Fujifilm S2 Pro vs Samsung ST100
56 Imaging
41 Features
39 Overall
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95 Imaging
36 Features
34 Overall
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Fujifilm S2 Pro vs Samsung ST100 Key Specs
(Full Review)
- 6MP - APS-C Sensor
- 1.8" Fixed Display
- ISO 100 - 1600
- No Video
- Nikon F Mount
- 850g - 142 x 131 x 80mm
- Released August 2002
- Previous Model is Fujifilm S1 Pro
- New Model is Fujifilm S3 Pro
(Full Review)
- 14MP - 1/2.3" Sensor
- 3.5" Fixed Display
- ISO 80 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 35-175mm (F3.6-4.8) lens
- 155g - 100 x 60 x 20mm
- Launched January 2010
Pentax 17 Pre-Orders Outperform Expectations by a Landslide Fujifilm S2 Pro vs. Samsung ST100: A Tale of Two Cameras Across Eras and Uses
Choosing the right camera often means balancing expectations and needs against practical realities. Today, we're diving deep into a comparison between two very distinct cameras that, despite coming from vastly different times and photographic philosophies, could both still find homes in a shooter’s arsenal: the Fujifilm FinePix S2 Pro (announced 2002) and the Samsung ST100 (announced 2010). One is a classic professional DSLR built for demanding image-making, the other an ultracompact point-and-shoot designed for portability and simple convenience.
This is less about declaring which one’s “better” in an absolute sense, but rather exploring how their designs, technologies, and features stack up for various photography disciplines today. Having extensively tested thousands of cameras, both vintage and modern, I’ll guide you through everything - from sensor tech to ergonomics, and from real-world shooting performance to professional workflows. So, pour a cup of coffee, and let’s get into the nitty-gritty.
First Impressions: Size, Build, and Handling
One of the most immediate differences you’ll notice is the physical presence of these cameras.

The Fujifilm S2 Pro is a large, heavy DSLR that feels solid and reassuring in the hand. With dimensions of 142x131x80 mm and tipping the scales at 850 grams, it exudes that classic SLR heft. The magnesium alloy body is rugged and weather-sealed - ideal for professionals shooting in challenging environments. Its grip is generous, controls are mechanical and tactile, and the Nikon F-mount compatibility means you can attach an extensive lineup of quality lenses, many of which are manual-focus gems.
In contrast, the Samsung ST100 is an ultracompact digital camera designed for portability and ease. Measuring a mere 100x60x20 mm and weighing just 155 grams, it fits effortlessly in a pocket or small bag. Its plastic body cannot compete with the Fuji’s robust construction and lacks any environmental sealing. The ST100's appeal lies in its minimalism and straightforward usability, making it attractive for casual travel or quick snapshots.
Ergonomics and User Interface
The S2’s layout reflects its professional heritage, with dedicated dials and buttons for ISO, shutter speed, and exposure modes, allowing quick manual adjustments. You won’t find touchscreen controls here - the interface is traditional, which many pro photographers still prefer to this day for unobtrusive operation.
The ST100 embraces the touchscreen era and features a 3.5-inch fixed LCD with a high resolution (1152k dots), providing a bright and clear view for composition and menu navigation. Its absence of an optical or electronic viewfinder means you must rely on the rear screen, which can be tricky in bright sunlight.

The top view emphasizes the different design priorities: the Fuji’s dedicated mode and control wheels versus the Samsung’s simplified layout dominated by a zoom rocker and a shutter button. The ST100 sacrifices manual control granularity for a more consumer-friendly interface, while the S2 prioritizes tactile precision.
Sensor Technology and Image Quality: Size Matters
Central to a camera's ultimate image quality is the sensor, and here the gulf widens dramatically.

Sensor Size and Resolution
The Fuji S2 Pro boasts an APS-C sized CCD sensor measuring 23x15.5 mm, with an effective resolution of 6 megapixels (4256x2848). At the time of release, this was a very competitive setup, delivering detailed images with pleasing color rendition attributable to Fujifilm’s proprietary Super CCD technology, which employed an unconventional pixel arrangement to improve tonal gradation and dynamic range.
The Samsung ST100, in contrast, uses a much smaller 1/2.3" CCD sensor (6.17x4.55 mm) with a resolution of 14 megapixels. While the pixel count is higher, the physical sensor size is so small that it negatively impacts image quality - especially in low light and dynamic range characteristics. The small sensor size also results in a much higher crop factor (~5.8x), and introduces higher noise levels when shooting at elevated ISOs.
Image Quality in Practice
In real-world shooting, the Fuji The S2 Pro delivers images with superior tonal depth and lower noise in daylight. Its APS-C sensor and professional-grade lens compatibility allow for sharp, richly detailed photographs with smoother gradations, especially beneficial for portraits and landscapes.
By comparison, the ST100's images are respectable for an ultracompact, offering good sharpness in bright conditions but showing significant noise and limited dynamic range in shadows or highlights. The small sensor size limits depth of field control and bokeh quality, as well as color fidelity.
Autofocus Systems and Shooting Performance
The autofocus (AF) system often dictates how well a camera performs across many photography genres, particularly action-based ones.
Fujifilm S2 Pro Autofocus
The S2 Pro uses a Nikon F-mount body with phase-detection AF, which was standard for professional DSLRs at the time. It offers single, continuous, and multi-area AF, but lacks modern improvements like face detection or eye tracking. AF speed is moderate by current standards and cedes performance to contemporary models, but it remains reliable in good light and handles manual focus lenses when needed.
Samsung ST100 Autofocus
Being a compact fixed-lens camera, the ST100 relies on contrast-detection autofocus with a relatively basic system but gains modern features such as face detection and touch focus through its touchscreen interface. While contrast-detection generally trades speed and tracking ability for accuracy in static scenes, the ST100 can struggle with moving subjects or low-light focusing.
Viewfinder and Rear Screen: Composing the Shot
Composing an image is an intimate part of photography, and the tools offered here matter immensely.
The S2 Pro sports an optical pentaprism viewfinder with about 92% coverage. While this is slightly less than some pro DSLRs that approach 100% viewfinder coverage, it provides an accurate, bright, and lag-free view - essential for precise framing, especially in bright outdoor conditions.
Conversely, the Samsung ST100 forgoes a viewfinder entirely, placing all reliance on its bright 3.5-inch LCD screen. This touchscreen is well-regarded for an ultracompact and is excellent for navigating menus and selecting focus points, but shooting in strong sunlight or fast action benefit greatly from a viewfinder, which is missing here.

Lens Ecosystem and Compatibility
Lens options decisively influence a camera’s versatility and image quality possibilities.
The Fuji’s Nikon F-mount compatibility opens the door to a vast range of professional lenses - over 300 compatible optics from ultra-wide to super telephoto, macro to tilt-shift. This is a significant advantage for photographers who want creative control, varied focal lengths, or specialized lenses for portraiture or wildlife.
The Samsung ST100 has a fixed zoom lens spanning 35-175mm equivalent with an aperture range of f/3.6 to f/4.8. While convenient for everyday use, this lens limitation restricts creative flexibility, particularly in portraits needing wide apertures or landscapes requiring ultra-wide coverage.
Performance Across Photography Disciplines
Let’s evaluate how each camera holds up for a range of photographic applications based on hands-on testing and sensor/features.
Portrait Photography
The S2 Pro outshines the ST100 due to its larger sensor and lens interchangeability, enabling smooth, creamy bokeh and accurate skin tones. However, its older AF system lacks eye-detection autofocus that newer models have. Still, manual focus and intuitive exposure controls allow experts creative expression.
The ST100 struggles to isolate subjects from backgrounds and renders noisier, less flattering skin tones due to sensor and lens constraints.
Landscape Photography
Dynamic range and resolution matter here. The S2 Pro’s APS-C sensor and Super CCD deliver excellent tonal gradation - the kind of smooth transitions from shadows to highlights that landscape shooters crave. Its weather-sealed build adds confidence outdoors.
The ST100 is okay for casual daylight landscapes but falls short in dynamic range and sharpness in challenging light.
Wildlife Photography
Fast, continuous autofocus and burst rate matter here. The Fuji offers continuous AF and a 2 fps burst rate. Not blistering by today’s standards but functional when paired with telephoto lenses.
The Samsung’s autofocus speed and tracking are insufficient for fast-moving animals, and the fixed lens zoom range limits reach.
Sports Photography
Tracking focus and high frame rates are crucial. The S2 Pro’s limited burst speed and AF tracking make it a less than ideal sports camera, though still workable for slower subjects.
The ST100 does not support continuous shooting modes significant for sports.
Street Photography
Here, size and discretion are paramount. The ST100’s compact size and quiet operation are advantage points. The S2 Pro is large and conspicuous; not ideal for candid shooting or urban stealth.
Macro Photography
Both cameras let you get close, but the S2 Pro paired with a dedicated macro lens will trounce the ST100, which has a modest 5 cm macro focus limit.
Night and Astro Photography
The expo- sure latitude of the S2’s CCD and manual controls allow some night shooting, but noise at ISO 1600 appears.
The ST100 can reach ISO 3200 but noise deteriorates image quality quickly.
Video Capabilities
The S2 Pro offers none.
The ST100 is capable of HD video (720p), though limited to Motion JPEG format, lacking audio inputs.
Travel Photography
ST100 shines with portability and ease of use.
The Fuji S2 Pro is heavy and bulky but excels in image quality.
Professional Work
The Fuji’s RAW image support, Nikon lens compatibility, rugged build, and manual controls make it suitable for pro applications.
The ST100 targets the casual consumer, with no RAW or workflow integration support.
Build Quality and Weather Resistance
The Fuji’s weather sealing is a significant plus if shooting outdoors or in rough conditions. Heavy-duty construction adds to longevity.
Samsung ST100 lacks any such protection, more vulnerable to elements.
Battery Life and Storage Options
The S2 Pro uses proprietary battery types and stores images on SmartMedia or CompactFlash cards.
The ST100 uses more accessible MicroSD cards and features USB 2.0 connectivity, a faster interface than the Fuji’s USB 1.0.
Connectivity and Wireless Features
Neither camera offers wireless or Bluetooth connectivity - unsurprising given their eras.
Putting It All Together: Performance Ratings and Value
Here we see the Fujifilm S2 Pro scoring highest for image quality, build, and professional features.
The Samsung ST100 rates well for portability and ease but scores low in image quality and manual controls.
Final Thoughts and Recommendations
Who Should Choose the Fujifilm S2 Pro?
- Photographers prioritizing image quality and dynamic range over resolution
- Portrait and landscape shooters wanting full manual control and excellent color rendition
- Users invested in the Nikon F lens ecosystem
- Professionals or serious amateurs shooting in varied or harsh conditions
- Those interested in vintage DSLR workflow with RAW support
Who Should Choose the Samsung ST100?
- Casual photographers desiring a pocketable camera with decent zoom flexibility
- Travelers wanting a lightweight camera with touchscreen ease
- Users who value quick snaps over manual controls and ultimate image quality
- Those not needing RAW or video editing capabilities
- Beginners looking for a simple, point-and-shoot experience
In conclusion, the Fujifilm FinePix S2 Pro remains a capable and attractive option for image quality and professional work despite its age, especially for photographers comfortable with DSLR handling and legacy systems. Meanwhile, the Samsung ST100 offers an ultracompact, user-friendly design more suited for casual photographic excursions.
If your priorities lie in ultimate image capture and control, the Fuji wins hands down; if convenience and portability top your list, the Samsung will not disappoint.
I hope this deep dive has illuminated how diverse cameras cater to diverse needs, and helped you match your shooting ambitions with the right tool. Happy shooting!
Fujifilm S2 Pro vs Samsung ST100 Specifications
| Fujifilm FinePix S2 Pro | Samsung ST100 | |
|---|---|---|
| General Information | ||
| Brand Name | FujiFilm | Samsung |
| Model | Fujifilm FinePix S2 Pro | Samsung ST100 |
| Class | Pro DSLR | Ultracompact |
| Released | 2002-08-02 | 2010-01-06 |
| Physical type | Large SLR | Ultracompact |
| Sensor Information | ||
| Sensor type | CCD | CCD |
| Sensor size | APS-C | 1/2.3" |
| Sensor dimensions | 23 x 15.5mm | 6.17 x 4.55mm |
| Sensor surface area | 356.5mm² | 28.1mm² |
| Sensor resolution | 6MP | 14MP |
| Anti aliasing filter | ||
| Aspect ratio | 3:2 | 4:3, 3:2 and 16:9 |
| Peak resolution | 4256 x 2848 | 4320 x 3240 |
| Highest native ISO | 1600 | 3200 |
| Minimum native ISO | 100 | 80 |
| RAW pictures | ||
| Autofocusing | ||
| Focus manually | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Autofocus selectice | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detect autofocus | ||
| Contract detect autofocus | ||
| Phase detect autofocus | ||
| Lens | ||
| Lens mount | Nikon F | fixed lens |
| Lens focal range | - | 35-175mm (5.0x) |
| Maximal aperture | - | f/3.6-4.8 |
| Macro focus distance | - | 5cm |
| Available lenses | 309 | - |
| Crop factor | 1.6 | 5.8 |
| Screen | ||
| Type of display | Fixed Type | Fixed Type |
| Display sizing | 1.8" | 3.5" |
| Display resolution | 117 thousand dots | 1,152 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch operation | ||
| Viewfinder Information | ||
| Viewfinder type | Optical (pentaprism) | None |
| Viewfinder coverage | 92% | - |
| Features | ||
| Min shutter speed | 30 secs | 8 secs |
| Max shutter speed | 1/4000 secs | 1/1000 secs |
| Continuous shutter rate | 2.0fps | - |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Exposure compensation | Yes | - |
| Change white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | 15.00 m | 3.10 m |
| Flash options | Auto, On, Off, Red-eye reduction, Slow Sync | Auto, On, Off, Red-Eye, Fill-in, Slow Sync |
| Hot shoe | ||
| AE bracketing | ||
| WB bracketing | ||
| Max flash synchronize | 1/125 secs | - |
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | - | 1280 x 720 (30, 15 fps), 640 x 480 (30, 15 fps), 320 x 240 (30, 15 fps) |
| Highest video resolution | None | 1280x720 |
| Video data format | - | Motion JPEG |
| Mic port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 1.0 (1.5 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 850g (1.87 lbs) | 155g (0.34 lbs) |
| Physical dimensions | 142 x 131 x 80mm (5.6" x 5.2" x 3.1") | 100 x 60 x 20mm (3.9" x 2.4" x 0.8") |
| DXO scores | ||
| DXO Overall score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Self timer | Yes (2, 5, 2 or 100 sec) | Yes (2 or 10 sec, Double) |
| Time lapse shooting | ||
| Storage type | SmartMedia, Compact Flash Type I or II | MicroSD/ MicroSDHC, Internal |
| Card slots | One | One |
| Pricing at release | $2,000 | $250 |