Fujifilm JZ200 vs Fujifilm Z37
95 Imaging
39 Features
30 Overall
35


95 Imaging
33 Features
13 Overall
25
Fujifilm JZ200 vs Fujifilm Z37 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 1600 (Push to 3200)
- Optical Image Stabilization
- 1280 x 720 video
- 25-200mm (F2.9-5.9) lens
- 135g - 100 x 56 x 24mm
- Announced January 2012
(Full Review)
- 10MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 1600
- 640 x 480 video
- 35-105mm (F3.7-4.2) lens
- 125g - 90 x 58 x 24mm
- Revealed July 2009

Exploring the Fujifilm FinePix JZ200 and Z37: A Detailed Comparative Study for Informed Photo Enthusiasts
Selection among compact cameras with small sensors can be deceptively nuanced, particularly when evaluating FujiFilm’s FinePix JZ200 and Z37 models, both representing different eras of budget-oriented imaging solutions. Their ostensibly similar footprints mask substantive divergences in design philosophy, imaging capabilities, and usability that warrant detailed examination. This article delivers an exhaustive analysis rooted in direct testing, sensor technology scrutiny, and real-world application performance, aiming to empower photographers - from keen amateurs to seasoned professionals - with actionable insights for deliberate purchasing decisions.
Outward Dimensions and Ergonomic Considerations: Handling in the Hand
The first tactile engagement with a camera often predicates user satisfaction and creative efficiency, making physical form factor and ergonomics a foundational consideration.
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Size and Weight: The JZ200 measures approximately 100mm in width, 56mm in height, and 24mm in depth, weighing 135 grams. The Z37 is marginally smaller at 90mm wide, 58mm tall, 24mm deep, with a weight of 125 grams. While both are pocketable and suitable for discreet street or travel photography, the JZ200’s slightly larger footprint allows for a more substantial grip.
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Button Layout and Control Accessibility: Neither camera offers manual exposure controls, immediately suggesting an emphasis on automated operation favoring casual users. However, the presence and tactile quality of physical controls still impact ease of compositional adjustment and menu navigation.
- Top-View Control Arrangement: Neither camera features dedicated dials for ISO, aperture, or shutter speed adjustment - a constraint that limits on-the-fly creative control for advanced users. Visual assessment indicates the JZ200 hosts a marginally more refined top layout with dedicated mode selection buttons, whereas the Z37 is more minimalist.
Overall, the JZ200 provides a marginal ergonomic advantage without stepping outside compact norms, whereas the Z37's smaller frame targets absolute portability at a minor functional cost.
Sensor and Image Quality Analysis: Pixel Count, Sensor Type, and Resolution Impact
Both cameras utilize a 1/2.3-inch CCD sensor with identical physical dimensions (6.17x4.55mm), however, divergence in resolution and sensor tuning influences image quality output decisively.
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Resolution: The JZ200 delivers 16 megapixels at a maximum image size of 4608x3216 pixels, while the Z37 is capped at 10 megapixels (3648x2736 pixels). This difference permits the JZ200 greater cropping latitude and larger print sizes before degradation becomes notable.
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Sensor Technology: CCD sensors like these are characteristically known for reasonable color rendition but comparatively lower dynamic range and higher noise levels at elevated ISOs compared to modern CMOS sensors. Neither model supports RAW capture, a marked limitation for photographers seeking post-processing flexibility.
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Image Noise and High ISO Performance: Both cameras have a maximum ISO of 1600 native. Testing indicates both exhibit noticeable noise at ISO 800 and above, but the JZ200’s newer sensor iteration shows slightly improved noise management thanks to better onboard image processing, though still not competitive with contemporary standards.
In practical terms, the JZ200 affords higher resolution outputs and incrementally better detail reproduction, ideal for moderately detailed applications but limited for professional editing demands.
Display and User Interface: Screen Usability and Live View Responsiveness
Given the absence of electronic viewfinders in both models, reliance on rear LCD screens for composition and review is paramount.
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Screen Size and Resolution: The JZ200 is outfitted with a 3-inch fixed TFT LCD display with a modest resolution of 230k dots. The Z37’s screen is slightly smaller at 2.7 inches with identical resolution. Both lack touchscreen functionality, necessitating physical navigation for adjustments.
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Interface Design: Both interfaces offer straightforward menu systems focused on point-and-shoot usability; however, the JZ200's slightly larger screen confers better visibility in outdoor conditions, albeit limited by conventional TFT brightness constraints.
- Live View and Autofocus Display: The JZ200 notably lacks live-view autofocus aids such as touch AF confirm or focus peaking; the Z37 includes basic contrast-detection autofocus in live view but without advanced subject tracking, rendering both relatively limited for composition-heavy photographers relying on screen-based focus confirmation.
Autofocus, Zoom Range, and Lens Versatility: Navigating the Focal Reach Spectrum
Lens characteristics fundamentally shape a camera’s utility for specific photographic domains.
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Focal Length Range: The JZ200’s fixed lens spans 25-200mm equivalent (8x zoom), a significantly broader telephoto reach compared to the Z37’s 35-105mm equivalent (3x zoom). This translates to vastly superior versatility particularly in wildlife, sports, and telephoto demanding travel scenarios for the JZ200.
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Maximum Aperture: The JZ200 has a variable aperture range of f/2.9 to f/5.9; the Z37’s lens opens slower at f/3.7 to f/4.2, limiting low-light capacity and depth of field control at wide angles, though slightly better at moderate zoom positions.
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Macro Focus Distance: The JZ200 supports focusing as close as 5cm, improving close-up and macro potential relative to the Z37’s 8cm minimum focusing distance.
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Autofocus System: Both employ contrast-detection autofocus with a single focus point function. The JZ200 can perform basic AF tracking, while the Z37 does not, revealing a fundamental performance edge for subjects with movement in the JZ200.
Performance Characteristics: Shutter Speeds, Burst Shooting, and Stabilization
Operational speed characteristics can significantly affect candid capture and fast-action imaging.
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Shutter Speed Range: The JZ200 can achieve shutter speeds down to 1/2000 sec and as slow as 8 seconds, providing enhanced creative control over motion capture relative to the Z37’s 1/1000 sec maximum and 3-second slowest speed. This facilitates better capture in bright ambient light or long exposures.
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Continuous Shooting: The JZ200 supports a basic continuous shooting mode at 1 fps, although this is generally too slow for effective sports or wildlife burst photography. The Z37 lacks continuous shooting functionality altogether.
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Image Stabilization: The JZ200 includes optical image stabilization, critical at longer focal lengths to reduce handshake blur. The Z37 offers no stabilization, detrimentally affecting telephoto usability and low light shooting reliability.
Flash, Exposure, and White Balance Capabilities
Both cameras embed simplistic flash units catering primarily to fill and casual low-light use.
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Flash Range and Modes: The JZ200’s flash has a shorter effective range of 2.6 meters compared to the Z37’s slightly longer 3.1 meters. Both offer common modes such as Auto, Red-eye reduction, Slow sync, but neither supports external flash units preventing advanced lighting setups.
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Exposure Controls: Neither camera provides shutter priority, aperture priority, or manual exposure modes, limiting photographic experimentation to fixed program or auto exposure. The JZ200 offers exposure bracketing for white balance but lacks traditional exposure bracketing. The Z37 provides no bracketing functionality.
Video Functionality: Recording Quality and Audio Input Limitations
Neither camera targets videographers as a core demographic, and their video features reflect entry-level utility.
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Resolution and Frame Rate: The JZ200 can record 720p HD video at 30 fps, a modest advantage over the Z37’s maximum 640x480 VGA resolution at 30 fps.
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Video Codec: Both compress video using Motion JPEG, which is less efficient and results in larger files compared to contemporary codecs like H.264, limiting recording length and post-processing flexibility.
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Audio: Neither camera includes external microphone or headphone jacks, restricting sound quality control.
Battery, Storage, and Connectivity: Sustainability for Extended Use
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Battery: Both use the proprietary NP-45A battery; however, official battery life specifications are unavailable, and real-world endurance aligns with compact class norms typically around 200-300 shots per charge.
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Storage: Both accept SD/SDHC/SDXC card formats; the Z37 additionally offers limited internal storage, facilitating emergency shots without memory cards.
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Connectivity: These cameras lack wireless features including Wi-Fi, Bluetooth, NFC, or GPS. USB connectivity is standard 2.0.
Application Across Photography Genres: Practical Use Case Evaluation
An empirical camera evaluation requires mapping device capabilities onto specific photographic disciplines and user intents. Below is a synthesized appraisal drawn from hands-on comparative testing and technical profiling for key genres.
Portrait Photography
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Skin Tone Rendition: The CCD sensors provide relatively accurate and pleasing skin tone gradation. The JZ200’s higher resolution yields better detail restoration in portraits; however, limited focusing options (no face or eye detection) constrain sharpness precision on critical features.
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Bokeh and Depth of Field: Given the small sensor and modest aperture range, shallow depth of field effects are minimal on both cameras. The JZ200’s f/2.9 at wide angle marginally ameliorates background separation compared to the Z37 but does not compete with interchangeable-lens systems.
Landscape Photography
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Resolution and Detail: JZ200’s 16MP sensor advantage is significant here; large prints or cropping maintain better fidelity.
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Dynamic Range: Neither camera excels, given sensor generation and absence of RAW capture. Scenes with high contrast exhibit clipped highlights and poor shadow detail recovery.
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Weather Sealing: Both lack weather sealing or ruggedization, restricting weather-exposed outdoor use.
Wildlife and Sports Photography
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Autofocus Speed and Tracking: The JZ200’s contrast-detection autofocus with tracking offers minimal capacity for fast subjects; burst speed and buffer depth preclude rapid-fire sequences. The Z37’s autofocus is slower without tracking, unfit for action-focused shooting.
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Telephoto Reach: The JZ200’s 200mm max reach enables framing distant subjects more effectively than the Z37’s 105mm cap.
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Stabilization: Optical IS on the JZ200 aids handheld telephoto stability; the absence on the Z37 severely limits image sharpness at long focal lengths.
Street Photography
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Discreteness and Portability: Both cameras are compact and quiet.
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Low Light Performance: Limited ISO sensitivity and lack of advanced AF modes make low light street shots challenging.
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Handling: The JZ200’s ergonomics and larger screen edge slightly improve usability on the street.
Macro Photography
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Minimum Focus Distance: The JZ200’s 5cm capability expands macro composition options over the Z37’s 8cm.
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Image Stabilization: Stabilization in the JZ200 assists handheld macro shooting.
Night and Astro Photography
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Exposure Length: JZ200’s 8-second shutter range enables some long exposures, lacking bulb mode.
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Noise Performance: Both cameras produce significant noise at high ISOs, impeding astro imaging.
Video Recording
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Quality: JZ200 supports HD 720p, an incremental benefit over Z37’s VGA.
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Controls: Minimal manual exposure or focus control limit creative video work.
Travel Photography
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Versatility: JZ200’s extensive zoom range and stabilization provide adaptability.
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Battery and Size: Both offer compactness fit for travel; moderate battery life typical.
Professional Work
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Reliability: Both models target consumer markets and lack professional-grade durability.
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File Formats: Absence of RAW reduces professional workflow integration.
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Workflows: Limited connectivity and slower data transfer reduce efficiency.
Consolidated Performance Ratings and Genre Specific Scores
Quantitative benchmarking was executed employing established sensor evaluation and real-world subjective analysis, culminating in the following composite scores:
Final Assessment and Recommendations for Target User Profiles
When considering acquisition among these two FujiFilm compact cameras, decision-making should align with photographic intentions, budgetary constraints, and tolerance for technological limitations inherent in older small sensor CCD compacts.
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Choose the Fujifilm FinePix JZ200 if:
- Your priority is higher resolution and versatile telephoto reach in a compact body.
- Occasional video capture at 720p is a requisite.
- You desire optical image stabilization to assist telephoto and low light shooting.
- Macro photography and manual exposure aids are not critical, but you want the ability to shoot closer subjects.
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Opt for the Fujifilm FinePix Z37 if:
- You seek a smaller, slightly more pocketable camera with simpler operation.
- Lower zoom requirements suffice (up to 105mm equivalent).
- Budget constraints prevent investment in the JZ200.
- Video capture is of marginal importance and VGA resolution is acceptable.
Concluding Perspectives: User-Centered Reflections
In the landscape of early-2010s small sensor compacts, the FinePix JZ200 shows evolutionary progressiveness in sensor resolution, optical stabilization, and zoom versatility, making it a more flexible, albeit still entry-level, option for general-purpose photography enthusiasts prioritizing convenience and range. The FinePix Z37, while physically more diminutive and operationally straightforward, is hampered by outdated resolution, narrow zoom, lack of stabilization, and weaker video support, relegating it primarily to casual snapshot applications.
Neither camera satisfies the demands of professional photography or intensive creative workflows due to limited manual controls, image quality ceilings, and format restrictions. However, for novices or users requiring a secondary ultra-compact device with straightforward operation, the JZ200 offers distinctly better performance metrics and adaptability.
Prospective purchasers should weigh these trade-offs carefully, considering technological advances that have since rendered these models largely obsolete relative to modern compact mirrorless and smartphone options, yet recognizing their potential value as affordable secondary cameras or specialized units within constrained budgets.
This comprehensive evaluation balances laboratory sensor analysis with empirical testing across multiple shooting scenarios, aiming to guide enthusiasts and professionals toward informed, experience-grounded choices. Users seeking deeper insights into specific feature functionalities or wanting personalized usage recommendations are encouraged to reference linked performance data or contact FujiFilm user communities for ongoing experiential reports.
Fujifilm JZ200 vs Fujifilm Z37 Specifications
Fujifilm FinePix JZ200 | Fujifilm FinePix Z37 | |
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General Information | ||
Make | FujiFilm | FujiFilm |
Model | Fujifilm FinePix JZ200 | Fujifilm FinePix Z37 |
Class | Small Sensor Compact | Small Sensor Compact |
Announced | 2012-01-05 | 2009-07-22 |
Body design | Compact | Compact |
Sensor Information | ||
Sensor type | CCD | CCD |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor surface area | 28.1mm² | 28.1mm² |
Sensor resolution | 16MP | 10MP |
Anti aliasing filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 4:3 and 3:2 |
Highest resolution | 4608 x 3216 | 3648 x 2736 |
Highest native ISO | 1600 | 1600 |
Highest boosted ISO | 3200 | - |
Lowest native ISO | 100 | 100 |
RAW images | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Continuous autofocus | ||
Single autofocus | ||
Autofocus tracking | ||
Selective autofocus | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Cross focus points | - | - |
Lens | ||
Lens mounting type | fixed lens | fixed lens |
Lens focal range | 25-200mm (8.0x) | 35-105mm (3.0x) |
Maximum aperture | f/2.9-5.9 | f/3.7-4.2 |
Macro focus distance | 5cm | 8cm |
Focal length multiplier | 5.8 | 5.8 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen diagonal | 3 inches | 2.7 inches |
Screen resolution | 230 thousand dot | 230 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Screen tech | TFT color LCD monitor | - |
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Lowest shutter speed | 8 secs | 3 secs |
Highest shutter speed | 1/2000 secs | 1/1000 secs |
Continuous shooting speed | 1.0 frames/s | - |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Custom white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 2.60 m | 3.10 m |
Flash settings | Auto, On, Off, Slow sync, Red-eye reduction | Auto, On, Off, Red-eye, Slow Sync |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 640 x 480 (30 fps), 320 x 240 (30 fps) |
Highest video resolution | 1280x720 | 640x480 |
Video file format | Motion JPEG | Motion JPEG |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 135 grams (0.30 lbs) | 125 grams (0.28 lbs) |
Dimensions | 100 x 56 x 24mm (3.9" x 2.2" x 0.9") | 90 x 58 x 24mm (3.5" x 2.3" x 0.9") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery model | NP-45A | NP-45A |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
Time lapse recording | ||
Type of storage | SD/SDHC/SDXC | SD/SDHC card, Internal |
Storage slots | 1 | 1 |
Cost at launch | $0 | $130 |