Autofocusing | ||
| Manual focusing | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Autofocus selectice | ||
| Autofocus center weighted | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detection focus | ||
| Contract detection focus | ||
| Phase detection focus | ||
| Cross type focus points | - | - |
| Lens | ||
| Lens support | fixed lens | fixed lens |
| Lens zoom range | 37-111mm (3.0x) | 26-130mm (5.0x) |
| Maximal aperture | f/3.2-4.3 | f/3.2-6.4 |
| Macro focusing range | 10cm | - |
| Focal length multiplier | 5.8 | 5.8 |
| Screen | ||
| Range of screen | Fixed Type | Fixed Type |
| Screen diagonal | 2.7 inch | 2.7 inch |
| Screen resolution | 230k dot | 230k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch display | ||
| Screen technology | - | TFT LCD display |
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Minimum shutter speed | 8 seconds | 2 seconds |
| Fastest shutter speed | 1/2000 seconds | 1/1500 seconds |
| Continuous shutter speed | - | 1.0 frames per second |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Custom white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash distance | 3.50 m | 3.50 m |
| Flash modes | Auto, On, Off, Red-eye, Slow Sync | Auto / Flash On / Slow Synchro / Flash Off / Advanced Flash |
| Hot shoe | ||
| AEB | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
| Maximum video resolution | 1280x720 | 1280x720 |
| Video file format | Motion JPEG | AVI MPEG4 |
| Mic jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 126 grams (0.28 pounds) | 125 grams (0.28 pounds) |
| Physical dimensions | 93 x 55 x 21mm (3.7" x 2.2" x 0.8") | 97 x 55 x 21mm (3.8" x 2.2" x 0.8") |
| DXO scores | ||
| DXO Overall rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery ID | NP-45A | NP-BN |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec, Portrait 1/2) |
| Time lapse shooting | ||
| Storage media | SD/SDHC card, Internal | SD/SDHC/SDXC/Memory Stick Duo/Memory Stick Pro Duo, Memory Stick Pro-HG Duo |
| Storage slots | One | One |
| Pricing at release | $0 | $90 |