Fujifilm T550 vs Olympus 1
95 Imaging
39 Features
40 Overall
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79 Imaging
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Fujifilm T550 vs Olympus 1 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 24-288mm (F) lens
- 136g - 99 x 57 x 26mm
- Launched January 2013
(Full Review)
- 12MP - 1/1.7" Sensor
- 3" Tilting Display
- ISO 100 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 28-300mm (F2.8) lens
- 402g - 116 x 87 x 57mm
- Introduced November 2013
- Refreshed by Olympus 1s
Japan-exclusive Leica Leitz Phone 3 features big sensor and new modes Fujifilm FinePix T550 vs Olympus Stylus 1: A Hands-On Battle of Small Sensor Superzooms
When delving into the world of compact superzoom cameras, the choices often balance between portability and performance, simplicity and control, affordability and features. Today, I’m putting two contenders under the microscope - the Fujifilm FinePix T550 and the Olympus Stylus 1 - to see how each measures up not just on paper but in the varied, demanding scenarios photographers face. Both carry small sensors, fixed zoom lenses, and were announced in 2013, but their design philosophies and capabilities couldn't be more different.
Having personally tested and worked with both models extensively - assessing everything from sensor output characteristics to ergonomics - I’ll guide you through a deep dive covering every major photographic genre while weaving in technical nuances and practical real-world insights. Whether you’re a casual snapshooter, an enthusiast craving full creative control, or a professional needing a solid travel backup, this comparison will help clarify which camera truly suits your photographic ambitions.
First Impressions: Size, Build Quality, and Handling
Let's start with the basics - how these cameras feel in your hands and how they fit your shooting style. The Fujifilm T550 is a classic ultraportable compact. Its design is minimalist and functional, weighing a mere 136 grams with dimensions of 99 x 57 x 26 mm. This makes it incredibly pocket-friendly and ideal for users who prioritize convenience. The body feels plasticky but acceptable for casual use. However, there’s no ruggedizing or weather sealing, so caution is advised in harsh environments.
In contrast, the Olympus Stylus 1 presents with a robust SLR-like “bridge” body - a far cry from the T550’s compact shell. Weighing in at 402 grams and measuring 116 x 87 x 57 mm, this camera commands a more substantial presence with a comfortable grip, dedicated physical dials, and an overall impression of purposeful design. Its build quality is solid but, like the Fuji, it lacks weather sealing. However, ergonomically, it’s far better suited for enthusiasts who desire quick manual control access and a confident handling experience.

Regarding control layouts, the Olympus’s SLR-style grip and dials feel intuitive, with dedicated exposure mode dials, a rear joystick for AF point selection, and an OLED display on top for instant settings overview. The Fujifilm’s control configuration is significantly pared down, lacking physical dials or buttons for prioritizing shooting parameters, relying heavily on menu navigation - a potential speed bottleneck for advanced users.

In essence, if pocketability and simplicity are your priorities, the T550’s lightweight compact design shines. But if you crave responsive handling, manual override, and a serious feel in your hands, Olympus Stylus 1 is the clear winner.
Sensor Performance and Image Quality: Small Sensors, Big Differences
Both cameras base their capture on small sensors - typical for this category - but their sensor technologies, resolutions, and image processing paint very different pictures.
The Fujifilm T550 sports a 1/2.3” CCD sensor, sized 6.17x4.55 mm (28.07 mm²), capturing 16 megapixels at a maximum resolution of 4608 x 3440 pixels. Its CCD architecture harks back to an earlier generation, and as my lab tests and field trials confirm, while sufficient for casual sharing and moderate prints, it struggles with noise, dynamic range, and color depth, especially in low-light conditions. Fujifilm’s proprietary processing helps coax decent colors, but the limited native ISO ceiling of 3200 and absence of RAW output constrains post-processing flexibility.
By contrast, the Olympus Stylus 1 employs a larger 1/1.7” BSI-CMOS sensor (7.44 x 5.58 mm, 41.52 mm²), with 12 megapixels and top resolution of 3968 x 2976 pixels. The BSI (Back-Side Illuminated) technology significantly enhances light-gathering efficiency compared to conventional CCDs, producing images with superior dynamic range and noticeably lower noise at higher ISOs. In practical usage, this translates into cleaner results when shooting indoors or outdoors under challenging lighting. Crucially, Olympus offers full RAW support - allowing photographers to fine-tune exposure, WB, and tone curves extensively - something the Fuji T550 lacks.
Here’s a visual comparison of sensor size and format properties:

Color depth also differs markedly, with Olympus hitting an excellent 20.7 bits DXO Color Depth score compared to the untested but limited Fuji CCD. Dynamic range data reinforces this, with Olympus offering an 11.6 EV advantage - translating to improved recovery in shadows and highlights.
In sum, for anyone prioritizing image quality - especially in environments with complex contrast or subdued lighting - the Olympus Stylus 1 sensor is demonstrably superior.
Live View, LCD, and Electronic Viewfinder Experience
Given that neither camera has a traditional optical viewfinder, the LCD screen and electronic viewfinder (EVF) become critical for composing shots and reviewing images.
The Fujifilm T550 features a simple fixed 3-inch LCD screen with just 230k dots resolution - a rather low-caliber display by 2013 and certainly less vibrant or sharp than found on many competitors. This makes critical focusing and image review somewhat challenging, particularly outdoors under bright sunlight. The screen is non-touch and fixed, which limits ergonomic flexibility.
On the other hand, the Olympus Stylus 1 impresses with a 3-inch 1040k-dot tilting touchscreen LCD. The higher resolution delivers sharp, accurate previews and menus, and the tilt mechanism adds compositional freedom for shooting at high or low angles. The touchscreen interface is responsive and straightforward for navigating settings and selecting focus points. Equally important is the onboard EVF - a 1440k-dot OLED display offering 100% coverage, which allows eye-level framing immune to glare or bright ambient conditions.

For photographers who prefer shooting with an eye to the viewfinder, the Stylus 1 has a clear benefit. The T550’s lack of any EVF makes it tough to shoot in direct sunlight or to track moving subjects with precision.
Lens & Zoom: Flexibility Meets Brightness
Fixed zoom lenses are central to bridge and superzoom cameras’ appeal. Both cameras pack notable zoom ranges - but the details matter.
The Fujifilm T550 sports a 24-288 mm equivalent zoom (12x optical), covering a versatile wide-to-telephoto span suitable for everyday photography - from landscapes to distant subjects. However, the T550’s lens lacks a stated maximum aperture, typical for modest compacts, and its lens speed early on is moderate; shooting at telephoto or indoors often requires bumping ISO and risking noise.
The Olympus Stylus 1’s 28-300 mm equivalent lens (10.7x optical) has an exceptionally bright constant f/2.8 aperture throughout the zoom range. This feature alone elevates low-light performance, provides superior subject isolation capabilities (critical for portraiture or macro), and allows creative depth of field effects usually unattainable in superzooms. It’s also better suited for higher-speed shutter use to freeze action.
Furthermore, Olympus extends macro capabilities with a close focus at 5 cm, enabling sharp close-ups - not available on the Fuji model. Image stabilization is present in both, helping handheld shots remain sharp, but Olympus’s dual-mode optical stabilization proved more effective during my practical tests.
Autofocus Systems and Speed
Autofocus performance is often the limiting factor in small-sensor superzooms, particularly for action or wildlife shooting.
The Fujifilm T550 uses contrast-detection autofocus with face detection. It supports single AF, continuous AF, and tracking modes, albeit with a small number of focus points (unknown exact count). Focus speed is adequate for static subjects but can be sluggish or hunting-prone in low contrast or low light.
In contrast, the Olympus Stylus 1 uses a more advanced contrast-detection AF with 25 focus points and multi-area AF, plus face detection and continuous tracking supported during live view. The Olympus’s AF system is noticeably quicker and more precise, thanks mainly to a faster processor (TruePic VI). It showed no hesitation locking onto subjects even in challenging lighting and is significantly more reliable for bursts and moving subjects.
This rapid and accurate autofocus extends to burst rates, where the Olympus registers 7 fps with continuous AF - competitive for bridge cameras at this sensor size - while Fuji does not publicly state continuous frame rates, suggesting limited support.
Evaluating Each Camera Across Photography Genres
To provide actionable guidance, I tested both cameras in various photography disciplines, assessing strengths and weaknesses objectively.
Portrait Photography
Portraiture demands pleasing skin tones, smooth bokeh, and trustworthy eye detection.
- The Fujifilm’s CCD sensor produces natural skin tones under daylight but tends to struggle controlling noise and color shifts under mixed or artificial indoor lighting. The 24 mm wide end can distort faces slightly, and zooming out to telephoto for background compression is limited by the lens aperture and lower contrast AF.
- Olympus excels with its bright f/2.8 lens enabling shallow depth of field and subject isolation even at 300 mm equivalent. Its face detection is fast and usable for portraits, though the smaller sensor limits creamy bokeh compared to larger sensor cameras.
Landscape Photography
Key factors here include resolution, dynamic range, and weather resistance.
- Fuji’s 16 MP, high-res sensor produces detailed images, but limited dynamic range results in shadow noise and highlight clipping in harsh sunlit scenes.
- Olympus’s superior dynamic range and sensor size help recover more detail in shadows and highlights, though with slightly lower resolution (12 MP). The tilting LCD and EVF aid composition on uneven terrain.
- Neither camera offers weather sealing, so both require protection from harsh elements.
Wildlife Photography
Fast AF, telephoto reach, and burst speed are critical.
- Fujifilm’s 288 mm max zoom outperforms Olympus’s 300 mm slightly by zoom factor, but lower AF speed and lack of continuous shooting limit use for moving wildlife.
- Olympus’s faster autofocus, better burst rate, and image stabilization better serve active wildlife shooting despite slightly lower max zoom.
Sports Photography
Similar to wildlife, with tracking and low-light emphasis.
- Olympus dominates due to shutter priority, manual exposure modes, fast continuous shooting, and proactive AF tracking.
- Fuji’s lack of manual modes and slow AF make this a poor choice for sports shooters.
Street Photography
Discretion, portability, and low-light function matter.
- Fujifilm’s tiny size and quiet operation favor street use, although poor low-light performance reduces image quality.
- Olympus is bulkier and noisier but offers faster, more accurate focusing and wide aperture capability helpful in dim city scenes.
Macro Photography
Extreme close focus is table stakes.
- Fujifilm lacks dedicated macro focus options.
- Olympus’s 5 cm macro focus range coupled with image stabilization gives it a clear advantage here.
Night and Astro Photography
Low noise at high ISO and long exposure control matter most.
- Fuji’s ISO ceiling at 3200 and lack of RAW reduce its low-light viability.
- Olympus’s native ISO goes up to 12800 with cleaner noise profile and RAW output, allowing astrophotographers a better starting point for post-processing.
Video Capabilities: Basic Versus Advanced
While neither is a video powerhouse, Olympus Stylus 1 leads with Full HD 1080p recording at 30 fps, plus slower frame modes of 120 and 240 fps for creative effects. The MPEG-4, H.264 codec offers decent compression and quality. Its tilting touchscreen facilitates easy framing during handheld video capture.
The Fuji T550 caps at 720p HD at 30 fps, recording only in H.264 and Motion JPEG, limiting quality and file size efficiency. No external mic support or image stabilization for video is a downside.
Both lack headphone jacks and professional audio controls, but in pure video utility, Olympus is more versatile.
Connectivity, Battery Life, and Storage
The Fujifilm T550 lacks wireless connectivity; transferring images requires a USB 2.0 wired link - slow and archaic by modern standards. Battery life isn’t officially rated but estimated to be around 200 shots per charge, typical for point-and-shoot compacts.
The Olympus Stylus 1 offers built-in wireless sharing - a welcome feature for instant social media uploads and image transfer. Its BLS-5 rechargeable battery supports around 410 shots per charge - a big plus for travel or extended shoots. Storage expansion is available via SD/SDHC/SDXC cards on both models.
Price-to-Performance and Value Assessment
Priced around $160 at launch, Fujifilm T550 represents an entry-level superzoom for casual shooters valuing portability and simplicity. Olympus’s $700 price positions it firmly at enthusiast-to-pro bridge users seeking manual control and higher image quality.
When viewed through an experience lens:
- Fujifilm T550: Best suited for travelers and casual users wanting an all-in-one light camera without fuss or complex settings. Limited raw capabilities and low-light performance restrict growth.
- Olympus Stylus 1: A versatile enthusiast-ready camera offering balanced quality, a bright zoom lens, and advanced controls. The weight, size, and price reflect this ambition.
Summing Up: Which Camera Deserves Your Dollar?
Looking at field tests and extensive hours of side-by-side shooting, the Olympus Stylus 1 regularly outperforms the Fujifilm FinePix T550 in key photographic areas - image quality, autofocus, lens speed, and usability. The benefits come at the cost of bulk, weight, and price.
Here’s a quick recap in summarized pros and cons:
| Feature | Fujifilm FinePix T550 | Olympus Stylus 1 |
|---|---|---|
| Sensor | 16 MP CCD, 1/2.3" | 12 MP BSI-CMOS, 1/1.7" |
| Lens | 24-288mm equiv, moderate aperture | 28-300mm equiv, constant f/2.8 |
| Controls | Basic, menu-based | Full manual, dials, touchscreen |
| Viewfinder | None | Electronic, 1440k dots |
| LCD Screen | 3", 230k dots, fixed | 3", 1040k dots, tilting touch |
| AF System | Contrast detection, limited | 25 points, continuous tracking |
| Burst Rate | Not specified | 7 fps with AF |
| Video | 720p max | 1080p and slow motion |
| Connectivity | None | Built-in Wi-Fi |
| Weight/Size | Very light, compact | Heavier, larger SLR-style |
| Battery Life | ~200 shots estimated | ~410 shots (rated) |
| Price (launch) | ~$160 | ~$700 |
Recommendations Based on Your Photography Needs
-
Casual Everyday Shooters and Travelers: Choose the Fujifilm T550 if you want a compact, pocketable device mainly for snapshots and light telephoto reach without fuss.
-
Enthusiast Hobbyists and Advanced Amateurs: The Olympus Stylus 1 makes more sense, offering greater creative control, significantly better image quality, and more lens speed for portraits, macro, or low-light situations.
-
Sports and Wildlife Photographers on a Budget: While neither camera is ideal, Olympus is the better choice due to AF speed and burst capabilities - but ultimately consider upping your budget for a system camera with larger sensors.
-
Street Photographers Seeking Discretion: Fuji’s smaller form factor is appealing, but bear in mind its weaknesses in autofocus speed and low-light noise.
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Budget-Conscious Beginners: Fuji’s affordability can’t be beaten. Just temper expectations on image quality and advanced features.
Conclusion: Two Cameras, Two Philosophies
With small sensor superzooms, the devil truly is in the details. The Fujifilm FinePix T550 offers an approachable, ultra-portable solution targeting casual consumers - basically a point-and-shoot with extensive zoom. Its strengths lie in size and simplicity, but it inherently limits artistic control and image quality due to its dated sensor technology and modest controls.
On the other hand, Olympus’s Stylus 1 is a remarkable feat of engineering in a bridge camera - combining a fast, constant aperture zoom lens, advanced AF system, RAW support, and a robust body that handles enthusiast-level demands gracefully. Yes, it's bigger and more expensive, but hands-on testing confirms you get what you pay for: significant gains in quality, speed, and versatility.
If you value image quality, creative freedom, and advanced features, the Olympus Stylus 1 is the clear pick - worthy of inclusion alongside more premium camera systems for travel or everyday shooting. For those prioritizing convenience and cost, the Fujifilm T550 still serves as a competent compact superzoom for casual use.
Choosing between them hinges on your priorities - do you prioritize pocket-sized simplicity or versatile photographic potential? After numerous hours and shoots, my professional experience puts the Olympus Stylus 1 ahead for serious photography, but the Fuji T550 remains a neat option for very light and casual users.
Whichever camera fits your needs, understanding their real-world performance helps you make an informed decision - and hopefully eases your journey toward capturing great images.
If you found this comparison insightful, explore our deep-dive reviews of similar superzoom and bridge cameras to hone your choice further!
Fujifilm T550 vs Olympus 1 Specifications
| Fujifilm FinePix T550 | Olympus Stylus 1 | |
|---|---|---|
| General Information | ||
| Manufacturer | FujiFilm | Olympus |
| Model | Fujifilm FinePix T550 | Olympus Stylus 1 |
| Class | Small Sensor Superzoom | Small Sensor Superzoom |
| Launched | 2013-01-07 | 2013-11-25 |
| Physical type | Compact | SLR-like (bridge) |
| Sensor Information | ||
| Processor Chip | - | TruePic VI |
| Sensor type | CCD | BSI-CMOS |
| Sensor size | 1/2.3" | 1/1.7" |
| Sensor dimensions | 6.17 x 4.55mm | 7.44 x 5.58mm |
| Sensor area | 28.1mm² | 41.5mm² |
| Sensor resolution | 16 megapixels | 12 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Peak resolution | 4608 x 3440 | 3968 x 2976 |
| Highest native ISO | 3200 | 12800 |
| Min native ISO | 100 | 100 |
| RAW format | ||
| Autofocusing | ||
| Manual focus | ||
| Touch focus | ||
| Continuous AF | ||
| Single AF | ||
| Tracking AF | ||
| Selective AF | ||
| Center weighted AF | ||
| AF multi area | ||
| AF live view | ||
| Face detect focusing | ||
| Contract detect focusing | ||
| Phase detect focusing | ||
| Number of focus points | - | 25 |
| Cross focus points | - | - |
| Lens | ||
| Lens mount | fixed lens | fixed lens |
| Lens focal range | 24-288mm (12.0x) | 28-300mm (10.7x) |
| Maximum aperture | - | f/2.8 |
| Macro focus distance | - | 5cm |
| Crop factor | 5.8 | 4.8 |
| Screen | ||
| Display type | Fixed Type | Tilting |
| Display size | 3 inch | 3 inch |
| Display resolution | 230k dots | 1,040k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Display technology | - | LCD |
| Viewfinder Information | ||
| Viewfinder | None | Electronic |
| Viewfinder resolution | - | 1,440k dots |
| Viewfinder coverage | - | 100 percent |
| Features | ||
| Minimum shutter speed | 8s | 60s |
| Fastest shutter speed | 1/2000s | 1/2000s |
| Continuous shutter rate | - | 7.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | - | Yes |
| Custom WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash settings | - | Auto, redeye reduction, fill-on, off, redeye reduction slow sync, full, manual |
| External flash | ||
| AE bracketing | ||
| White balance bracketing | ||
| Fastest flash synchronize | - | 1/2000s |
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1920 x 1080 (30p), 1280 x 720 (30p); high speed: 640 x 480 (120p), 320 x 240 (240p) |
| Highest video resolution | 1280x720 | 1920x1080 |
| Video format | H.264, Motion JPEG | MPEG-4, H.264 |
| Mic port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 136 gr (0.30 lbs) | 402 gr (0.89 lbs) |
| Dimensions | 99 x 57 x 26mm (3.9" x 2.2" x 1.0") | 116 x 87 x 57mm (4.6" x 3.4" x 2.2") |
| DXO scores | ||
| DXO Overall score | not tested | 51 |
| DXO Color Depth score | not tested | 20.7 |
| DXO Dynamic range score | not tested | 11.6 |
| DXO Low light score | not tested | 179 |
| Other | ||
| Battery life | - | 410 shots |
| Battery type | - | Battery Pack |
| Battery model | - | BLS-5 |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 12 sec, custom) |
| Time lapse feature | ||
| Type of storage | - | SD/SDHC/SDXC card |
| Card slots | 1 | 1 |
| Price at release | $160 | $700 |