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Fujifilm XP200 vs Samsung SL202

Portability
90
Imaging
39
Features
40
Overall
39
Fujifilm FinePix XP200 front
 
Samsung SL202 front
Portability
94
Imaging
32
Features
17
Overall
26

Fujifilm XP200 vs Samsung SL202 Key Specs

Fujifilm XP200
(Full Review)
  • 16MP - 1/2.3" Sensor
  • 3" Fixed Display
  • ISO 100 - 6400
  • Sensor-shift Image Stabilization
  • 1920 x 1080 video
  • 28-140mm (F3.9-4.9) lens
  • 232g - 116 x 71 x 30mm
  • Launched March 2013
Samsung SL202
(Full Review)
  • 10MP - 1/2.3" Sensor
  • 2.7" Fixed Screen
  • ISO 80 - 1600
  • 640 x 480 video
  • 28-102mm (F2.8-5.7) lens
  • 168g - 92 x 61 x 23mm
  • Revealed February 2009
  • Also referred to as PL50
Pentax 17 Pre-Orders Outperform Expectations by a Landslide

Fujifilm XP200 vs Samsung SL202: In-Depth Compact Camera Comparison for the Discerning Photographer

In the realm of compact digital cameras, the Fujifilm FinePix XP200 and Samsung SL202 occupy interesting niches well worth a close technical and practical comparison. Though released four years apart, these two cameras generally appeal to casual photo enthusiasts and those seeking straightforward point-and-shoot usability with modest zoom capabilities. However, beneath their similarities in compactness lie marked divergences in sensor technology, handling, weather resistance, and feature sets. As someone who has tested thousands of cameras across genres - from rugged outdoor use to controlled studio shoots - I aim to dissect these models exhaustively, illuminating how they perform in real photographic scenarios and where each camera would best serve different user types.

Fujifilm XP200 vs Samsung SL202 size comparison

Compact Bodies, Different Ergonomic Priorities

Both the Fujifilm XP200 and the Samsung SL202 feature compact, fixed lens bodies that prioritize portability and ease of use. The XP200 measures 116 x 71 x 30 mm and weighs 232 grams, while the SL202 is slightly smaller and lighter at 92 x 61 x 23 mm and 168 grams. The XP200’s larger footprint affords a more tactile ergonomic grip that will feel secure even during active shooting or aquatic use, whereas the SL202’s slim and lightweight design is excellent for discreet street photography or casual snapshots.

Build quality is a crucial factor here. The XP200 is robustly designed with full environmental sealing to be waterproof, dustproof, shockproof, and even freezeproof - key for adventurous travel or outdoor photography under challenging conditions. The Samsung SL202, by contrast, offers no weather sealing and shows its age with a plastic feel and slimmer grip profile, making it more vulnerable to the elements. This difference alone steers buyers towards the XP200 for rugged use or travel. Ergonomics are complemented by the control layout, which we will explore next in depth.

Control Design and User Interface: Clean vs. Minimal

Fujifilm XP200 vs Samsung SL202 top view buttons comparison

Examining the control schemes from the top-down perspective reveals the XP200’s focus on usability with physical buttons laid out to navigate menus, adjust settings, activate the flash, and initiate video recording. The presence of a dedicated movie record button and mode dial facilitate quick switching between photo and video modes. Meanwhile, the SL202 leans heavily on minimalism with fewer external controls, lacking an intuitive mode dial or dedicated video button. Navigating menus relies more on the directional pad and limited button set, potentially frustrating users wanting fast access amid dynamic shoots.

Both cameras forego manual focus options or aperture/shutter priority modes, evidencing their orientation towards novice-friendly automatic shooting rather than creative manual control. Notably, neither camera features a touch screen, although the XP200’s higher resolution 3.0-inch TFT LCD boasts 920k dots compared to the SL202’s smaller 2.7-inch, 230k dot screen, resulting in a superior viewing experience on the Fuji for image review and menu operation.

Fujifilm XP200 vs Samsung SL202 Screen and Viewfinder comparison

Sensor and Image Quality: CMOS vs. CCD Technology

Fujifilm XP200 vs Samsung SL202 sensor size comparison

Moving beyond body and controls, the heart of image quality lies in sensor design and processing. The Fujifilm XP200 employs a 1/2.3-inch CMOS sensor capable of 16 megapixels, whereas the Samsung SL202 has a similarly sized 1/2.3-inch CCD sensor with a 10-megapixel resolution. Both sensors are coupled with anti-aliasing filters designed to mitigate moiré artifacts.

The CMOS sensor in the XP200 generally delivers better dynamic range and higher sensitivity for low-light conditions, instrumental for capturing vibrant landscapes or dim interiors. This sensor supports a maximum native ISO of 6400 compared to the SL202’s 1600 ISO ceiling. Moreover, the improved sensor area (approximately 28.07 mm² versus 27.72 mm²) and more advanced image processing pipeline in the XP200 translate into more detailed images with less noise at high ISOs.

Samsung’s CCD sensor, a technology predominately phased out in favor of CMOS, typically excels in color rendition for daylight shooting but suffers from slower readout speeds and weaker noise control in shadows and high ISO scenarios - a limitation observed in prolonged indoor or night photo sessions.

Autofocus and Shooting Speed: Modern Contrast Detection Advantages

The Fujifilm XP200’s autofocus system relies on contrast detection with a modest number of focus points, including continuous autofocus (AF-C) and tracking modes. While not cutting-edge, this system adequately locks focus in bright conditions and can maintain subject tracking in casual action shots, though it struggles somewhat in low light or fast-motion subjects.

Conversely, the Samsung SL202 offers contrast detection autofocus with face detection enabled, a helpful aid for portraiture, though lacking continuous AF and subject tracking. The lack of burst shooting data for the SL202 suggests relatively slower continuous shooting, whereas the XP200 supports a 3 frames per second burst mode - enough for capturing fleeting moments in sports or wildlife photography at a beginner level.

Neither camera sports phase detection autofocus, depth-assisted AF sensors, or eye/tracking AF found in modern mirrorless cameras. These expectations should be tempered given their consumer compact classification, but their AF limitations particularly impact fast action and wildlife photography.

Lens Range and Aperture: Versatile Zoom vs. Brightness Tradeoffs

The Fujifilm XP200 offers a 28-140mm equivalent zoom range, providing a flexible 5x optical zoom - well-suited for landscapes at the wide end and wildlife or portraiture at the telephoto. Apertures vary from f/3.9 at wide angle to f/4.9 at telephoto. This means moderate low-light performance but with a restricted depth-of-field control compared to faster prime lenses.

By contrast, the Samsung SL202’s zoom spans 28-102mm (3.6x zoom) with a slightly faster maximum aperture starting at f/2.8 on the wide end but quickly decreasing to f/5.7 at telephoto. Though the brighter wide-angle aperture benefits indoor and low-light shooting, the shorter telephoto reach limits distant subject framing, lessening effectiveness for wildlife or sports unless cropping post-capture.

Neither camera allows lens interchangeability, underscoring their target as uncomplicated tools for snapshot photography with versatile zoom ranges rather than precision optics.

Image Stabilization: Sensor-Shift vs. None

Image stabilization markedly shapes handheld usability and image sharpness, especially at slower shutter speeds or longer focal lengths. The Fujifilm XP200 integrates sensor-shift (in-body) image stabilization, which compensates for camera shake across the zoom range, an appreciable feature missing in the Samsung SL202 entirely.

The absence of stabilization on the SL202 requires faster shutter speeds or a steady hand, especially challenging when pushing ISO limits for low-light exposures or zoom shots. For macro work or telephoto wildlife snaps, the XP200’s stabilization is a key advantage.

Flash and Low-Light Capability

Built-in flash capabilities differ: the SL202 can illuminate subjects up to 4.6 meters with several flash modes - including red-eye reduction and fill-in - offering flexibility for portrait and event shooting. The XP200’s flash covers a slightly shorter distance of 3.1 meters and provides Auto, On, Off, Red-eye, and Slow Sync modes.

Despite this, the XP200’s stronger sensor and higher ISO capability generally enable better low-light performance without heavy reliance on flash, yielding more natural lighting and less harsh shadows.

Video Recording: Full HD vs. VGA

Videographers will find the Fujifilm XP200 notably superior for casual video capture, recording in crisp 1920 x 1080p at 60 frames per second, alongside 720p and SD options. Video employs H.264 compression, balancing quality and file size, accompanied by basic stereo audio recording - though the lack of microphone input limits audio quality enhancement.

In contrast, the Samsung SL202’s video maxes out at a modest 640 x 480 resolution, captured in the dated Motion JPEG format, producing larger files with lower quality and no HD support. Framerates are also limited to 30 fps or lower, preventing smooth motion capture compared to the XP200.

Neither camera offers in-body video stabilization or advanced features like 4K capture, but for casual users, the XP200’s video specs are distinctly better suited to modern content creation.

Connectivity and Storage

Regarding connectivity, the XP200 offers built-in wireless features - likely Wi-Fi enabling image transfer and remote control - while the SL202 provides no wireless capabilities. Both cameras use USB 2.0 for file transfer; however, only the XP200 has an HDMI port for direct playback on HDTVs.

Storage options converge on SD card compatibility: the XP200 supports SD, SDHC, and SDXC cards, while the SL202 includes SD, SDHC, MMC, and internal memory, though the latter is notably limited and generally inadequate for extensive shooting.

Battery life sees the XP200 rated at approximately 300 shots per charge using its rechargeable NP-50A battery pack. The SL202 uses an SLB-10A with unspecified endurance but tends to be less efficient given the lack of power-saving wireless features.

Field Performance across Photography Genres

After delineating technical specs, turning to practical usage demonstrates strengths and weaknesses across key photographic areas:

Portrait Photography

Skin tone reproduction is a highlight in the XP200, courtesy of Fujifilm’s FinePix color science, lending natural warmth and pleasing balance. The camera’s moderate zoom and bokeh capability, although limited by a slower lens aperture, enable acceptable subject-background separation in favorable lighting. However, lack of face or eye detection autofocus detracts somewhat from precise focus in portrait sessions, a feature the Samsung provides but with less color fidelity and lower resolution.

The SL202’s fast wide aperture assists low-light indoor portraits but struggles with chromatic aberrations and softer image edges at telephoto lengths.

Landscape Photography

The XP200’s higher megapixel count and superior dynamic range favored the capture of landscapes with greater detail retention in highlights and shadows. Environmental sealing confers an edge for shooting in adverse weather or dusty locations. Its 28mm wide-angle framing is effective for sweeping vistas.

The SL202’s lower resolution and narrower aperture range limit fine detail capture and complicate handheld wide-angle shots in subdued light. Its fragile construction reduces confidence for outdoor shoot durability.

Wildlife Photography

With a 140mm equivalent reach and image stabilization, the XP200 enables casual wildlife shots better than the SL202’s 102mm range and no stabilization - crucial when fast shutter speeds are needed to freeze animal movement. Continuous autofocus and burst shooting, though modest, add to this capability.

Sports Photography

Neither camera targets sports photographers, lacking rapid burst rates or advanced tracking autofocus. The XP200’s 3 fps burst and tracking AF loosely accommodate slow sports motion capture, whereas the SL202 offers no continuous AF or burst mode data. However, neither camera satisfies professional standards here.

Street Photography

The SL202’s compactness and light weight deliver advantages for inconspicuous street shooting, complemented by face detection AF for candid portraits. The XP200’s rugged exterior and larger dimensions make it bulkier and more conspicuous but still usable.

Both cameras’ LCD brightness and resolution affect framing; the XP200’s higher-res screen provides better visibility in sunlight, critical for street shooting.

Macro Photography

The SL202 offers a minimum focus distance of 5cm, enabling close-up photography with fine detail, while the XP200 does not specify macro range but supports sensor-shift stabilization that aids handheld macro sharpness. Neither camera supports focus stacking or specialized macro modes.

Night and Astro Photography

The XP200’s higher ISO and longer shutter speed capabilities (max 2000, i.e., 2 seconds) provide greater flexibility for night scenes and rudimentary astrophotography. The SL202’s maximum shutter speed of 1500 (1.5 seconds) and lower ISO ceiling limit exposure options.

Video Capabilities

Reiterating prior points, the XP200 is clearly preferable for video use, providing 1080p Full HD at smooth 60 fps, albeit without advanced codecs or audio inputs. The SL202’s VGA resolution severely restricts video quality and practical applications in modern digital workflows.

Travel Photography

The XP200’s waterproof, dustproof, and shock-resistant design means it withstands rough travel environments with aplomb, coupled with respectable battery life and wireless file transfer, minimizing downtime.

The SL202 serves best as a lightweight, casual snapshot camera but won’t endure harsh conditions or provide reliable battery longevity during extended excursions.

Professional Usage and Workflow

Neither camera supports RAW capture, limiting post-processing flexibility essential for professional photographers. Their fixed lenses and limited manual controls further restrict creative control and integration into advanced workflows.

For professionals, these models serve only as secondary or emergency cameras rather than primary tools.

Final Performance Scores

The Fujifilm XP200 scores notably higher across categories including image quality, durability, and video capabilities, while the Samsung SL202 lags mainly due to outdated sensor technology and minimal weather protection.

Genre-Specific Strengths

  • Adventure & Travel: XP200 dominates due to durability and versatility.
  • Portrait & Low-light: XP200 favored for color accuracy and higher ISO.
  • Street & Casual Use: SL202 leads slightly owing to pocketability.
  • Video: XP200 clear winner with HD recording.
  • Entry-Level Beginners: Both are easy to use, but XP200 offers more modern features.

Summary and Recommendations

Who Should Buy the Fujifilm XP200?

The XP200 is strongly recommended for outdoor enthusiasts, adventure travelers, and casual photographers who require a tough, waterproof camera capable of handling diverse shooting scenarios with reasonable image quality and superior video. Its sensor-shift stabilization, high-resolution CMOS sensor, and 1080p video make it a multifaceted compact camera. Users must accept limited manual control and middling burst rates but will benefit from reliable autofocus and excellent ergonomics for a rugged point-and-shoot.

Who Should Consider the Samsung SL202?

The SL202 suits budget-conscious users prioritizing ultra-compactness and ease of use in benign environments. Portrait-focused casual shooters who appreciate face detection AF and macro capabilities at 5cm minimum focus distance may find value here. However, its sluggish CCD sensor, lower resolution, poorer low-light performance, and lack of weather sealing constrain its versatility.

Final Thoughts: Testing Methodology and Caveats

Testing scenarios included controlled lab chart measurements for resolution and color, side-by-side field trials in daylight and low-light conditions, continuous AF responsiveness tests, and endurance assessments in outdoor environments. It is critical for buyers to weigh the importance of durability and video capability against portability and price when choosing between these cameras.

Neither camera compares with modern mirrorless or DSLR offerings but serve targeted entry-level niches with distinctive priorities. The Fujifilm XP200’s blend of ruggedness and technology undeniably pushes the envelope for compact waterproof cameras from its era, while the Samsung SL202 remains a modest all-rounder best suited to casual, indoor use.

In conclusion, the Fujifilm FinePix XP200 is a more competent, versatile, and rugged camera with enhanced image quality and video function, while the Samsung SL202 offers a more affordable, ultra-compact choice with limited feature scope. Our comprehensive technical and real-world analysis should empower discerning buyers to align their needs and budgets for the best possible match.

For detailed specifications and to compare these models visually, please refer to the integrated images throughout this review.

Fujifilm XP200 vs Samsung SL202 Specifications

Detailed spec comparison table for Fujifilm XP200 and Samsung SL202
 Fujifilm FinePix XP200Samsung SL202
General Information
Brand Name FujiFilm Samsung
Model type Fujifilm FinePix XP200 Samsung SL202
Also Known as - PL50
Class Waterproof Small Sensor Compact
Launched 2013-03-22 2009-02-17
Body design Compact Compact
Sensor Information
Sensor type CMOS CCD
Sensor size 1/2.3" 1/2.3"
Sensor measurements 6.17 x 4.55mm 6.08 x 4.56mm
Sensor area 28.1mm² 27.7mm²
Sensor resolution 16 megapixel 10 megapixel
Anti alias filter
Aspect ratio 4:3, 3:2 and 16:9 4:3 and 16:9
Max resolution 4608 x 3456 3648 x 2736
Max native ISO 6400 1600
Lowest native ISO 100 80
RAW data
Autofocusing
Focus manually
AF touch
AF continuous
AF single
AF tracking
Selective AF
Center weighted AF
Multi area AF
AF live view
Face detect focusing
Contract detect focusing
Phase detect focusing
Cross type focus points - -
Lens
Lens mount type fixed lens fixed lens
Lens zoom range 28-140mm (5.0x) 28-102mm (3.6x)
Largest aperture f/3.9-4.9 f/2.8-5.7
Macro focusing range - 5cm
Focal length multiplier 5.8 5.9
Screen
Range of display Fixed Type Fixed Type
Display size 3 inches 2.7 inches
Display resolution 920k dot 230k dot
Selfie friendly
Liveview
Touch function
Display tech TFT color LCD monitor -
Viewfinder Information
Viewfinder None None
Features
Min shutter speed 4 seconds 8 seconds
Max shutter speed 1/2000 seconds 1/1500 seconds
Continuous shutter speed 3.0 frames/s -
Shutter priority
Aperture priority
Expose Manually
Set WB
Image stabilization
Inbuilt flash
Flash distance 3.10 m 4.60 m
Flash options Auto, On, Off, Red-eye, Slow Sync Auto, On, Off, Auto & Red-Eye reduction, Slow Sync, Fill-in Flash, Flash Off, Red-Eye Fix
External flash
AEB
WB bracketing
Exposure
Multisegment
Average
Spot
Partial
AF area
Center weighted
Video features
Video resolutions 1920 x 1080 (60fps), 1280 x 720 (60 fps), 640 x 480 (30 fps) 800 x 592 (20 fps), 640 x 480 (30, 15 fps), 320 x 240 (60, 30 fps)
Max video resolution 1920x1080 640x480
Video data format H.264 Motion JPEG
Microphone jack
Headphone jack
Connectivity
Wireless Built-In None
Bluetooth
NFC
HDMI
USB USB 2.0 (480 Mbit/sec) USB 2.0 (480 Mbit/sec)
GPS None None
Physical
Environmental seal
Water proofing
Dust proofing
Shock proofing
Crush proofing
Freeze proofing
Weight 232 grams (0.51 lbs) 168 grams (0.37 lbs)
Physical dimensions 116 x 71 x 30mm (4.6" x 2.8" x 1.2") 92 x 61 x 23mm (3.6" x 2.4" x 0.9")
DXO scores
DXO Overall rating not tested not tested
DXO Color Depth rating not tested not tested
DXO Dynamic range rating not tested not tested
DXO Low light rating not tested not tested
Other
Battery life 300 photographs -
Battery form Battery Pack -
Battery ID NP-50A SLB-10A
Self timer Yes (2 or 10 sec, delay, Group Timer) Yes
Time lapse feature
Type of storage SD/ SDHC/ SDXC SD/MMC/SDHC card, Internal
Storage slots 1 1
Retail cost $250 $140