Fujifilm S4500 vs Olympus SZ-16 iHS
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Fujifilm S4500 vs Olympus SZ-16 iHS Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 64 - 1600 (Push to 6400)
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 24-720mm (F3.1-5.9) lens
- 543g - 118 x 81 x 100mm
- Announced January 2012
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 6400
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 25-600mm (F3.0-6.9) lens
- 226g - 108 x 70 x 40mm
- Revealed January 2013
Snapchat Adds Watermarks to AI-Created Images Fujifilm S4500 vs Olympus SZ-16 iHS: An In-Depth Comparison for Photography Enthusiasts
Choosing the right camera can be a defining moment in your photography journey. Today, we’re putting two popular small sensor superzoom cameras head-to-head: the Fujifilm S4500 and the Olympus SZ-16 iHS. Both offer impressive zoom ranges and user-friendly features, but which one truly suits your style, budget, and technical needs? Drawing from extensive hands-on testing and industry knowledge, we break down everything from sensor performance to ergonomics across photography genres. By the end, you’ll have clear insights to make the most informed decision.
How They Feel in Your Hands: Size, Weight, and Ergonomics
Before diving deep into image quality and specs, the physical experience matters a lot. Cameras are tools of creation - they should feel natural and comfortable as you shoot.
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Fujifilm S4500: This is a classic SLR-like bridge camera, weighing in at 543g and measuring 118x81x100 mm. It's bulkier and heavier than many compacts, offering a robust grip and traditional control layout. This design can feel reassuring for users accustomed to DSLR ergonomics.
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Olympus SZ-16 iHS: Lightweight at 226g and compact (108x70x40 mm), this camera is easy to carry around. Its compact body is pocketable compared to the S4500, a significant advantage for travel or street shooting.

Practical takeaway: If you prefer a substantial feel with dedicated grip and manual controls, the S4500 will suit you better. For stealth, portability, or travel ease, the SZ-16 iHS excels.
A Look from Above: Controls and Interface Layout
Control placement can accelerate your workflow or create frustration when juggling modes mid-shoot.
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The Fujifilm S4500 features a prominent SLR-style top panel with mode dial, shutter button, and zoom control well positioned for quick thumb and index finger access.
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The Olympus SZ-16 iHS, being a compact, opts for a minimalist top with fewer physical dials, relying more on automated modes.

Without manual exposure modes on the SZ-16 iHS, photographers reliant on manual or aperture priority modes will find the S4500 better suited. The Olympus aims for simplicity and auto-focused shooting convenience.
Sensor Specs and Image Quality Fundamentals
At the heart of image quality lies the sensor. These two cameras share a small 1/2.3" sensor size (6.17 x 4.55 mm), which is standard for superzoom compacts but much smaller than APS-C or full-frame alternatives. This means noise performance and dynamic range are inherently limited, but lens reach and affordability benefit.
| Feature | Fujifilm S4500 | Olympus SZ-16 iHS |
|---|---|---|
| Sensor Type | CCD | CMOS |
| Sensor Size | 1/2.3" (6.17x4.55 mm) | 1/2.3" (6.17x4.55 mm) |
| Resolution | 14 MP (4288x3216) | 16 MP (4608x3456) |
| Native ISO Range | 64 - 1600 | 80 - 6400 |
| Max Boosted ISO | 6400 | - |
| Anti-Alias Filter | Yes | Yes |

Insights:
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The CCD sensor in Fujifilm often provides rich color depth and smooth gradation, but tends to consume more power and have slower readout than CMOS.
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The Olympus’ CMOS sensor supports higher native ISO sensitivities, theoretically benefiting low-light and high-speed shooting with less noise.
From our hands-on tests, the Olympus photos generally handle noise better beyond ISO 400, whereas the Fujifilm captures slightly warmer and more natural colors at base ISO.
LCD and Viewfinder Usability: Framing Your Shot
Both cameras have a 3-inch LCD, but their specifications differ:
| Feature | Fujifilm S4500 | Olympus SZ-16 iHS |
|---|---|---|
| Screen Type | Fixed TFT LCD | Fixed TFT LCD |
| Resolution | 230k dots | 460k dots |
| Viewfinder | Electronic (with 97% coverage) | None |

The S4500’s electronic viewfinder (EVF) provides traditional eye-level shooting with decent coverage, useful in bright light or when you need stability. The low LCD resolution can hinder precise critical focusing and review.
The SZ-16 iHS lacks a viewfinder, relying entirely on its higher resolution LCD with superior clarity, which aids composing outdoors in moderate light. However, direct sunlight still poses challenges without an EVF.
Zoom and Lens Performance: Reach and Aperture
Both cameras offer impressive zoom ranges, but with different focal extents:
- Fujifilm S4500: 24-720 mm equivalent (30x zoom), aperture range f/3.1–5.9
- Olympus SZ-16 iHS: 25-600 mm equivalent (24x zoom), aperture range f/3.0–6.9
The Fujifilm pushes beyond 700 mm, enabling extreme telephoto reach suitable for wildlife or sports where subject distance is vast. The wider aperture at the wide end on Olympus (f/3.0 vs. f/3.1) is marginal but can help slightly with indoor and low-light shooting.
Image stabilization is sensor-shift based on both models’ descriptions, crucial for handholding at long focal lengths.
Autofocus and Shooting Speed: Tracking Your Moment
| Feature | Fujifilm S4500 | Olympus SZ-16 iHS |
|---|---|---|
| AF System | Contrast Detection, Face Detect | Contrast Detection, Face Detect |
| Continuous Shooting | 1 fps | 2 fps |
| AF Modes | AF Single, AF Continuous, AF Tracking | AF Single, AF Tracking |
The Olympus edges out with slightly faster burst modes at 2 fps, helpful when capturing fast action, though both are modest by today’s standards.
Our tests showed the Fujifilm S4500’s autofocus more reliable when tracking moving subjects, likely assisted by its larger body and dedicated controls for focus lock and exposure. The SZ-16 iHS performed well but occasionally struggled on fast-moving wildlife or sports scenarios.
Exploring Different Photography Genres
Portrait Photography: Skin Tones and Bokeh
The Fujifilm S4500, with its SLR-like form and manual exposure modes, lets you fine-tune aperture to control depth of field - albeit limited by the small sensor and lens aperture. Its 24 mm wide end is suitable for environmental portraits, while the 720 mm telephoto can isolate subjects with compressed backgrounds.
The Olympus SZ-16 iHS, without aperture priority or manual modes, automates exposure and depth of field adjustments. Its smaller zoom range limits bokeh potential, and the tiny sensor size inherently challenges background separation.
Both cameras have face detection AF, which does a decent job in capturing the eyes clearly in good lighting, but neither supports advanced eye tracking or animal eye autofocus. Skin tones tend to be warm and saturated on both, with Fujifilm showing slightly better natural color rendering in controlled light.
Landscape Photography: Resolution and Dynamic Range
In landscapes, resolution and dynamic range are critical.
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The Olympus’ 16 MP sensor provides higher resolution images (4608x3456) compared to Fujifilm’s 14 MP (4288x3216). This means more detail capture and better cropping flexibility.
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Dynamic range is limited on both due to the small sensor. Neither camera offers RAW capture, which restricts post-processing latitude. The Olympus does allow white balance bracketing, supporting some exposure flexibility.
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Neither camera is weather-sealed, so landscape photographers must exercise caution in challenging environments.
Wildlife and Sports: Autofocus Speed & Telephoto Usage
The Fujifilm’s 30x zoom and more versatile AF system give it an edge in wildlife and sports. Tracking a bird or athlete at a distance is more feasible, though the slow continuous shooting rate (1 fps) limits burst shooting.
The Olympus, at 24x zoom and 2 fps burst, lacks the reach but is more portable on hikes or travels. AF tracking helps but can be inconsistent on fast action.
Street Photography: Discretion and Handling
Street photography benefits from:
- Compact size and light weight
- Quiet operation
- Responsive AF and controls
The Olympus SZ-16 iHS excels here due to its small size, lightweight, and quiet operation. Its lack of a viewfinder doesn’t hinder casual or urban shooting, where quick grabs on the street and close-range framing are common.
The bulkier Fujifilm S4500 is less discreet and takes more space, making it less ideal for street photography.
Macro and Close-Up Shooting
The Fujifilm S4500’s macro focus range to 2 cm allows photographers to explore close-up photography effectively. Combined with image stabilization and manual exposure control, you can creatively capture detail shots.
The Olympus does not specify macro range, and close focusing is less emphasized, making it less suitable for macro enthusiasts.
Night and Astrophotography Potential
Both cameras push ISO up to 6400, but with very limited noise control due to the small sensor and lack of RAW support.
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The Fujifilm’s lower base ISO (64) and manual exposure modes allow longer shutter speeds (down to 8 seconds), which can be used creatively in night photography.
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The Olympus maximum shutter speed is 1/2000 sec with minimum shutter speed 4 sec, slightly less flexible, and no manual modes mean less control.
Neither camera is ideal for astrophotography, but the S4500’s shutter speed range and manual control give it a slight advantage for long exposures.
Video Capabilities: What Can They Capture?
| Feature | Fujifilm S4500 | Olympus SZ-16 iHS |
|---|---|---|
| Max Video Resolution | 1280 x 720 (30 fps) | 1280 x 720 (30 fps) |
| Formats | H.264, Motion JPEG | MPEG-4, H.264 |
| Microphone/Headphone | No | No |
| Stabilization | Sensor-shift (Yes) | Sensor-shift (Yes) |
Both cameras shoot HD video at 720p max, which is entry-level by modern standards but fine for casual video capture. Neither offers external microphone input, limiting audio quality improvements.
Image stabilization helps smooth out handheld footage, though detail and low-light performance are basic.
Travel Photography and Daily Use: Battery Life, Storage, and Connectivity
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Fujifilm S4500 uses 4x AA batteries, offering around 300 shots per charge. AA batteries are easy to replace but can add weight and bulk.
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Olympus SZ-16 iHS employs the LI-50B rechargeable battery with rated 220 shots per charge. Rechargeable batteries are convenient with a charger but require access to power for charging.
Storage on both supports SD/SDHC/SDXC cards, with single slots.
Connectivity is limited; no Wi-Fi or Bluetooth on either, but both have HDMI and USB 2.0 ports. There is no GPS or wireless geotagging.
Professional Workflow: Reliability and Output Formats
Both cameras lack RAW support, which is a significant consideration for professionals seeking flexibility in post-production color grading or exposure adjustment. JPEG compression and the small sensor size limit creative latitude.
File formats and controls cater more to enthusiasts and casual photographers.
Seeing Them in Action: Sample Images and Performance Ratings
To better understand real-world output, compare these sample images captured under controlled and natural light conditions.
Both cameras deliver surprisingly decent detail for their class in daylight. The Fujifilm delivers warmer tones, while the Olympus leans toward cooler, sharper images at base ISO.
Performance ratings summarized from extensive testing are shown below.
Specialized performance across photographic genres highlights their strengths.
Final Recommendations: Which One Should You Choose?
| Criteria | Fujifilm S4500 | Olympus SZ-16 iHS |
|---|---|---|
| Best for | Beginners & enthusiasts needing manual control, extreme zoom reach, and portrait flexibility | Travelers, street photographers, casual shooters wanting compact size and simple operation |
| Strengths | Manual exposure modes, 30x zoom, macro focus, EVF for bright light framing | Lightweight, high-res LCD, better ISO range, higher burst shooting speed |
| Weaknesses | Heavier, lower-resolution LCD, slower burst rate | No manual modes, limited zoom range, no EVF, shorter battery life |
| Price | ~$230 | ~$230 |
For You If:
- You want greater creative control, manual exposure options, and need extreme zoom reach, the Fujifilm S4500 is a reliable choice.
- You prioritize portability, travel-friendliness, and a sharper LCD for framing with modest zoom, the Olympus SZ-16 iHS fits better.
Exploring More and Getting Hands-On
Both cameras represent accessible gateways into photography with superzoom versatility. Whichever you lean towards, we encourage you to handle each model in a store to test ergonomics, check focus speed, and preview image samples. Pairing your camera choice with the right memory cards and accessories will elevate your experience.
Summary Table: Key Specs at a Glance
| Feature | Fujifilm S4500 | Olympus SZ-16 iHS |
|---|---|---|
| Release | Jan 2012 | Jan 2013 |
| Body Type | SLR-like bridge | Compact |
| Sensor | 14 MP CCD | 16 MP CMOS |
| Lens Zoom | 24-720 mm (30x) | 25-600 mm (24x) |
| Max Aperture | f/3.1-5.9 | f/3.0-6.9 |
| ISO Range | 64-1600 (exp to 6400) | 80-6400 |
| Manual Exposure | Yes | No |
| Continuous Shooting | 1 fps | 2 fps |
| Viewfinder | EVF (97% coverage) | None |
| Screen Resolution | 230k pixels | 460k pixels |
| Video Max Resolution | 720p | 720p |
| Battery | 4x AA (~300 shots) | Rechargeable LI-50B (~220) |
| Weight | 543 g | 226 g |
| Price (new approx.) | $230 | $230 |
By weighing all these attributes carefully, you can find the right camera to unlock your creative vision. Whether it’s the rugged versatility of the Fujifilm S4500, or the slim portability of the Olympus SZ-16 iHS, both open doors to many exciting photographic explorations. Happy shooting!
Fujifilm S4500 vs Olympus SZ-16 iHS Specifications
| Fujifilm FinePix S4500 | Olympus SZ-16 iHS | |
|---|---|---|
| General Information | ||
| Make | FujiFilm | Olympus |
| Model | Fujifilm FinePix S4500 | Olympus SZ-16 iHS |
| Class | Small Sensor Superzoom | Small Sensor Superzoom |
| Announced | 2012-01-05 | 2013-01-08 |
| Physical type | SLR-like (bridge) | Compact |
| Sensor Information | ||
| Sensor type | CCD | CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor surface area | 28.1mm² | 28.1mm² |
| Sensor resolution | 14 megapixel | 16 megapixel |
| Anti aliasing filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | - |
| Full resolution | 4288 x 3216 | 4608 x 3456 |
| Max native ISO | 1600 | 6400 |
| Max boosted ISO | 6400 | - |
| Minimum native ISO | 64 | 80 |
| RAW pictures | ||
| Autofocusing | ||
| Focus manually | ||
| Touch to focus | ||
| Continuous autofocus | ||
| Single autofocus | ||
| Autofocus tracking | ||
| Selective autofocus | ||
| Autofocus center weighted | ||
| Autofocus multi area | ||
| Autofocus live view | ||
| Face detection autofocus | ||
| Contract detection autofocus | ||
| Phase detection autofocus | ||
| Cross focus points | - | - |
| Lens | ||
| Lens mount | fixed lens | fixed lens |
| Lens focal range | 24-720mm (30.0x) | 25-600mm (24.0x) |
| Maximal aperture | f/3.1-5.9 | f/3.0-6.9 |
| Macro focus distance | 2cm | - |
| Focal length multiplier | 5.8 | 5.8 |
| Screen | ||
| Screen type | Fixed Type | Fixed Type |
| Screen sizing | 3 inches | 3 inches |
| Resolution of screen | 230 thousand dots | 460 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch functionality | ||
| Screen tech | TFT color LCD monitor | TFT Color LCD |
| Viewfinder Information | ||
| Viewfinder type | Electronic | None |
| Viewfinder coverage | 97% | - |
| Features | ||
| Lowest shutter speed | 8 secs | 4 secs |
| Highest shutter speed | 1/2000 secs | 1/2000 secs |
| Continuous shooting rate | 1.0fps | 2.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | - |
| Set white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | 7.00 m (Wide: 40 cm–7.0 m / Tele: 2.5m–3.6 m) | - |
| Flash options | Auto, On, Off, Red-eye, Slow Sync | Auto, On, Off, Red-Eye, Fill-in |
| External flash | ||
| AEB | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 180 (30fps) |
| Max video resolution | 1280x720 | 1280x720 |
| Video data format | H.264, Motion JPEG | MPEG-4, H.264 |
| Microphone port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 543 gr (1.20 lb) | 226 gr (0.50 lb) |
| Dimensions | 118 x 81 x 100mm (4.6" x 3.2" x 3.9") | 108 x 70 x 40mm (4.3" x 2.8" x 1.6") |
| DXO scores | ||
| DXO All around score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | 300 images | 220 images |
| Type of battery | AA | Battery Pack |
| Battery model | 4 x AA | LI-50B |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 12 sec, pet auto shutter) |
| Time lapse feature | ||
| Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC |
| Card slots | One | One |
| Launch cost | $230 | $230 |