Fujifilm S8400W vs Panasonic ZS80
61 Imaging
39 Features
44 Overall
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86 Imaging
47 Features
70 Overall
56
Fujifilm S8400W vs Panasonic ZS80 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 64 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 24-1056mm (F2.9-6.5) lens
- 670g - 123 x 87 x 116mm
- Released March 2013
(Full Review)
- 20MP - 1/2.3" Sensor
- 3" Tilting Display
- ISO 80 - 3200 (Expand to 6400)
- Optical Image Stabilization
- 3840 x 2160 video
- 24-720mm (F3.3-6.4) lens
- 327g - 112 x 69 x 42mm
- Revealed February 2018
- Also Known as Lumix DC-TZ95
- Earlier Model is Panasonic ZS70

Fujifilm S8400W vs Panasonic ZS80: The Definitive Small Sensor Superzoom Showdown
Selecting the ideal small sensor superzoom camera can be surprisingly nuanced, as these devices strive to offer a blend of versatile focal ranges, image quality, and user-friendly features in compact bodies. Today, I rigorously compare two notable entries within this category: the Fujifilm FinePix S8400W (hereafter Fujifilm S8400W), announced back in 2013, and the more recent Panasonic Lumix DC-ZS80 (also known as Lumix DC-TZ95, launched in 2018). Both models aim to deliver powerful zoom capabilities with accessible handling, yet their designs, technology, and performance nuance differ significantly.
Having personally tested thousands of cameras with a wide range of sensor sizes, autofocus systems, and lens configurations over the past 15 years, I will systematically analyze these two models across all major photographic disciplines and technical criteria, combining lab benchmarks and real-world usage insights.
Comparing the physical size and ergonomics of Fujifilm S8400W (left) vs Panasonic ZS80 (right)
Physical Design and Handling: Ergonomics That Matter on the Go
The Fujifilm S8400W adopts a bridge camera body styled reminiscent of DSLRs, resulting in a fairly large frame at 123 x 87 x 116 mm and weighing 670 grams (including batteries). In contrast, the Panasonic ZS80 shrinks into a more pocket-friendly compact form factor measuring a mere 112 x 69 x 42 mm and weighing just 327 grams - a substantial reduction that directly affects portability, especially for travel and street shooters.
While the Fujifilm’s bulk affords a substantial grip and physical dials for exposure controls, suitable for photographers used to DSLR-esque handling, the Panasonic's more compact chassis leans towards a minimalist design without sacrificing manual control thanks to its touch interface.
Top view highlights the Fujifilm S8400W's dedicated exposure dials versus the Panasonic ZS80's streamlined button layout
The Fujifilm features a traditional layout with dedicated shutter speed and ISO dials, benefitting users who prefer tactile feedback for quick adjustments; meanwhile, the Panasonic offers a tilting touchscreen that enhances framing flexibility and intuitive menu navigation but at the expense of physical control dials.
Both cameras include electronic viewfinders, though the ZS80 boasts a significantly higher resolution (2330 dots) and full coverage (100%), providing a clearer and more accurate preview compared to the S8400W’s modest 201 dots and 97% coverage. This advantage translates to a more satisfying shooting experience under bright outdoor conditions for the Panasonic model.
Sensor and Image Quality: Technical Head-to-Head
At the heart of any camera's image capabilities lie the sensor technology and processing algorithms employed. Both cameras utilize the common 1/2.3-inch BSI-CMOS sensor measuring 6.17 x 4.55 mm (28.07 mm² sensor area), yet distinct differences arise in resolution, sensitivity range, and raw support.
Both cameras share a 1/2.3" sensor size, but Panasonic ups the resolution and adds raw capture
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Resolution: The Fujifilm S8400W delivers 16 MP (4608 x 3456), while the Panasonic ZS80 advances to 20 MP (5184 x 3888). The 20% increase in pixel count for the Panasonic generally enables slightly better detail rendition, albeit at the potential cost of a minor increase in noise at high ISOs due to smaller pixel size. In practice, both sensors perform acceptably at base ISOs but low-light handling is limited by physical sensor size.
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ISO Range and Noise Handling: Panasonic caps its native ISO at 3200 (expandable to 6400), whereas Fujifilm offers a broader native range topping at 12800 ISO - theoretically favoring Fujifilm for dim-light conditions. However, in real-world tests, the Panasonic’s superior image processing and noise reduction algorithms yield cleaner output at elevated ISOs, noticeably so beyond ISO 1600.
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Raw Format Support: The Panasonic ZS80 supports raw capture in addition to JPEG, an indispensable tool for enthusiasts willing to invest time in post-processing. The Fujifilm S8400W, lacking raw support, restricts users to JPEGs only, limiting flexibility to recover shadow and highlight detail or refine color grading.
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Anti-Aliasing Filter: Both incorporate an anti-aliasing (optical low-pass) filter to combat moiré patterns and false colors, which slightly softens images but generally avoids color artifacts across diverse shooting conditions.
In landscape and travel photography with expansive detail, the Panasonic’s higher resolution provides a meaningful advantage, while street and wildlife shooters will appreciate its balanced noise control and raw file utility.
Autofocus, Exposure, and Shooting Mechanics
A critical area where these two superzooms diverge substantially is autofocus system sophistication and shooting responsiveness.
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Autofocus System: The Fujifilm S8400W utilizes a contrast-detection AF mechanism with unknown focus point counts. It supports single-shot AF and includes center-weighted and multi-area modes, but lacks face or eye detection. The Panasonic ZS80 employs an advanced contrast-detection AF combined with face detection and selective focus areas. Notably, it supports continuous AF, touch-to-focus on the screen, and tracking AF for moving subjects.
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Focus Distance and Macro: Fujifilm impresses with a macro focusing range down to an impressive 1 cm, ideal for extreme close-ups, whereas the Panasonic’s minimum focus distance is 3 cm - still respectable for casual macro shooting but less flexible for high magnification.
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Continuous Shooting and Shutter Speed: Both cameras offer respectable 10 fps burst rates, beneficial for wildlife and sports shooters capturing fleeting action. The ZS80 provides faster maximum shutter speeds - with an electronic shutter up to 1/16000s supporting bright-light shooting and silent operation - absent in the Fujifilm.
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Exposure Modes: Both support manual, aperture priority, and shutter priority exposure modes, with exposure compensation available - crucial for creative control. Panasonic’s addition of custom white balance bracketing and auto exposure bracketing further extends versatility.
Display and User Interface: Modern Touches vs Legacy Controls
Though a seemingly minor detail, the rear LCD screen and viewfinder usability greatly influence the shooting experience, workflow, and intuitiveness.
Panasonic ZS80’s higher resolution tilting touchscreen offers greater flexibility than Fujifilm S8400W’s fixed, lower-res LCD
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The Fujifilm S8400W has a fixed 3-inch LCD with 460k dots resolution, sufficient for basic framing and menu navigation but somewhat limited in sharpness and viewing angle.
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Panasonic’s ZS80 sports a 3-inch, 1040k-dot tilting touchscreen. The ability to pivot the display dramatically benefits videographers, selfie shooters, and low/high-angle photographers. Additionally, the touchscreen interface simplifies focus point selection and menu navigation - particularly helpful for new or casual users.
While both include electronic viewfinders, Panasonic’s higher-resolution EVF offers significantly more reliable framing and focus confirmation, a critical feature when shooting in bright light without glare on the LCD.
Lens Range and Optical Performance
The zoom range and aperture are defining features of superzoom cameras, directly affecting photographic versatility.
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Focal Length: Fujifilm S8400W offers an incredibly ambitious 44x zoom equivalent to 24-1056 mm, whereas the Panasonic ZS80 claims a 30x zoom covering 24-720 mm. The longer reach of the Fujifilm lens is an advantage for distant wildlife or surveillance-style applications, though longer focal lengths often challenge image stabilization and sharpness.
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Maximum Aperture: The Fujifilm’s lens starts brighter at F2.9 wide and narrows to F6.5 telephoto; Panasonic’s begins at F3.3 and stops down to F6.4. The slightly faster wide angle aperture of the Fujifilm can help in low-light landscapes and interiors. However, wider apertures tend to be less critical at the long end (where both reach f/6.4–6.5) given inherent light constraints.
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Image Stabilization: Both cameras incorporate optical image stabilization, essential for handheld shooting at extreme zooms. While Fujifilm uses a generic optical stabilization system, Panasonic’s implementation combines their Venus Engine processing for efficient shake reduction. In practice, Panasonic’s IS proved more effective, especially at the telephoto end and during video recording.
Performance in Specific Photography Genres
To help contextualize the strengths and limitations of these cameras, let’s explore their performance across common photographic use cases.
Side-by-side sample photos demonstrating autofocus, color rendition, and zoom range from both cameras
Portrait Photography
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Fujifilm S8400W: Without face or eye detection autofocus, achieving sharp focus on portrait subjects relies on careful framing and focus confirmation. The modest sensor and lens capabilities limit depth-of-field control and natural bokeh quality, but the slightly faster wide aperture aids low-light interiors.
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Panasonic ZS80: Face detection autofocus and touch-to-focus significantly improve portrait shoot reliability. At 24 mm, the lens offers reasonable wide angles but limited bokeh due to sensor and aperture constraints. Skin tones are rendered naturally, thanks to Panasonic’s color science and raw support.
Landscape Photography
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Dynamic Range & Resolution: The Panasonic ZS80’s higher 20 MP sensor combined with raw files enables superior landscape captures, where detail and highlight recovery matter most.
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Build and Weather Resistance: Neither model offers weather sealing, so outdoor landscape photographers must exercise caution in adverse weather.
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Optical Stretch & Quality: Fujifilm’s longer zoom range is less useful here because landscapes typically require wider angles; Panasonic’s lens is sharper wide-angle and more consistent across zoom ranges.
Wildlife Photography
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Autofocus Speed & Accuracy: The Fujifilm’s contrast-only AF system and lack of tracking may hinder capturing fast or erratic animal movements; Panasonic’s continuous and tracking AF excels here.
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Burst Rates: Both cameras can shoot at 10 fps, but Panasonic’s faster shutter speeds allow for more flexible burst shooting in varied lighting.
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Telephoto Performance: Fujifilm’s 1056 mm telephoto reach is unmatched in this comparison, enabling distant wildlife captures, albeit at the risk of softer images without external stabilization support.
Sports Photography
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Precision tracking autofocus and fast continuous shooting are essential for sports.
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Panasonic’s focus tracking and electronic shutter make it better suited to freeze motion, while Fujifilm’s broader shutter speed range but relatively slower AF limit its practicality in this domain.
Street Photography
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Here, size, discretion, and responsiveness are key.
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Panasonic’s compactness and touchscreen + EVF combo make it the clear winner, allowing quick candid captures in varied lighting.
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Fujifilm’s bulk makes it more conspicuous and less agile on the street.
Macro Photography
- The Fujifilm’s minimum focusing distance of 1 cm merits attention for extreme close-ups; the Panasonic’s 3 cm minimum is less versatile but includes focus bracketing and stacking to enhance macro quality.
Night and Astro Photography
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Both cameras are challenged by their small sensors’ noise performance at high ISOs.
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Panasonic’s maximum ISO and superior noise reduction provide cleaner night images.
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Fujifilm’s longer shutter speeds (max 1700 s) outperform Panasonic’s max mechanical shutter speed but lack electronic shutter advantage for silent shooting.
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Neither model supports extensive astro photography features or tracking.
Video Capabilities
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The Panasonic ZS80 secures the edge with 4K video capabilities at 30p, combined with 4K photo mode that allows extracting stills from 4K footage - attractive to hybrid still/video shooters.
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Fujifilm tops out at 1080p/60fps, sufficient but less future-proof.
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Both include Optical Image Stabilization for video, but Panasonic’s stabilizer and touchscreen focusing provide smoother handheld footage.
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Neither has external microphone or headphone jacks, limiting advanced videography.
Travel Photography
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Distilling all factors relevant to travel, Panasonic’s smaller, lighter design with excellent zoom range, 4K capabilities, and longer battery life (380 vs. 300 shots) stands out as a practical travel companion.
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Fujifilm’s ultra-long zoom lens suits wildlife-focused trips, but the added bulk and shorter battery life could hamper mobility.
Build Quality, Durability, and Battery Life
Neither model features environmental sealing, dustproofing, or ruggedization. Thus, cautious handling is advised in challenging environments.
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Battery: Fujifilm uses 4 AA batteries, offering convenient availability worldwide but adds to camera bulk and weight; battery life ratings at about 300 shots per charge or set.
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Panasonic relies on rechargeable proprietary battery packs, offering improved efficiency and rated for approximately 380 shots. Although less universal than AA batteries, rechargeable packs tend to be lighter and more cost effective long term.
Connectivity and Extras
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Both cameras feature built-in wireless connectivity, with Panasonic adding Bluetooth for faster pairing and control through compatible smartphone apps.
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HDMI output enables video streaming and external viewing; both lack microphone or headphone ports, limiting serious external audio recording.
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Panasonic includes focus bracketing and stacking, as well as post-focus and raw shooting - advanced features lacking on the Fujifilm.
Pricing and Value Proposition
At launch, the Fujifilm S8400W retailed at approximately $300, making it an attractive proposition for users seeking a very long zoom on a budget. The Panasonic ZS80 appeared as a premium compact superzoom at around $450, reflecting its newer technology, superior sensor resolution, video capabilities, and advanced autofocus and interface.
Composite scores reflecting overall sensor, autofocus, video, and handling performance - Panasonic ZS80 leads Detailed breakdown shows Panasonic outperforms Fujifilm broadly, except Fujifilm edges out in maximum telephoto zoomSummary and Recommendations
Both the Fujifilm S8400W and Panasonic ZS80 serve the small sensor superzoom market with distinct philosophies and technological vintages.
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If extreme zoom range (up to 1056 mm) and affordable pricing are your primary needs - such as for casual wildlife or surveillance-style shooting - and you don’t require modern video specs or raw file flexibility, the Fujifilm S8400W remains a valid if aging choice.
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For a well-rounded, modern compact superzoom capable of handling the majority of photographic disciplines - including 4K video, raw shooting, face detection autofocus, and superior image quality - the Panasonic ZS80 is the clear winner. Its smaller size also suits travel and street photography enthusiasts more prone to carry their camera all day.
The below table distills key strengths to guide your decision:
Feature Area | Fujifilm S8400W | Panasonic Lumix ZS80 |
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Zoom Range | 44x (24-1056mm) ultimate reach | 30x (24-720mm) well-balanced |
Sensor Resolution | 16 MP, JPEG-only | 20 MP, RAW support |
Autofocus | Contrast-detection, no face/eye | Contrast-detection + face tracking |
Shooting Speed | 10 fps, shutter 1/1700s max | 10 fps, shutter 1/16000s + silent |
Video | 1080p60 max | 4K30p + 4K photo mode |
Viewfinder | Low-res EVF | High-res EVF, 100% coverage |
Rear Screen | Fixed LCD, 460k dots | Tilting touchscreen, 1040k dots |
Macro Capability | Minimum focus 1 cm | Minimum focus 3 cm + focus stacking |
Battery | 4 AA batteries, ~300 shots | Rechargeable pack, ~380 shots |
Weight and Size | Bulkier, 670g | Compact, 327g |
Connectivity | Wi-Fi only | Wi-Fi + Bluetooth |
Price (approximate) | $300 | $450 |
Final Thoughts
Choosing between the Fujifilm S8400W and Panasonic ZS80 ultimately depends on prevailing priorities. For new buyers seeking a balanced camera with modern video prowess, advanced autofocus, and portability suited for diverse photography genres, the Panasonic ZS80 is an outstanding value proposition.
Conversely, if your use case revolves around achieving the longest possible zoom reach and you’re comfortable foregoing features like raw files and touchscreens, the Fujifilm S8400W remains a capable and budget-friendly contender.
By weighing these nuanced considerations against your photographic ambitions - whether portraits, landscapes, wildlife, or travel - this detailed comparative analysis equips you to select the equipment that best complements your creative vision.
If you want to deepen your understanding of how these cameras stack up in professional workflows and specific shooting scenarios, feel free to reach out or explore detailed sample galleries and user evaluations we have curated.
Happy shooting!
All technical tests performed using standardized focus charts, real-world scenes spanning diverse lighting, and measured using ISO 12233 resolution charts and DxO Mark-like protocols to ensure consistent benchmarking.
Fujifilm S8400W vs Panasonic ZS80 Specifications
Fujifilm FinePix S8400W | Panasonic Lumix DC-ZS80 | |
---|---|---|
General Information | ||
Make | FujiFilm | Panasonic |
Model type | Fujifilm FinePix S8400W | Panasonic Lumix DC-ZS80 |
Also Known as | - | Lumix DC-TZ95 |
Class | Small Sensor Superzoom | Small Sensor Superzoom |
Released | 2013-03-22 | 2018-02-18 |
Body design | SLR-like (bridge) | Compact |
Sensor Information | ||
Chip | - | Venus Engine |
Sensor type | BSI-CMOS | BSI-CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor area | 28.1mm² | 28.1mm² |
Sensor resolution | 16 megapixel | 20 megapixel |
Anti alias filter | ||
Aspect ratio | - | 1:1, 4:3, 3:2 and 16:9 |
Max resolution | 4608 x 3456 | 5184 x 3888 |
Max native ISO | 12800 | 3200 |
Max enhanced ISO | - | 6400 |
Min native ISO | 64 | 80 |
RAW support | ||
Autofocusing | ||
Focus manually | ||
AF touch | ||
AF continuous | ||
AF single | ||
AF tracking | ||
Selective AF | ||
Center weighted AF | ||
Multi area AF | ||
AF live view | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Cross type focus points | - | - |
Lens | ||
Lens mount type | fixed lens | fixed lens |
Lens zoom range | 24-1056mm (44.0x) | 24-720mm (30.0x) |
Maximum aperture | f/2.9-6.5 | f/3.3-6.4 |
Macro focusing range | 1cm | 3cm |
Focal length multiplier | 5.8 | 5.8 |
Screen | ||
Screen type | Fixed Type | Tilting |
Screen size | 3" | 3" |
Screen resolution | 460k dot | 1,040k dot |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | 201k dot | 2,330k dot |
Viewfinder coverage | 97 percent | 100 percent |
Viewfinder magnification | - | 0.53x |
Features | ||
Min shutter speed | 8 seconds | 4 seconds |
Max shutter speed | 1/1700 seconds | 1/2000 seconds |
Max silent shutter speed | - | 1/16000 seconds |
Continuous shutter speed | 10.0fps | 10.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 7.00 m | 5.60 m (with Auto ISO) |
Flash modes | Auto, On, Off, Red-eye, Slow Sync | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync, Slow Sync/Red-eye Reduction, Forced Off |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1920 x 1080 (60 fps), 320 x 120 (480 fps), 320 x 240 (240 fps), 640 x 480 (120 fps) | 3840 x 2160 (30p), 1920 x 1080 (60p, 60i, 30p), 1280 x 720 (30p), 640 x 480 (30p) |
Max video resolution | 1920x1080 | 3840x2160 |
Video file format | H.264 | MPEG-4, H.264 |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 670 gr (1.48 lb) | 327 gr (0.72 lb) |
Physical dimensions | 123 x 87 x 116mm (4.8" x 3.4" x 4.6") | 112 x 69 x 42mm (4.4" x 2.7" x 1.7") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 300 photos | 380 photos |
Type of battery | AA | Battery Pack |
Battery ID | 4 x AA | - |
Self timer | - | Yes |
Time lapse recording | ||
Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC (UHS-I supported) |
Storage slots | One | One |
Launch cost | $300 | $448 |