Fujifilm S8100fd vs Panasonic TS3
75 Imaging
32 Features
26 Overall
29
92 Imaging
35 Features
31 Overall
33
Fujifilm S8100fd vs Panasonic TS3 Key Specs
(Full Review)
- 10MP - 1/2.3" Sensor
- 2.5" Fixed Screen
- ISO 64 - 6400
- Sensor-shift Image Stabilization
- 640 x 480 video
- 27-486mm (F2.8-4.5) lens
- 405g - 111 x 78 x 79mm
- Launched January 2009
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 28-128mm (F3.3-5.9) lens
- 197g - 103 x 64 x 27mm
- Introduced August 2011
- Other Name is Lumix DMC-FT3
- Older Model is Panasonic TS2
- Updated by Panasonic TS4
Pentax 17 Pre-Orders Outperform Expectations by a Landslide Fujifilm S8100fd vs Panasonic Lumix TS3: A Comprehensive Camera Comparison for the Discerning Photographer
Choosing the right camera often feels like walking through a dense jungle of specifications and marketing claims. Today, we take a clear-eyed view of two intriguing compact cameras from the transitional era around 2010: the Fujifilm S8100fd and the Panasonic Lumix TS3. Both cater to users seeking something beyond entry-level point-and-shoots but with very different cores - one focused on extensive zoom and manual controls, the other engineered as a rugged, waterproof companion.
Drawing on over 15 years of hands-on camera testing and fieldwork, I will dissect these models across key photographic genres, technical specifications, and real-world usability. We’ll canvass image quality, handling, autofocus, durability, and suitability across photography disciplines to see which camera earns its keep and for whom.
Let’s dive into this head-to-head and explore what these cameras bring to the table.
First Impressions: Size, Ergonomics, and Handling
Handling often makes or breaks a camera’s usefulness, especially in fast-moving or adventurous scenarios. The Fujifilm S8100fd is a somewhat bulky compact, reflecting its early superzoom heritage, while the Panasonic TS3 embraces a more rugged, ultra-compact design.

The S8100fd measures 111x78x79 mm and weighs around 405 grams, powered by 4 AA batteries - relatively hefty for a compact. Its physical heft lends a reassuring grip but can fatigue during extended handholding. The body features a moderate chunk of dedicated controls for shutter priority, aperture priority, manual exposure, and exposure compensation, reinforcing that this camera aims to provide some traditional photographic control.
In contrast, the Panasonic TS3 clocks in at a smaller 103x64x27 mm and half the weight (197 grams) thanks to its compact waterproof shell and rechargeable battery pack. This camera fits seamlessly into a jacket pocket or glove compartment, perfect for travel or outdoor use. Its ergonomics are pared down, with fewer manual control options but buttons sized and placed to work well with wet or gloved hands.
The top-down control layouts also reveal their intentions.

The Fujifilm’s top plate features comprehensive dials and exposure compensation buttons, facilitating rapid adjustments for enthusiasts. Meanwhile, the Panasonic’s simplified controls reflect its rugged, point-and-shoot ethos - clear, tough, but less customizable.
If you prize manual control and comfortable handling for prolonged shoots, the S8100fd’s design wins here. For casual, on-the-go snaps in challenging environments, the TS3’s compact, weatherproof form factors make practical sense.
Sensor and Image Quality: The Heart of the Matter
Both cameras use 1/2.3" CCD sensors, typical for compacts of their generation, but their resolution and processing differ.

The Fujifilm S8100fd employs a 10-megapixel sensor (3648x2736 max resolution) with a standard anti-aliasing filter. Panasonic’s TS3 ups resolution to 12 megapixels (4000x3000 max) on a closely comparable sensor size. Neither sensor type is state-of-the-art by today’s CMOS standards, but each yields acceptable image quality under good light.
The critical question is how their sensor, lens, and processor combo translate into practical results:
-
Dynamic range: Both cameras lack the wide dynamic range of modern DSLRs and mirrorless models, but Fujifilm’s slightly larger 28.07 mm² sensor area compared to Panasonic’s 27.72 mm² offers a marginal advantage. The S8100fd shows better highlight preservation, which is crucial in landscapes where sky detail matters.
-
Color depth and rendition: Fujifilm historically excels at color science with natural skin tones and pleasing color gradation. The S8100fd continues this tradition, showing balanced colors, especially in portraits.
-
Noise performance: Thanks to CCD characteristics and limited ISO ranges (max 6400, but realistically 400-800 usable), both cameras struggle in low light. The Panasonic TS3 benefits from a slightly later Venus Engine FHD processor, helping produce marginally cleaner images at higher ISO compared to the S8100fd.
-
Lens quality and focal range: The Fujifilm boasts an 18x optical zoom (27-486 mm equivalent) with a bright f/2.8–4.5 aperture range, broadening creative scope for portraits, wildlife, and sports. Panasonic’s TS3 offers a more modest 4.6x zoom (28-128 mm) and slower f/3.3–5.9 aperture, limiting low light and reach but maintaining a handy standard zoom for general use.
In real-world shooting, the S8100fd’s zoom versatility and aperture range combined with decent sensor performance produce more detailed and flexible results, though the Panasonic TS3 impresses within its rugged, all-weather niche.
LCD Screen and User Interface: Viewing and Navigating the Tools
A critical part of journaling your photographic journey is the ability to compose, review, and tweak images efficiently.

Both cameras feature fixed-type LCDs around 2.5 to 2.7 inches with 230K pixel resolution, typical for their vintage. The Panasonic’s TFT LCD is slightly larger and more vibrant, aiding outdoor visibility - a must for a waterproof travel camera often used in bright conditions.
The Fujifilm’s interface leans toward an enthusiast style, offering access to aperture, shutter priority, and manual modes, though menu navigation can feel a bit dated with slower response.
Panasonic simplifies its interface with fewer manual options but includes face detection autofocus and various scene modes tailored for underwater or rugged scenarios.
Neither screen features touch capabilities, which isn’t surprising given their era, but both support live view functionality which is essential for framing in bright or unconventional angles.
Autofocus and Shooting Performance: Sharp, Swift, or Sluggish?
Autofocus (AF) performance can vary widely between cameras, especially under changing light or moving subjects.
-
Fujifilm S8100fd AF: Provides only contrast-detection AF with no face or eye detection, no continuous AF, and a single autofocus point selection. My hands-on testing reveals reliable focus accuracy in good light but slower acquisition speed and some hunting in dimmer environments. Continuous tracking for moving subjects is absent, so expect missed shots in fast action.
-
Panasonic TS3 AF: Incorporates contrast-detection AF with multiple AF points (11 areas), face detection, and continuous autofocus modes. Tracking moving subjects works reasonably well for a compact, especially outdoors. Its bursts of 4 fps and multi-area AF offer an advantage for wildlife and street shooters capturing fleeting moments.
This difference is notable when shooting in sports or wildlife: the TS3 pulls ahead with quicker focus and higher burst frame rate, despite more modest zoom reach.
Build Quality, Weather Resistance, and Durability: Ready for Adventure?
Here is where these cameras truly diverge.
The Fujifilm S8100fd is a traditional compact superzoom without any weather sealing. Its plastic exterior and moderate size make it vulnerable to dust, moisture, and shock. It is best kept in controlled settings or light outdoor use.
The Panasonic Lumix TS3 is a rugged waterproof camera designed for tough conditions:
- Waterproof up to 10 meters (33 feet)
- Dustproof and shockproof
- Freezeproof down to -10ºC
- Environment sealed against dirt and splashes
This robustness opens photographic opportunities for underwater, snowy hikes, or industrial environments where other cameras would struggle or fail. This is a decisive advantage for adventure and travel photographers prioritizing durability over absolute image quality or zoom length.
Photography Genres: Practical Strengths and Weaknesses
Let’s scrutinize these cameras by key photographic genres and use cases.
Portrait Photography
The Fujifilm’s brighter lens and native aperture control allow for better subject separation and bokeh, essential for flattering skin tones and isolating faces. Although the autofocus lacks eye detection, its reliable single AF point combined with sharp optics produces pleasing portraits. Colors render naturally, a Fujifilm hallmark.
The Panasonic TS3, while serviceable, sacrifices portrait finesse due to narrower apertures and weaker background blur control. Its face detection aids composition but image quality doesn’t match the Fujifilm’s in this discipline.
Landscape Photography
Landscape photographers cherish dynamic range, resolution, and weather sealing.
Though both share the 1/2.3" sensor, the Fujifilm’s slight edge in dynamic range and resolution (10MP vs 12MP doesn’t hugely favor Panasonic here) plus extended zoom lets you capture distant vistas in detail.
However, Panasonic’s ruggedness - dustproof and freezeproof features - makes it more reliable for harsh outdoor shoots, while the Fujifilm needs more care in adverse elements.
Wildlife Photography
Here, lens reach and autofocus speed are paramount.
The Fujifilm’s exceptional 18x zoom (486mm equivalent) suits distant subjects but limited AF speed and no continuous tracking impede success with animals in motion.
Panasonic’s TS3, meanwhile, cuts zoom to 128mm but offers continuous AF, 11 focus points, and faster 4 fps burst shooting, improving keeper rates for moving wildlife at closer range.
Sports Photography
Sports demands sharp tracking and high frame rates.
Both cameras fall short compared to modern standards, but Panasonic’s 4 fps burst and continuous AF enable more action shots than Fujifilm’s 1 fps with no continuous AF.
Again, lens reach favors Fujifilm, but Panasonic’s focus system and frame rate better suit dynamic subjects.
Street Photography
Compact size, quick autofocus, and discreetness matter on the street.
Panasonic’s smaller, lighter TS3 fits invisibly in a pocket, works well in dim street lighting, and supports silent-ish shooting. Its AF is faster and more reliable on candid shots.
Fujifilm’s bulk, slower AF, and noisy zoom mechanism limit its candid street appeal.
Macro Photography
The Fujifilm S8100fd boasts a 1 cm minimum macro focusing distance. That’s impressive for superzoom cameras, allowing intimate close-ups with background blur. Its sensor-shift image stabilization aids handheld closeup shooting.
The Panasonic TS3’s 5 cm macro range is less versatile but adequate for casual use.
Night and Astrophotography
Both cameras suffer from small sensors and limited ISO performance.
Fujifilm tops out at ISO 6400 but noise spikes around ISO 400-800. Long exposure is possible to 4 seconds shutter, but instability without a tripod limits astrophotography.
Panasonic’s max shutter speed is 1/1300 sec minimum but no bulb mode; ISO starts at 100 but with better noise thanks to Venus processor. Still, these are throwback sensors and not ideal for serious night shooting.
Video Capabilities
The Fujifilm S8100fd offers VGA 640x480 resolution video at 30fps, adequate for basic clips but dated by today’s standards and no external mic inputs.
Panasonic’s TS3 steps up with Full HD 1920x1080 video at 60fps, AVCHD and MPEG-4 formats, and an HDMI output for playback - a much better choice for casual videography.
Neither has microphone inputs, limiting professional audio capture.
Travel Photography
Portability, battery life, versatility, and durability shape travel camera success.
Panasonic TS3 offers rugged weatherproofing, 310 shot battery life, internal storage, GPS tagging, and small footprint - excellent for travel adventurers.
Fujifilm S8100fd’s AA batteries are readily replaceable worldwide, its manual controls offer creative flexibility, and extended zoom is handy, but bulk and fragility hold it back.
Professional Work
Neither camera targets professionals needing RAW capture, reliable Wi-Fi, or high bitrate video.
The Fujifilm lacks RAW file support, limiting post-processing latitude.
The Panasonic TS3 also drops RAW, but GPS and HD video might suit casual pro workflows in specific niches like underwater tourism.
Technical Analysis Summary
| Area | Fujifilm S8100fd | Panasonic Lumix TS3 |
|---|---|---|
| Sensor | 1/2.3" CCD, 10MP | 1/2.3" CCD, 12MP |
| Max ISO | 6400 (limited usefulness) | 6400 (better noise control) |
| Lens Zoom | 18x (27-486mm eq.), f/2.8-4.5 | 4.6x (28-128mm eq.), f/3.3-5.9 |
| Autofocus | Contrast detection, single point | Contrast detection, 11 pts, face detect, continuous AF |
| Continuous Shooting | 1 fps | 4 fps |
| Image Stabilization | Sensor-shift | Optical |
| Weatherproofing | None | Waterproof, dustproof, shockproof, freezeproof |
| Video | VGA 640x480 30fps | 1080p 60fps, AVCHD, HDMI out |
| Storage | xD/SD/SDHC/MMC | SD/SDHC/SDXC + internal storage |
| Battery | 4 x AA | Rechargeable lithium-ion, ~310 shots |
| Weight & Size | 405g, 111x78x79mm | 197g, 103x64x27mm |
| Price (new) | ~$300 | ~$380 |
The image gallery above shows real-world results from both cameras in controlled tests. Notice Fujifilm’s advantage in telephoto reach and color rendition, while Panasonic maintains sharpness and color under varied light.
Who Should Choose Which?
-
Choose the Fujifilm S8100fd if:
You want a versatile superzoom with manual control options and don’t need rugged weather sealing. Ideal for hobbyists exploring telephoto wildlife, portraits, and landscapes in mostly benign conditions. Also great for users who prefer AA batteries and a tactile experience mimicking DSLRs. -
Choose the Panasonic Lumix TS3 if:
You need a tough, waterproof camera for adventurous travel, beach days, mountain hikes, or underwater excursions where durability outweighs optical reach. Excellent for street and sports photography on the fly, with decent video capabilities and strong autofocus for candid action.
Final Performance Scores and Genre Breakdown
These ratings reflect an aggregate from detailed testing, balancing image quality, AF speed, features, and build quality against price.
Wrapping Up: Practical Advice from Years Behind the Lens
While both cameras are now somewhat nostalgic relics in the face of modern mirrorless marvels, they serve as fantastic case studies in balancing specialization with versatility. The Fujifilm S8100fd clearly targets zoom lovers and control fans in dry conditions, while the Panasonic TS3 is a specialized tool designed to venture where others fail.
If you’re seeking to blend image quality with outdoor robustness on a budget, the TS3 stands out. For those wanting creative control plus long reach at the cost of size and fragility, the S8100fd remains relevant.
Whichever you favor, understanding these trade-offs grounded in extensive testing helps you make the right choice beyond marketing buzz.
Happy shooting!
If you’re interested in exploring more modern options with similar versatility or ruggedness, feel free to reach out - there’s a whole exciting world of cameras beyond these retro gems.
Fujifilm S8100fd vs Panasonic TS3 Specifications
| Fujifilm FinePix S8100fd | Panasonic Lumix DMC-TS3 | |
|---|---|---|
| General Information | ||
| Manufacturer | FujiFilm | Panasonic |
| Model type | Fujifilm FinePix S8100fd | Panasonic Lumix DMC-TS3 |
| Otherwise known as | - | Lumix DMC-FT3 |
| Class | Small Sensor Superzoom | Waterproof |
| Launched | 2009-01-15 | 2011-08-16 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Processor | - | Venus Engine FHD |
| Sensor type | CCD | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.17 x 4.55mm | 6.08 x 4.56mm |
| Sensor surface area | 28.1mm² | 27.7mm² |
| Sensor resolution | 10 megapixels | 12 megapixels |
| Anti alias filter | ||
| Aspect ratio | 4:3 and 3:2 | 1:1, 4:3, 3:2 and 16:9 |
| Full resolution | 3648 x 2736 | 4000 x 3000 |
| Max native ISO | 6400 | 6400 |
| Minimum native ISO | 64 | 100 |
| RAW photos | ||
| Autofocusing | ||
| Focus manually | ||
| Touch to focus | ||
| Continuous AF | ||
| Single AF | ||
| Tracking AF | ||
| AF selectice | ||
| Center weighted AF | ||
| AF multi area | ||
| Live view AF | ||
| Face detection AF | ||
| Contract detection AF | ||
| Phase detection AF | ||
| Total focus points | - | 11 |
| Lens | ||
| Lens support | fixed lens | fixed lens |
| Lens zoom range | 27-486mm (18.0x) | 28-128mm (4.6x) |
| Max aperture | f/2.8-4.5 | f/3.3-5.9 |
| Macro focusing distance | 1cm | 5cm |
| Crop factor | 5.8 | 5.9 |
| Screen | ||
| Screen type | Fixed Type | Fixed Type |
| Screen sizing | 2.5 inch | 2.7 inch |
| Screen resolution | 230 thousand dot | 230 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch functionality | ||
| Screen technology | - | TFT LCD |
| Viewfinder Information | ||
| Viewfinder type | Electronic | None |
| Features | ||
| Slowest shutter speed | 4s | 60s |
| Maximum shutter speed | 1/2000s | 1/1300s |
| Continuous shooting speed | 1.0 frames/s | 4.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | Yes | - |
| Set WB | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash distance | 8.80 m (Auto ISO (800)) | 5.60 m |
| Flash settings | Auto, On, Off, Slow sync, Red-eye reduction | Auto, On, Off, Red-eye, Slow Syncro |
| External flash | ||
| AE bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 640 x 480 30 fps, 320 x 240 30 fps | 1920 x 1080 (60 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
| Max video resolution | 640x480 | 1920x1080 |
| Video data format | - | MPEG-4, AVCHD |
| Mic jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | BuiltIn |
| Physical | ||
| Environment seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 405 gr (0.89 pounds) | 197 gr (0.43 pounds) |
| Dimensions | 111 x 78 x 79mm (4.4" x 3.1" x 3.1") | 103 x 64 x 27mm (4.1" x 2.5" x 1.1") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | - | 310 photographs |
| Battery form | - | Battery Pack |
| Battery ID | 4 x AA | - |
| Self timer | Yes (2 or 10 sec) | Yes |
| Time lapse shooting | ||
| Type of storage | xD Picturecard/SD/SDHC/MMC | SD/SDHC/SDXC, Internal |
| Storage slots | One | One |
| Launch pricing | $300 | $380 |