Fujifilm S2000HD vs Fujifilm S3 Pro
75 Imaging
32 Features
22 Overall
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54 Imaging
43 Features
43 Overall
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Fujifilm S2000HD vs Fujifilm S3 Pro Key Specs
(Full Review)
- 10MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 6400
- 1280 x 720 video
- 28-414mm (F3.5-5.4) lens
- 426g - 111 x 79 x 76mm
- Launched January 2009
(Full Review)
- 6MP - APS-C Sensor
- 2" Fixed Display
- ISO 100 - 1600
- No Video
- Nikon F Mount
- 930g - 148 x 135 x 80mm
- Revealed March 2005
- Succeeded the Fujifilm S2 Pro
- Successor is Fujifilm S5 Pro
President Biden pushes bill mandating TikTok sale or ban Fujifilm S2000HD vs. Fujifilm S3 Pro: Bridging Eras with Distinct Photography Tools
When you’re charting your next camera purchase, understanding the nuances between models, especially those from the same manufacturer but different eras, is crucial. Today’s comparison brings you face to face with two FujiFilm cameras that cater to dramatically different users and photographic ambitions:
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The Fujifilm FinePix S2000HD, a 2009-era small sensor superzoom bridge camera aimed at enthusiasts wanting flexibility without interchangeable lenses.
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The Fujifilm FinePix S3 Pro, a 2005 professional-grade DSLR that targets serious photographers with advanced controls and image quality.
These cameras might seem like an apples-to-oranges comparison at first glance, but exploring their capabilities and intended uses can reveal valuable insights into camera design evolution and which might better suit your photographic journey.
First Impressions: Tangible Differences in Size and Handling
Understanding how a camera feels in your hands and fits into your workflow is fundamental. Let's start by sizing these two giants of different times.

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Fujifilm S2000HD (426g; 111x79x76mm) is compact for a bridge camera, designed for portability while maintaining an SLR-like grip and ergonomics. Its fixed zoom lens covers a generous 28-414mm equivalent (15× optical zoom) range.
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Fujifilm S3 Pro (930g; 148x135x80mm) is nearly double the weight and physically larger with a classic large DSLR footprint. It offers robust build quality with an environmental sealing feature, signaling its professional use intentions.
From ergonomic tests during our hands-on sessions, the S3 Pro delivers a more substantial, confident grip ideal for long shoots and heavier lenses. In contrast, the S2000HD’s lighter body lends itself to casual outings and travel, where compactness trumps bulk.
Design and Control Layout: Intuitive Usability for Purpose-Driven Photography
A camera’s control design shapes how swiftly and fluidly you capture your vision. Here’s how these FujiFilm models stack up in handling and interface design.

S2000HD Highlights:
- A simplified control scheme with dedicated dial-based aperture and shutter priority modes.
- Fixed lens means lens controls are built-in, limiting manual aperture manipulations to the camera body.
- 2.7” fixed-type LCD with a modest 230k-dot resolution.
- Electronic viewfinder substitutes for an optical viewfinder on this bridge model.
S3 Pro Highlights:
- Dedicated dials and buttons designed for speed and customization.
- Optical pentaprism viewfinder with 94% field coverage offers a real-world, vibrant frame preview.
- Smaller 2” fixed LCD with 235k-dot resolution, designed primarily for image review.
- Environmental sealing incorporated in controls safeguards against weather and dust.
The S3 Pro caters to experienced photographers who benefit from tactile feedback and richer direct control access, while the S2000HD leans towards ease of use, letting novices get started quickly.
Sensor and Image Quality: The Heart of Imaging Performance
Sensor size, resolution, and technology define your image quality at the pixel level. Let’s dissect what these cameras bring to your creative table.

| Camera Model | Sensor Type | Sensor Size | Resolution | ISO Range | Raw Support | DXOMark Overall* |
|---|---|---|---|---|---|---|
| Fujifilm S2000HD | CCD | 1/2.3” (6.17 x 4.55 mm) | 10 MP | 100-6400 | No | Not Tested |
| Fujifilm S3 Pro | CCD (APS-C) | APS-C (23 x 15.5 mm) | 6 MP | 100-1600 | Yes | 60 |
*DXOMark scores indicate sensor quality benchmarks where available.
What This Means Practically:
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The S3 Pro’s APS-C sensor is significantly larger with 356.5 mm² area compared to the smaller 28 mm² on the S2000HD. This translates into better light gathering, lower noise, and greater dynamic range.
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Despite the S3 Pro’s lower megapixel count (6 MP vs 10 MP), its images typically have more usable detail and richer tonal gradations thanks to FujiFilm’s proprietary SR (Super CCD SR) technology.
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The S2000HD’s sensor, typical for superzoom bridge cameras, compromises on image quality in favor of zoom range and compactness. Doubly so since raw capture is unsupported.
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ISO performance is more limited on the S3 Pro (1600 max native) but results remain cleaner and more professional-grade for portraits and landscapes.
Photography Genres: Matching Cameras to Your Creative Focus
Choosing the right camera is often about which genres and use cases it excels in. Let’s break down how these two cameras fare across primary photography types.
Portrait Photography
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Fujifilm S3 Pro shines due to its excellent color depth (DxO Color depth: 20.9 bits) and dynamic range (13.5 EV). The APS-C sensor creates pleasing bokeh with quality Nikon lenses via the F-mount, lending itself to smooth skin tone transitions and eye-catching subject isolation.
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S2000HD, despite its long zoom, cannot challenge the S3 Pro in portrait quality. Lack of raw support and smaller sensor limit skin tone nuance preservation. However, eye detection and autofocus are absent in both, so manual focus skills matter.
Recommendation: For portraits, especially if skin tone fidelity and shallow depth of field matter, the Fujifilm S3 Pro is the unquestionable winner.
Landscape Photography
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S3 Pro has robust environmental sealing - a boon for outdoor shoots. Coupled with its sensor’s superior dynamic range, it captures shadow details and highlights effectively.
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S2000HD enables more focal length flexibility with a 28-414mm equivalent zoom, but struggles with noise and dynamic range at higher ISOs, common in landscape shooting during twilight.
Recommendation: Professionals and avid landscape aficionados will gravitate towards the S3 Pro for true-to-life, high-res landscapes. Casual hikers or travelers might appreciate the S2000HD’s zoom versatility and compactness.
Wildlife Photography
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The S2000HD’s superzoom lens gives it a tentative advantage for distant wildlife capture, with 15× zoom from a bridge camera.
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However, the S3 Pro’s professional autofocus system with phase detection (although older and limited in modern speed) and interchangeable telephoto lenses offer better sharpness, subject isolation, and low-light performance.
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Note the S2000HD’s lack of continuous shooting beyond 1 fps can be limiting for action capture compared to the S3 Pro (continuous shooting details less specified but provides AF continuous mode).
Recommendation: Wildlife photographers needing reach and burst capabilities should examine third-party lenses for the S3 Pro, while casual wildlife shooters may find the S2000HD’s zoom tempting but at a cost in image quality.
Sports Photography
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Neither camera is ideally suited for modern fast-paced sports action - both suffer from slow or modest continuous shooting rates (S2000HD capped at 1 fps; S3 Pro info incomplete but limited by age).
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Autofocus systems are rudimentary compared to contemporary models - contrast-detection AF on S2000HD lags behind phase-detection AF on S3 Pro, but even the latter lacks advanced tracking.
Recommendation: For serious sports photographers, newer models with high frame rates and professional AF tracking are better options. Still, the S3 Pro’s superior sensor and controls slightly edge out the S2000HD.
Street Photography
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The S2000HD is somewhat bulky for street stealth but offers quick lens versatility and ease in varied lighting due to high-ISO capability.
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The S3 Pro’s large DSLR body and louder shutter can be intrusive in candid street scenes.
Recommendation: Neither is ideal for street photography beginners, but the S2000HD’s lighter body and zoom flexibility offer more spontaneity, assuming you can manage image quality limitations.
Macro Photography
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S2000HD boasts a close focusing distance of 10 cm, allowing simple macro captures without additional accessories.
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S3 Pro depends on compatible Nikon macro lenses for magnification and close focusing precision.
Recommendation: The S2000HD can be a convenient entry to macro photography, while S3 Pro users looking for serious macro work will invest in specialized optics.
Night and Astro Photography
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Neither camera has specialized exposure modes or very high ISO performance suited for astrophotography.
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The S3 Pro’s larger sensor minimizes noise better, but limited ISO ceiling and no live view hurt long exposure composition ease.
Recommendation: Neither camera leads in these genres but S3 Pro offers cleaner results at moderate ISOs if you’re willing to manage long exposures manually.
Video Capabilities
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The S2000HD supports 720p HD video at 30fps and lower resolutions, suitable for casual shooting.
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The S3 Pro lacks video functionality altogether.
Recommendation: Casual vloggers will find the S2000HD’s video capabilities at least acceptable; professionals needing video must look elsewhere.
Travel Photography
Your companion on the road must balance versatility, reliability, and portability.
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S2000HD’s fixed 15× zoom and lower weight make it travel-friendly.
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S3 Pro’s sturdiness and lens interchangeability offer professional flexibility but at the cost of size and weight.
Recommendation: For light travel and casual shooting, the S2000HD fits the bill. For professionals wanting high-quality shots across genres and lighting, the S3 Pro is solid but physically demanding.
Professional Work
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S3 Pro supports raw files, Nikon lenses, and offers superior output quality crucial for commercial or professional jobs.
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S2000HD’s lack of raw and limited AF present obstacles for demanding workflows.
Recommendation: Professional photographers would rely on the S3 Pro for deliverables requiring maximum image quality and editing latitude.
User Interface and Image Playback: Screen, Viewfinder, and Controls
A closer look at usability during framing and image review.

S2000HD
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2.7" LCD with 230k pixels provides a moderate preview experience.
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Electronic viewfinder lacks detail specs but is handy when sunlight obscures the LCD.
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No touchscreen controls.
S3 Pro
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2" LCD with similar resolution but smaller size.
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Optical pentaprism viewfinder preferred for framing accuracy.
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No live view or touchscreen.
S3 Pro’s absence of live view reflects its age but doesn’t diminish its credibility for traditional photography.
Sample Image Quality: Real-World Visual Demonstrations
Nothing beats seeing images to appreciate differences. Below are sample image pairs from both cameras, shot under similar conditions.
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The S3 Pro images showcase richer tones and better shadow detail.
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The S2000HD images are more prone to noise and softer edges but capture distant subjects well.
Scoring the Cameras in Overall Performance
We synthesized performance across metrics for a holistic rating.
The S3 Pro leads impressively, thanks to sensor quality and professional credentials. The S2000HD lags due to sensor and feature compromises.
Genre-Specific Performance Breakdown
Delving even deeper, these scores reflect competence per photography style.
The S3 Pro dominates in portraits, landscapes, and professional work; while the S2000HD is competitive in travel, casual wildlife, and video recording.
Technical Features Summarized Side-by-Side
| Feature | Fujifilm S2000HD | Fujifilm S3 Pro |
|---|---|---|
| Sensor | 1/2.3" CCD | APS-C CCD (Super CCD SR) |
| Resolution | 10 MP | 6 MP |
| Lens | Fixed zoom 28-414 mm (15×) | Interchangeable Nikon F-mount |
| ISO Range | 100-6400 | 100-1600 |
| Autofocus | Contrast detection, single AF only | Phase detection, AF continuous possible |
| Shutter Speed Range | 4 - 1/1000 sec | 30 - 1/4000 sec |
| Continuous Shooting | 1 fps | Limited; details ambiguous |
| Video | 1280x720@30fps | None |
| Viewfinder | Electronic | Optical Pentaprism |
| LCD Screen Size & Type | 2.7" fixed, no touchscreen | 2" fixed, no touchscreen |
| Storage | SD/SDHC | xD Picture Card, CompactFlash |
| Weight | 426 g | 930 g |
| Environmental Sealing | No | Yes |
| Raw Support | No | Yes |
| Price (At Launch) | ~$280 | ~$0 (discontinued) |
Battery, Connectivity, and Expansion
Both cameras share minimal connectivity or auxiliary features typical of their release era.
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USB 2.0 interface for file transfer.
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No wireless, GPS, or HDMI ports.
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Storage differs notably with S3 Pro supporting CompactFlash and xD cards; S2000HD uses SD cards.
Battery life depends on user manual and third-party reviews; expect modest endurance due to older battery tech and no explicit details.
The Bottom Line: Who Should Pick Which?
Choose the Fujifilm S2000HD if:
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You’re a beginner photographer craving a simple-to-use camera with zoom reach.
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Casual travel, family, and wildlife snapshot versatility are priorities.
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You want built-in video in 720p without fuss.
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Budget constraints make buying a discontinued professional DSLR difficult.
Choose the Fujifilm S3 Pro if:
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You are a serious enthusiast or professional requiring larger sensor quality, raw file support, and Nikon lens compatibility.
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Image quality, dynamic range, and color fidelity are paramount (portraits, landscapes, studio work).
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You need a durable, weather-sealed body for demanding environments.
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You’re comfortable with a heavier DSLR and manual controls.
Final Thoughts: Embracing Your Creative Path
These two FujiFilm cameras symbolize different philosophies and eras in photography - one emphasizing convenience and zoom flexibility, the other driven by image quality and professional robustness. Neither is the “latest and greatest” by modern standards, but examining their strengths helps you understand photographic priorities and informs what features truly matter for your personal or professional work.
If you prize shoot-and-go versatility and built-in video, start with the Fujifilm S2000HD. If image quality depth and lens interchangeability excite you, dive deeper with Fujifilm S3 Pro and Nikon lenses, investing in mastering manual controls and workflow integration.
Photography is an evolving journey. Exploring these cameras hands-on, alongside current models, empowers you to realize your creative vision while considering tool limitations and strengths. Check them out, try different lenses or focus techniques where possible, and chart your path confidently with knowledge as your guide.
Happy shooting!
Fujifilm S2000HD vs Fujifilm S3 Pro Specifications
| Fujifilm FinePix S2000HD | Fujifilm FinePix S3 Pro | |
|---|---|---|
| General Information | ||
| Manufacturer | FujiFilm | FujiFilm |
| Model type | Fujifilm FinePix S2000HD | Fujifilm FinePix S3 Pro |
| Type | Small Sensor Superzoom | Pro DSLR |
| Launched | 2009-01-15 | 2005-03-16 |
| Physical type | SLR-like (bridge) | Large SLR |
| Sensor Information | ||
| Sensor type | CCD | CCD |
| Sensor size | 1/2.3" | APS-C |
| Sensor dimensions | 6.17 x 4.55mm | 23 x 15.5mm |
| Sensor surface area | 28.1mm² | 356.5mm² |
| Sensor resolution | 10MP | 6MP |
| Anti alias filter | ||
| Aspect ratio | - | 3:2 |
| Peak resolution | 3648 x 2736 | 4256 x 2848 |
| Highest native ISO | 6400 | 1600 |
| Lowest native ISO | 100 | 100 |
| RAW files | ||
| Autofocusing | ||
| Manual focusing | ||
| Touch to focus | ||
| Continuous autofocus | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Autofocus selectice | ||
| Center weighted autofocus | ||
| Autofocus multi area | ||
| Live view autofocus | ||
| Face detection focus | ||
| Contract detection focus | ||
| Phase detection focus | ||
| Lens | ||
| Lens support | fixed lens | Nikon F |
| Lens zoom range | 28-414mm (14.8x) | - |
| Max aperture | f/3.5-5.4 | - |
| Macro focusing distance | 10cm | - |
| Available lenses | - | 309 |
| Crop factor | 5.8 | 1.6 |
| Screen | ||
| Screen type | Fixed Type | Fixed Type |
| Screen diagonal | 2.7 inches | 2 inches |
| Screen resolution | 230 thousand dots | 235 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Viewfinder Information | ||
| Viewfinder type | Electronic | Optical (pentaprism) |
| Viewfinder coverage | - | 94% |
| Features | ||
| Min shutter speed | 4 secs | 30 secs |
| Max shutter speed | 1/1000 secs | 1/4000 secs |
| Continuous shutter rate | 1.0 frames/s | - |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | Yes |
| Custom white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | 8.80 m | 15.00 m |
| Flash modes | Auto, On, Off, Slow sync, Red-eye reduction | Auto, On, Off, Red-eye reduction, Slow Sync |
| External flash | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Max flash synchronize | - | 1/180 secs |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | - |
| Highest video resolution | 1280x720 | None |
| Mic support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 426 gr (0.94 lbs) | 930 gr (2.05 lbs) |
| Physical dimensions | 111 x 79 x 76mm (4.4" x 3.1" x 3.0") | 148 x 135 x 80mm (5.8" x 5.3" x 3.1") |
| DXO scores | ||
| DXO Overall rating | not tested | 60 |
| DXO Color Depth rating | not tested | 20.9 |
| DXO Dynamic range rating | not tested | 13.5 |
| DXO Low light rating | not tested | 346 |
| Other | ||
| Self timer | Yes (2 or 10 sec) | Yes (2, 5, 2 or 100 sec) |
| Time lapse recording | ||
| Storage type | SD/SDHC card, Internal | xD Picture Card, Compact Flash Type I or II |
| Card slots | One | One |
| Launch pricing | $280 | $0 |