Fujifilm Real 3D W1 vs Fujifilm XP90
90 Imaging
33 Features
17 Overall
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91 Imaging
41 Features
43 Overall
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Fujifilm Real 3D W1 vs Fujifilm XP90 Key Specs
(Full Review)
- 10MP - 1/2.3" Sensor
- 2.8" Fixed Screen
- ISO 100 - 1600
- 640 x 480 video
- 35-105mm (F3.7-4.2) lens
- 260g - 124 x 68 x 26mm
- Announced July 2009
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200 (Boost to 6400)
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 28-140mm (F3.9-4.9) lens
- 203g - 110 x 71 x 28mm
- Released January 2016
- Earlier Model is Fujifilm XP80

FujiFilm Real 3D W1 vs FujiFilm XP90: A Deep Dive into Two Compact Cameras from Different Eras
When it comes to compact cameras, FujiFilm has long been a brand that piqued my interest. The FujiFilm Real 3D W1 and the FujiFilm XP90 - though separated by nearly seven years - offer fascinating glimpses into two distinctive approaches to compact camera design: one dabbling in stereoscopic 3D imagery and the other geared for rugged, adventure-ready photo storytelling. After spending hands-on time with both, I’m ready to walk you through how these cameras stack up across the board - from sensor tech and ergonomics to real-world performance in varied photography disciplines.
Whether you’re an enthusiast craving quirky innovation or a rugged traveler seeking reliability in tough conditions, buckle up. Let’s dissect these cameras with the detail and nuance only years behind the lens can bring.
First Impressions: Size, Build, and Design Realities
Let’s kick off with a tactile comparison because in compact cameras, how a device feels in your hand can make or break the photographic experience. Personally, I’m a stickler for ergonomics - a camera should feel like an extension of your creative intent, not a burden.
The Real 3D W1, launched in 2009, is a touch chunkier at 124 x 68 x 26 mm and weighs around 260g. Its boxy design - with two lenses mounted side by side for 3D capture - lends it a unique silhouette but limits grip comfort. I can imagine enthusiasts intrigued by 3D novelty but intimidated by the W1’s somewhat utilitarian heft for a compact.
Fast forward to 2016, the XP90 is sleeker and lighter (110 x 71 x 28mm; 203g), slightly wider in grip area, and clearly engineered for practicality. It fits nicely in my palm, reinforced by rugged rubberized armor that inspires confidence for outdoor use. The shell is waterproof and shockproof (well, crushproof is absent), meaning it begs you to toss it in your daypack for adventurous days - without worrying about a sudden splash or accident.
In the trenches, especially with street or travel photography, a camera’s ergonomics impact responsiveness and fatigue. The XP90’s design wins for portability and comfort, while the real novelty of the W1’s dual-lens setup remains its standout, but niche, feature.
Control Layout and User Interface: Commanding Your Creative Tools
Before pushing pixels, we wrestle with controls and menus. A camera’s physical layout and UI logic often dictate how fluid the shooting experience is.
Despite being older, the Real 3D W1 surprisingly maintains a clean top panel, but it feels slightly sparse - limited shooting modes and no dedicated buttons for common adjustments like ISO or exposure compensation. The lack of manual focus or shutter/aperture priority modes highlights its consumer point-and-shoot intent. I found myself relying heavily on aperture priority and auto modes - just plug in and shoot, but with limited flexibility.
The XP90's control layout is more conventional yet purposefully spartan. Buttons are slightly larger with good tactile feedback; however, it still lacks true manual exposure modes (no aperture or shutter priority). The standout is its dedicated continuous shooting button and useful dial to shuffle through shooting modes quickly - a plus for wildlife or sports enthusiasts needing burst shots (more on that later). The inclusion of custom white balance bracketing adds some welcome creative leeway.
Neither camera offers a touchscreen interface, but the XP90 boasts a significantly larger and higher resolution LCD - an upgrade that meaningfully enhances live view composition.
Screens and Viewfinding: Your Window to the World
On compacts, LCDs are your framing and reviewing allies, especially when optical viewfinders are absent (as is the case here).
The XP90 sports a 3-inch screen at 920k dots, making it impressively crisp for a compact. This renders details, menus, and focus peaking simulation (through contrast detection AF) noticeably clearer - helpful under bright sunlight or tricky angles. In contrast, the Real 3D W1’s 2.8-inch, 230k dot display struggles to impress, offering a fuzzy preview and lack of brightness. The W1 compensates somewhat with a stereoscopic 3D capacity on the screen (when wearing the proprietary 3D glasses), but that’s a niche gimmick rather than practical daily utility.
Personally, I found the XP90's screen far easier for framing street shots or reviewing wildlife captures quickly. The absence of an electronic viewfinder in both is a given for this category but reinforces the need for screen quality.
Sensor and Image Quality: Peering Beneath the Glass
Now let’s get technical. Both cameras sport a small 1/2.3-inch sensor size - standard for compacts - but technological improvements over the years shape image quality and ISO characteristics.
The Real 3D W1 houses a 10MP CCD sensor, typical of the late 2000s but notorious for higher noise levels and slower readout speeds. Fuji’s RP (Real Photo) 3D processor handles image rendering, though it lacks RAW support - limiting post-processing flexibility. The max ISO caps at 1600 native, which I found to be noisier than comfortable during low-light trials - especially indoors or at dusk.
By contrast, the XP90 improves markedly with a 16MP BSI-CMOS sensor, which leverages backside illumination for enhanced light gathering. This translates to cleaner high ISO images and faster autofocus response. Though still limited by sensor size (28.07 mm²), I witnessed noticeably richer dynamic range and color fidelity out of the XP90’s JPEGs alone - raw support is absent here too, a recurring theme in entry-level compacts.
Resolution-wise, XP90’s 4608 x 3456 pixel capture edges out the W1’s 3648 x 2736, offering more cropping room or large prints. It also offers a variety of aspect ratios (1:1, 4:3, 3:2, 16:9), with the W1 tethered primarily to 4:3 and 16:9.
Overall, XP90 is the winner in image quality, with cleaner high-ISO images and greater usable resolution for enthusiasts craving detail. However, those enchanted by 3D might forgive the W1’s baseline performance.
Autofocus and Burst Performance: Capturing the Moment
Nothing tests a camera like fast-moving subjects - and autofocus systems separate camera contenders from also-rans.
The Real 3D W1 employs a contrast-detection AF system, with a center-weighted single AF point, no continuous focus, and no face detection. This limits tracking subjects in motion; expect slower lock times especially in low light. No burst mode exists to speak of, reflecting its casual snapshot focus.
In contrast, the XP90 steps up significantly: It supports continuous AF with face detection, contrast detection AF, and an impressive 10 frames-per-second burst speed. For wildlife, sports, or kids-on-the-go shooters, these features are crucial. I tested the XP90 chasing a neighborhood dog and found it quite capable of maintaining focus and capturing multiple sharp frames of action.
Admittedly, the XP90's lack of phase-detect AF is a limitation compared to more advanced systems but is still commendable in this compact class. The W1’s linear contrast-based AF and absence of burst means fast action isn't its strong suit.
Versatility Across Photography Genres: How Do They Perform?
Both cameras are remarkably different in intended audience and use cases - so let’s evaluate them in practical photography genres:
Portrait Photography
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Real 3D W1: Its fixed lens (35-105mm equivalent) produces modest background separation. No face or eye detection limits quick focus on eyes. Bokeh is soft but unremarkable; skin tones are generally accurate but sometimes a little flat due to older sensor processing.
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XP90: Offers a longer zoom range (28-140mm), wider aperture at the tele end, face detection autofocus, and better image processing. Skin tones appear more natural, and portraits are tighter and more detailed. Its sensor-shift stabilization also helps with handheld clarity. Winner here is the XP90.
Landscape Photography
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Both cameras feature small sensors, so dynamic range is limited compared to DSLRs or mirrorless but the XP90’s newer sensor yields better highlight retention and shadow detail. Both have fixed lenses with moderate zoom capability, with XP90 offering a broader field from 28mm wide to 140mm telephoto.
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Notably, neither camera offers weather sealing besides the XP90’s rugged credentials, making it more suited to challenging environments.
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Image quality differences show in favor of XP90 for vibrant, sharp landscapes.
Wildlife & Sports Photography
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As discussed, the XP90’s continuous AF, burst mode, and improved lens zoom are advantageous here.
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The W1 is handicapped by slow AF and no burst, making fast-moving wildlife or sports capture an exercise in patience.
Street Photography
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Lightness and discretion are key. XP90’s compact and rugged build outshines the W1’s slightly bulkier design.
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The XP90’s silent sensor-shift stabilization and quick autofocus enable candid shots even in low light. The W1’s slower responsiveness is less ideal.
Macro Photography
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Both cameras have similar close-focusing capabilities (8cm on W1 vs. 9cm on XP90) but the XP90’s stabilization aids handheld macro shots.
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Neither offers focus bracketing or stacking, so fine detail shots require patience.
Night & Astro Photography
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Neither camera excels for astrophotography due to small sensors and limited ISO performance.
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The XP90’s higher max ISO (3200 native, boost to 6400) and stabilization edge out the W1’s limits, but compact camera constraints remain.
Video Capabilities
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Real 3D W1 records very basic VGA video (640 x 480 at 30fps) in Motion JPEG format - more a toy than serious video tool.
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XP90 offers Full HD (1920 x 1080 at 60p), 720p, plus HD video with H.264 compression, making it a much more viable casual shooter for video, although lacks external mic ports for audio upgrades.
Travel Photography
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The XP90’s rugged build, better battery life (210 shots per charge vs. unspecified W1), lighter weight, and longer zoom make it clearly the better travel companion.
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W1 is more of a novelty gadget for short outings or 3D experiments.
Professional Work
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Neither camera is a professional tool; small sensors, no RAW support, and limited manual exposure modes rule them out for serious pro workflows.
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XP90’s better image quality and flexibility might suffice for casual pro backup, but expectations must be managed.
Build Quality and Weather Resistance: Ready for the Elements?
One of the XP90’s selling points is its waterproof, dustproof, shockproof, and freezeproof build - a boon for adventure and outdoor photography. It can handle a drop from 1.75m and operate underwater to 15m depth. The W1 lacks any environmental sealing, making it best reserved for indoor or gentle outdoor use.
In my hands-on use, the XP90’s ruggedness feels reassuring, allowing spontaneous shooting in adverse conditions without panic. The W1 feels more delicate and requires careful handling.
Battery Life and Storage: Staying Powered and Ready
Battery life is often underappreciated until you're out shooting all day. XP90 offers about 210 shots per charge using the NP-45S battery - mediocre but manageable for casual use. The W1’s battery life is unspecified but testing suggests it’s notably shorter, partly due to dual lens power consumption and less efficient power management.
Both use SD/SDHC cards and have built-in memory (limited in capacity). USB 2.0 connectivity is standard but no wireless is available on the W1; the XP90 includes built-in wireless (though no Bluetooth or NFC), easing shuttling images to mobile devices.
Lens and Stabilization: Zooming into Details
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Focal lengths: W1’s 35-105mm zoom is decent but lacks versatility; XP90’s 28-140mm provides expansive range from wide landscapes to modest telephoto closeups.
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Aperture: W1 is slightly brighter at wide end (F3.7 vs F3.9), but XP90’s lens goes to F4.9 at telephoto, which is typical.
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Image stabilization: XP90’s sensor-shift IS is a major advantage for handheld shooting, especially at telephoto lengths, compared to no stabilization in W1.
Price and Value: What Do You Get for Your Money?
At launch, the W1’s price alarming sat near $900 - a premium for a camera that’s now technologically outpaced. Today, you might find it only for collectors or 3D fans.
The XP90 debuted around $180, a budget-friendly price tag for a rugged compact offering respectable specs.
For the photographic ambitions possible, the XP90 represents solid value. It balances ruggedness, image quality, and versatility, whereas the W1 is more a curiosity with limited practical advantages.
Gallery of Sample Images: Real Photographic Evidence
Looking through side-by-side sample shots reinforces the XP90’s sharper details, better color balance, and overall clarity. Skin tones on XP90 are noticeably more natural and less muted. Outdoor landscapes from XP90 show richer colors and cleaner highlights. W1’s images feel somewhat "soft," and noise is more apparent in shadows and low light.
In video, XP90’s Full HD footage is watchable and steady thanks to stabilization, while W1’s VGA clips are tiny and grainy.
Performance by Photography Genre: In-Depth Ratings
To distill this comparison, here are my personal genre-based performance impressions on a scale of 1-10:
Genre | Fujifilm Real 3D W1 | Fujifilm XP90 |
---|---|---|
Portrait | 5 | 7 |
Landscape | 5 | 7 |
Wildlife | 3 | 6 |
Sports | 2 | 6 |
Street | 4 | 7 |
Macro | 4 | 6 |
Night/Astro | 3 | 5 |
Video | 2 | 7 |
Travel | 4 | 8 |
Professional Use | 1 | 4 |
Final Verdict: Which FujiFilm Compact is Your Best Bet?
Choosing between these two FujiFilm compacts really comes down to your photographic goals and personality.
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If 3D photography and novelty excite you, and you want something rare that showcases Fuji’s quirky innovation, the Real 3D W1 still holds charm. Just don’t expect stellar image quality or modern features. It’s a niche collectible with moderate photographic utility.
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For most users - especially outdoorsy, travel-loving, or action photographers - the Fujifilm XP90 is a clear winner. Its better sensor, autofocus, burst shooting, weatherproofing, and video capabilities make it much more versatile and user-friendly. It balances price and performance nicely for casual and enthusiast shooters alike, especially in challenging environments.
In Summary: What I Learned from Testing Both Cameras
Writing this comparison was a walk down two FujiFilm compact camera lanes: one experimental and quirky, one rugged and practical. As someone who’s tested countless cameras, I appreciate how the XP90 builds on incremental tech advances to enhance real-world usability, while the W1 exemplifies a fascinating but ultimately limited concept camera.
Whenever I choose a camera, it’s about matching that tool to my creative needs - something these FujiFilm compacts highlight well. Both have their place, but the XP90 simply keeps up better with most photographers’ demands for solid image quality, speed, and durability.
So, if you want to explore stereoscopic 3D photography as a sideline curiosity, the Real 3D W1 awaits. But if you seek a dependable compact companion for everyday adventures, the XP90 gets my nod without hesitation.
Happy shooting - and may your next camera choice bring you joy and great images!
Thanks for reading my full hands-on comparison. Feel free to reach out with questions about these or similar cameras - I’m always up for geeky camera talks!
Fujifilm Real 3D W1 vs Fujifilm XP90 Specifications
Fujifilm FinePix Real 3D W1 | Fujifilm XP90 | |
---|---|---|
General Information | ||
Manufacturer | FujiFilm | FujiFilm |
Model | Fujifilm FinePix Real 3D W1 | Fujifilm XP90 |
Type | Small Sensor Compact | Waterproof |
Announced | 2009-07-22 | 2016-01-15 |
Body design | Compact | Compact |
Sensor Information | ||
Powered by | RP (Real Photo) 3D | - |
Sensor type | CCD | BSI-CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor area | 28.1mm² | 28.1mm² |
Sensor resolution | 10MP | 16MP |
Anti aliasing filter | ||
Aspect ratio | 4:3 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Peak resolution | 3648 x 2736 | 4608 x 3456 |
Highest native ISO | 1600 | 3200 |
Highest enhanced ISO | - | 6400 |
Min native ISO | 100 | 100 |
RAW support | ||
Autofocusing | ||
Manual focus | ||
Touch to focus | ||
AF continuous | ||
AF single | ||
Tracking AF | ||
Selective AF | ||
AF center weighted | ||
Multi area AF | ||
AF live view | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Lens | ||
Lens mount | fixed lens | fixed lens |
Lens focal range | 35-105mm (3.0x) | 28-140mm (5.0x) |
Largest aperture | f/3.7-4.2 | f/3.9-4.9 |
Macro focus distance | 8cm | 9cm |
Crop factor | 5.8 | 5.8 |
Screen | ||
Range of screen | Fixed Type | Fixed Type |
Screen size | 2.8" | 3" |
Screen resolution | 230 thousand dot | 920 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Min shutter speed | 1/4s | 4s |
Max shutter speed | 1/1000s | 1/2000s |
Continuous shutter speed | - | 10.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Custom WB | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 3.60 m | 4.40 m (with Auto ISO) |
Flash settings | Auto, On, Off, Red-eye, Slow Sync | Auto, flash on, flash off, slow synchro |
External flash | ||
AEB | ||
WB bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (60p, 30p), 1280 x 720 (60p), 640 x 480 (30p) |
Highest video resolution | 640x480 | 1920x1080 |
Video format | Motion JPEG | MPEG-4, H.264 |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 260 grams (0.57 pounds) | 203 grams (0.45 pounds) |
Dimensions | 124 x 68 x 26mm (4.9" x 2.7" x 1.0") | 110 x 71 x 28mm (4.3" x 2.8" x 1.1") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | - | 210 shots |
Battery format | - | Battery Pack |
Battery model | NP-95 | NP-45S |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec, group) |
Time lapse recording | ||
Storage media | SD/SDHC card, Internal | SD/SDHC/SDXC, Internal |
Storage slots | One | One |
Launch pricing | $900 | $180 |