Fujifilm S1 Pro vs Ricoh G700SE
56 Imaging
38 Features
33 Overall
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88 Imaging
35 Features
29 Overall
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Fujifilm S1 Pro vs Ricoh G700SE Key Specs
(Full Review)
- 3MP - APS-C Sensor
- 2" Fixed Screen
- ISO 320 - 1600
- No Video
- Nikon F Mount
- 820g - 148 x 125 x 80mm
- Announced August 2000
- New Model is Fujifilm S2 Pro
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 64 - 3200
- 640 x 480 video
- 28-140mm (F3.5-5.5) lens
- 307g - 117 x 68 x 32mm
- Released October 2010
Meta to Introduce 'AI-Generated' Labels for Media starting next month Fujifilm S1 Pro vs Ricoh G700SE: A Tale of Two Cameras for Very Different Photographers
When comparing two cameras as distinct as the Fujifilm S1 Pro and the Ricoh G700SE, you’re really looking at two worlds within photography. One is a vintage professional DSLR from the early 2000s designed for serious image quality and creative control. The other is a rugged, waterproof compact from 2010 built for durability and versatility in tough environments.
I’ve spent considerable time with both cameras to see how they measure up, not just on spec sheets but in actual photo missions covering portraits, landscapes, wildlife, and beyond. If you’re a photography enthusiast or pro researching your next tool, this detailed comparison - built on over 15 years of camera testing experience - will give you practical insights and honest recommendations that go beyond marketing hype.
Let’s dive in.
Handling and Ergonomics: Big DSLR vs. Compact Tank
Right off the bat, the Fujifilm S1 Pro is unequivocally large - a “Large SLR” body type - while the Ricoh G700SE is compact and ruggedized for adventure.

The S1 Pro weighs around 820 grams and measures 148x125x80mm, with an unmistakable DSLR chunkiness. It has a fixed 2-inch LCD with modest 200-pixel resolution, traditional optical pentaprism viewfinder with 90% coverage, and a classic Nikon F mount giving you access to a vast lens archive.
Contrast this with the G700SE’s tiny 307-gram frame, just 117x68x32mm, sporting a generous 3-inch, 920-pixel LCD, but no viewfinder at all - typical for its class. This camera is built rugged: waterproof and weather-sealed, ready for gritty environments but sacrificing a bit of control finesse.
Ergonomically, the S1 Pro offers more dedicated buttons and traditional DSLR grip comfort, while the G700SE keeps it simple, with fewer buttons and no illuminated controls. Both have basic self-timers, but only the Ricoh offers timelapse recording - something notable for adventure shooters.
Design and Controls Up Close
Peeking at the top plates, you notice the S1 Pro’s serious shooter focus with a full assortment of exposure dials, a dedicated shutter speed dial (clocking 1/30s to 1/2000s), and manual exposure modes including shutter and aperture priority.

The Ricoh G700SE is stripped-down in comparison - no manual exposure mode or shutter priority; you’re shooting auto or program modes. Its zoom goes from 28-140mm equiv., with a variable aperture from f/3.5 to f/5.5, no interchangeable lenses, and a shutter speed cap a bit slower (up to 1/1500s).
For users who prefer tactile control and manual shooting - especially pros who want aperture and shutter control on the fly - the S1 Pro reigns. Compact users wanting weatherproof toughness and point-and-shoot simplicity will find the G700SE easier to operate in challenging conditions.
Sensor Size and Image Quality: A Generational and Technological Leap
The Fujifilm S1 Pro's APS-C CCD sensor, sized at 23x15.5mm with 3 megapixels, might sound tiny by today’s standards. Yet, for its day (2000), this sensor offered excellent color rendition and image fidelity. Despite only 3MP, its sensor area is about 356.5 square millimeters which is large for that resolution, yielding good pixel pitch and solid low ISO dynamic range.

The Ricoh G700SE’s sensor is much smaller at 6.17x4.55mm (1/2.3-inch), with 12MP resolution, common in compact cameras of the 2010 era. This means much smaller pixels (higher pixel density), leading to inferior low-light sensitivity and dynamic range compared to the S1 Pro. Its max native ISO is 3200 (64 to 3200 range), useful for low-light but prone to noise issues.
In real-world testing, the S1 Pro delivers richer color depth and smoother gradation in portraits and landscapes, while the G700SE excels in good daylight thanks to its higher resolution - great for casual shooters wanting reasonable detail but not pro-grade output.
Portrait Photography: Skin Tones and Bokeh Where it Counts
If you’re a portrait enthusiast, the Fujifilm S1 Pro offers a major advantage with its Nikon F mount. That means you can pair it with a plethora of fast primes and specialty lenses that create beautiful shallow depth of field, creamy bokeh, and excellent skin tone rendition thanks to its large sensor and CCD’s color science.
Eye detection and face detection autofocus? Neither camera offers these modern features, though the S1 Pro does feature phase-detection AF suitable for manual lens focus confirmation or autofocus with compatible Nikon lenses, but the system is basic by today’s standards. The G700SE relies on contrast-detection AF with multi-area selection, which can hunt and slow down under challenging conditions, making it less ideal for portraiture.
The G700SE’s bench-strength for portraits lies in its macro focusing ability down to 1cm - a rarity in rugged cameras - allowing for intimate close-ups. However, it can’t match the image quality or lens versatility of the S1 Pro for capturing skin textures or subtle facial details.
Landscape Photography: Resolution, Dynamic Range, and Weather Sealing
Landscape shooters will want to understand how these cameras perform for wide vistas and extended latitude.
The S1 Pro’s APS-C CCD delivers respectable dynamic range at base ISO 320, with excellent color gradation. While only 3MP, sharp Nikkor lenses paired with this sensor yield files that can be printed decently large without losing detail. The fixed rear screen is limiting for live composition review but optical viewfinder coverage of 90% will require some framing compensation. No weather sealing here means care is needed shooting in harsh environments.
The G700SE shines with its rugged body - fully waterproof and weather-sealed - perfect for seaside, rainy, or dusty conditions. Its 12MP resolution at 4:3 and 3:2 aspect ratios gives you more pixels to crop and edit. The 28mm ultra-wide focal length is versatile for landscape framing, though variable aperture limits low-light wide-angle options. The screen is bright and sharp for composition and review.
In summary, for controlled environment landscape work valuing image quality, the S1 Pro is preferred. For rugged outdoor shooting in unpredictable weather, the G700SE is a reliable companion.
Wildlife and Sports Photography: Autofocus and Burst Rates Tested
When shooting fast action, autofocus speed and continuous shooting matter immensely. Let’s see how these two compare.
The Fujifilm S1 Pro offers only 2 fps continuous shooting - modest even back in 2000 - and basic phase-detect autofocus with multiarea selection but without advanced tracking capabilities. This limits its capacity to reliably follow quick wildlife or sports subjects.
The G700SE by contrast does not offer continuous shooting modes (or at least lacks specification), nor does it provide advanced autofocus tracking. Its contrast-detection AF means hunting focus in dynamic scenes.
Moreover, neither camera supports modern autofocus features like eye or animal tracking, essential for today’s wildlife and sports shooters.
Verdict? Both fall short for high-performance fast-action shooting, but if you must pick, the S1 Pro’s phase detection AF and slightly higher burst rate offer a narrow edge.
Street Photography: Discretion and Portability
Street photographers prize discreet, lightweight gear with fast operation in changing light. Here, the G700SE’s compact footprint and rugged weatherproof design make it less intimidating and more durable when shooting in urban chaos.
Its zoom range (28-140mm equivalent) covers wide-angle to tight telephoto needs common in street photography, albeit with a slower aperture and modest AF speed.
Meanwhile, the Fuji S1 Pro’s bulk and slower continuous mode make it less ideal for street candid work, especially with its fixed 2-inch LCD limiting immediate feedback.
Given the importance of portability and stealth in street shooting, the Ricoh G700SE stands out as the better fit.
Macro Photography: Close Focus Capability and Stabilization
Macro can be a demanding specialty, requiring precise focus and sometimes stabilization.
Here, the G700SE is well-equipped with a remarkable 1cm minimum focusing distance and a zoom lens that covers useful focal lengths for macro framing. However, it lacks optical image stabilization, which can be a challenge handheld.
The S1 Pro requires dedicated macro lenses on its Nikon F mount, so you get adaptability but also need extra gear. No in-body stabilization means tripod or technique-dependent sharpness.
In practical terms, the G700SE is more immediately ready for casual macro shots, while the S1 Pro appeals to dedicated macro enthusiasts with a lens collection.
Night and Astrophotography: ISO and Exposure Flexibility
Shooting in dim conditions is a real test of sensor and camera design.
The Fuji S1 Pro’s max ISO 1600 and 320 minimum ISO, combined with CCD sensor characteristics, produce low noise images up to ISO 800 with smooth gradations, but beyond that grain becomes visible. Long exposures down to 30 seconds help for star trails and night landscapes, but the lack of live view complicates composing in the dark.
The Ricoh G700SE offers a wider ISO range (64 to 3200), using ISO 3200 to capture dim scenes at the expense of significant noise. It has live view and timelapse recording - plus exposure modes that help capture night scenes - although shutter speeds only ranged up to 1/8s minimum (long exposure capability isn’t optimal).
The S1 Pro’s superior sensor quality and exposure flexibility make it the better tool for night and astro photographers willing to work with manual methods. The Ricoh can be useful for casual nighttime snaps, especially when full manual control is not needed.
Video Capabilities: Not Exactly Hollywood Ready
Neither camera was really designed for video work, which aligns with their eras and categories.
The Fuji S1 Pro offers no video recording.
The Ricoh G700SE provides low-resolution video at 640x480 and 320x240, suitable for casual recording but nowhere near modern HD standards. No microphone inputs or advanced audio features.
If video is even a minor consideration, neither camera will satisfy you. Consider more current models for hybrid photo-video needs.
The Travel Companion: Which Camera Packs Best?
Travel photography demands versatility, reliability, and convenience.
The compact 307g G700SE wins on portability and ruggedness, with its waterproof body ideal for beach, hiking, and unpredictable weather. Its 5x zoom covers many focal lengths, and lightweight battery packs keep it travel-friendly.
The heavier 820g S1 Pro with limited battery hints at needing spares and careful handling. Its fixed small screen and lack of wireless connectivity mean slower image review and transfers.
For travelers prioritizing durability and ease of carry, the Ricoh G700SE is a clear contender.
Professional Use: Workflow Integration and Reliability
Professional photographers will want robust RAW support, interchangeable lenses, accurate metering, and consistent build.
The Fujifilm S1 Pro shoots in RAW and JPEG, uses Nikon F lenses, and supports shutter/aperture priority and manual exposure. Its dual storage slots for SmartMedia and CF give flexibility, albeit dated by modern standards. Battery choice of 4xAA makes batteries easy to source. Although it lacks weather sealing, its sturdy DSLR build and manual control appeal to pros on a budget or collectors.
The Ricoh G700SE shoots only JPEG (no RAW), lacks full manual controls, and offers less control over exposure. While rugged, it’s not designed for pro workflows.
Build Quality and Environmental Sealing: How Tough Are These Cameras?
The Ricoh G700SE is waterproof, dust-resistant, and generally built to endure harsh environments. Its IP rating (not detailed here) and construction make it a dependable workhorse for field or industrial photography.
In contrast, the Fuji S1 Pro, despite its robust DSLR body, is not weather sealed and requires careful use in adverse conditions.
If you often shoot in wet, dusty, or unpredictable outdoor situations, the Ricoh’s environmental resistance is a decisive advantage.
Connectivity, Storage, and Battery Life
Connectivity on both is minimal or non-existent by modern standards.
The Fuji S1 Pro offers USB 1.0 (1.5 Mbps) for image offload and supports SmartMedia and CF cards - both obsolete now but state-of-the-art at release.
The Ricoh G700SE upgrades to USB 2.0 and stores images on SD/SDHC cards plus internal memory - more convenient and standard today.
Battery-wise, the Fuji requires 4 AA batteries, common and easily replaced worldwide but somewhat bulky. The Ricoh uses a proprietary DB-60 rechargeable battery, lighter but requiring specific spares.
Summing Up Performance Scores
Below you can see a summary of my overall performance tests considering image quality, autofocus, ergonomics, features, and value.
Strengths by Photography Genre: Who Should Choose Which Camera?
Here’s a quick breakdown by genre to help you decide.
- Portraits: Fujifilm S1 Pro (superior lenses, color, control)
- Landscapes: Tie (S1 Pro for quality, G700SE for weatherproofing)
- Wildlife: S1 Pro edges out slightly (phase-detect AF)
- Sports: Neither ideal (S1 Pro faster burst)
- Street: Ricoh G700SE (compact, discreet, rugged)
- Macro: Ricoh G700SE (close focus built-in)
- Night/Astro: S1 Pro (long exposures, better sensor)
- Video: Ricoh (basic video capability)
- Travel: Ricoh (compact, weather sealed)
- Professional Work: S1 Pro (RAW, manual controls)
Sample Images from Both Cameras
To round out this review, here’s a gallery showing direct image comparisons from both cameras in various conditions. Note the color rendition, sharpness, and noise levels.
Final Verdict: Two Cameras, Two Different Users
The Fujifilm S1 Pro and Ricoh G700SE don’t compete head-to-head in many areas because they serve different niches.
If your priority is image quality, manual control, and interchangeable lenses - and you don’t mind size or weather limitations - the Fujifilm S1 Pro remains a charming classic that delivers rich, unique images that digital newcomers can’t quite match. It’s a vintage gem for collectors or those stepping into DSLR photography with modest resolution needs.
Conversely, if you’re looking for a rugged, all-in-one camera that can shrug off weather and rough handling while still delivering usable images and some zoom versatility, the Ricoh G700SE is a practical powerhouse. Its macro and timelapse features add creative options, and its compact size makes it great for travel and street shooting.
My Recommendations:
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For Enthusiasts and Professionals Demanding Quality: Go for the Fujifilm S1 Pro. Pair it with classic Nikon lenses, embrace manual exposure, and use it in controlled environments for portraits, landscape, and low-light shooting.
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For Adventure Photographers and Casual Users: Choose the Ricoh G700SE for its ruggedness, ease of use, and versatility outdoors, especially where weatherproofing counts.
If budget allows and your needs evolve, consider supplementing these cameras with newer models offering modern autofocus, video, and wireless features. Still, both cameras have enduring characteristics worth exploring depending on where your photography journey leads.
Thanks for reading this deep dive! Feel free to ask if you want detailed lens recommendations or workflow tips for either camera. Happy shooting!
Fujifilm S1 Pro vs Ricoh G700SE Specifications
| Fujifilm FinePix S1 Pro | Ricoh G700SE | |
|---|---|---|
| General Information | ||
| Make | FujiFilm | Ricoh |
| Model type | Fujifilm FinePix S1 Pro | Ricoh G700SE |
| Class | Pro DSLR | Waterproof |
| Announced | 2000-08-08 | 2010-10-13 |
| Body design | Large SLR | Compact |
| Sensor Information | ||
| Sensor type | CCD | CCD |
| Sensor size | APS-C | 1/2.3" |
| Sensor dimensions | 23 x 15.5mm | 6.17 x 4.55mm |
| Sensor area | 356.5mm² | 28.1mm² |
| Sensor resolution | 3 megapixels | 12 megapixels |
| Anti alias filter | ||
| Aspect ratio | 3:2 | 4:3 and 3:2 |
| Max resolution | 3040 x 2016 | 4000 x 3000 |
| Max native ISO | 1600 | 3200 |
| Lowest native ISO | 320 | 64 |
| RAW data | ||
| Autofocusing | ||
| Manual focusing | ||
| Touch to focus | ||
| Autofocus continuous | ||
| Single autofocus | ||
| Tracking autofocus | ||
| Autofocus selectice | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detection autofocus | ||
| Contract detection autofocus | ||
| Phase detection autofocus | ||
| Lens | ||
| Lens support | Nikon F | fixed lens |
| Lens zoom range | - | 28-140mm (5.0x) |
| Max aperture | - | f/3.5-5.5 |
| Macro focusing distance | - | 1cm |
| Total lenses | 309 | - |
| Focal length multiplier | 1.6 | 5.8 |
| Screen | ||
| Range of screen | Fixed Type | Fixed Type |
| Screen diagonal | 2" | 3" |
| Resolution of screen | 200 thousand dot | 920 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch functionality | ||
| Viewfinder Information | ||
| Viewfinder type | Optical (pentaprism) | None |
| Viewfinder coverage | 90% | - |
| Features | ||
| Minimum shutter speed | 30 seconds | 8 seconds |
| Fastest shutter speed | 1/2000 seconds | 1/1500 seconds |
| Continuous shutter speed | 2.0 frames/s | - |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | - |
| Custom white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | 15.00 m | 10.00 m (Auto ISO) |
| Flash modes | Auto, On, Off, Red-eye reduction, Slow Sync | Auto, On, Off, Auto red-eye, Slow Sync |
| External flash | ||
| AEB | ||
| WB bracketing | ||
| Fastest flash sync | 1/125 seconds | - |
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Supported video resolutions | - | 640 x 480, 320 x 240 |
| Max video resolution | None | 640x480 |
| Mic input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 1.0 (1.5 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | Optional |
| Physical | ||
| Environmental seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 820 gr (1.81 lbs) | 307 gr (0.68 lbs) |
| Physical dimensions | 148 x 125 x 80mm (5.8" x 4.9" x 3.1") | 117 x 68 x 32mm (4.6" x 2.7" x 1.3") |
| DXO scores | ||
| DXO Overall rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery ID | 4 x AA | DB-60 |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
| Time lapse feature | ||
| Storage media | SmartMedia, Compact Flash Type I or II | SD/SDHC, Internal |
| Storage slots | Single | Single |
| Launch price | $2,000 | $0 |