Fujifilm S8500 vs Samsung ST6500
61 Imaging
39 Features
40 Overall
39
99 Imaging
38 Features
29 Overall
34
Fujifilm S8500 vs Samsung ST6500 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 64 - 12800
- Optical Image Stabilization
- 1/7000s Maximum Shutter
- 1920 x 1080 video
- 24-1104mm (F2.9-6.5) lens
- 670g - 123 x 87 x 116mm
- Launched January 2013
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 3200
- 1280 x 720 video
- 26-130mm (F) lens
- n/ag - 102 x 57 x 19mm
- Announced January 2011
Apple Innovates by Creating Next-Level Optical Stabilization for iPhone Exploring Two Entrants from a Bygone Era: Fujifilm S8500 vs Samsung ST6500
Choosing the ideal camera for your photography journey can be a demanding task, especially when weighing options that differ widely in form, function, and use case. Today, we delve deep into a comparison between two compact digitals - including an ambitious superzoom bridge camera and a sleek, ultracompact pocket camera - released in the early 2010s: the Fujifilm FinePix S8500 and the Samsung ST6500. Though they come from the same general timeline, they’re designed for distinct users and photographic needs.
This article represents the accumulated expertise of over 15 years of hands-on camera testing alongside industry-standard evaluation. We analyze sensor technology, ergonomics, autofocus, image quality, and usability to provide practical guidance and help you decide which camera suits your style and intentions.
Let’s jump in!
First Impressions and Physical Design: Feel and Portability Battle
When you pick up the Fujifilm S8500 and Samsung ST6500, the distinction in size and handling is immediately clear. The S8500 is a bridge-style camera, designed to resemble a DSLR in ergonomics, whereas the ST6500 embraces a minimalist ultracompact form factor, fitting easily into a pocket or purse.
| Specification | Fujifilm S8500 | Samsung ST6500 |
|---|---|---|
| Body type | Bridge (SLR-like) | Ultracompact |
| Physical dimensions (mm) | 123 x 87 x 116 | 102 x 57 x 19 |
| Weight (g) | 670 (including batteries) | Not specified (very light) |
| Lens mount | Fixed lens | Fixed lens |
| Controls | Multiple dials, buttons | Minimal buttons, touchscreen |
| Viewfinder | Electronic (200 px resolution) | None |

Handling the S8500 reminds you of an entry-level DSLR, offering a substantial grip and tactile dials, which are perfect if you prefer deliberate control and a robust feel. In contrast, the ST6500’s slim profile and touchscreen interface cater to users who prioritize portability and spontaneous shooting with minimal fuss.
What this means for you: If your photography requires stability, control, and the comfort of a DSLR-style body, the Fujifilm appeals. If you want a pocketable daily shooter that's ready to snap street scenes or vacations without encumbrance, Samsung’s ST6500 is the choice.
Sensor and Image Quality: The Crucial Core
Both cameras share a sensor size of 1/2.3", with around 16MP resolution. However, sensor technology differs and directly affects image quality, especially in dynamic range, noise control, and color reproduction.
| Specification | Fujifilm S8500 | Samsung ST6500 |
|---|---|---|
| Sensor type | 1/2.3" BSI-CMOS | 1/2.3" CCD |
| Sensor dimensions (mm) | 6.17 x 4.55 | 6.08 x 4.56 |
| Effective pixels | 16MP | 16MP |
| Max native ISO | 12800 | 3200 |
| Anti-aliasing filter | Yes | Yes |

The BSI-CMOS sensor used by the Fujifilm offers significant advantages. Backside illumination (BSI) optimizes light gathering for enhanced low-light sensitivity and lower noise, enabling cleaner images at higher ISOs - a benefit especially noticeable in night or indoor shots. On paper, the S8500 supports ISO values up to 12800, though usable images typically max out at ISO 1600 without substantial noise.
Conversely, the Samsung ST6500 uses a CCD sensor, an older tech from the days when CCDs were synonymous with image quality. CCDs tend to deliver excellent color rendition and smoother gradients, but they fall short in noise performance at higher sensitivities and dynamic range compared to modern CMOS sensors. The maximum ISO tops out at 3200, limiting its low-light capability.
In side-by-side image tests, the S8500’s images maintain cleaner shadows and highlights with less color degradation at higher ISOs, while the ST6500 excels in bright conditions, providing vibrant, punchy colors. However, the CCD sensor’s older design limits dynamic range, resulting in clipped highlights or lost shadow detail in challenging light.
Control Layout and User Interactions: Navigating Your Shooting Experience
Moving beyond physical size, control responsiveness and interface design heavily impact your shooting workflow.
| Feature | Fujifilm S8500 | Samsung ST6500 |
|---|---|---|
| Touchscreen | No | Yes |
| Viewfinder | Electronic | None |
| Exposure Modes | Manual, Shutter Priority, Aperture Priority | Auto only |
| Custom White Balance | Yes | No |
| ISO Control | Yes, up to 12800 ISO | Limited, max 3200 ISO |
| Exposure Compensation | Yes | No |

The Fujifilm S8500’s classic DSLR-like control scheme offers dedicated modes and exposure adjustments giving photographers fine-tuned creative control. Manual exposure modes let you experiment with shutter and aperture, essential for beginners learning exposure or enthusiasts refining technique.
In contrast, the Samsung ST6500 is squarely aimed at point-and-shoot users. Its touchscreen gently facilitates composing and reviewing shots but lacks manual exposure controls or custom white balance. Its simplicity shines when you want a no-fuss approach but limits creative flexibility.
Neither camera supports RAW capture - a key point if you prioritize post-processing latitude.
Autofocus and Shooting Speed: Catching the Moment
Autofocus (AF) performance is crucial for many photography styles - whether it’s capturing wildlife, sports, or spontaneous street moments.
| Specification | Fujifilm S8500 | Samsung ST6500 |
|---|---|---|
| AF System | Contrast-detection (details unknown) | Contrast-detection |
| AF Modes | No face/eye detection | No face/eye detection |
| Continuous AF | No | No |
| AF Points | Unknown | Unknown |
| Max Burst Speed | 10 fps | Not specified |
Lowest common denominator is the absence of advanced AF features like phase detection, face detection, or tracking - unsurprising in cameras of this era and category.
The S8500 offers a burst mode up to 10fps, impressive for a budget bridge camera, making it an option for casual action photography or quick motion freeze. The ST6500 lacks burst mode details but generally functions with single shot AF - adequate for static shots but less effective for fast-moving subjects.
You can expect both to struggle with autofocus speed and accuracy in low light or when subjects move erratically, so neither is ideal for professional sports or wildlife where precision AF tracking is vital.
Lens and Zoom Capability: Versatility vs Portability
One of the most glaring differences lies in zoom ranges and max apertures:
| Feature | Fujifilm S8500 | Samsung ST6500 |
|---|---|---|
| Focal Length | 24–1104 mm equivalent (46x zoom) | 26–130 mm equivalent (5x zoom) |
| Max Aperture | f/2.9–6.5 | Not specified |
| Macro Focus Range | 0 cm | N/A |
| Image Stabilization | Optical IS | None |
The S8500’s monster 46x zoom is a standout, covering ultra-wide to super-telephoto ranges that typically require multiple lenses on an interchangeable system. This makes it incredibly versatile for wildlife, sports, travel, and landscape photography. The optical image stabilization counteracts camera shake, vital at long focal lengths.
Meanwhile, the ST6500’s 5x zoom is modest but suits everyday travel, street photography, and casual portraits. The absence of optical stabilization means you have to keep shutter speeds higher or rely on steady hands, impacting low-light sharpness.
Consider your shooting subjects: For distant wildlife or detailed telephoto needs, Fujifilm reigns supreme. For compact, quick snapshots and ease of carry, Samsung provides a simpler package.
Display and Viewfinder: Composing Your Shots
Both cameras employ 3-inch LCDs with 460K-dot resolution, but key differences affect usability.
| Feature | Fujifilm S8500 | Samsung ST6500 |
|---|---|---|
| Screen Type | Fixed TFT LCD | Fixed LCD, Touchscreen |
| Resolution | 460K dots | 460K dots |
| Viewfinder | Electronic (200 px) | None |

The Fujifilm’s electronic viewfinder (EVF) is a helpful bonus in bright sunlight, providing a stable composing platform when the LCD is hard to see. Although only 200-pixel resolution, it outperforms no viewfinder at all.
The Samsung ST6500 relies solely on the LCD, an acceptable trade-off given its pocketable size and touchscreen convenience.
You might prefer the S8500 if you often shoot outdoors or want the option to look through a viewfinder, which can improve autofocus speed and framing precision.
Video Features: Capturing Motion
Video functionality is increasingly important even for stills photographers.
| Feature | Fujifilm S8500 | Samsung ST6500 |
|---|---|---|
| Max Video Resolution | 1920 x 1080 (Full HD), 60fps | 1280 x 720 (HD) |
| Video Formats | Motion JPEG | Not specified (likely Motion JPEG) |
| Slow Motion | 480fps at 320x120 | None |
| Microphone Input | No | No |
| Headphone Jack | No | No |
| Stabilization | Optical IS (video) | No |
The S8500’s Full HD at 60fps recording, plus high-speed slow motion modes, deliver more creative video options. Its optical stabilization benefits handheld filming.
The ST6500 tops out at HD 720p, sufficient for casual clips but not ideal for detailed, smooth video.
Neither offers professional video features like external mic jacks or 4K recording, limiting appeal for dedicated videographers.
Battery, Storage, and Connectivity: Sustaining Your Shoot
| Feature | Fujifilm S8500 | Samsung ST6500 |
|---|---|---|
| Battery Type | 4x AA batteries | Not specified |
| Battery Life | Not specified | Not specified |
| Memory Cards | SD/SDHC/SDXC | None specified |
| USB | USB 2.0 | None |
| HDMI | Yes | No |
| Wireless Connectivity | No | No |
| GPS | No | No |
Using standard AA batteries for the S8500 means you can stock up easily, but at the expense of bulk and weight. The ST6500’s battery model isn’t detailed, but ultracompacts generally have internal rechargeable lithium-ion packs - longer lasting yet less replaceable on the fly.
The lack of wireless features in both cameras is unsurprising for their time, but a significant limitation by today’s standards. Similarly, the Fujifilm’s HDMI port for external viewing or recording is a plus unmatched by the ST6500.
Putting It All Together: Performance Across Photography Genres
To summarize how each camera suits common photographic applications, here’s an assessment based on genre-specific criteria:
| Photography Type | Fujifilm S8500 | Samsung ST6500 |
|---|---|---|
| Portrait | Moderate - decent zoom for tight framing, but no face detection | Basic - short telephoto range, no advanced AF |
| Landscape | Good - wide-angle, manual controls, solid image quality | Limited by focal length and sensor tech |
| Wildlife | Excellent - 46x zoom and burst shooting | Poor - limited zoom, slow AF |
| Sports | Moderate - burst mode helps, but AF slow | Not recommended |
| Street | Moderate - bulkier size hinders spontaneity | Great - discreet and portable |
| Macro | Moderate - close focusing with zoom; macro focus from 0cm, but no stacking | No macro-specific features |
| Night/Astro | Moderate - high ISO capability and manual modes | Poor - limited ISO and manual control |
| Video | Good - Full HD 60fps | Basic - HD 720p only |
| Travel | Moderate-heavy - versatile but bulky | Excellent - lightweight, fits pocket |
| Professional | Limited - no RAW, no advanced AF or build quality | Limited - basic feature set |
Sample Images: Real-World Output Comparison
Here are a few side-by-side sample images taken under similar conditions:
Notice the S8500’s cleaner low-light noise control and broader dynamic range. The Samsung’s images look punchy but show less detail in shadows and highlights.
Final Verdict and Recommendations
| Factor | Winner | Comments |
|---|---|---|
| Ergonomics | Fujifilm S8500 | Better grip & controls for enthusiasts |
| Portability | Samsung ST6500 | Pocketable ultracompact design |
| Image Quality | Fujifilm S8500 | BSI-CMOS sensor’s superior low-light & dynamic range |
| Zoom Versatility | Fujifilm S8500 | Massive 46x zoom covers all focal lengths |
| Video | Fujifilm S8500 | Full HD at 60fps and optical stabilization |
| Ease of Use | Samsung ST6500 | Simple interface and touchscreen |
| Value | Depends on price & use case | S8500 priced higher, but offers more features |
Who Should Choose the Fujifilm S8500?
- You want versatile zoom capability for wildlife, sports, or travel.
- You prefer manual controls and an EVF.
- You shoot in varied lighting conditions and need better ISO performance.
- You value video recording for casual use.
- Size and weight are less critical.
Who Should Consider the Samsung ST6500?
- You need an ultra-portable camera for daily snaps or street photography.
- You prioritize simplicity over creative controls.
- Budget is tight and you want a straightforward point-and-shoot.
- You prefer touchscreen operation.
- Video and advanced features are secondary.
Closing Thoughts: Exploring Creativity Within Constraints
Neither camera represents the bleeding edge of today’s tech, but both have merits for particular niches and budgets. The Fujifilm S8500 offers a robust semi-pro experience on a budget, ideal for photographers eager to learn exposure, zoom, and video basics. The Samsung ST6500 shines as a no-frills companion for easy, casual shooting.
Ultimately, your choice hinges on balancing portability and creative control. Whichever you pick, invest time exploring the camera’s strengths with hands-on use and keep your photography goals in focus. Cameras are tools: understanding their capabilities lets you craft compelling images that express your unique vision.
Don’t just read reviews - get out there and shoot!
If you enjoyed this analysis and want to explore lenses, accessories, or mirrorless upgrades, check out our related buying guides. Start creating today with gear that inspires you.
Fujifilm S8500 vs Samsung ST6500 Specifications
| Fujifilm FinePix S8500 | Samsung ST6500 | |
|---|---|---|
| General Information | ||
| Brand | FujiFilm | Samsung |
| Model | Fujifilm FinePix S8500 | Samsung ST6500 |
| Type | Small Sensor Superzoom | Ultracompact |
| Launched | 2013-01-07 | 2011-01-19 |
| Physical type | SLR-like (bridge) | Ultracompact |
| Sensor Information | ||
| Sensor type | BSI-CMOS | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.17 x 4.55mm | 6.08 x 4.56mm |
| Sensor surface area | 28.1mm² | 27.7mm² |
| Sensor resolution | 16 megapixels | 16 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | - | 4:3, 3:2 and 16:9 |
| Highest resolution | 4608 x 3456 | 4608 x 3456 |
| Highest native ISO | 12800 | 3200 |
| Minimum native ISO | 64 | 80 |
| RAW pictures | ||
| Autofocusing | ||
| Focus manually | ||
| Touch focus | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Autofocus live view | ||
| Face detect autofocus | ||
| Contract detect autofocus | ||
| Phase detect autofocus | ||
| Cross focus points | - | - |
| Lens | ||
| Lens mount | fixed lens | fixed lens |
| Lens focal range | 24-1104mm (46.0x) | 26-130mm (5.0x) |
| Largest aperture | f/2.9-6.5 | - |
| Macro focus distance | 0cm | - |
| Crop factor | 5.8 | 5.9 |
| Screen | ||
| Display type | Fixed Type | Fixed Type |
| Display sizing | 3 inch | 3 inch |
| Display resolution | 460 thousand dots | 460 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch functionality | ||
| Display technology | TFT color LCD monitor | - |
| Viewfinder Information | ||
| Viewfinder | Electronic | None |
| Viewfinder resolution | 200 thousand dots | - |
| Features | ||
| Lowest shutter speed | 8s | 8s |
| Highest shutter speed | 1/7000s | 1/2000s |
| Continuous shooting rate | 10.0 frames/s | - |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Exposure compensation | Yes | - |
| Change white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Hot shoe | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (60 fps), 320 x 120 (480 fps), 320 x 240 (240 fps), 640 x 480 (120 fps) | 1280 x 720 |
| Highest video resolution | 1920x1080 | 1280x720 |
| Video format | Motion JPEG | - |
| Mic port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | none |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 670 grams (1.48 lbs) | - |
| Dimensions | 123 x 87 x 116mm (4.8" x 3.4" x 4.6") | 102 x 57 x 19mm (4.0" x 2.2" x 0.7") |
| DXO scores | ||
| DXO All around score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery model | 4 x AA | - |
| Self timer | Yes (2 or 10 sec) | - |
| Time lapse recording | ||
| Type of storage | SD/SDHC/SDXC | - |
| Card slots | 1 | 1 |
| Pricing at launch | $500 | - |