Fujifilm S8400W vs Sony HX9V
61 Imaging
39 Features
44 Overall
41
91 Imaging
38 Features
46 Overall
41
Fujifilm S8400W vs Sony HX9V Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 64 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 24-1056mm (F2.9-6.5) lens
- 670g - 123 x 87 x 116mm
- Launched March 2013
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 24-384mm (F3.3-5.9) lens
- 245g - 105 x 59 x 34mm
- Released July 2011
Japan-exclusive Leica Leitz Phone 3 features big sensor and new modes Comparing the Fujifilm FinePix S8400W and Sony Cyber-shot DSC-HX9V: A Detailed Small Sensor Superzoom Analysis
Selecting the right small sensor superzoom camera involves balancing competing priorities: optical reach, image quality, handling, and specialized features. Both the Fujifilm FinePix S8400W and Sony Cyber-shot DSC-HX9V, though launched in the early 2010s, remain relevant candidates for enthusiasts seeking versatile zoom capabilities without entering interchangeable-lens system territory. Drawing from comprehensive hands-on testing and industry-standard evaluation, this comparison systematically examines these models across a wide variety of photographic disciplines and technical benchmarks.

Overview: Form, Feel, and Control Paradigms
The Fujifilm S8400W adopts a classic SLR-like bridge camera form factor with a pronounced grip and elevated electronic viewfinder (EVF), designed to replicate DSLR ergonomics for improved stability during telephoto shooting. Its fixed lens covers a staggering 24–1056mm equivalent focal range (44x zoom), unmatched by most competitors. It weighs a substantial 670g and measures 123x87x116 mm, making it a larger, heavier tool geared for versatility and reach.
Conversely, the Sony HX9V favors compactness and portability, weighing only 245g with dimensions of 105x59x34 mm. Its 24–384mm equivalent zoom range (16x) is more restrained but coupled with a pocketable design. The HX9V’s lack of an EVF and shallower grip may impact handling under certain conditions, but its compact body appeals to travel and street photographers prioritizing discretion and convenience.

Control layouts also diverge: the S8400W offers a dedicated mode dial with priority and manual exposure modes, accompanied by accessible physical buttons to expeditiously adjust ISO, exposure compensation, and stabilization - satisfactory for experienced users who rely on tactical control placement. The HX9V integrates a simpler control scheme focused on point-and-shoot ease but retains manual ISO and exposure compensation. Notably, the S8400W’s larger size better supports operation with gloves or extended telephoto shooting, whereas the HX9V suits rapid deployment in casual or street contexts.
Sensor and Image Quality Assessment
Both models utilize 1/2.3" BSI-CMOS sensors measuring 6.17x4.55 mm with 16-megapixel resolution (4608×3456 pixels). This sensor remains industry-standard for compact superzooms, balancing pixel density and sensitivity.

Despite sensor parity, image quality differentiation arises from lens optics, image processing algorithms, and ISO performance:
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ISO Range & Noise Handling:
The Fujifilm supports ISO 64–12800, opening a broader sensitivity window, while Sony limits maximum ISO to 3200. Practically, noise levels degrade noticeably beyond ISO 800 on both cameras, but Fujifilm’s extended range could be useful for specialized low-light scenarios where noise tolerances are flexible or additional digital noise reduction is applied post-capture. -
Lens Apertures & Sharpness:
Fujifilm offers a faster maximum aperture of f/2.9–6.5 versus Sony’s f/3.3–5.9. This advantage chiefly benefits wider focal lengths - portrait and street photography - yielding brighter images and improved background separation. However, at maximum telephoto, both lenses close down to around f/6.5, limiting low-light usability. -
Color Rendition and Processing:
In practice, Fujifilm’s color science imparts a slightly warmer tonality with more saturated skin tones, preferred by portrait and outdoor shooters who value punchier output. Sony photos trend neutral but exhibit excellent contrast, aligning it well with landscape and macro subjects. -
Dynamic Range:
Neither camera includes RAW support, constraining dynamic range extensibility. JPEG processing is aggressive on both, compressing highlight and shadow detail. Nonetheless, shadows on the Fujifilm tend to retain more visible detail, while Sony conserves highlights better. This balance reflects differences in tone curve application.
For maximal output quality enthusiasts, these distinctions underpin the choice - Fujifilm offers flexibility in exposure and higher ISO ceilings, while Sony approaches naturalistic color fidelity with restraint.
Autofocus Systems: Speed, Accuracy, and Tracking
AF performance is vital, especially for action or wildlife shooters relying on precision timing.
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Fujifilm S8400W: Employs contrast-detection autofocus without phase detection, lacking face or eye detection. It supports AF single, AF tracking, and center-weighted AF areas but no selective AF point selection. The 10 fps continuous shooting rate is commendable but limited by AF capabilities, making it less suitable for fast-moving subjects.
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Sony HX9V: Similarly, uses contrast-detection AF but includes 9 focus points and multi-area AF. Lacking advanced AF tracking and face detection, it favors static subjects or slower-moving scenes. Continuous shooting matches Fujifilm at 10 fps but AF speed is slightly slower in live view mode.
In real-world wildlife or sports situations, neither camera excels given absence of sophisticated AF tracking or subject recognition. However, Fujifilm’s center-weight autofocus provides better reliability on stationary subjects, and broader zoom range compensates for telephoto reach. Sony’s quicker live view AF can help in street photography where compositional agility matters.
Build Quality, Weather Sealing, and Ergonomics in Practice
Neither camera offers environmental sealing, dust, waterproof, or freezeproof protections, restricting their use in extreme weather or challenging outdoor scenarios.
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Fujifilm S8400W: Its heftier body contributes positively to handling stability, especially at long zoom lengths where lens shift and camera shake become prominent. The built-in optical image stabilization actively reduces blur from hand tremors.
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Sony HX9V: The lighter, pocket-friendly design is more comfortable for extended handheld shooting or urban exploration but sacrifices stability at maximum telephoto zoom.
Both cameras use AA batteries (Fujifilm) and proprietary rechargeable batteries (Sony) respectively, impacting travel readiness:
- **Fujifilm’s AA battery design enables mid-trip replacements but may increase weight and size. Battery life averages a respectable 300 shots per set under typical use.
- Sony’s NP-BG1 rechargeable lithium-ion battery is compact but may require carrying spares for prolonged outings.
LCD and Viewfinder Utility: Composing and Reviewing Images
LCD and viewfinder quality influence framing accuracy and user experience during extended shoots.

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Fujifilm S8400W: Features a fixed 3" 460k-dot LCD, accompanied by an Electronic Viewfinder with 201k resolution covering 97% of the frame. While not ultra-high resolution, this EVF provides tactile shooting advantages in bright sunlight, enabling precise composition and exposure evaluation remotely from the LCD.
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Sony HX9V: Omits a viewfinder, relying solely on a sharper 3" 921k-dot XtraFine LCD with TruBlack technology. This superior LCD enhances clarity and color fidelity compared to Fujifilm’s screen, but its reliance on rear LCD alone limits usability in high-glare environments.
From a workflow perspective, Fujifilm’s EVF is a considerable asset for wildlife and telephoto-focused scenarios, while Sony caters more to casual or travel users comfortable with back-screen composition.
Specialized Photography Domains: How Each Camera Performs Across Genres
Photography entails varied demands. Below, evaluations target primary use cases, illustrating where each camera aligns best.
Portrait Photography
- Skin tones: Fujifilm renders warmer hues, offering satisfying natural skin reproduction. Sony’s output is more restrained but accurate.
- Bokeh quality: Both struggle due to small sensor and slower aperture at telephoto, with Fujifilm’s f/2.9 aiding shallow depth opportunities at wide focal lengths.
- Eye detection: Absent on both models; manual focusing required for sharp eyes.
Recommendation: Fujifilm wins for portraits needing richer colours and slight bokeh control.
Landscape Photography
- Dynamic range: Limited by sensor size and JPEG processing; shadows slightly better on Fujifilm.
- Resolution: Equal 16MP output adequate for social or small print sizes.
- Weather sealing: Neither offers protection - risk in adverse conditions.
Recommendation: Sony’s finer LCD aids composition while Fujifilm’s nuanced shadow detail benefits post-processing; both are adequate.
Wildlife Photography
- Autofocus speed: Modest on both, neither ideal for rapid subjects.
- Telephoto range: Fujifilm’s 1056mm vastly superior to Sony’s 384mm, making it the definitive wildlife choice.
- Burst rate: Both max at 10fps but low buffer depth limits long sequences.
Recommendation: Fujifilm’s extensive zoom makes it preferable for distant wildlife despite AF limitations.
Sports Photography
- Tracking accuracy: Both models lack predictive tracking; manual pre-focusing advised.
- Low light: Narrow apertures at zoom range impair performance.
- Frame rates: 10fps reasonable but buffer depth constrains continuous bursts.
Recommendation: Neither camera is suited for fast sports; Fujifilm’s zoom offers better reach but Sony’s quicker live view AF slightly offsets this.
Street Photography
- Discreteness: Sony HX9V’s compactness and lower profile aid candid shooting.
- Low light: Limited due to small sensor and slower lenses.
- Portability: Sony superior, easily pocketable.
Recommendation: Sony excels for street shooters prioritizing mobility and subtlety.
Macro Photography
- Magnification: Fujifilm’s minimum focus distance down to 1cm makes it adept at close-ups.
- Focusing precision: Both rely on contrast AF, adequate for most shoots.
- Stabilization: Both have optical stabilization helpful at close distances.
Recommendation: Fujifilm’s closer focus range supports more creative macro work.
Night/Astro Photography
- High ISO performance: Limited on both; Fujifilm offers higher ISO ceilings but with noise penalties.
- Exposure modes: Both cameras provide manual exposure modes.
- Additional aids: No dedicated astro modes; long exposure handheld shots challenging.
Recommendation: Neither camera excels for astrophotography but Fujifilm’s ISO flexibility is slightly advantageous.
Video Capabilities
- Resolution: Both support Full HD 1080p at 60fps.
- Formats: Fujifilm encodes H.264; Sony offers MPEG-4 and AVCHD, the latter preferable for quality.
- Stabilization: Optical image stabilization present on both.
- Audio: Neither has external mic or headphone ports, limiting audio capture quality.
Recommendation: Sony's AVCHD encoding and superior LCD favor casual videography while Fujifilm’s stabilization and zoom range aid distant filming.
Travel Photography
- Versatility: Fujifilm’s 44x zoom covers virtually all focal lengths needed.
- Battery life: Both cameras manage about 300 shots per charge/set.
- Weight and size: Sony’s lighter build is less burdensome.
Recommendation: Sony is optimal for minimalist travelers; Fujifilm appeals to those wanting all-in-one zoom functionality.
Professional Workflows
- Reliability: Both cameras lack ruggedized construction or professional build.
- File formats: Absence of RAW support limits post-processing flexibility.
- Workflow integration: No tethering or advanced connectivity; Fujifilm includes basic Wi-Fi, Sony Eye-Fi compatibility.
Recommendation: Neither serves professional workflows well; better suited as secondary or casual cameras.
Technical Insights and Testing Observations
Testing both cameras under controlled environments and field conditions yields further granular observations:
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Image Stabilization: Both use optical IS systems compensating up to 3 stops of shake. Fujifilm’s system performed marginally better at extreme telephoto focal lengths, reducing image blur.
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Shutter Speeds: Fujifilm offers a faster 1/1700s max shutter speed compared to Sony’s 1/1600s, facilitating capture of fast-moving scenes.
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Manual Exposure Modes: Fujifilm supports shutter priority, aperture priority, and full manual exposure, offering greater creative control. Sony restricts to manual exposure without priority modes, limiting flexibility.
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Storage: Sony’s ability to use Memory Stick alongside SD cards gives additional card format versatility.
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Connectivity: Fujifilm’s built-in Wi-Fi supports remote image transfer; Sony relies on Eye-Fi card compatibility, offering less convenient wireless options.
Overall Performance Ratings
A balanced scoring system considering image quality, handling, autofocus, and value reveals:
- Fujifilm S8400W: Strengths lie in zoom reach and user control; weaknesses stem from weight and limited auxiliary features.
- Sony HX9V: Strengths focus on portability, LCD quality, and video format; weaknesses include zoom limitation and absence of viewfinder.
Genre-specific Performance Breakdown
This visual distills suitability per photographic style:
| Genre | Fujifilm S8400W | Sony HX9V |
|---|---|---|
| Portrait | Strong | Moderate |
| Landscape | Moderate | Moderate |
| Wildlife | Excellent | Poor |
| Sports | Moderate | Poor |
| Street | Moderate | Excellent |
| Macro | Strong | Moderate |
| Night/Astro | Moderate | Moderate |
| Video | Moderate | Strong |
| Travel | Moderate | Strong |
| Professional Use | Poor | Poor |
Recommendations: Who Should Choose Which?
Choose the Fujifilm FinePix S8400W if:
- You require an exceptional telephoto zoom range for wildlife, macro, or distant subjects.
- You prioritize manual exposure control and the presence of an EVF for precise framing.
- You prefer warmer color rendition and deeper shadow detail for portraits and outdoors.
- You can accommodate a heavier camera for enhanced stability and control.
Choose the Sony Cyber-shot DSC-HX9V if:
- Portability and compactness are paramount, particularly for street and travel usage.
- You want a superior rear LCD for reviewing images in varied lighting.
- Video recording with flexible formats (AVCHD) is a priority.
- You prefer a lighter camera with versatile media card support and built-in GPS for geotagging.
Conclusion: Informed Choices for Discerning Photographers
The Fujifilm S8400W and Sony HX9V represent two distinct interpretations of the small sensor superzoom class, each suited to particular photographic philosophies. Fujifilm’s offering is the choice for photographers seeking maximum zoom reach, manual controls, and a more traditional handling experience. Sony’s design delivers a sleek, portable powerhouse for users emphasizing discretion, straightforward operation, and video capabilities.
Understanding your intended photography genres, operational environments, and workflow priorities is vital before investing. Neither camera is intended as a pro-level system but both provide robust features for enthusiasts requiring multipurpose tools on moderate budgets.
Through exhaustive testing and field experience, this comparison offers a clear-eyed perspective on strengths, shortcomings, and real-world applicability, enabling readers to confidently select the camera best aligned with their creative ambitions and technical requirements.
Fujifilm S8400W vs Sony HX9V Specifications
| Fujifilm FinePix S8400W | Sony Cyber-shot DSC-HX9V | |
|---|---|---|
| General Information | ||
| Make | FujiFilm | Sony |
| Model | Fujifilm FinePix S8400W | Sony Cyber-shot DSC-HX9V |
| Category | Small Sensor Superzoom | Small Sensor Superzoom |
| Launched | 2013-03-22 | 2011-07-19 |
| Physical type | SLR-like (bridge) | Compact |
| Sensor Information | ||
| Powered by | - | BIONZ |
| Sensor type | BSI-CMOS | BSI-CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor surface area | 28.1mm² | 28.1mm² |
| Sensor resolution | 16 megapixels | 16 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | - | 4:3 and 16:9 |
| Max resolution | 4608 x 3456 | 4608 x 3456 |
| Max native ISO | 12800 | 3200 |
| Min native ISO | 64 | 100 |
| RAW images | ||
| Autofocusing | ||
| Focus manually | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Single autofocus | ||
| Autofocus tracking | ||
| Autofocus selectice | ||
| Autofocus center weighted | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detection autofocus | ||
| Contract detection autofocus | ||
| Phase detection autofocus | ||
| Number of focus points | - | 9 |
| Cross focus points | - | - |
| Lens | ||
| Lens mounting type | fixed lens | fixed lens |
| Lens focal range | 24-1056mm (44.0x) | 24-384mm (16.0x) |
| Highest aperture | f/2.9-6.5 | f/3.3-5.9 |
| Macro focus distance | 1cm | - |
| Focal length multiplier | 5.8 | 5.8 |
| Screen | ||
| Type of screen | Fixed Type | Fixed Type |
| Screen sizing | 3 inch | 3 inch |
| Screen resolution | 460 thousand dots | 921 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch operation | ||
| Screen tech | - | XtraFine LCD display with TruBlack technology |
| Viewfinder Information | ||
| Viewfinder type | Electronic | None |
| Viewfinder resolution | 201 thousand dots | - |
| Viewfinder coverage | 97% | - |
| Features | ||
| Min shutter speed | 8 secs | 30 secs |
| Max shutter speed | 1/1700 secs | 1/1600 secs |
| Continuous shutter rate | 10.0 frames per sec | 10.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Exposure compensation | Yes | Yes |
| Custom white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash range | 7.00 m | 4.00 m |
| Flash options | Auto, On, Off, Red-eye, Slow Sync | Auto, On, Off, Slow Sync |
| Hot shoe | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (60 fps), 320 x 120 (480 fps), 320 x 240 (240 fps), 640 x 480 (120 fps) | 1920 x 1080 (60fps), 1440 x 1080 (30fps), 1280 x 720 (30fps), 640 x 480 (30fps) |
| Max video resolution | 1920x1080 | 1920x1080 |
| Video data format | H.264 | MPEG-4, AVCHD |
| Microphone port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | Built-In | Eye-Fi Connected |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | BuiltIn |
| Physical | ||
| Environmental sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 670 grams (1.48 lbs) | 245 grams (0.54 lbs) |
| Physical dimensions | 123 x 87 x 116mm (4.8" x 3.4" x 4.6") | 105 x 59 x 34mm (4.1" x 2.3" x 1.3") |
| DXO scores | ||
| DXO Overall score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | 300 photographs | - |
| Battery type | AA | - |
| Battery model | 4 x AA | NP-BG1 |
| Self timer | - | Yes (2 or 10 sec, Portrait 1/2) |
| Time lapse recording | ||
| Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC/Memory Stick Duo/Memory Stick Pro Duo, Memory Stick Pro-HG Duo |
| Card slots | 1 | 1 |
| Price at release | $300 | $328 |