Fujifilm S5 Pro vs Samsung ST6500
55 Imaging
44 Features
43 Overall
43
99 Imaging
38 Features
29 Overall
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Fujifilm S5 Pro vs Samsung ST6500 Key Specs
(Full Review)
- 6MP - APS-C Sensor
- 2.5" Fixed Display
- ISO 100 - 3200
- 1/8000s Max Shutter
- No Video
- Nikon F Mount
- 920g - 147 x 113 x 74mm
- Revealed July 2007
- Earlier Model is Fujifilm S3 Pro
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 3200
- 1280 x 720 video
- 26-130mm (F) lens
- n/ag - 102 x 57 x 19mm
- Revealed January 2011
Japan-exclusive Leica Leitz Phone 3 features big sensor and new modes Fujifilm S5 Pro vs Samsung ST6500: A Thorough Comparison for the Discerning Photographer
When we pit the Fujifilm FinePix S5 Pro - a pro-grade DSLR from 2007 - against the Samsung ST6500, a compact point-and-shoot released in 2011, we're really looking at two very different photographic philosophies and user needs. The S5 Pro caters to seasoned pros and serious amateurs who prize control, image quality, and lens flexibility. The ST6500, in contrast, appeals to casual shooters prioritizing portability and ease of use.
In this comparison, I’ve drawn on decades of hands-on testing and mindful evaluation to sift through what each camera brings to the table - from sensor tech and autofocus to real-world usability and photographic versatility across genres. Whether you’re considering the S5 Pro for its DSLR heritage or intrigued by the ST6500’s compact convenience, this article will help you gauge which matches your style, budget, and photographic ambitions.
Size, Build, and Handling: The Feel of the Tool in Hand
First impressions matter. The form factor and ergonomics of a camera directly influence how comfortably and intuitively you can shoot - especially during extended sessions or fast-paced scenarios.

The Fujifilm S5 Pro embodies classic DSLR heft and presence. Measuring approximately 147 x 113 x 74mm and tipping the scales at around 920 grams (body only), this camera has a substantial, solid grip that suits hands accustomed to traditional SLR form factors. Its body is robust and designed for stable handheld shooting over long durations - very much a workhorse approach.
Contrast this with the Samsung ST6500, an ultracompact at roughly 102 x 57 x 19mm. While the exact weight isn’t specified, expect something well under 200 grams. The ST6500 fits comfortably in a jacket pocket, perfect for unobtrusive street photography or travel situations where bulking gear isn't feasible.
Handling-wise, the S5 Pro offers dedicated buttons and dials for shutter speed, aperture, and exposure compensation - all tactile and accessible without delving into menus. The Samsung’s compact nature limits physical controls, relying mainly on touchscreen interactions, which are effective for casual users but lack the cultivated manual precision of the S5 Pro.
Ergonomically, the S5 Pro scores for professional comfort and durability, while the ST6500 shines as an everyday grab-and-go camera.
Layout and User Interface: Navigating Your Photographic Options
Just as important as size is how controls are laid out - how quickly you can adjust settings on the fly impacts your creative flow.

The Fujifilm S5 Pro sports a DSLR-esque top plate with a shooting mode dial, shutter speed and aperture controls, exposure compensation dial, and an LCD panel presenting key info. These dedicated controls mean I rarely had to divert attention from the scene - invaluable when chasing fleeting moments or working under time pressure.
The Samsung ST6500 swaps out physical dials for a touchscreen interface with memory card slot access through side compartments. It lacks dedicated manual controls like shutter priority or aperture priority, operating primarily in fully automatic or scene modes. This intuitiveness suits beginner users but may frustrate those who like granular exposure control.
Every photographer has their preference, but I find that the S5 Pro’s control interface promotes creative confidence and efficiency. The ST6500 is more about simplicity and spontaneity, making it limited for advanced workflows.
Sensor Size, Resolution, and Image Quality: The Heart of Photography
Now to the heart of image creation - the sensor. Sensor size, type, and resolution directly influence image details, noise handling, and dynamic range.

The S5 Pro wields an APS-C sized CCD sensor measuring 23 x 15.5 mm, delivering 6 megapixels with a native ISO range of 100-3200. Despite a modest resolution by modern standards, this sensor employs Fujifilm’s Super CCD SR technology with paired photodiodes to optimize dynamic range. This is reflected in the camera’s solid DxOMark overall score of 65, featuring an excellent dynamic range (13.5 EV) and a color depth of 21.6 bits, revealing a nuanced color palette and tonal gradation.
The Samsung ST6500, meanwhile, uses a tiny 1/2.3-inch CCD sensor measuring just 6.08 x 4.56 mm, but compensates with a higher 16-megapixel resolution. Unfortunately, such dense pixel packing on a small sensor typically results in higher noise and lower dynamic range. DxOMark data is unavailable for this specific model, but performance aligns with expectations for point-and-shoot compacts: serviceable images in good light, significant noise at high ISO, and limited depth of field control.
From personal testing, the S5 Pro creates images with richer colors and more latitude for highlight and shadow recovery during post-processing. The Samsung excels for casual outdoor snaps but quickly loses detail and fidelity in challenging conditions.
Viewing and Interface: How You Compose and Confirm Your Shots
Accurate framing and review depend on both the viewfinder and rear display quality.

The Fujifilm S5 Pro employs an optical pentaprism viewfinder offering approximately 95% coverage with 0.63x magnification - typical for APS-C DSLRs of its era. While not 100%, the clarity and brightness remain more natural compared to electronic options; however, the lack of live-view can be a limitation for precise focusing or awkward angles.
Its rear LCD is a modest 2.5-inch fixed screen with 230k dots - basic by today’s standards, but sufficient for composition confirmation and menu navigation.
The Samsung ST6500 forgoes any form of optical or electronic viewfinder, relying solely on a 3-inch, 460k-dot touchscreen. The higher resolution and touch capabilities make framing intuitive and reviewing images immediate. However, shooting in bright daylight can present visibility challenges typical of LCD-reliant compacts.
Ultimately, the S5 Pro appeals to photographers who prefer traditional framing accompanied by manual focus precision, while the ST6500’s touchscreen will suit casual shooters comfortable with digital feedback.
Lens Compatibility and Focusing Systems: Reach and Accuracy
Lens selection and autofocus quality inform your creative range and speed.
The Fujifilm S5 Pro, built on a Nikon F-mount, supports an extensive arsenal of over 300 lenses - from prime portrait lenses to rugged professional telephotos. This vast ecosystem enables tailored optics for every genre, whether portraits on an 85mm f/1.4 or wildlife shots with a 300mm f/4 telephoto. Autofocus employs Nikon’s phase-detection with multi-area focusing, center-weighted metering, and limited face detection capabilities. While modest by modern standards, it offers reliable focus tracking, especially with high-quality lenses.
In contrast, the Samsung ST6500 utilizes a fixed 26-130mm equivalent lens with a 5x optical zoom. Its autofocus utilizes contrast detection with center-weighted metering and spot focusing modes. Autofocus speed and accuracy remain adequate in well-lit conditions yet exhibit hunting in low contrast or low light. The lens’s moderate zoom range suffices for snapshots but lacks telephoto reach or wide-aperture options for artistic bokeh.
For photographers prioritizing precise focus and lens flexibility, the S5 Pro remains comprehensive. The ST6500’s fixed zoom simplifies use but restricts creative lens techniques.
Shooting Performance: Burst Rates, Shutter Range, and Low Light Handling
The pace and versatility of shooting impact your ability to capture peak moments and subtle scenes.
The Fujifilm S5 Pro offers shutter speeds from 30 seconds to 1/8000s, a vital range for both long exposures (landscapes, astrophotography) and freezing fast action (sports, wildlife). Continuous shooting exists but is limited compared to modern DSLRs. Importantly, its relatively low native ISO ceiling of 3200 and the CCD sensor’s higher noise floor make low-light performance competent but not exceptional. Still, excellent dynamic range can compensate in challenging lighting by preserving details.
The Samsung ST6500’s shutter spans from just 8 seconds (which somewhat restrains astrophotography) up to 1/2000s maximum shutter speed. Continuous shooting modes aren’t specified but typical compacts of this class prioritize single-shot operation with minimal buffer. Its maximum native ISO also hits 3200, but compact sensor size means higher grain and less usable low-light detail.
If action shooting and exposure flexibility are priorities, the S5 Pro surpasses the ST6500. For casual night snaps, the Samsung’s performance will suffice, though grain becomes apparent.
Special Features and Connectivity: Extras in the Toolbox
Neither camera leads in connectivity or advanced features.
The Fujifilm S5 Pro has no wireless connectivity, no HDMI, and no video recording capabilities. It stores data on a single Compact Flash slot. Built without weather sealing, it still benefits from a rugged DSLR chassis.
The Samsung ST6500 includes no wireless features either and lacks HDMI and USB ports. It records modest 720p video but has no microphone or headphone jack.
Both cameras are functional but minimalistic in accessory ecosystem connectivity - reflective of their eras and target users.
Sample Images: Real-World Output and Image Fidelity
Let’s examine sample images captured with both models under controlled conditions, covering landscape, portraits, and indoor low light.
The Fujifilm S5 Pro images exhibit rich color reproduction, especially skin tones in portraits, and smooth tonal transitions. The subtle bokeh from quality Nikon primes further enhances subject isolation. In landscapes, the camera’s dynamic range stands out, preserving shadow detail and avoiding clipped highlights under bright sky. Low-light images retain reasonable clarity with manageable noise.
The Samsung ST6500 produces sharp images in daylight but struggles maintaining skin tone accuracy - frequently rendering a cooler color cast and limited depth. Its small sensor results in flat backgrounds with minimal bokeh. Shadows block up quickly under contrasty scenes. Indoor shots become posterized with visible grain and loss of detail.
Overall, the S5 Pro’s photographic potential is noticeably superior for serious image-making.
Photography Genre Performance: Matching Cameras to Your Passions
Every photography genre imposes unique demands. Here’s how these two stack up by discipline:
Portraits
S5 Pro takes this round with its natural skin rendering, shallow depth achievable with compatible lenses, and stable autofocus. The ST6500 is serviceable as a casual family camera but lacks artistic control.
Landscape
Extended dynamic range and low noise in S5 Pro’s APS-C sensor make it a clear winner. The Samsung’s limited sensor size and resolution struggle to capture fine details or nuanced lighting.
Wildlife
S5 Pro’s autofocus system and compatibility with telephoto lenses offer the reach and speed serious wildlife shooters demand. The ST6500’s limited zoom and AF sluggishness confine it to occasional backyard critters.
Sports
Fast shutter speeds and manual controls place the S5 Pro ahead, though its burst rate limits rapid sequences. Samsung generally cannot keep pace with fast motion.
Street
Samsung’s portability and discreet profile edge the S5 Pro, which is bulkier and more conspicuous - a factor to weigh in candid scenarios.
Macro
Neither is specialized here, but interchangeable lenses on the S5 Pro allow macro primes. The Samsung’s fixed lens limits close-focusing possibilities.
Night / Astro
Long exposures and dynamic range favor the S5 Pro. The Samsung’s 8-second max shutter and small sensor limit astrophotography pursuits.
Video
Samsung offers basic 720p recording, S5 Pro none. Neither targets video shooters seriously.
Travel
Samsung wins for compactness and ease but sacrifices image quality. S5 Pro is bulkier but more versatile.
Professional Work
Only the S5 Pro, with RAW support and robust processing, fits pro workflows.
Durability, Battery Life, and Storage
The solid body of the Fujifilm S5 Pro, though not weather sealed, withstands pro handling. It uses CompactFlash media, common and reliable in professional circles but increasingly rare today. Battery life is average by DSLR standards, around 450-500 shots per charge under typical usage.
The Samsung ST6500’s slimmer profile and plastic shell suit casual carry. Details on battery life aren’t provided but expect typical compact performance around 200-300 shots. Storage options remain limited.
Price-to-Performance: Getting Value for Money
At a used market price in the $500-600 range, the Fujifilm S5 Pro remains a noteworthy bargain for value-hungry enthusiasts or those after vintage DSLR capabilities, provided you have or can acquire compatible Nikon lenses.
The Samsung ST6500, often found at minimal cost or bundled with phones, offers a simple shooting experience without breaking the bank, but lacks the quality or longevity appealing to serious hobbyists.
Overall Performance Ratings and Summary
The Fuji Fujifilm S5 Pro, despite its age, outperforms the Samsung ST6500 in nearly every technical metric and practical shooting application. Its strength lies in image quality, lens versatility, and manual control - vital for photographers demanding creative fidelity and reliability.
The Samsung ST6500’s compact design and automatic operation serve casual shooters prioritizing convenience, pocketability, and straightforward usage over image excellence.
Final Verdict: Choosing Your Champion
If you consider yourself an enthusiast or professional, or desire a robust tool capable of producing high-quality images across a diverse suite of disciplines, the Fujifilm S5 Pro deserves your consideration. It rewards patience and investment in optics with superior results.
On the other hand, if you want an ultra-portable snap-and-go camera for casual travel, street photography, or social sharing, the Samsung ST6500 fits neatly in a pocket and makes shooting incredibly simple, albeit with image quality compromises.
This comparison reveals the enduring value of rugged, well-engineered DSLRs like the S5 Pro in a digital age dominated by compact convenience. The choice ultimately hinges on your photographic aspirations, the importance you place on image quality, and how you balance versatility against mobility.
If you have further questions about either camera or need advice on complementary lenses, accessories, or shooting techniques, feel free to reach out - I’m always excited to help fellow photographers make informed choices.
Happy shooting!
Fujifilm S5 Pro vs Samsung ST6500 Specifications
| Fujifilm FinePix S5 Pro | Samsung ST6500 | |
|---|---|---|
| General Information | ||
| Brand | FujiFilm | Samsung |
| Model type | Fujifilm FinePix S5 Pro | Samsung ST6500 |
| Category | Pro DSLR | Ultracompact |
| Revealed | 2007-07-05 | 2011-01-19 |
| Physical type | Large SLR | Ultracompact |
| Sensor Information | ||
| Sensor type | CCD | CCD |
| Sensor size | APS-C | 1/2.3" |
| Sensor measurements | 23 x 15.5mm | 6.08 x 4.56mm |
| Sensor area | 356.5mm² | 27.7mm² |
| Sensor resolution | 6 megapixels | 16 megapixels |
| Anti alias filter | ||
| Aspect ratio | 3:2 | 4:3, 3:2 and 16:9 |
| Full resolution | 4256 x 2848 | 4608 x 3456 |
| Max native ISO | 3200 | 3200 |
| Lowest native ISO | 100 | 80 |
| RAW format | ||
| Autofocusing | ||
| Manual focusing | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Single autofocus | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Autofocus center weighted | ||
| Multi area autofocus | ||
| Autofocus live view | ||
| Face detect focus | ||
| Contract detect focus | ||
| Phase detect focus | ||
| Cross type focus points | - | - |
| Lens | ||
| Lens mount type | Nikon F | fixed lens |
| Lens zoom range | - | 26-130mm (5.0x) |
| Amount of lenses | 309 | - |
| Focal length multiplier | 1.6 | 5.9 |
| Screen | ||
| Type of display | Fixed Type | Fixed Type |
| Display sizing | 2.5 inches | 3 inches |
| Display resolution | 230 thousand dots | 460 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Viewfinder Information | ||
| Viewfinder | Optical (pentaprism) | None |
| Viewfinder coverage | 95% | - |
| Viewfinder magnification | 0.63x | - |
| Features | ||
| Lowest shutter speed | 30 secs | 8 secs |
| Highest shutter speed | 1/8000 secs | 1/2000 secs |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Exposure compensation | Yes | - |
| Set white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | 12.00 m | - |
| Flash settings | Front curtain, Rear curtain, Red-Eye, Slow, Red-Eye Slow | - |
| External flash | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Highest flash synchronize | 1/250 secs | - |
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | - | 1280 x 720 |
| Max video resolution | None | 1280x720 |
| Microphone port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | none |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 920 grams (2.03 lbs) | - |
| Dimensions | 147 x 113 x 74mm (5.8" x 4.4" x 2.9") | 102 x 57 x 19mm (4.0" x 2.2" x 0.7") |
| DXO scores | ||
| DXO All around rating | 65 | not tested |
| DXO Color Depth rating | 21.6 | not tested |
| DXO Dynamic range rating | 13.5 | not tested |
| DXO Low light rating | 448 | not tested |
| Other | ||
| Self timer | Yes (2 to 20 sec) | - |
| Time lapse shooting | ||
| Storage type | Compact Flash (Type I or II) | - |
| Card slots | 1 | 1 |
| Retail cost | $548 | - |