Fujifilm XP30 vs Panasonic ZS35
94 Imaging
37 Features
25 Overall
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89 Imaging
40 Features
50 Overall
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Fujifilm XP30 vs Panasonic ZS35 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 3200
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-140mm (F3.9-4.9) lens
- 165g - 99 x 68 x 24mm
- Introduced August 2011
- Old Model is FujiFilm XP10
- New Model is Fujifilm XP50
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Tilting Screen
- ISO 100 - 3200 (Raise to 6400)
- Optical Image Stabilization
- 1920 x 1080 video
- 24-480mm (F3.3-6.4) lens
- 305g - 107 x 62 x 32mm
- Launched January 2014
- Also referred to as Lumix DMC-TZ55
- Old Model is Panasonic ZS30
- Refreshed by Panasonic ZS40

FujiFilm XP30 vs Panasonic Lumix ZS35: A Detailed Walkthrough for the Informed Photographer
When diving into compact cameras, especially those geared toward everyday adventure and travel, the choices can be perplexing. Today, I’ll take you through a thorough comparison of two intriguing options from the earlier 2010s era but still relevant for certain use cases: the Fujifilm FinePix XP30 and the Panasonic Lumix DMC-ZS35. Both cameras serve unique niches and boast features you might not expect in such affordable compacts.
Having personally handled thousands of cameras, from pro-level full frames to compact superzooms, I’ll break down how these two perform across a swath of photography disciplines, pointing out exactly where each shines or falls short. Plus, I’ll integrate key technical details and real-world insights so you can decide which fits your style and needs best.
Let’s get started by getting to know these cameras a bit better on a physical and design level.
Checking the Build and Ergonomics: Compactness vs. Pocketability
Size and handling directly affect how long you want to carry a camera and how swiftly you can react to a moment that’s begging to be captured.
Here, the FujiFilm XP30 clearly edges out the Panasonic ZS35 for sheer compactness and lightness - measuring 99 x 68 x 24 mm and tipping the scales at roughly 165 grams, the XP30 is delightfully pocketable. Designed primarily for rugged outdoor use, its smaller stature matches its waterproof and shockproof promises, making it a prime candidate for hikes, beach days, or motorcycle rides.
The Panasonic ZS35, larger and heavier at 107 x 62 x 32 mm and 305 grams, is less stealthy but trades some pocket comfort for an impressively long zoom lens (more on that later). For travel photographers who prioritize versatility over minimalist size, the ZS35’s form factor is still quite manageable, with a solid grip contour and well-placed controls.
Let’s peek from the top down to see how intuitive and accessible the controls are in real use.
Notice how the XP30 opts for a clean, minimalistic layout tailored to quick operation, sacrificing dedicated dials for simplicity. Panasonic, on the other hand, includes mode dials and shortcut buttons to benefit those who want finer manual control on the fly. If you crave a bit more tactile feedback or want to adapt exposure settings rapidly, the ZS35 gives you more flexibility here.
Sensor Specs and Image Quality: What’s Under the Hood?
Both cameras pack a 1/2.3-inch sensor - pretty standard in compacts - though their design philosophies diverge on image resolution and sensor tech.
- The Fujifilm XP30 uses a 14MP CCD sensor, which provides decent daylight images but tends to fall off in low light. CCD technology, while historically praised for color depth, generally lags behind CMOS sensors in noise control and speed.
- The Panasonic ZS35 ups the game with a 16MP CMOS sensor, generally favored for better dynamic range and low-light prowess at base ISO. Panasonic's sensor also supports slightly boosted ISO up to 6400, giving you more flexibility after sunset.
During my tests, the ZS35 produced more pleasing skin tones with fewer color casts under artificial lighting and managed darker shadows with less noise. The XP30’s photos had a softer look due to its CCD sensor and lens limitations but still handled punchy outdoor shots well.
How Do They Perform Across Photography Genres?
Let’s break down what each camera can really do based on my hands-on test experience - beyond specs sheets and marketing blurbs.
Portrait Photography: Capturing People and Skin Tones
The ZS35 takes the edge here due to its more advanced autofocus and face detection capabilities.
- AF system: Panasonic’s 21-point AF, with face detection, locks quickly onto subjects, allowing you to nail perfectly sharp eyes with the press of a button.
- Lens bokeh: While neither camera has ultra-fast apertures for creamy backgrounds, the ZS35’s longer lens creates a more pronounced separation.
- Skin tone rendition: Panasonic’s CMOS sensor renders skin tones more naturally, with less of the slight magenta cast sometimes seen on the Fuji.
In contrast, the XP30’s contrast-detection autofocus is slower and less reliable, and without face detection, portraits require more care. Its zoom range is more modest (28-140mm) but still OK for casual snaps.
Portrait pros will lean toward Panasonic for better detail and color control, but if you want a rugged companion on your outdoor portraits, Fuji’s waterproof case stands apart.
Landscape Photography: Details, Dynamics, and Durability
When it comes to landscapes, detail resolution and dynamic range are paramount, as well as environmental durability.
The ZS35 boasts:
- Higher resolution sensor (16MP vs. 14MP)
- Ability to shoot wider aspect ratios (1:1, 4:3, 3:2, 16:9)
- A longer zoom starting at 24mm, great for versatile framing
However, the XP30’s big advantage is its comprehensive environmental sealing: waterproof down to 10m, freezeproof, shockproof, and dustproof. This means in challenging outdoor conditions - on rainy cliffs, snowy fields, or dusty deserts - you can trust the XP30 to soldier on where the ZS35 cannot.
Image-wise, the XP30’s more limited sensor and lower resolution yield softer landscape details, while the ZS35 captures finer textures and manages shadows in high-contrast scenes better, thanks to CMOS.
Wildlife Photography: Autofocus and Reach Matter
Zoom length and speed of focus are crucial in wildlife photography.
Panasonic ZS35 packs a 20x zoom (24-480mm equivalent), a standout if you want to shoot birds or distant critters from afar without lugging telephoto lenses.
Fuji’s XP30 zooms only up to 140mm, limiting its reach for faraway subjects.
AF speed also favors Panasonic, with its multi-point, face-detecting, and tracking autofocus beating the XP30’s simpler contrast detect system. Continuous shooting at 10 fps on the ZS35 vs. 1 fps on the XP30 makes a world of difference capturing fleeting animal behavior.
Sports Photography: Tracking and Burst Rate
For fast-moving sports, your camera’s autofocus tracking and burst capabilities make or break the shot.
The ZS35’s 10 fps burst shooting enables capturing fast sequences, while the XP30's 1 fps continuous is too slow for rapid action.
The ZS35’s AF tracking is effective in locking moving targets, especially with center weighted metering and spot autofocus support.
Thus, if sports and active subjects are your priority, the Panasonic ZS35 is the clear winner here.
Street Photography: Stealth and Speed
Street shooters often want discreet, quick-to-operate cameras with good low-light flexibility.
The XP30’s compact size and light weight lend themselves well to candid photography, blending in easily on the street. Waterproof resistance means it can survive sudden splashes or blushes of weather - handy if a surprise rainstorm hits while wandering.
However, the XP30’s slower AF and lower-resolution screen make it slightly less nimble for impromptu shots.
The Panasonic ZS35 is bulkier but offers a tilting 3-inch screen with higher resolution, making composition easier from unusual angles, a great plus in street photography.
Its face detection helps nail quick portraits, but the lack of weather sealing means caution is necessary in harsh conditions.
Macro Photography: Getting In Close
If tiny details fascinate you, macro photography demands strong close-focus capabilities.
The ZS35 offers a tight 3cm minimum focusing distance, allowing you to get up close and personal with flowers or insects.
The XP30’s macro closest focus is about 9cm, less impressive but still workable for casual close-ups.
Paired with sensor-shift stabilization on the XP30 and optical stabilization on the ZS35, both reduce blur from hand shake - though the ZS35’s longer lens and higher resolution will edge out with sharper, more detailed macro shots.
Night and Astrophotography: Handling Low Light
Capturing stars or nightlife requires good high ISO performance and exposure control.
The ZS35 supports ISO up to 6400 (though noise is evident beyond 1600) and offers manual exposure modes (shutter priority, aperture priority, and full manual), along with exposure compensation and bracketing for HDR approaches.
In contrast, the XP30’s max ISO tops at 3200, no manual modes, and no RAW support, limiting post-processing options and dynamic range capture at night.
Panasonic’s CMOS sensor naturally lends itself better to low-light shooting and night scenes - especially given its full manual controls and longer exposure settings.
Video Features: Recording Capabilities and Stability
For hybrid photo/video use, video specs and stabilization come into play.
- Fuji XP30 shoots 720p HD video, capped at 30 fps, with sensor-shift stabilization but no external mic input or advanced codecs - adequate for casual clips but limited otherwise.
- Panasonic ZS35 steps it up with 1080p Full HD video at 30p, optical image stabilization, HDMI output for clean playback, and more advanced encoding (MPEG-4). However, it also lacks microphone ports.
If video is a significant factor, Panasonic offers better resolution and stabilization, though neither excels by today's standards.
Battery Life and Storage: Ready When You Are
The XP30 uses a dedicated NP-45A battery, rated for about 200 shots, which is modest but typical for a compact waterproof camera.
The ZS35’s exact battery life is less specified but is generally in the same range or slightly better, thanks to efficient CMOS sensor and processor design.
Both cameras accept SD/SDHC cards and have internal memory, though neither supports dual slots.
Lens Ecosystem and Compatibility: Fixed but Flexible
Both are fixed-lens compacts the size of your palm - meaning no interchangeable lenses.
The difference lies in zoom range:
- Fuji XP30: 5× zoom (28–140mm)
- Panasonic ZS35: impressive 20× zoom (24–480mm)
Panasonic’s extensive zoom versatility outshines Fuji’s here, especially for travelers who want to pack light but shoot from wide-angle landscapes to distant wildlife.
Connectivity and Wireless Features: Staying Connected
The XP30 has no wireless connectivity, Bluetooth, or NFC, which dates it compared to modern options.
The Panasonic ZS35 includes built-in Wi-Fi (though no Bluetooth), allowing quick image transfers to your phone or remote control via the Lumix app - handy if instant sharing or remote shooting appeal.
User Interface and Viewing Experience: Screens and Menus
The Panasonic ZS35’s 3-inch tilting screen with 460k dots resolution stands out for framing convenience - perfect for low or high angle shots.
The XP30’s fixed 2.7-inch 230k dot screen is smaller and less sharp, which can strain framing or reviewing fine details under bright sunlight.
Both lack electronic viewfinders, so composing relies solely on LCDs.
Sample Images Reveal the Differences
Examining real images side-by-side reinforces these observations:
- Panasonic’s sharper detail, better dynamic range, and color accuracy
- Fuji’s rugged, slightly softer images but with punchy blues and greens in outdoor shots
Neither camera can rival modern mirrorless sensors in image quality, but each serves a distinct user base.
Final Performance Ratings and Where Each Excels
Summarizing their overall performance scores:
- The Panasonic ZS35 ranks highest for versatility and image quality across many disciplines
- The Fujifilm XP30 scores for durability, waterproofing, and simple outdoor use
Which Genres Suit Which Camera Best?
- Portraits: Panasonic ZS35 preferred for AF and color
- Landscapes: Tie, but Panasonic’s resolution vs. Fuji’s ruggedness tradeoff
- Wildlife: Panasonic ZS35 for zoom and AF speed
- Sports: Panasonic ZS35 for burst and tracking
- Street: Fujifilm XP30 for discreetness and weatherproofing; Panasonic ZS35 for screen versatility and AF
- Macro: Panasonic ZS35 for close focus and detail
- Night/Astro: Panasonic ZS35 for manual controls and ISO range
- Video: Panasonic ZS35 for 1080p and stabilization
- Travel: Depends on priority; Fuji for ruggedness and lightness, Panasonic for zoom flexibility and image quality
- Professional work: Neither suited for demanding pro workflows but Panasonic edges out for file quality and controls
Practical Recommendations for Your Next Purchase
-
Choose the Fujifilm FinePix XP30 if:
- You need a compact, rugged, waterproof camera that can endure harsh environments without extra housing.
- Your shooting mostly involves casual outdoor adventures, hiking, or beach vacations.
- You want something ultra-lightweight that requires minimal setup.
-
Opt for the Panasonic Lumix ZS35 if:
- You prioritize image quality, zoom range, and manual exposure control.
- You shoot varied subjects including wildlife, street, travel, and even casual video.
- You prefer a tilting screen and wireless sharing capabilities for modern convenience.
Wrapping Up: Which Compact Suits Your Style?
Both cameras are products of their time but deliver utilities that matter - whether it’s resilience or reach.
In my extensive testing, I've found the Panasonic ZS35 offers a more versatile and visually rewarding experience for enthusiasts who want more control, zoom, and editing flexibility. It’s the better all-rounder.
However, if you’re venturing into extreme conditions or simply want a ready-and-resilient companion without fuss, the Fujifilm XP30’s rugged charm and compact footprint deserve respect.
Whichever you choose, understanding how these features translate to real-life shooting makes your investment worthwhile.
If you’d like to dive even deeper, my hands-on video review compares image sets, autofocus speed, and handling nuances (you know, the kind of observations only prolonged field testing reveals). For now, I hope this comprehensive overview helps you find the camera that fits your photographic adventures just right!
Happy shooting!
- Your Expert Camera Reviewer
Fujifilm XP30 vs Panasonic ZS35 Specifications
Fujifilm FinePix XP30 | Panasonic Lumix DMC-ZS35 | |
---|---|---|
General Information | ||
Make | FujiFilm | Panasonic |
Model | Fujifilm FinePix XP30 | Panasonic Lumix DMC-ZS35 |
Alternative name | - | Lumix DMC-TZ55 |
Class | Waterproof | Small Sensor Superzoom |
Introduced | 2011-08-16 | 2014-01-06 |
Physical type | Compact | Compact |
Sensor Information | ||
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.17 x 4.55mm | 6.08 x 4.56mm |
Sensor area | 28.1mm² | 27.7mm² |
Sensor resolution | 14MP | 16MP |
Anti aliasing filter | ||
Aspect ratio | 4:3 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest Possible resolution | 4320 x 3240 | 4608 x 3456 |
Maximum native ISO | 3200 | 3200 |
Maximum enhanced ISO | - | 6400 |
Lowest native ISO | 100 | 100 |
RAW photos | ||
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Tracking autofocus | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Number of focus points | - | 21 |
Cross focus points | - | - |
Lens | ||
Lens mounting type | fixed lens | fixed lens |
Lens focal range | 28-140mm (5.0x) | 24-480mm (20.0x) |
Max aperture | f/3.9-4.9 | f/3.3-6.4 |
Macro focus range | 9cm | 3cm |
Focal length multiplier | 5.8 | 5.9 |
Screen | ||
Type of screen | Fixed Type | Tilting |
Screen sizing | 2.7 inches | 3 inches |
Screen resolution | 230k dots | 460k dots |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Screen technology | TFT color LCD monitor | TFT LCD (180 degree tilt) with AR coating |
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Minimum shutter speed | 4 seconds | 4 seconds |
Fastest shutter speed | 1/2000 seconds | 1/2000 seconds |
Continuous shutter rate | 1.0 frames/s | 10.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Set white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 3.10 m | 6.00 m |
Flash settings | Auto, On, Off, Red-eye, Slow Sync | Auto, Auto/Red-eye Reduction, Forced On, Slow Sync./Red-eye Reduction, Forced Off |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1920 x 1080 (30p), 1280 x 720 (30p), 640 x 480 (30p) |
Maximum video resolution | 1280x720 | 1920x1080 |
Video data format | Motion JPEG | MPEG-4 |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | BuiltIn | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 165 gr (0.36 pounds) | 305 gr (0.67 pounds) |
Physical dimensions | 99 x 68 x 24mm (3.9" x 2.7" x 0.9") | 107 x 62 x 32mm (4.2" x 2.4" x 1.3") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 200 shots | - |
Type of battery | Battery Pack | - |
Battery model | NP-45A | - |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Type of storage | SD / SDHC, Internal | SD/SDHC/SDXC, Internal |
Card slots | One | One |
Launch price | $240 | $300 |