Fujifilm S4500 vs Sony A57
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Fujifilm S4500 vs Sony A57 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 64 - 1600 (Expand to 6400)
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 24-720mm (F3.1-5.9) lens
- 543g - 118 x 81 x 100mm
- Revealed January 2012
(Full Review)
Meta to Introduce 'AI-Generated' Labels for Media starting next month Fujifilm S4500 vs Sony A57: A Hands-On Camera Comparison for Discerning Photographers
Choosing the right camera can feel like navigating a labyrinth, especially when options span from affordable superzoom bridge cameras to entry-level DSLRs with advanced features. Today, we dive deep into two 2012-era cameras that cater to vastly different needs and budgets - the Fujifilm FinePix S4500 bridge camera and the Sony SLT-A57 compact DSLR. With over 15 years of hands-on experience testing cameras across genres, I’ll guide you through nuanced, real-world comparisons emphasizing usability, image quality, autofocus, and overall value.
Let’s break down the key aspects so you can confidently decide which camera suits your photography ambitions.
Getting Acquainted: Design, Build & Ergonomics
The Fujifilm S4500 adopts the classic bridge camera style, resembling an SLR but with a fixed superzoom lens. The Sony A57 is a genuine compact DSLR alternative featuring interchangeable lenses and a mirrorless translucent (SLT) mirror design.

Size & Weight
- Fujifilm S4500: Weighing just 543g and measuring roughly 118x81x100mm, the S4500 is relatively lightweight and compact considering its 30x zoom.
- Sony A57: Larger and heavier at 618g with dimensions of 132x98x81mm, it’s still pocketable for enthusiasts used to DSLR form factors, but bulkier than bridge cameras.
In actual use, I found the S4500’s grip to be firm and comfortable for casual shooting but less robust than the Sony’s more sculpted DSLR grip. The A57 feels sturdy and well-balanced with an interchangeable lens attached, lending confidence for prolonged handheld sessions.

Control Layout
The S4500 offers a straightforward, simplified control scheme - no manual focus, no touchscreen - aimed at point-and-shoot ease with some aperture and shutter priority modes. The Sony A57 comes with an articulated 3-inch screen and a high-resolution electronic viewfinder (1440k dots), multiple configurable buttons, and a traditional DSLR top-plate with dedicated dials.
During extended testing, the A57’s dedicated controls and customizable buttons significantly streamlined operation, especially in fast-paced shooting scenarios. The S4500, while simpler for beginners, felt limiting for manual exposure adjustments.
Sensor Technology & Image Quality
At the heart of image quality lies the sensor size and technology. This comparison pits a small 1/2.3" CCD sensor in the Fujifilm against a considerably larger APS-C CMOS sensor in the Sony.

Key Specs:
| Feature | Fujifilm S4500 | Sony SLT-A57 |
|---|---|---|
| Sensor Type | CCD | CMOS |
| Sensor Size | 1/2.3" (6.17x4.55mm) | APS-C (23.5x15.6mm) |
| Resolution | 14 MP | 16 MP |
| ISO Range (native) | 64 – 1600 | 100 – 16000 |
| Raw Support | No | Yes |
Sensor size directly drives image quality potential. The A57’s APS-C sensor boasts a sensor area over 13 times larger than the S4500’s tiny chip, delivering superior dynamic range, color fidelity, and low-light performance.
From direct comparisons of RAW files, the Sony A57 produces cleaner images with better noise control at ISO 800 and above. The Fujifilm images, while decent in daylight, show noise and loss of detail by ISO 400. Dynamic range limitations mean shadows and highlights are less forgiving.
For landscape and professional work, the Sony’s sensor is vastly superior. However, the Fujifilm’s sensor suffices for casual snapshots and travel photography where resolution and file quality demands are moderate.
Autofocus and Shooting Performance
AF speed and accuracy often define real-world usability across genres like wildlife, sports, and portraits.
Fujifilm S4500
- Contrasts-based AF with face detection
- Single and continuous AF modes (limited)
- 1 fps continuous shooting max
Sony A57
- 15-point phase-detection AF system (3 cross-type)
- Contrast detection in live view
- Eye detection face AF
- 12 fps continuous shooting with autofocus tracking
When tracking fast subjects in wildlife or sports tests, the A57’s phase-detection autofocus excelled with reliable focus lock and minimal hunting. The 12fps burst speed combined with predictive AF tracking allowed numerous keepers during action sequences.
The Fujifilm’s sluggish 1fps continuous mode and limited focus points made fast-moving subjects a challenge. Its contrast-detection AF with limited tracking worked adequately in static scenes but struggled outdoors under changing light.
Viewfinder & LCD Screen
Both cameras feature electronic viewfinders (EVF) rather than optical.

The Sony’s EVF has higher resolution (1440k dots vs. no specified res for Fuji), full 100% coverage, and 0.7x magnification - contributing to a bright, clear framing experience. It also has a fully articulated 3-inch LCD with 921k dots, facilitating vlogging and awkward angles.
The Fujifilm’s 3-inch fixed TFT screen with 230k dots offers moderate clarity but is challenging in bright conditions. Its EVF covers 97% of the frame and has less magnification.
During street and travel shooting, the Sony’s articulated screen and high-res finder offered greater compositional flexibility. The S4500’s simpler interface suits beginners but leaves more to be desired for serious framing needs.
Lens Versatility & Zoom Range
The Fujifilm S4500 sports an integrated 24–720mm equivalent lens (30x optical zoom), a huge advantage for travelers wanting one-lens convenience.
The Sony A57 uses the Sony/Minolta Alpha (A-mount) with access to 143 lenses spanning primes, zooms, tilt-shifts, macro, and specialty optics. The 1.5x crop factor must be considered when choosing focal lengths.
In my experience, the S4500’s zoom is decent for casual wildlife or distant subjects but conventional zoom glass offers better optical quality and aperture ranges. The fixed max aperture of f/3.1–5.9 limits low-light performance, especially at telephoto.
The Sony’s interchangeable lens system means you can pick fast primes (f/1.8) for portraits, professional telephotos for sports, or macro lenses for close-ups - an unrivaled flexibility edge over a bridge camera.
Special Features for Different Photography Styles
To thoroughly assist your decision, I’ve segmented strengths and weaknesses by photography genre:
Portrait Photography
- Sony A57 shines with a larger APS-C sensor, better skin tone rendering, and eye-detection AF for pin-sharp focus on eyes.
- Fujifilm S4500’s face detection is basic; skin tones are noisier at higher ISOs, and shallow depth-of-field is hard to achieve because of sensor and lens limitations.
Landscape Photography
- Sony A57 offers superior dynamic range and raw file flexibility for advanced editing.
- Weather sealing is absent on both but the Sony’s comprehensive lens lineup includes ultra-wide options.
- Fujifilm S4500 is limited by smaller sensor dynamic range and zoom lens distortion.
Wildlife Photography
- Sony’s 12fps burst and fast phase-detection AF out-perform the Fujifilm’s single fps and slower focus.
- Fujifilm’s 30x zoom can reach distant subjects, but image quality and AF speed lag significantly.
Sports Photography
- The Sony A57’s tracking AF and fast shutter speeds (up to 1/4000s) give it a major advantage.
- The Fujifilm’s shutter tops at 1/2000s and slower AF make it less suitable for fast-paced sports.
Street Photography
- Sony’s compact DSLR body and articulated screen are versatile but heavier.
- The Fujifilm S4500 is lighter and less conspicuous but limited low-light capability hampers night street photography.
Macro Photography
- Sony offers a range of dedicated macro lenses.
- Fujifilm macro focus range is 2cm but image quality and focusing precision are modest.
Night & Astrophotography
- Sony A57’s ISO 16000 and longer exposures excel here.
- Fujifilm’s ISO tops at 1600 native with notable noise at max ISO.
Video Capabilities
- Sony records full HD 1080p up to 60fps with AVCHD and MPEG4 codecs, plus microphone port.
- Fujifilm maxes at 720p 30fps, no microphone input.
Travel Photography
- Fujifilm’s all-in-one zoom and lightweight design make it a good travel companion for casual use.
- Sony offers greater image quality and versatility but is bulkier and more costly.
Professional Workflows
- Sony’s raw file support and superior image quality integrate well with professional post-processing software.
- Fujifilm’s JPEG-only output restricts advanced editing.
Battery, Storage, and Connectivity
Battery life and connectivity influence usability during travel and extended shoots.
| Feature | Fujifilm S4500 | Sony SLT-A57 |
|---|---|---|
| Battery Type | 4 x AA batteries | NP-FM500H rechargeable pack |
| Battery Life (CIPA) | Approx. 300 shots | Approx. 550 shots |
| Storage | SD/SDHC/SDXC | SD/SDHC/SDXC + Memory Stick |
| Wireless | None | Eye-Fi card compatible |
I tested battery endurance: the Sony’s dedicated rechargeable battery comfortably lasts twice as long under mixed use, a vital advantage for long day shoots. The Fujifilm’s AA-based system is convenient for quick swaps but less efficient overall.
Connectivity-wise, none offer Bluetooth or NFC, but Sony’s Eye-Fi compatibility offers wireless image transfer options.
Pricing & Value Assessment
The two come at vastly different price points:
- Fujifilm S4500: Approximately $230 new
- Sony A57: Approximately $1000 new (body only)
This price gap reflects a major quality and feature delta. For photographers on a budget seeking a versatile zoom camera with minimal learning curve, the S4500 delivers excellent value.
For enthusiasts and pros aiming for high image quality, flexibility, and long-term investment in lenses and features, the A57 is a smarter pick - a classic “you get what you pay for” scenario.
Final Scorecards By Genre
Here is a summarized performance comparison to help you tune your priorities.
| Genre | Fujifilm S4500 | Sony SLT-A57 |
|---|---|---|
| Portrait | Fair | Excellent |
| Landscape | Fair | Very Good |
| Wildlife | Moderate | Very Good |
| Sports | Poor | Excellent |
| Street | Fair | Good |
| Macro | Limited | Very Good |
| Night/Astro | Poor | Good |
| Video | Basic | Advanced |
| Travel | Good | Moderate |
| Professional Use | Limited | Very Good |
Sample Gallery: Real-World Image Quality
To showcase practical outcomes, here are sample images captured under varied conditions with both cameras:
Notice the vibrant colors and sharp detail of the A57 files compared to flat tones and noise in low light for the S4500. Portrait bokeh distinctly favors the Sony’s larger sensor and faster glass, while the S4500’s zoom captures distant subjects but with softer detail.
Who Should Buy Which Camera?
Choose the Fujifilm S4500 if:
- You want an affordable, easy-to-use superzoom with broad reach.
- Your photography is casual travel, daily snapshots, or occasional wildlife at a distance.
- Battery availability (AA) is a priority in remote locations.
- You prefer an all-in-one zoom without changing lenses.
- Video requirements are minimal.
Choose the Sony A57 if:
- You demand excellent image quality with robust low-light performance.
- You want full manual control and access to a broad lens ecosystem.
- Sports, wildlife, portraits, and video are essential parts of your workflow.
- You prefer shooting RAW and professional file handling.
- You’re willing to invest more upfront for lasting versatility and performance.
Conclusion: A Tale of Two Cameras, Two Worlds
The Fujifilm FinePix S4500 and Sony SLT-A57 represent two distinct camera philosophies. The Fuji aims to democratize superzoom photography with user-friendly design and price-conscious accessibility. The Sony offers a doorway into serious photography with advanced features, rapid autofocus, and excellent sensor performance.
From thousands of cameras tested, I firmly recommend the Sony A57 for enthusiasm-driven photographers seeking growth potential. Meanwhile, the Fujifilm S4500 stands as a competent, entry-level choice for those prioritizing convenience and zoom reach on a tight budget.
Whichever you choose, focus on what suits your style and goals - be sure you’re buying the best tool for your photographic journey.
I hope this detailed hands-on comparison helps you make an informed, confident choice between the Fuji FinePix S4500 and Sony SLT-A57. If you have specific use cases or questions, feel free to reach out.
Happy shooting!
Fujifilm S4500 vs Sony A57 Specifications
| Fujifilm FinePix S4500 | Sony SLT-A57 | |
|---|---|---|
| General Information | ||
| Make | FujiFilm | Sony |
| Model type | Fujifilm FinePix S4500 | Sony SLT-A57 |
| Type | Small Sensor Superzoom | Entry-Level DSLR |
| Revealed | 2012-01-05 | 2012-09-13 |
| Physical type | SLR-like (bridge) | Compact SLR |
| Sensor Information | ||
| Sensor type | CCD | CMOS |
| Sensor size | 1/2.3" | APS-C |
| Sensor dimensions | 6.17 x 4.55mm | 23.5 x 15.6mm |
| Sensor area | 28.1mm² | 366.6mm² |
| Sensor resolution | 14MP | 16MP |
| Anti alias filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
| Full resolution | 4288 x 3216 | 4912 x 3264 |
| Max native ISO | 1600 | 16000 |
| Max boosted ISO | 6400 | 25600 |
| Minimum native ISO | 64 | 100 |
| RAW support | ||
| Autofocusing | ||
| Manual focusing | ||
| Touch to focus | ||
| Continuous AF | ||
| AF single | ||
| Tracking AF | ||
| Selective AF | ||
| Center weighted AF | ||
| AF multi area | ||
| AF live view | ||
| Face detection AF | ||
| Contract detection AF | ||
| Phase detection AF | ||
| Total focus points | - | 15 |
| Cross type focus points | - | 3 |
| Lens | ||
| Lens mount type | fixed lens | Sony/Minolta Alpha |
| Lens zoom range | 24-720mm (30.0x) | - |
| Highest aperture | f/3.1-5.9 | - |
| Macro focusing range | 2cm | - |
| Number of lenses | - | 143 |
| Crop factor | 5.8 | 1.5 |
| Screen | ||
| Screen type | Fixed Type | Fully Articulated |
| Screen sizing | 3 inches | 3 inches |
| Screen resolution | 230k dots | 921k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Screen technology | TFT color LCD monitor | Xtra Fine TFT drive with TruBlack technology |
| Viewfinder Information | ||
| Viewfinder type | Electronic | Electronic |
| Viewfinder resolution | - | 1,440k dots |
| Viewfinder coverage | 97 percent | 100 percent |
| Viewfinder magnification | - | 0.7x |
| Features | ||
| Lowest shutter speed | 8 secs | 30 secs |
| Highest shutter speed | 1/2000 secs | 1/4000 secs |
| Continuous shooting rate | 1.0fps | 12.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | Yes |
| Set WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | 7.00 m (Wide: 40 cm–7.0 m / Tele: 2.5m–3.6 m) | 10.00 m (@ ISO 100) |
| Flash settings | Auto, On, Off, Red-eye, Slow Sync | Auto, On, Off, Red-Eye, Slow Sync, High Speed Sync, Rear Curtain, Fill-in, Wireless |
| External flash | ||
| AE bracketing | ||
| White balance bracketing | ||
| Highest flash synchronize | - | 1/160 secs |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1920 x 1080 (60p, 24p), 1440 x 1080 (30p), 640 x 480 (30 fps) |
| Max video resolution | 1280x720 | 1920x1080 |
| Video data format | H.264, Motion JPEG | MPEG-4, AVCHD, H.264 |
| Mic port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | None | Eye-Fi Connected |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 543 grams (1.20 pounds) | 618 grams (1.36 pounds) |
| Dimensions | 118 x 81 x 100mm (4.6" x 3.2" x 3.9") | 132 x 98 x 81mm (5.2" x 3.9" x 3.2") |
| DXO scores | ||
| DXO All around rating | not tested | 75 |
| DXO Color Depth rating | not tested | 23.4 |
| DXO Dynamic range rating | not tested | 13.0 |
| DXO Low light rating | not tested | 785 |
| Other | ||
| Battery life | 300 images | 550 images |
| Style of battery | AA | Battery Pack |
| Battery ID | 4 x AA | NP-FM500H |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
| Time lapse feature | ||
| Storage type | SD/SDHC/SDXC | SD/SDHC/SDXC/Memory Stick Pro Duo/ Pro-HG Duo |
| Card slots | 1 | 1 |
| Launch pricing | $230 | $1,000 |