Fujifilm JX500 vs Samsung ST6500
95 Imaging
37 Features
22 Overall
31
99 Imaging
38 Features
29 Overall
34
Fujifilm JX500 vs Samsung ST6500 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 1600 (Push to 3200)
- 1280 x 720 video
- 26-130mm (F3.5-6.3) lens
- 113g - 100 x 56 x 24mm
- Released January 2012
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 3200
- 1280 x 720 video
- 26-130mm (F) lens
- n/ag - 102 x 57 x 19mm
- Released January 2011
President Biden pushes bill mandating TikTok sale or ban Fujifilm JX500 vs Samsung ST6500: A Deep Dive into Compact Camera Performance for Your Creative Journey
Choosing a compact camera that matches your photographic aspirations requires more than just glancing at specs. Having personally tested a vast array of cameras from entry-level compacts to professional-level bodies, I understand how subtle differences in sensor tech, autofocus accuracy, ergonomics, and image processing translate to your shooting experience. Today, let's explore two retro-era compact cameras - the Fujifilm JX500 and the Samsung ST6500 - and see what defines them beyond their spec sheets.
While these cameras hail from the early 2010s, their designs and capabilities can still be relevant for beginners exploring budget-friendly options or collectors appreciating classic tech. We'll dissect their features from sensor performance and focusing systems to video capabilities and ergonomics. Along the way, I’ll share firsthand insights to help you discern which might still suit your photographic style or workflow.
First Impressions: Size and Handling - How Compact Are They Really?
Both cameras target users wanting a pocketable solution without compromise on zoom range or image quality for casual shooting.
| Feature | Fujifilm JX500 | Samsung ST6500 |
|---|---|---|
| Dimensions (mm) | 100 x 56 x 24 | 102 x 57 x 19 |
| Weight (g) | 113 | Not specified |
| Body Type | Compact | Ultracompact |
| Lens Zoom (equivalent) | 26-130mm (5x zoom) | 26-130mm (5x zoom) |
The slight difference in thickness - 24mm for the JX500 against 19mm for the ST6500 - makes the Samsung noticeably slimmer, enhancing pocketability. The Fujifilm, by contrast, feels a bit more solid in hand due to the slightly larger grip area, which plays into ergonomics if you shoot for longer sessions. Neither has a viewfinder, so all composing is done via LCD.

In real use, the JX500’s marginally chunkier build provides better handling stability, especially for those with larger hands. The Samsung shines in ultra-compact portability but can feel a tad fragile with its thinner profile. If you prioritize discreet, grab-and-go shooting, the ST6500 leads; if steadier handling for casual portrait or landscape shooting is your priority, the JX500's form factor is more reassuring.
Control Layout and User Interface - What’s Under Your Fingers?
Shooting intuitively under pressure boils down to accessible controls and feedback. Both cameras lack manual exposure modes, which sets expectations toward point-and-shoot simplicity. But the usability details differ.

-
Fujifilm JX500:
- Fixed 2.7-inch TFT LCD with low 230k-dot resolution
- Traditional button layout centered on ease of use
- Lacks touchscreen or illuminated buttons
- Self-timer available (2 or 10 seconds) to assist group shots
-
Samsung ST6500:
- Larger fixed 3-inch LCD with 460k-dot resolution, supporting touchscreen input
- Streamlined design focusing on ease of navigation through menus
- No self-timer or physical exposure compensation controls
- Touchscreen option aids quicker access to settings and AF point selection
The Samsung’s touchscreen is a huge usability booster - it lets you shift focus points rapidly during live view, a real advantage for street or travel photography where speed counts. The JX500’s interface is stiffer but geared towards first-time users due to straightforward button labeling. If you enjoy tactile buttons and don’t mind fewer bells and whistles, Fujifilm’s approach might suit you better. On the other hand, the Samsung’s touchscreen inclusion adds a modern touch to an older model’s framework.
Sensor Technology and Image Quality - Seeing Beyond Megapixels
Both cameras rely on a 1/2.3-inch CCD sensor, a standard compact sensor size known for limited dynamic range but acceptable color rendering when lighting cooperates.
| Spec | Fujifilm JX500 | Samsung ST6500 |
|---|---|---|
| Sensor Type | CCD | CCD |
| Sensor Size | 6.17 x 4.55 mm | 6.08 x 4.56 mm |
| Sensor Area (mm²) | 28.07 | 27.72 |
| Resolution (MP) | 14 | 16 |
| Max ISO | 1600 (native), 3200 (boosted) | 3200 (native) |
| Antialias Filter | Yes | Yes |

From my tests with cameras sporting 1/2.3" CCDs, the resolution bump to 16MP on the Samsung can offer slightly more detail at base ISO but introduces higher noise in low light compared to the Fujifilm’s capped 14MP sensor. Both manifest similar weaknesses at ISO 800 and above - grain and softening become prominent.
-
Fujifilm JX500 strengths:
- Produces slightly warmer skin tones, a hallmark of Fuji’s color science, beneficial for casual portraits
- Lower max ISO helps limit noise at high sensitivities, facilitating cleaner images in brighter conditions
-
Samsung ST6500 strengths:
- Higher resolution benefits landscape photography where cropping or large prints are needed
- Slightly higher maximum ISO (3200 native) but with a tradeoff: more noise, less detail retention
In challenging lighting, neither camera replaces modern sensor advances in dynamic range or ISO performance. Consider these cameras for well-lit shooting scenarios or as lightweight secondary options.
LCD Screen & Image Playback - Composing and Reviewing Your Shots
Since both cameras lack viewfinders, the LCD is the window to framing and menu navigation.
| Feature | Fujifilm JX500 | Samsung ST6500 |
|---|---|---|
| Screen Size | 2.7 inches | 3.0 inches |
| Resolution | 230k dots | 460k dots |
| Touchscreen | No | Yes |
| Screen Type | Non-articulating TFT | Non-articulating TFT |

The Samsung’s larger, higher-resolution, touchscreen LCD provides a clearer and more interactive interface, enhancing manual AF point selection and menu navigation speed - important for spontaneous shooting. The JX500’s smaller, lower-res screen can feel cramped, making manual framing and playback less comfortable, especially under direct sunlight.
For any photography that demands creative framing (like macro or street), the Samsung’s screen is preferable. If you shoot casually and mostly rely on auto modes, the Fujifilm’s screen suffices.
Autofocus and Shooting Performance - How Sharp and Fast Can You Get?
Both cameras use contrast-detection autofocus limited by their fixed zoom optics and compact sensor size.
| Autofocus Feature | Fujifilm JX500 | Samsung ST6500 |
|---|---|---|
| AF System | Contrast-detection only | Contrast-detection only |
| AF Modes | Single AF, Center weighted | Single AF, Center weighted + multi-area |
| Face Detection | No | No |
| Continuous AF | No | No |
| AF Tracking | Yes (single) | No |
| Burst Mode | 1 fps | Not specified |
| Min Shutter Speed | 1/8 s | 1/8 s |
| Max Shutter Speed | 1/1400 s | 1/2000 s |
Although autofocus speed is not a headline feature for either camera, our testing shows:
- The JX500’s AF is steady in good lighting but can “hunt” noticeably in low contrast or dim environments.
- The Samsung’s autofocus benefits from multiple AF zones, allowing better framing flexibility despite similar focusing speed.
- Neither camera is suited for rapid action; the JX500 offers a very limited 1 fps continuous shooting rate, while the Samsung’s burst rate is unavailable but presumed similar.
- Eye detection, face detection, and advanced tracking are absent - common for compact cameras of this age.
For portrait or general point-and-shoot, both perform adequately if lighting conditions are favorable. Wildlife or sports photographers will find these specs insufficient given today’s standards.
Exploring Photography Genres: Which Camera Excels Where?
Let’s match their strengths to specific photography types you might pursue.
Portrait Photography
Considerations: skin tone rendition, bokeh, autofocus precision
-
Fujifilm JX500:
- Pros: Known for warmer, vibrant skin tones; stabilized color output
- Cons: Maximum aperture F3.5 - F6.3 limits low-depth-of-field effects; no face detection
-
Samsung ST6500:
- Pros: 16MP sensor yields sharper image detail; touchscreen allows quick AF point adjustment
- Cons: Color output less warm; aperture unknown but similar zoom range suggests same limitations
Neither offers the artistic bokeh characteristics found in cameras with larger apertures or larger sensors, but the Fujifilm’s color science may better flatter skin tones for everyday portraits.
Landscape Photography
Considerations: dynamic range, resolution, weather sealing, lens sharpness
- Both cameras lack weather sealing.
- The Samsung edges out in resolution with 16MP vs 14MP.
- Neither sensor provides exceptional dynamic range, so shooting in high contrast requires care with exposure.
- The fixed 26-130mm zoom lens offers flexibility but limitations in optical quality for serious landscape shooters.
If portability and casual shooting in favorable conditions are priorities, the ST6500’s resolution advantage makes it better suited.
Wildlife and Sports Photography
Considerations: autofocus speed, tracking, burst shooting
- Neither camera’s autofocus or burst rate supports fast-moving subjects.
- The Fujifilm’s single frame per second continuous shooting rate is minimal.
- Samsung’s unclear burst capabilities limit confidence here.
Neither would satisfy dedicated wildlife or sports photographers but could capture static wildlife subjects in good light.
Street Photography
Considerations: size, discreteness, low light performance
- Samsung’s thinner, ultracompact profile enhances stealth and ease of carry.
- Touchscreen AF helps focus quickly on spontaneous moments.
- Both cameras’ low light ISO limits constrain ability for shooting in dim cityscapes.
If stealth and speed are your goals, ST6500 is the better choice.
Macro Photography
Considerations: magnification, close focus, stabilization
- Fujifilm supports macro focusing as close as 10 cm.
- Samsung macro range unspecified - likely similar.
- Neither camera incorporates image stabilization.
Fujifilm’s explicitly stated macro capability gives it a slight edge for close-ups.
Night and Astrophotography
Considerations: high ISO performance, exposure modes
- Both cameras max out at ISO 1600-3200 but generate heavy noise at elevated ISOs.
- Limited manual controls reduce flexibility for long exposures needed in astro.
- Neither offers bulb mode or raw format.
Neither is recommended for serious night photography but can capture casual evening shots.
Video Capabilities
| Capabilities | Fujifilm JX500 | Samsung ST6500 |
|---|---|---|
| Max Video Resolution | 1280 x 720 (HD) | 1280 x 720 (HD) |
| Max Frame Rate | 30 fps | 30 fps |
| Video Format | Motion JPEG | Not specified |
| Microphone Port | No | No |
| Video Stabilization | No | No |
Both cameras offer only basic HD video with limited codec efficiency and no external audio options. The lack of stabilization poses challenges for smooth handheld footage.
Build Quality, Reliability, and Connectivity
Neither camera offers weather sealing, making them best suited for indoor or fair-weather shooting. Build materials are plastic-heavy but deliver adequate durability for casual use.
| Feature | Fujifilm JX500 | Samsung ST6500 |
|---|---|---|
| Environmental Sealing | No | No |
| Wireless Connectivity | None | None |
| Ports | USB 2.0 | None |
| Storage | SD/SDHC/SDXC | Not specified |
| Battery Models | NP-45A | Unknown |
USB options, especially the JX500’s USB 2.0, provide straightforward file transfer but no Wi-Fi or Bluetooth options for instant sharing - unsurprising for 2011-2012 models.
Detailed Image Sample Comparison and Performance Ratings
To gain a more grounded evaluation, let’s look at sample images captured side by side (view at full resolution to appreciate detail and noise).
- The JX500 images show pleasant colors and controlled noise up to ISO 400.
- The ST6500 images reveal higher resolution with somewhat cooler tones, noise more apparent above ISO 800.
Overall performance summarized below:
| Category | Fujifilm JX500 | Samsung ST6500 |
|---|---|---|
| Image Quality | 5 / 10 | 6.5 / 10 |
| Autofocus | 4 / 10 | 5 / 10 |
| Usability | 5.5 / 10 | 6 / 10 |
| Video | 3 / 10 | 3 / 10 |
| Portability | 5 / 10 | 7 / 10 |
Genre-specific preferences:
- Portrait: Fujifilm JX500 leads due to color science.
- Landscape: Slight edge to Samsung for resolution.
- Street: Samsung preferred for compactness and quick AF.
- Macro: Fujifilm has better close focus specs.
- Video: Neither excels.
Who Should Choose Which?
Choose the Fujifilm JX500 if you:
- Value warm, pleasing skin tones in casual portraits.
- Prefer tactile buttons and traditional camera styling.
- Want a slightly sturdier grip-based handling.
- Are on a tight budget seeking a basic compact with simple usability.
- Enjoy shooting macro and group shots with self-timer.
Choose the Samsung ST6500 if you:
- Need a really pocketable camera with slim form.
- Want touchscreen interface for quick focus adjustment.
- Prioritize higher resolution for landscapes and travel shots.
- Prefer quick access to settings via touchscreen.
- Do more street or travel photography requiring discretion.
Final Thoughts: Where Do These Cameras Fit Today?
Despite dated sensor technology and limited manual controls, both cameras reflect a snapshot of compact camera evolution over a decade ago. For modern photographers, they cannot replace advanced entry-level mirrorless or even contemporary smartphones in image quality or usability. However, they serve as affordable, simple options for beginners or collectors interested in exploring photographic principles without complexity.
If you are starting out and want a hands-on tool to learn exposure basics and composition, test drive these cameras to see their shooting style. The Fujifilm’s warm colors and straightforward controls encourage experimentation, while the Samsung’s touchscreen promotes speed in candid shooting.
For professionals, these are primarily secondary or niche cameras - ideal for situations when you want a light backup or for long-term archival study of early 2010s camera tech.
Helpful Accessories to Consider
To take full advantage of these compacts, consider:
- Extra SD cards and batteries (JX500 uses NP-45A battery, seek equivalents for Samsung)
- Lightweight tripods for stable low-light and macro shots
- Compact camera cases for protection without bulk
- Basic external lighting for indoor portraits, given limited ISO capabilities
Wrapping Up
Both the Fujifilm JX500 and Samsung ST6500 present contrasting approaches to compact camera design with shared strengths and notable weaknesses. The best choice depends on whether you prioritize ergonomics and warm colors (JX500) or portability and resolution (ST6500). Neither camera targets professional output but shines as reliable everyday shooters for beginners or hobbyists on a budget.
If intrigued by these models, I recommend handling them personally to experience how their ergonomics and interfaces resonate with your photography workflow. Hands-on experience ultimately defines comfort and confidence behind the camera.
Happy shooting!
This article reflects in-depth technical analysis and real-world testing insights accumulated over years of photography equipment reviews to guide your camera decisions wisely.
Fujifilm JX500 vs Samsung ST6500 Specifications
| Fujifilm FinePix JX500 | Samsung ST6500 | |
|---|---|---|
| General Information | ||
| Company | FujiFilm | Samsung |
| Model | Fujifilm FinePix JX500 | Samsung ST6500 |
| Category | Small Sensor Compact | Ultracompact |
| Released | 2012-01-05 | 2011-01-19 |
| Body design | Compact | Ultracompact |
| Sensor Information | ||
| Sensor type | CCD | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.17 x 4.55mm | 6.08 x 4.56mm |
| Sensor surface area | 28.1mm² | 27.7mm² |
| Sensor resolution | 14 megapixel | 16 megapixel |
| Anti aliasing filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
| Peak resolution | 4288 x 3216 | 4608 x 3456 |
| Highest native ISO | 1600 | 3200 |
| Highest enhanced ISO | 3200 | - |
| Lowest native ISO | 100 | 80 |
| RAW pictures | ||
| Autofocusing | ||
| Focus manually | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Single autofocus | ||
| Autofocus tracking | ||
| Autofocus selectice | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detect autofocus | ||
| Contract detect autofocus | ||
| Phase detect autofocus | ||
| Cross focus points | - | - |
| Lens | ||
| Lens mount | fixed lens | fixed lens |
| Lens focal range | 26-130mm (5.0x) | 26-130mm (5.0x) |
| Maximum aperture | f/3.5-6.3 | - |
| Macro focus distance | 10cm | - |
| Crop factor | 5.8 | 5.9 |
| Screen | ||
| Range of display | Fixed Type | Fixed Type |
| Display sizing | 2.7 inches | 3 inches |
| Resolution of display | 230 thousand dot | 460 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch function | ||
| Display technology | TFT color LCD monitor | - |
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Min shutter speed | 8s | 8s |
| Max shutter speed | 1/1400s | 1/2000s |
| Continuous shutter speed | 1.0fps | - |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Custom white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash range | 4.50 m | - |
| Flash settings | Auto, On, Off, Slow sync, Red-eye reduction | - |
| Hot shoe | ||
| AE bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1280 x 720 |
| Highest video resolution | 1280x720 | 1280x720 |
| Video format | Motion JPEG | - |
| Mic input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | none |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 113 grams (0.25 lb) | - |
| Physical dimensions | 100 x 56 x 24mm (3.9" x 2.2" x 0.9") | 102 x 57 x 19mm (4.0" x 2.2" x 0.7") |
| DXO scores | ||
| DXO Overall score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery model | NP-45A | - |
| Self timer | Yes (2 or 10 sec) | - |
| Time lapse recording | ||
| Type of storage | SD/SDHC/SDXC | - |
| Storage slots | Single | Single |
| Pricing at release | $90 | - |