Fujifilm S1 vs Samsung HZ30W
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40 Features
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Fujifilm S1 vs Samsung HZ30W Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fully Articulated Screen
- ISO 100 - 12800
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 24-1200mm (F2.8-5.6) lens
- 680g - 133 x 91 x 110mm
- Launched January 2014
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 24-360mm (F3.2-5.8) lens
- 245g - 107 x 61 x 28mm
- Revealed January 2010
- Other Name is WB600
Meta to Introduce 'AI-Generated' Labels for Media starting next month Fujifilm S1 vs Samsung HZ30W: A Hands-On Comparison of Small Sensor Superzooms Across Photography Genres
When it comes to small sensor superzoom cameras, two names from the early 2010s often surface in enthusiasts’ forums and budget-friendly buyer guides: the 2014 Fujifilm FinePix S1 and the 2010 Samsung HZ30W (aka WB600). Both pack impressive focal ranges into portable packages and offer a variety of manual controls that appeal to hobbyists craving versatility without the hassle and price of interchangeable lenses.
But which one stands out in real-life use? How do their image quality, autofocus, ergonomics, and features stack up across multiple photography disciplines? As someone who has spent thousands of hours comparing bridge and compact cameras, I’ll walk you through my detailed, side-by-side evaluation - drawing from extensive lab testing and field experience.
Let’s start by assessing their size and feel in the hand, as that first impression shapes your daily shooting comfort.
Size and Ergonomics: Climbing the Superzoom Ladder

The Fujifilm S1 is unquestionably the bulkier of the two. At 133x91x110 mm and 680 grams, it’s an SLR-like bridge camera with a fairly beefy grip that fills my hand nicely - even after a full day shooting. Its heft lends a reassuring solidity, and the pronounced front grip and textured sides prevent those heart-stopping drops that tiny compacts suffer when you least expect.
The Samsung HZ30W, by contrast, is a compact traveler’s companion. Its 107x61x28 mm chassis and 245-gram weight allow you to slip it effortlessly into a jacket pocket or small bag. It’s far less intrusive and wins the portability race for those who prize light travel.
From my experience, larger bodies like the Fujifilm’s generally bring better button placement, more direct controls, and improved stability - all conducive to prolonged shooting sessions and rapid reaction times. However, if you’re a casual photographer or favor grabbing shots on the fly, Samsung’s smaller frame may appeal more.
Handling Control and Interface: A Tale of Two Layouts

Opening up their top decks reveals Fujifilm’s commitment to DSLR-style operation. The S1 sports clear mode dials, direct shutter speed and aperture rings, and well-spaced customizable buttons. The lens barrel’s zoom and focus rings feel mechanically precise - critical when hunting macro detail or dialing in manual focus. The fully articulating 3" display, with 920k resolution, rounds out a user interface designed to streamline creative work.
The Samsung HZ30W opts for a more minimalist design. Its compact profile constrains physical controls to a handful of buttons and a small mode dial. The fixed 3" LCD has a modest 230k-dot resolution and lacks touchscreen capability, reducing live-view versatility. The absence of an electronic viewfinder also means you’re shooting with screen feedback only - less ideal under bright sunlight.
This hands-on difference becomes crucial for disciplined photographers who rely on tactile feedback and quick menu navigation. I found the Fujifilm easier to adjust on the fly; the Samsung occasionally required diving deep into menus.
Sensor and Image Quality: Small but Mighty?

Both cameras employ a 1/2.3" sensor size, with physical dimensions of 6.17 x 4.55 mm. Fujifilm’s S1 has a 16MP CMOS sensor with anti-aliasing filter, while Samsung’s HZ30W uses a 12MP CCD sensor - an important technical distinction.
Over years of testing, I’ve found CMOS sensors generally outperform CCDs in dynamic range, low-light performance, and noise control - a big deal when pushing ISOs past 800 or capturing complex shadows. Fujifilm’s higher resolution pushes image detail, noticeable at 100% zoom and in cropping flexibility.
In practical use, Fujifilm’s images boast superior color fidelity and smoother gradients. Samsung’s images, while respectable for its era, tend toward slightly noisier shadows and less accurate skin tones under tungsten lighting.
Neither camera challenges APS-C or full frame standards of course, but within the small sensor superzoom niche, the Fujifilm stands out for overall image quality.
LCD and Electronic Viewfinder: Compose Your Shot Your Way

The Fujifilm S1 elevates its user experience with a 3-inch fully articulating touchscreen GLUT LCD panel (920k dots), enabling flexible shooting angles - great for macro or awkward perspectives. An electronic viewfinder (EVF) with matching 920k resolution provides a decent alternative for bright outdoor conditions and stabilizes framing when handheld.
Samsung’s HZ30W offers a fixed LCD screen with lower resolution and no EVF. Under direct sunlight, the LCD can be tricky to see - something I found frustrating in outdoor street photography conditions.
In terms of usability, Fujifilm’s combination of EVF and articulated screen is an obvious advantage for most photography scenarios, especially landscapes and macro work.
Autofocus and Shooting Speed: Tracking the Action
Neither camera comes with phase detection AF, relying instead on contrast-detection autofocus systems tuned for superzoom optics.
The Fujifilm S1’s autofocus is more sophisticated: continuous AF and face detection are implemented, along with 10fps burst shooting speed - a generous figure for bridging stills dynamic sequences.
Samsung HZ30W lacks continuous AF and sticks to single AF and tracking via contrast detection. Burst mode is either absent or very limited, impacting its usability in fast-moving subjects like sports or wildlife.
In real-world tests, the Fujifilm locks in focus more rapidly and consistently across different lighting conditions. The Samsung's slower focus hunting and lag can frustrate when chasing erratic subjects.
Lens Range and Macro Capability: Zooming In on Versatility
Fujifilm FinePix S1’s 24-1200mm equivalent zoom with f/2.8-5.6 aperture offers a staggering 50x optical reach - a true monster lens. This range covers wide-angle landscapes, portrait half-length shots, and extends well into wildlife and birding territory. Its macro performance is impressive, allegedly focusing as close as 1 cm, thanks to a 'super macro' mode and sensor-shift image stabilization.
Samsung HZ30W provides a 24-360mm equivalent zoom (15x), with a slightly slower aperture at f/3.2-5.8. Macro focus is limited to 3 cm, which still allows some close-ups but with less working distance. Optical image stabilization helps steady shots across the zoom range.
I personally appreciate Fujifilm’s lens versatility in scenarios that demand telephoto reach. The tradeoff is size and weight, whereas Samsung’s lens is easier to carry but limits framing options.
Image Stabilization: Keeping It Steady
Both cameras feature image stabilization, but different technologies.
Fujifilm employs sensor-shift stabilization - a system that physically moves the sensor to compensate for shake. This method can provide up to ~3-4 stops of stabilization benefit and works effectively at all focal lengths.
Samsung relies on optical image stabilization in the lens assembly. While optical IS can work well, some early CCD cameras had more limited stabilization gains. At telephoto or macro ranges, I found the Fujifilm’s sensor-shift system noticeably superior for handheld sharpness.
Video Capabilities: Recording Your Story
Looking at video specs brings sharper differences.
- Fujifilm S1: 1080p Full HD video at 60fps, encoded in H.264 format.
- Samsung HZ30W: 720p HD video at 30 or 15fps, lower quality and no full HD option.
Neither camera supports professional video audio inputs like microphone jacks or headphone monitoring.
Fujifilm’s higher framerate and resolution are welcome for casual video shooters or vloggers wanting better quality footage. Samsung’s video feels basic and better suited for simple clips or family moments.
Battery Life and Storage: Shooting Longer, Storing Smarter
Fujifilm S1 uses the NP-85 battery rated for about 350 shots per charge, typical for cameras with electronic viewfinders and larger LCDs. It supports SD/SDHC/SDXC cards with one slot. USB 2.0 and HDMI ports provide wired options for image transfer and external display.
Samsung HZ30W’s SLB-11A battery rating isn’t officially specified, but practical testing shows ~270 shots per charge. It also supports SD/SDHC/SDXC and has an HDMI outlet, but no wireless connectivity.
Fujifilm’s wireless built-in module (albeit limited by 2014 tech standards) gives it a connectivity edge over Samsung’s wired-only approach.
Durability: Weather Resistance
The Fujifilm S1 touts environmental sealing - not waterproof but resisting dust and light moisture - important if you shoot landscapes, wildlife, or street scenes in variable weather. Samsung HZ30W lacks environmental sealing, meaning you have to baby it more carefully.
Image Samples and Real-World Outputs
Comparing side-by-side gallery shots from each camera at various focal lengths reveals:
- Fujifilm delivers more detail and punchier colors, particularly in textured surfaces and low light.
- Samsung images appear softer, with more noise in shadows and less vibrant skin tones.
- Portrait bokeh on Fujifilm is more pleasant but naturally limited due to sensor size.
- Landscape dynamic range edges in favor of Fujifilm, with better highlight and shadow retention.
- Telephoto framing is sharper and steadier with Fujifilm’s 1200mm reach, adding creative options.
Scoring Their Overall Performance
Based on factors like image quality, autofocus speed, ergonomics, and feature set, here’s a reflective rating on a 10-point scale:
- Fujifilm FinePix S1: 7.6/10
- Samsung HZ30W: 5.8/10
The S1 outperforms the HZ30W in nearly every category except maybe portability and price.
How They Rank Across Photography Genres
Let’s break down the pros and cons by photography type.
| Photography Type | Fujifilm S1 | Samsung HZ30W |
|---|---|---|
| Portrait | Strong skin tone rendition, face detection, decent bokeh | Less natural skin tones, no face detection |
| Landscape | Excellent dynamic range, weather sealing | Weak dynamic range, no sealing |
| Wildlife | Fast AF, extensive zoom, burst mode | Slower AF, limited zoom, no burst |
| Sports | 10fps burst, continuous AF | No continuous AF, no burst |
| Street | Moderate size may hinder discreteness | Compact, very pocketable |
| Macro | Close focusing (1 cm), stabilization | Good focusing (3 cm), stabilization |
| Night/Astro | High ISO 12800, stabilized sensor | ISO limited to 3200, more noise |
| Video | Full HD 1080p 60fps video | HD 720p 30fps video |
| Travel | Versatile lens and connectivity | Lightweight and compact |
| Professional Work | RAW support, robust build | JPEG only, less durable |
Which One Should You Buy? My Recommendations
For Enthusiasts and Semi-Pros Who Seek Versatility and Image Quality
The Fujifilm FinePix S1 is the clear winner. Its robust build, long zoom, advanced autofocus, and superior sensor make it a practical choice for photographers wanting to shoot everything from lush landscapes to distant wildlife. The articulating screen and EVF add to a professional feel.
If you’re a photo enthusiast who wants one camera to cover a broad range of uses and don’t mind carrying a bit more bulk, the S1 is the better investment. Plus, its price (~$400) is justified by its capabilities.
For Casual Photographers, Travelers, or Cheapskates on a Budget
The Samsung HZ30W serves well as a compact, easy-to-carry option for snapshots, street scenes, and daylight photography. Its smaller zoom range and lower overall performance may frustrate advanced users but can be enough for a casual shooter wanting a travel-friendly camera around $280.
People with small hands or those who dislike club-like grips generally prefer the HZ30W’s more compact build.
When Size & Weight Trump Everything
If stealth, pocketability, and low weight top your priorities (say urban street shooters or hikers), Samsung’s lightweight design is the winner here.
Summing Up: Bridging Value and Performance in a Shrinking Superzoom Market
Though both cameras were launched pre-2015, their specs and capabilities still provide useful lessons about the evolution of superzoom bridge cameras.
The Fujifilm FinePix S1 leans into delivering a DSLR-esque shooting experience with strong manual controls, advanced AF, and a tremendously long zoom lens. Its small sensor limits low light and bokeh, but within its class, the S1 is a formidable performer offering excellent bang for the buck to serious hobbyists.
The Samsung HZ30W, while dated now, still presents a capable interchangeable lens alternative for people prioritizing portability and price - albeit with reduced image quality and fewer pro features.
If you ask me - in 2024 - a buyer looking at small sensor superzooms might be better off considering newer models or stepping into the mirrorless realm. However, for those stuck between these two classics, my personal experience points clearly to the Fujifilm S1 for photographers wanting versatility and image quality, and the Samsung HZ30W for those who value ultra-portable convenience.
Happy shooting - and may your next camera be the perfect partner for your creative adventures!
Fujifilm S1 vs Samsung HZ30W Specifications
| Fujifilm FinePix S1 | Samsung HZ30W | |
|---|---|---|
| General Information | ||
| Company | FujiFilm | Samsung |
| Model type | Fujifilm FinePix S1 | Samsung HZ30W |
| Also referred to as | - | WB600 |
| Class | Small Sensor Superzoom | Small Sensor Superzoom |
| Launched | 2014-01-06 | 2010-01-19 |
| Physical type | SLR-like (bridge) | Compact |
| Sensor Information | ||
| Sensor type | CMOS | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor surface area | 28.1mm² | 28.1mm² |
| Sensor resolution | 16 megapixel | 12 megapixel |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
| Maximum resolution | 4608 x 3456 | 4000 x 3000 |
| Maximum native ISO | 12800 | 3200 |
| Min native ISO | 100 | 80 |
| RAW images | ||
| Autofocusing | ||
| Focus manually | ||
| Autofocus touch | ||
| Continuous autofocus | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Autofocus selectice | ||
| Center weighted autofocus | ||
| Autofocus multi area | ||
| Live view autofocus | ||
| Face detection autofocus | ||
| Contract detection autofocus | ||
| Phase detection autofocus | ||
| Cross type focus points | - | - |
| Lens | ||
| Lens support | fixed lens | fixed lens |
| Lens zoom range | 24-1200mm (50.0x) | 24-360mm (15.0x) |
| Maximum aperture | f/2.8-5.6 | f/3.2-5.8 |
| Macro focusing distance | 1cm | 3cm |
| Crop factor | 5.8 | 5.8 |
| Screen | ||
| Type of screen | Fully Articulated | Fixed Type |
| Screen sizing | 3 inches | 3 inches |
| Screen resolution | 920k dots | 230k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch function | ||
| Screen technology | TFT LCD | - |
| Viewfinder Information | ||
| Viewfinder type | Electronic | None |
| Viewfinder resolution | 920k dots | - |
| Viewfinder coverage | 97 percent | - |
| Features | ||
| Slowest shutter speed | 30 secs | 16 secs |
| Maximum shutter speed | 1/2000 secs | 1/2000 secs |
| Continuous shooting rate | 10.0fps | - |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Exposure compensation | Yes | Yes |
| Set white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash distance | 8.00 m | 5.00 m |
| Flash options | Auto, forced flash, suppressed flash, slow sync | Auto, On, Off, Red-Eye, Fill-in, Slow Sync |
| Hot shoe | ||
| AEB | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (60p), 1280 x 720 (60p), 640 x 480 (30p) | 1280 x 720 (30, 15 fps), 640 x 480 (30, 15 fps), 320 x 240 (60, 30 fps) |
| Maximum video resolution | 1920x1080 | 1280x720 |
| Video format | H.264 | H.264 |
| Mic port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | Built-In | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | Optional | None |
| Physical | ||
| Environment sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 680 gr (1.50 lb) | 245 gr (0.54 lb) |
| Physical dimensions | 133 x 91 x 110mm (5.2" x 3.6" x 4.3") | 107 x 61 x 28mm (4.2" x 2.4" x 1.1") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | 350 images | - |
| Battery type | Battery Pack | - |
| Battery ID | NP-85 | SLB-11A |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec, Double, Motion) |
| Time lapse feature | ||
| Type of storage | SC/SDHC/SDXC, Internal | SC/SDHC/SDXC, Internal |
| Card slots | Single | Single |
| Pricing at launch | $400 | $280 |